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Live Stream Waxahatchee’s ACL Taping on 5/19 @ 8pm CT

Austin City Limits to Live Stream Waxahatchee’s ACL Debut

Breakout artist Waxahatchee makes her Austin City Limits debut on Monday, May 19 and the legendary music series is thrilled to announce this highly-anticipated performance will be livestreamed on the ACLTV YouTube Channel. ACL offers fans worldwide the unique opportunity to watch Waxahatchee’s taping live from the famed ACL stage in its entirety on May 19 at 8pm CT/9pm ET free via the ACLTV YouTube Channel.  The livestream will begin promptly at 8pm CT and will only be available live. The broadcast episode will air this fall on PBS and stream on pbs.org/austincitylimits as part of the television series’s upcoming Season 51.

ACL is proud to welcome Katie Crutchfield, the indie musician who performs as Waxahatchee (the name of a creek she grew up near in Alabama). She’s been releasing albums as Waxahatchee since 2012 and recently scored a career high with Tigers Blood, which earned a 2025 Grammy nomination for Best Americana Album. Recorded at Sonic Ranch in the Texas bordertown of Tornillo with producer Brad Cook, the Kansas City-based Crutchfield wrote most of the songs on the album during a self-described “hot hand spell” while on tour in 2022. Tigers Blood features her most potent songwriting to date and includes the breakout single “Right Back To It,” a lo-fi gem that features southern indie-rock ace MJ Lenderman on harmony vocals and guitar, nominated for Song of the Year at the 2024 Americana Music Awards. Album highlights include the spellbinding opener “3 Sisters”; “365,” a powerful meditation on co-dependency and addiction; and “Bored,” a blazing number on diverging friendships in your 30s. Tigers Blood is Waxahatchee’s first release in four years since 2020’s acclaimed Saint Cloud, a pandemic era standout and turning point that found Crutchfield steering away from indie rock and leaning into Americana and roots music, a sound with deep ties to her southern upbringing. The road-tested artist is touring throughout 2025, including a recent Luck Ranch show with one of her primary influences, Lucinda Williams. Waxahatchee will join Willie Nelson this fall on his Outlaw Music Festival.

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News Ticket Giveaway

Giveaway: Waxahatchee

Austin City Limits will tape performances celebrating The 50th Anniversary of Antone’s on Monday, May 19th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). Austin City Limits Taping Giveaways are presented by AXS Events.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue. While we do our best to accommodate all winners, we cannot guarantee admissionThese passes are based on space available therefore you will be filling in spots available on the floor or balcony depending on the tickets that are available when you arrive.


One of the hardest working singer-songwriters in the game is named Katie Crutchfield. She was born in Alabama, grew up near Waxahatchee Creek. Skipped town and struck out on her own as Waxahatchee. That was over a decade ago. Crutchfield says she never knew the road would lead her here, but after six critically acclaimed albums, she’s never felt more confident in herself as an artist. While her sound has evolved from lo-fi folk to lush alt-tinged country, her voice has always remained the same. Honest and close, poetic with Southern lilting. Much like Carson McCullers’s Mick Kelly, determined in her desires and convictions, ready to tell whoever will listen. 

And after years of being sober and stable in Kansas City–after years of sacrificing herself to her work and the road–Crutchfield has arrived at her most potent songwriting yet. On her new album, Tigers Blood, Crutchfield emerges as a powerhouse–an ethnologist of the self–forever dedicated to revisiting her wins and losses. But now she’s arriving at revelations and she ain’t holding them back. 

Crutchfield says that she wrote most of the songs on ‘Tigers Blood’ during a “hot hand spell,” while on tour in 2022. And when it came time to record, Crutchfield returned to her trusted producer Brad Cook, who brought her sound to a groundbreaking turning point on 2020’s Saint Cloud

They hunkered down at Sonic Ranch in Tornillo, Texas–a border town known for cotton and pecans–and searched for another turn, waited for a sign. Initially, MJ Lenderman, Southern indie-rock wunderkind (much like Crutchfield when she started out) came to play electric guitar and sing on “Right Back To It.” But as soon as they tracked it, Cook told Lenderman he had to stay for the rest of the album. And he did. 

