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Episode Recap Featured New Broadcast News

Cassandra Wilson salutes Lady Day on ACL’s 41st season

Acclaimed jazz star Cassandra Wilson makes her Austin City Limits debut celebrating the music of “Lady Day” by performing songs from Coming Forth by Day, a tribute to jazz and blues legend Billie Holiday for the centennial of her birth.

Hailing from Jackson, Mississippi, multiple Grammy-winning artist Cassandra Wilson has been named “America’s best singer” by Time Magazine. Coming Forth By Day, Wilson’s nineteenth studio album, was released in 2015 to wide acclaim, with the Associated Press calling the jazz innovator a “masterful interpreter of songs,” and The New Yorker writing, “Cassandra Wilson, jazz’s reigning diva, puts a post-modernist spin on classic Holiday performances.”

Joined by a six-piece band, and an eight-piece string section, Wilson digs into the Holiday songbook in her first-ever ACL appearance, taking viewers on a spellbinding journey through lush soundscapes that conjure the spirit of “Lady Day.” “The idea was to find her essence, the sacred center of her spirit and bring it through our treatment of her songs,” says Wilson. She chooses songs that span Holiday’s abbreviated career to probe beyond her personal tragedy and honor her beauty, genius and craft. Beginning with a traditional take on “The Way You Look Tonight,” the singer steps off the path for “Don’t Explain” and “You Go To My Head,” putting her distinctive spin on classic material. Wilson masterfully manipulates the dynamics of “Good Morning Heartache,” taking a seat as the band swirls around her in collective improvisation. A set highlight is “Last Song (for Lester),” an original tune penned by Wilson for Holiday’s musical soulmate, saxophonist Lester Young, imagining the song Holiday might have sung at his funeral had it been possible. It’s a beautiful tour de force, blending sadness at opportunities lost and joy for a special bond.

Wilson closes out the breathtaking set with a sardonic, defiant romp through “Billie’s Blues,” exiting the stage to rapturous applause. A tribal drum beat and the sound of chains hitting the ground signals her return for “Strange Fruit,” Holiday’s bitter ballad about pre-civil rights era lynchings. The song’s already haunting atmosphere bristles with a new tension, a sudden surge of strings and a dramatic vocal from Wilson, capped by the singer’s feedback-drenched solo wrung from her shrieking Telecaster, channeling the howling ghosts of victims from beyond and invoking the struggles of today.

“I’ve been a fan of Cassandra’s magical vocal stylings since her first record, and I’ve always dreamed of the day when she would grace the ACL stage,” says ACL executive producer Terry Lickona.  “The fact that she chose to come honor Billie Holiday on our show made it that much more special – lending her own unique voice to Billie’s remarkable repertoire.”
Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for the ACL debut of Sturgill Simpson and the return of Asleep at the Wheel.

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Episode Recap Featured New Broadcast News

ACL’s new season launches with the Hall of Fame 2015 special

Austin City Limits kicks off Season 41 with an opener featuring musical highlights and tributes from the 2015 Austin City Limits Hall of Fame. Hosted by Dwight Yoakam on June 18, 2015, this unique special showcases one-of-a-kind performances and collaborations from the ACL Hall of Fame celebration, honoring the artists who’ve helped make the award-winning tv series an American music institution.  An all-star line-up including Lyle Lovett, Jason Isbell, Vince Gill, Patty Loveless, Dwight Yoakam, Gillian Welch and more come together for one night to perform in honor of the newest class of inductees: Asleep at the Wheel, Guy Clark, Flaco Jiménez, Loretta Lynn and Townes Van Zandt.   