“Right Back To It” is ‘Tigers Blood’’s lead single. A nod to country duets like Gram and Emmylou, winding over a steadfast banjo from Phil Cook. Together, Crutchfield and Lenderman harmonize on the chorus:I’ve been yours for so long/We come right back to it/I let my mind run wild/Don’t know why I do it/But you just settle in/Like a song with no end.” Crutchfield says it’s the first real love song she’s ever written.

The song “Bored” opens with blase drum beats from Spencer Tweedy that crash under Crutchfield as she throws her voice high: “I can get along/ My spine’s a rotted two by four/Barely hanging on/My benevolence just hits the floor.” Lenderman’s scuzzy riffs and Nick Bockrath’s climbing pedal steel add power to the album’s most ‘Southern Rock’ a la Drive-By Truckers moment. 

 “365” is a story of recognition told from a hard-won place of self-acceptance/forgiveness. Crutchfield initially started writing it for Wynonna Judd, with whom she has written and performed in the past, until the lyrics started hitting closer and closer to home. The writer Annie Ernaux says, “writing is to fight forgetting.” Like Lucinda Williams, Crutchfield’s lyrics are memoir. Throughout ‘Tigers Blood’ Crutchfield is addressing a “you,” but the ‘you’ in “365” evokes raw closeness, vulnerability. “Ya ain’t had much luck but grace is/In the eye of the beholder/And I had my own ideas but/I carried you on my shoulders, anyways.”

“365” is essentially ‘Tigers Blood’’s aria about addiction, with little to no accompaniment to Crutchfield’s voice. Her backing band is hushed, as if the spotlight’s coming down on her, alone on the stage, giving her testimony. Crutchfield slings her voice with arresting precision, reaching its highest harmony on the whole album. “So when you kill, I kill/And when you ache, I ache/And we both haunt this old lifeless town/And when you fail, I fail/ When you fly, I fly/And it’s a long way to come back down.” 
“365” circles back to the beginning of ‘Tigers Blood,’ where Crutchfield’s words ring clear as a bell. Album opener “3 Sisters” starts with Crutchfield singing over hymn-like piano chords:I pick you up inside a hopeless prayer/I see you beholden to nothing/I make a living crying it ain’t fair/And not budging.” ‘Tigers Blood’ is Crutchfield at her most confident and resilient. Staring straight at the truth, forgiving but not forgetting, not batting an eye.


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

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News Taping Announcement

Samara Joy, Cam and MJ Lenderman announced for Season 51 Tapings

Austin City Limits (ACL) is thrilled to announce summer tapings featuring a trio of American originals in their ACL debuts for our Season 51: on May 25 we welcome five-time Grammy-winning jazz vocalist Samara Joy, making her debut with songs from her celebrated 2025 album Portrait; previously announced modern soul act Thee Sacred Souls comes to our stage on May 28, straight from their buzzed-about Coachella performances; country artist Cam joins us on June 2; riding a high after a 2025 Grammy win for her songwriting on the landmark Cowboy Carter, Cam makes her headlining ACL debut with songs from her upcoming new collection; and ascendant singer-songwriter MJ Lenderman takes the ACL stage on July 1 with highlights from his acclaimed Manning Fireworks.

Photo by Gus Black

Samara Joy is having a banner year, earning a remarkable fourth and fifth Grammy at this year’s Awards, taking home gold for both Best Jazz Performance and Best Jazz Vocal Album. The 25-year-old jazz vocalist’s latest studio album Portrait won the Outstanding Jazz Album Award at the NAACP Image Awards in February. Joy co-produced the acclaimed Verve release with veteran trumpeter/bandleader and multi-Grammy winner Brian Lynch. Portrait showcases the intimate, soulful chemistry she’s developed with her touring band and spotlights her burgeoning gifts as a lyricist in ingenious arrangements that meld her thoughtful words with music by Charles Mingus, Sun Ra and her late mentor Barry Harris. Joy continues to secure her status as perhaps the first Gen Z jazz vocal star: The New York Times praised the “silky-voiced rising star” for “helping jazz take a youthful turn,” while NPR named her a “classic jazz singer from a new generation.” Joy’s meteoric rise launched in 2022 with the release of her breakout Verve debut, Linger Awhile, which garnered critical raves and signaled the arrival of a once-in-a-generation vocalist. The album earned her a Grammy for Best Jazz Vocal Album in addition to a headline-making win for Best New Artist. A native of the Bronx, Joy became entranced by classic R&B as a child and cut her teeth as a singer in her church’s gospel choir. And while her family history is deeply musical, Joy didn’t delve into the jazz tradition until college. During her studies she won the 2019 Sarah Vaughan International Jazz Vocal Competition, which introduced her to the larger jazz scene as a rising star to watch. She was heard, by audiences and critics alike, as a masterful interpreter of jazz standards and a rightful heiress of the sound, technique and charisma that defined her jazz heroines — including Vaughan, Betty Carter, Abbey Lincoln and Carmen McRae. Joy will tour across the globe throughout 2025, including a career high: her highly-anticipated Carnegie Hall debut this spring.

Multi-platinum country artist Cam turned heads when she performed on our 50th Anniversary special in 2024; she was featured in the program’s songwriter circle, trading songs and verses with Indigo Girls and Brandy Clark in what became a broadcast highlight.  The singer and songwriter kicked off 2025 with a career highlight: she picked up her first Grammy win as a songwriter on Beyoncé’s genre-shattering Album of the Year Cowboy Carter. A sought-after collaborator, Cam penned five songs for the landmark album (“Ameriican Requiem,” “Protector,” “Daughter,” “Tyrant,” and “Amen”) and contributed production and backing vocals. On the heels of her big year so far with Beyoncé, Cam is now gearing up for the 2025 release of her highly anticipated new album with RCA Records. Prolific and adored, Cam stepped into the spotlight in a big way with her critically acclaimed debut, Untamed. The chart-topping, triple-platinum release featured the breakthrough smash “Burning House,” and notched Grammy, ACM, and CMA award nominations. She followed with her critically acclaimed sophomore release, The Otherside, which featured the international Jolene-in-reverse hit “Diane,” plus songwriting from Avicii, Harry Styles, Jack Antonoff, and Sam Smith. A captivating live performer with a soaring voice, Cam has consistently sold out shows across the globe, cementing her status as an international powerhouse. From the coveted sunset slot at Stagecoach to top venues across five continents, in recent years, she has been one of the few country acts to play Lollapalooza, ACL Fest, and Outside Lands while also supporting acts like Harry Styles, George Strait, Sam Smith, Loretta Lynn, the Indigo Girls, Eric Church, Tim McGraw, and Faith Hill. A vivid storyteller, clever wordsmith, and committed visionary, fans have only just begun to scratch the surface of Cam’s many facets. As she bravely steps into her next era, she’s welcoming everyone into a space that’s inclusive, invigorating, and inspiring.

Photo by Shervin Lainez

26-year-old singer-songwriter-guitarist MJ Lenderman makes his ACL debut after a busy couple of years. A rock-and-roll and basketball obsessed kid growing up in the mountain town of Asheville, NC, he put out the breakthrough solo set Boat Songs in 2022; the sleeper hit piled offhanded, Southern-inflected rock on wry, laconic bangers like “Hangover Game,” “Six Flags” and “Tastes Just Like It Costs.” With its barbed little jokes, canny sports references, and gloriously ragged guitar solos, the album became one of that year’s standouts, a ramshackle set of charms and chuckles. He followed with a stellar 2024, bookended by a memorable feature on Waxahatchee’s “Right Back To It,” a magnetic duet about romantic doubt that became one of the year’s biggest indie-rock anthems, and the release of his own highly anticipated solo album, Manning Fireworks. A laser-sharp study of misfits and the mistakes they make, where sympathy and sardonicism share the same ragged rock song, the acclaimed release features thumbnail character studies: “She’s Leaving You,” a half-sneering portrait of a dad cheating his way through a midlife crisis, at least until he gets caught and blasts Clapton in a rented Ferrari en route to Vegas; “On My Knees” finds Lenderman wondering what it means to have fun in a world where so many people seem full of shit; and muses on edgelords and alpha males on the standout “Wristwatch.” Manning Fireworks topped many critics’ year-end best lists, with Rolling Stone raving, “MJ Lenderman delivers a sad-guy indie-rock gem” and named him “a budding guitar great and ace storyteller”; The New York Times calls Lenderman “A young artist with an old soul and a keen eye for observational detail that makes his canted portraits of small-town life come alive”; NPR raves, “He’s a homespun magical realist, always throwing in something off-kilter to elevate his tales of lovable losers”; and the Guardian concurs, “Far from being dude-centric, Manning Fireworks’ sad sack anthems tap into something devastatingly, purely human.” 