ACL reaches back to its roots with a show-opening tribute to country trailblazer Loretta Lynn, who first appeared on the series in 1983. Country singer Patty Loveless, also a coal miner’s daughter, pays tribute to the living legend, and is joined by Vince Gill for a spirited duet of the Conway Twitty/Loretta Lynn classic “After the Fire Is Gone.” Lynn accepts her honor saying “Texas has always been so good to me. They fed me when my kids was hungry. They fed me when I was hungry.” Lyle Lovett takes the stage to honor Texas songwriting legend Guy Clark, saying “He is my friend.  He is my hero,” with a stunning reading of the first song Clark ever wrote: “Step Inside This House.” Acclaimed singer-songwriter  Jason Isbell performs a moving solo rendition of a Clark classic, “Desperados Waiting For A Train.”  

Superstar Tex-Mex accordionist Flaco Jiménez makes a joyous show-stopping cameo during his own tribute, joining Dwight Yoakam, Los Lobos’ David Hidalgo and conjunto masters Los Texmaniacs to show off his nimble accordion style. The late, great Texas troubadour Townes Van Zandt, who first appeared in ACL’s debut season in 1975, is honored beautifully in acoustic performances by roots outfit Gillian Welch and British singer-songwriter Laura Marling. Austin’s own Asleep at the Wheel, who performed on the very first episode of ACL in 1975, are inducted by longtime fan Vince Gill, who joins the Western swing institution for a lively take on their early recording “Take Me Back to Tulsa.”

photo by Gary Miller

The special comes to a perfect close with the night’s entire cast returning to the ACL stage for a grand finale, trading verses on a Townes Van Zandt classic, “White Freightliner Blues.”
“We created our own Hall of Fame as part of our 40th anniversary last year to recognize and celebrate those artists who were there in the beginning and helped make Austin City Limits what it is today,” says ACL executive producer Terry Lickona.  “The annual event is a unique showcase for some amazing performances and emotional moments, and we’re thrilled to be able to capture it all to bring to our fans at home.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for the ACL debut of jazz great Cassandra Wilson.

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Featured Live Stream News

Vintage Trouble taping livestreams on 10/6

Austin City Limits is pleased to announce that we will be streaming our taping with Vintage Trouble live on Tuesday, Oct. 6, 8pm CT/9pm ET. The taping will webcast in its entirety via our YouTube channel.

Vintage Trouble play live-wired, straight-shootin’, dirty-mouth’d juke music. Or, as Rolling Stone put it, “imagine James Brown singing lead for Led Zeppelin and you’ll get an idea of Vintage Trouble’s muscular, in the pocket sound.” The LA quartet take a break from their current tour with rock giants AC/DC to make their ACL debut.  The band has garnered massive attention for their powerhouse performances, even securing opening slots with rock’s biggest live acts, The Rolling Stones and The Who, on the heels of their self-released 2011 debut album The Bomb Shelter Sessions. The band signed to prestigious Blue Note Records and their new release 1 Hopeful Rd., produced by label president Don Was, features the singles “Doin’ What You’re Doin’” and “Run Like the River.” Paste raves, “Doin’ What You’re Doin’” grooves like Al Green with background doo-wops. [Singer Ty] Taylor’s falsetto range stars in ‘Shows What You Know’ and the band could convincingly resurrect the blues-infused power ballad with songs like ‘If You Loved Me.’” Classic Rock notes, “You want the real vintage rock’n’soul deal? Look this way, and then make sure you catch them live.” We couldn’t have said it better ourselves, and it underlines how thrilled we are to welcome Vintage Trouble to the ACL stage.

The broadcast version of this show will air as part of our Season 41 on PBS.  Join us for this live webcast of the Austin City Limits debut of Vintage Trouble.

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Featured News Taping Announcement

New tapings: Kendrick Lamar and D’Angelo and The Vanguard

UPDATE: Austin City Limits and KLRU regret to inform you that the ACL taping with D’Angelo and The Vanguard, scheduled for Saturday, November 7th, has been cancelled. Thank you for your understanding.

Austin City Limits is proud to announce two new tapings as part of our upcoming Season 41: the ACL debuts of Kendrick Lamar on Oct. 30 and D’Angelo and The Vanguard on Nov. 7.