We’re thrilled to welcome these stellar acts to the ACL stage. The broadcast episodes will air on PBS this fall as part of our upcoming Season 51, stream previous seasons online or on your connected TV with the PBS App. Follow @acltv on socials for a chance to attend these tapings in person. Learn more about how to attend a taping here.

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Live Stream News

Live Stream ACL & Antone’s Celebrate the Blues on 4/28 @ 8pm CT

One-of-a-Kind Taping to be Livestreamed for Fans Worldwide on Austin City Limits YouTube Channel; Watch Live on April 28 at 8pm

Legendary Austin club Antone’s celebrates its 50th anniversary this year and Austin City Limits is proud to salute this occasion, along with our own five-decade history of showcasing the blues, with ACL & Antone’s Celebrate the Blues on Monday, April 28. Austin City Limits is also pleased to announce this special taping will be livestreamed in its entirety on the ACLTV YouTube channel. This one-of-a-kind taping swaps Antone’s intimate setting for ACL’s familiar skyline backdrop and offers a murderers’ row of blues all-stars and torchbearers taking the ACL stage at ACL Live at The Moody Theater for this incredible night. Performers include Jimmie Vaughan, Sue Foley, Christone “Kingfish” Ingram, Charlie Sexton, Big Bill Morganfield, Lil’ Ed Williams, Grace Bowers, Bobby Rush and Lurrie Bell. These blues all-stars will be backed by an incredible 14-piece house band featuring legendary players, including ACL Hall of Famer Chris Layton, along with Steve Bell, Joe Sublett and more, all under the musical direction of Zach Ernst. Full line-up of guest performers and house band below. 

ACL offers fans worldwide the unique opportunity to watch this special taping live in its entirety on Monday, April 28 at 8pm CT free via the ACLTV YouTube Channel.  The livestream will begin promptly at 8pm CT and will only be available live. The broadcast episode will air on PBS and stream on PBS.org this fall as part of the legendary television series upcoming Season 51.

Austin City Limits presented blues acts on the series dating back to its earliest seasons, providing the first television exposure for many, including Lightnin’ Hopkins, Gatemouth Brown, Miss Lavelle White, B.B. King, W.C. Clark, Elizabeth Cotten and Ruth Brown. 

ACL is thrilled to celebrate a kindred long-running music institution that has played an instrumental role in Austin’s reign as “the live music capital of the world.” Antone’s “Home of the Blues” opened in 1975 as the first live music showcase on the city’s now-famous Sixth Street, and it quickly became a home away from home for a Mount Rushmore of blues musicians including Muddy Waters, Albert King, Otis Rush, Buddy Guy, Stevie Ray Vaughan, Willie Dixon and B.B. King – as well as a broader tapestry of American roots music. The force behind all this was club founder Clifford Antone; under his guidance, his namesake venue emerged as one of the most important blues joints and stages in the country. Throughout the venue’s remarkable five-decade run, Antone’s continued to define the present and shape the future of blues music, bolstering the careers of internationally-renowned artists including The Fabulous Thunderbirds, Doug Sahm, Charlie Sexton, Angela Strehli, Lou Ann Barton and many more. It remains a vital presence in the live music scene, with its legacy and influence carried forward by the next generation of trailblazing artists including Gary Clark Jr., Kam Franklin, Jackie Venson, Eve Monsees and Kingfish. Stay tuned for the broadcast episode, which will air later this year as part of ACL’s upcoming Season 51 on PBS.

“ACL & ANTONE’S CELEBRATE THE BLUES” GUEST PERFORMERS:

  • JIMMIE VAUGHAN
  • SUE FOLEY
  • CHRISTONE “KINGFISH” INGRAM
  • CHARLIE SEXTON
  • BIG BILL MORGANFIELD
  • LIL’ ED WILLIAMS
  • GRACE BOWERS
  • BOBBY RUSH
  • LURRIE BELL
  • BENNY TURNER
  • KAM FRANKLIN
  • JOHN PRIMER

ALL-STAR HOUSE BAND:

  • ZACH ERNST (MUSICAL DIRECTOR & GUITAR)
  • STEVE BELL (HARMONICA)
  • RODD BLAND (DRUMS) 
  • NICK CONNOLLY (PIANO)
  • JOHN DEAS (B3 ORGAN)
  • LARRY FULCHER (BASS)
  • AL GOMEZ (TRUMPET)
  • MARK “KAZ” KAZANOFF (SAXOPHONE)
  • CHRIS LAYTON (DRUMS)
  • JOHN MILLS (SAXOPHONE)
  • JAY MOELLER (DRUMS)
  • EVE MONSEES (GUITAR)
  • DEREK O’BRIEN (GUITAR)
  • JOE SUBLETT (TENOR SAXOPHONE)

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News Ticket Giveaway Tickets Distributed

Giveaway: ACL & Antone’s Celebrate the Blues

UPDATE: The giveaway is now closed. Austin City Limits will tape performances celebrating The 50th Anniversary of Antone’s on Monday, April 28th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). Austin City Limits Taping Giveaways are presented by AXS Events.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue. While we do our best to accommodate all winners, we cannot guarantee admissionThese passes are based on space available therefore you will be filling in spots available on the floor or balcony depending on the tickets that are available when you arrive.


ACL & Antone’s Celebrate the Blues features the following artists:

Bobby Rush
Bobby Rush, a genuine Chitlin’ Circuit star born in Louisiana in 1933, cut his teeth in Chicago in the early ‘50s alongside Little Walter and Muddy Waters. A multiple-Grammy winner, ingenious and provocative stage performer, and a blues ambassador of the highest regard.

Grace Bowers
Grace Bowers is an 18-year-old guitar slinger on a meteoric rise. B.B. King was the first bluesman to blow her mind, and Mississippi John Hurt and T-Bone Walker sealed the deal, setting the course for her to become the most in-demand and celebrated young guitarist today.

Kingfish
At 26-years-old, Christone “Kingfish” Ingram has already made his mark as one of the best and most exciting guitarists in the world. The blues is lucky to have him; a young torch carrier whose music flows out of him like a water faucet, bursting at a hundred miles an hour with no end in sight.

Chris Layton
Chris “Whipper” Layton is arguably the most influential blues drummer of all time. Born and raised in Corpus Christi, Texas, Layton moved to Austin in 1975 and joined the band Greezy Wheels. He later joined Stevie Ray Vaughan’s band Double Trouble in 1978. After forming successful partnerships with bandmates Tommy Shannon and Reese Wynans, they recorded and performed with Vaughan until his death in 1990. Layton and Shannon later formed supergroups such as the Arc Angels, Storyville, and Grady. Currently, Layton is the drummer for the Kenny Wayne Shepherd Band and member of the Rock and Roll Hall of Fame.

John Primer
After working with Willie Dixon and Junior Wells, John Primer was hired as the guitarist for the last great Muddy Waters Blues Band. His sound is Southside Chicago blues of the highest order. Primer joined Muddy at his last Antone’s appearance, and 40+ years later he continues to hold down the Chicago to Austin connection.

Steve Bell
Nobody plays harmonica like Steve Bell. Raised on the Southside of Chicago by the legendary harp player Carey Bell, Steve has been blowing his horn as long as he’s been alive. Sometimes a freight train, sometimes a mustang, Steve’s harp is perfection.

Lil’ Ed Williams
Lil’ Ed Williams, the small blues man with the big fez and an even bigger slide, was a personal favorite of Clifford Antone ever since he first appeared at the club in 1989. Regarded as Chicago’s finest blues boogie slide player, Williams is an intense player and joyful singer in the
spirit of his uncle, J.B. Hutto.

Zach Ernst
Zach Ernst became Clifford Antone’s protégé as a student in his blues history class at the University of Texas 2005. He first appeared on Austin City Limits in 2011 as guitarist for Black Joe Lewis & the Honeybears and The Relatives. Zach Ernst became Antone’s talent buyer when the current club opened at the end of 2015, and co-produced the forthcoming Antone’s: 50 Years of the Blues boxed set.


Lurrie Bell
Son of Chicago blues star Carey Bell and brother to Steve, Lurrie Bell grew up playing with Eddy Clearwater, Big Walter Horton, Eddie Taylor and Koko Taylor. He was raised by Chicago Blues royalty and, as he grew older, became just that.