Perhaps the most acclaimed rapper on the planet, Kendrick Lamar comes to our stage on Oct. 30. The Compton native – born a year before the genre-defining N.W.A. LP Straight Outta Compton – began writing rhymes when he was 13. The young rapper would become an underground phenomenon, releasing mixtapes and independent albums that made him one of the top-selling digital artists. In 2012 he signed with Top Dawg/Aftermath/Interscope and released the landmark, platinum-selling good kid, m.A.A.d city. The LP debuted at #2 on the Billboard album chart, garnered seven Grammy nominations and spun off multiple top 40 singles, including “Swimming Pools (Drank”) and “Poetic Justice.” After touring with Kanye West, appearing on Eminem’s The Marshall Mathers LP 2 and performing a packed set at the Austin City Limits Music Festival, Lamar followed up with the smash single “i,” which won Grammys for Best Rap Performance and Best Rap Song at the 2015 ceremony. The hit also set the stage for Lamar’s widely acclaimed latest LP To Pimp a Butterfly, which Rolling Stone called “a masterpiece of fiery outrage, deep jazz and ruthless self-critique” and Spin named the “Great American Hip-Hop Album.” The record debuted at #1 on Billboard’s chart, firmly establishing Lamar as one of the biggest hip-hop artists in the world. We’re thrilled to welcome Kendrick Lamar to be part of ACL history.

On Nov. 7 we welcome musical genius D’Angelo and his band The Vanguard. Born in Richmond, Virginia, D’Angelo migrated to New York City at 18 to develop his skills as a singer, songwriter, musician and producer.  After signing a publishing deal in 1991 and a record contract in 1993, his 1995 debut Brown Sugar breathed new life into R&B and yielded gems including the title track, “Lady,” “Cruisin’,” and more. Its 2000 follow-up Voodoo received a Grammy Award for Best R&B Album, while the single “Untitled (How Does It Feel)” earned the Grammy for Best Male R&B Vocal Performance. After a silence of over a decade, broken only by the release of 2008’s compilation The Best So Far…, D’Angelo and The Vanguard delivered Black Messiah to the unsuspecting, yet receptive, masses on December 15, 2014. Reaffirming the need for raw, righteous, and real soul, its impact could immediately be felt when it landed at #1 on the Billboard R&B/Hip-Hop Albums Chart and #5 on the Top 200. The critics spoke as well, with The New York Times, The Washington Post, Rolling Stone, NPR, and countless others extolling the album for both its music and message, thus usurping countless “Best of 2014” music lists. D’Angelo and The Vanguard hit the road, earning rave reviews for live shows Rolling Stone called “ a master class in soul” and Wall Street Journal described as “rendering a strain of soul music reminiscent of Sly Stone in the ‘60s, George Clinton in the ‘70s or 1980s Prince, onstage D’Angelo is a dynamo of the James Brown variety.” We’re excited to experience the same magic as we welcome D’Angelo and The Vanguard to the ACL stage for the first time.

In addition to performing at ACLTV D’Angelo and The Vanguard will also headline the Fun Fun Fun Fest Orange Stage on Sunday, November 8th. USP, 3 Day, and Single Day Passes for the festival are available for purchase at funfunfunfest.com.
Want to be part of our audience? We will post information on how to get free passes about a week before the taping. Follow us on Facebook and Twitter for notice of postings.

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Encore Broadcast Featured News

Encore: Vampire Weekend/Grizzly Bear

This weekend, Austin City Limits shines the spotlight on two of indie rock’s most innovative bands, with the ACL debuts of Vampire Weekend and Grizzly Bear.  