Nick Connolly
Nick Connolly is perhaps the most trusted keys player in Austin, and a cornerstone of the scene. He was a Cobra and a Fabulous Thunderbird, and has ably backed the likes of Denny Freeman, Stevie Ray Vaughan, Barbara Lynn and countless others for decades.

The Texas Horns
Mark ‘Kaz” Kazanoff, John Mills and Al Gomez make up the Texas Horns. Based in Austin and San Antonio, they’ve played with hundreds of artists including Marcia Ball, Earl King, Jimmie Vaughan, and Delbert McClinton. They bring the sound and spirit of Doug Sahm’s Last Real
Texas Blues Band wherever they go.

Jay Moeller
One of “Clifford’s Kids,” Jay grew up at Antone’s watching and playing with people like James Cotton, Albert Collins, Luther Tucker, Earl King, and Kim Wilson. He spent countless hours at
Clifford’s side and grew up to be one of Austin’s most in-demand blues drummers, often collaborating with his brother Johnny and his lifelong friend Gary Clark Jr.

Jimmie Vaughan
No one has kept the spirit of Antone’s alive quite like Jimmie Vaughan. When he moved to Austin in 1969 he’d already been in Dallas’ most successful rock band, played gigs as Freddiie King Jr., and opened for Jimi Hendrix. Jimmie (often with the Fabulous Thunderbirds) backed up
everyone who came through the door, and he also played guitar on many of the most important Antone’s Records recordings alongside the likes of Lou Ann Barton and Albert Collins. He is a cultural touchstone and world-class ambassador for Texas music.

Benny Turner
The younger brother of Freddie King, Benny Turner was the bassist in his band for years. Benny moved to Chicago in the ‘50s and is living blues history, an integral part of the Texas and Chicago blues connection.

Jon Deas
A longtime Gary Clark Jr. associate, Jon Deas is one of Austin’s premier keyboard players and a funky, Grammy-winning talent.

Sue Foley
Seconds into hearing Sue Foley’s demo tape, Clifford Antone called her and invited her to Austin. Her first weekend at Antone’s, Sue met and played with Albert Collins, the start of a decades long relationship that saw Sue develop into a stone-cold Canadian killer. She is a 2025 Grammy nominee for her album One Guitar Woman.

Kam Franklin
Houston native Kam Franklin started singing gospel at age five, and is best known for her work with the Suffers. With the Antone’s crew, she pays tribute to seminal figures like Barbara Lynn and Miss Lavelle White like only the best can, because she is.

Charlie Sexton
Charlie Sexton learned from the best: W.C. Clark and Jimmie and Stevie Ray Vaughan. A guitarist and producer of the highest order, he has collaborated with everyone from David Bowie and Bob Dylan to Elvis Costello and Bruce Springsteen.

Big Bill Morganfield
The son of Muddy Waters, Big Bill Morganfield grew up learning from Pinetop Perkins, Bob Stroger, Willie Smith and more. When Big Bill was sent to this planet he inherited a legacy, and has given his life to keeping the family name alive and well. He was a scene-stealer in the 2024
Bob Dylan biopic A Complete Unknown.

Rodd Bland
The son of Bobby “Blue” Bland and Godson of B.B. King, Rodd Bland drummed for his father’s band for many years. He is a top Memphis player and another of the second-generation musicians dedicated to preserving the family name and passing on the lessons – and the music – he’s learned to a new generation.

Larry Fulcher
Larry Fulcher moved to Austin in ‘92 and entered the Antone’s fold thanks to Cobras saxophonist Joe Sublett. He met Derek O’Brien and found himself on the Antone’s stage for countless nights, eventually teaming up with Ruthie Foster and Taj Mahal and winning multiple Grammys in the process.

Joe Sublett
“Smokin’” Joe Sublett moved to Austin in ‘76, joined the Cobras and defined the sound of Austin in the process, but you’ve heard him with the Rolling Stones, Stevie Ray Vaughan, and hundreds of others. Sublett was in Antone’s house band during the club’s 10-year anniversary, backing up icons like Albert Collins and Otis Rush. He currently tours with Taj Mahal & the Phantom Blues Band.