Vampire Weekend kicks off an exuberant performance with “Diane Young” from their latest album, Modern Vampires of the City.  The band formed in 2006 at NY’s Columbia University and “quickly became one of the most important New York bands of this millennium” (NY Times). Vampire Weekend’s dynamic, high-energy performance offers a window into their unique sound. The group perform tracks from their three albums, including the massive hit “Cousins,” from their 2010 sophomore release Contra, which earned the band a Grammy Award nomination for Best Alternative Album.  Displaying their impressive musicianship by playing the tricky polyrhythms and intricate melodies that are a hallmark of their sound, the four-piece band keeps their well-crafted choruses and melodies flowing throughout for a memorable debut.

“Vampire Weekend are festival favorites for good reason – everybody loves their music!” says ACL executive producer Terry Lickona. “They have an easy-going approach that almost makes it feel like they’re playing in somebody’s backyard instead of to thousands (or in this case, on national TV). Their songs are intoxicating.”

With their sweeping, psychedelic indie rock in full effect, Grizzly Bear turns in a stellar set as well. Grizzly Bear has been steadily ascending throughout their decade-long career, garnering raves for their special blend of visceral, majestic indie rock. Pitchfork says, “the Brooklyn four-piece make pop music for the ambient, asking us to notice the importance in detail, the beauty of texture, and the foregrounds that exist all across our spectrum of perception.” The band takes the ACL stage performing songs primarily from their acclaimed recent album Shields, which Rolling Stone named one of the year’s best. Grizzly Bear features two singers, Ed Droste and Daniel Rossen, who are also the main songwriters, and the band’s emphasis on collaboration is front and center as they trade off vocals, delivering gorgeous, elaborate, haunting compositions.  

photo by Scott Newton

“There’s almost something spiritual, or at least ethereal, about Grizzly Bear’s music,” says ACL’s Lickona. “Their sweet harmonies can be hypnotic, and overall there’s this low-key kind of excitement about them that just leaves you wanting more!”

Check out the episode page here and tune in this Saturday to see the show for yourself. Click over to our Facebook and Twitter pages or our newsletter for the latest ACL skinny. Next week: the 2015 Austin City Limits Hall of Fame special.

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Featured News Taping Announcement

New taping: Vintage Trouble

Austin City Limits is proud to announce the taping debut of Vintage Trouble.

The California quartet – comprising Ty Taylor (vocals), Nalle Colt (guitar), Richard Danielson (drums) and Rick Barrio Dill (bass) – play live-wired, straight-shootin’, dirty-mouth’d, pelvis-pushing juke music. Or, as Rolling Stone put it, “imagine James Brown singing lead for Led Zeppelin and you’ll get an idea of Vintage Trouble’s muscular, in the pocket sound.” The New York Times noted, “Like Otis Redding, Vintage Trouble makes music that is a little bit of everything…you can slow dance, groove, rock and let it all go.”

Following the release of its 2011 debut album, The Bomb Shelter Sessions, the band was soon selling out headline shows worldwide, opening for The Rolling Stones and touring with The Who, and performing on virtually every late night show, including Later…with Jools Holland and Late Show with David Letterman – all before the band had even signed to a major label. Signing to Blue Note Records, home of Norah Jones, Van Morrison, Al Green and countless jazz titans, the quartet released 1 Hopeful Rd., produced by label president Don Was and featuring the singles “Doin’ What You’re Doin’” and “Run Like the River.” Paste raves, “Doin’ What You’re Doin’” grooves like Al Green with background doo-wops. Taylor’s falsetto range stars in ‘Shows What You Know’ and the band could convincingly resurrect the blues-infused power ballad with songs like ‘If You Loved Me.’” Vintage Trouble followed up the release of its major label debut by touring with AC./DC in Europe and the U.S., before hitting the road for its own headlining shows.

Classic Rock notes, “You want the real vintage rock’n’soul deal? Look this way, and then make sure you catch them live.” We couldn’t have said it better ourselves, and it underlines how thrilled we are to welcome Vintage Trouble to the ACL stage.

Want to be part of our audience? We will post information on how to get free passes about a week before the taping. Follow us on Facebook and Twitter for notice of postings.