Derek O’Brien
Denny Freeman said much of what’s happened in Austin musically couldn’t have happened without Derek O’Brien. There is perhaps no one more important to the continuation of Antone’s than Derek O’Brien. A producer on most Antone’s Records sessions, house band guitarist for way more than ten-thousand hours, and the de-facto bandleader in any room.


Eve Monsees
Eve Monsees has appeared on Austin City Limits several times along with her childhood friend Gary Clark Jr., with whom she started performing at Antone’s in the late 90s when they were both teenagers. She is currently the co-owner of Antone’s Record Shop.


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

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Hall of Fame Important Feature New Broadcast News Uncategorized

Austin City Limits Hall of Fame Honors Garth Brooks premieres May 3

Austin City Limits caps off its 50th Anniversary celebrations with the broadcast premiere of Austin City Limits Hall of Fame Honors Garth Brooks Saturday, May 3 @8pm ET/7pm CT (check local listings). After the broadcast, the special will be available to music fans everywhere to stream online at pbs.org/austincitylimits for four weeks.

The Country music singer and songwriter brings a stadium-size show to the ACL stage for this landmark occasion, thrilling with fan-favorites and the stories behind his beloved hits in an entertaining, singalong hour recorded live at ACL’s studio home ACL Live in Austin, Texas. 2025 marks the 50th Anniversary of Austin City Limits, which premiered on PBS in 1975. The program celebrates its extraordinary run as the longest-running music series in television history, providing viewers a front-row seat to the best in live performance for a half-century.

A trailblazing artist whose ties to ACL go a long way back, Garth Brooks made his series debut in 1990 during Season 15, on the heels of his breakout 1989 debut album. The hour opens with highlights showcasing Brooks’ distinctive ACL performances over the decades; sprinkled throughout the special is new commentary from Brooks, his wife, country superstar Trisha Yearwood, and longtime ACL executive producer Terry Lickona, who handles induction honors. Brooks holds his cowboy hat to his heart as he accepts the honor with impassioned remarks and sings the program’s praises, saying Austin City Limits’ heartbeat is raw and true. He even cites favorite episodes that inspired his own career from early on. “You can bring all the smoke and mirrors you want, and trust me—I’ve used ‘em all,” laughs Brooks, “but you come here and it’s the real deal.”

“Always try to associate your name with a name greater than your own,” says Brooks.  “Being associated with ACL has been one of the greatest assets of my career.  I can’t thank Terry and the gang enough for all the years and all the love.” 

“You can’t tell the story of Austin City Limits without Garth Brooks,” says ACL executive producer Terry Lickona. “Garth gets it. He gets what makes Austin City Limits special, and why it’s an honor for an artist to step onto that stage and deliver the best performance of their life. And it’s an honor for us to share that stage with artists like Garth, who have so much to offer.”

Since its inception in 2014, the ACL Hall of Fame has honored legendary artists who have played a pivotal role in the pioneering music series’ outstanding half-century as a music institution. The inaugural awards in 2014 honored Willie Nelson and Stevie Ray Vaughan. Garth Brooks has multiple Austin City Limits performances under his belt; he made his series debut in 1990 and returned a decade later to both open and close ACL’s milestone Season 25 with two hourlong episodes. 

Brooks returned to ACL in 2021 for a memorable pair of intimate, non-broadcast events to close Studio 6A on the University of Texas campus, the fabled soundstage where the program first started recording in 1974. Brooks carved his name into ACL’s history with the final performances in the historic studio that was the show’s home from 1974 to 2010, before a move to downtown Austin. The singular artist performed the special benefit shows solo acoustic to a sold-out audience of 200 fans per night.

The Austin City Limits Hall of Fame has inducted over twenty artists at nine previous ceremonies including Willie Nelson, Stevie Ray Vaughan & Double Trouble, Lloyd Maines, Asleep at the Wheel, Loretta Lynn, Guy Clark, Flaco Jiménez, Townes Van Zandt, Kris Kristofferson, Bonnie Raitt, B.B. King, Roy Orbison, Rosanne Cash, The Neville Brothers, Ray Charles, Marcia Ball, Los Lobos, Lyle Lovett, Buddy Guy, Shawn Colvin, Lucinda Williams, Wilco, Alejandro Escovedo, Sheryl Crow and Joe Ely. The ninth annual Hall of Fame in 2023 welcomed John Prine and Trisha Yearwood to its ranks.