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Featured Live Stream News Taping Announcement

New taping and livestreams: Turnpike Troubadours and Dan Auerbach

Austin City Limits is thrilled to announce our final taping of Season 43 with Oklahoma country rockers Turnpike Troubadours. The breakout band will hit the ACL stage on December 5 for a debut taping that will also be streamed live around the world. Speaking of livestreams, we’re also stoked to say that we’ll be doing the same for Black Keys frontman Dan Auerbach’s taping on November 27. Auerbach will also be joined during the set by a very special guest, Louisiana soul singer Robert Finley, the first signing to his Easy Eye Sound record label.  Both tapings will stream at 8pm CT/9 pm ET, Dan Auerbach here on November 27 and Turnpike Troubadours here on December 5, powered by Dell.  

Called “the greatest country music band in the world right now” by Saving Country Music, the Turnpike Troubadours make their ACL debut in support of their fourth album A Long Way From Your Heart. Produced by Grammy winner Ryan Hewitt (The Avett Brothers, Red Hot Chili Peppers), Heart is a rare triumph––an album that hooks immediately but then rewards listeners willing to dig deeper. “I love what we as a band have turned into and how we treat songs,” says lead singer and chief songwriter Evan Felker. “That’s something we’ve grown into––adding some sort of oddly theatrical element to the musicianship to help the story along, to sum up where or who the character is to give him a little bit of landscape. It’s not just an acoustic guitar and a guy telling you what somebody’s doing.” Born in Okemah, Oklahoma, birthplace of Woody Guthrie and Troubadours pal John Fullbright, Felker founded his band of virtuosic country-rock road dogs in 2005. Since then, the Troubadours have delivered punch after punch of smart rock & roll that sells out huge venues throughout the Midwest and South and packs legendary haunts like the Troubadour in Los Angeles. “Felker has evolved into a Red Dirt Springsteen, deftly blending autobiographical elements with complex, hardscrabble characters,” raves Garden & Gun. Narratives put to music are nothing new, but Felker and his bandmates have upped the ante, creating a web of unforgettable characters that show up on album after album in songs that are both catchy and musically complex: men and women with their backs against their wall, represented realistically but also imbued with dignity. “It feels like going home to see that those characters are still alive in a way that movies and literary writers have always done,” Felker says. “It feels good.”

photo by Alyssa Gafkjen

Dan Auerbach has performed on ACL twice before with his band The Black Keys, and this will be his first time performing solo on the program where he will be backed by some of Nashville’s finest musicians—Bobby Wood, Gene “Bubba” Chrisman, Pat McLaughlin, Dave Roe, Russ Pahl, Ray Jacildo, Ashley Wilcoxson, Leisa Hans, Nick Bockrath from Cage the Elephant—as well as featuring legendary bluesman Robert Finley.  The eight-time Grammy winning superstar will perform songs from his acclaimed new solo release Waiting On A Song.  NPR calls the album “a batch of sparkling pop songs that’s sweet, breezy, and primed for summer.” The album is Auerbach’s follow-up to 2009’s Keep It Hid and is his love letter to Nashville. As such, he recruited some of Na­shville’s most respected players to write and record his latest. “Living in Nashville has definitely changed the way I think about music and the way that I record it,” he says about working with his heroes. “I didn’t have all of these resources before. I am working with some of the greatest musicians that ever lived.” The always-understated musician is happy to have his own version of the Wrecking Crew at his Easy Eye Studio in south Nashville. “Sometimes I feel I created my own Field of Dreams. I built the studio to accommodate live musicians playing, and then all of a sudden the best musicians in Nashville show up, and it’s happening. This is the sound I was looking for, and now there really is an Easy Eye sound. It’s a factory—but in the way that Motown or Stax or American Studios was a factory. Anything can happen, any day.” He pauses a long minute, as if to let it all sink in. “Even with the success I’ve had, it’s only just now that I’m finally finding myself,” Auerbach says. “I called the album Waiting On A Song because I’ve been waiting my whole life to be able to do this. And now I have. And none of us ever want it to stop.”

Want to be part of our audience? We will post information on how to get free passes about a week before each taping. Follow us on Facebook and Twitter for notice of postings. Or you can join us online for Dan Auerbach here on November 27 and Turnpike Troubadours here on December 5 for these full-set livestreams. The broadcast versions will air on PBS early next year as part of our Season 43.

 

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Featured News

Fats Domino 1928-2017

We here at Austin City Limits were saddened to learn of the death of rock & roll pioneer Fats Domino on October 24 at the age of 89. The ivory-tickling New Orleans icon appeared in a hour-long, hits-packed 1987 episode of ACL.

Antoine “Fats” Domino was born in 1928 in the Big Easy to a French Creole family – Louisiana Creole French was his first language. He learned to play piano from his jazz musician brother-in-law, joining bandleader Billy Diamond’s group in 1947. (Diamond bestowed the nickname “Fats” on the young musician in tribute to Fats Waller.) Fats released “The Fat Man,” his first single, in 1949 – a million-selling song that pioneered rock & roll before the term even existed. Fats went on to score 37 top 40 singles, including such immortal classics as “Blue Monday,” “I’m Walkin’,” “Ain’t That a Shame,” “I Hear You Knockin’,” “Walkin’ to New Orleans” and his version of the Gene Autry/Louis Armstrong standard “Blueberry Hill,” his bestselling and highest-charting song. As with many of the original rockers, his chart career waned after the British Invasion, but he continued to record and tour into the 1980s. By the end of that decade, he decided that he would no longer leave his hometown, claiming he couldn’t find any food he liked on the road – not even induction into the Rock & Roll Hall of Fame or an invitation to perform at the White House could change his mind. Like far too many others, he was forced to leave New Orleans after Katrina flooded his home, but he returned as soon as he could, remaining a fixture until Father Time did what Mother Nature could not.

Here is Fats doing “Blue Monday” on ACL in 1987.  

And “Blueberry Hill,” possibly his signature song in a catalog full of candidates, from the same show.

Categories
Featured News Taping Announcement

New taping: Dan Auerbach

Austin City Limits is happy to announce a new taping with The Black Keys/Arcs singer/guitarist Dan Auerbach in support of his acclaimed new solo album Waiting On a Song. The eight-time Grammy winning artist, a two-time ACL veteran with superstars The Black Keys, makes his highly-anticipated solo debut on Monday, November 27.

NPR calls Waiting On A Song “a batch of sparkling pop songs that’s sweet, breezy, and primed for summer. The album is Auerbach’s follow-up to 2009’s Keep It Hid and is his love letter to Nashville. As such, he recruited some of Na­shville’s most respected players to write and record his latest, including John Prine, Duane Eddy, Jerry Douglas, Russ Pahl, Pat McLaughlin as well as Bobby Wood and Gene Chrisman of the Memphis Boys. Auerbach said about working with his musical heroes: “Living in Nashville has definitely changed the way I think about music and the way that I record it. I didn’t have all of these resources before. I am working with some of the greatest musicians that ever lived.”

“Sometimes I feel I created my own Field of Dreams. I built the studio to accommodate live musicians playing, and then all of a sudden the best musicians in Nashville show up, and it’s happening.” The always-understated musician is happy to have his own version of the Wrecking Crew at his Easy Eye Studio in south Nashville. “This is the sound I was looking for, and now there really is an Easy Eye sound. It’s a factory—but in the way that Motown or Stax or American Studios was a factory. Anything can happen, any day.” He pauses a long minute, as if to let it all sink in. The dream realized. “Even with the success I’ve had, it’s only just now that I’m finally finding myself,” Auerbach says. “I called the album Waiting On A Song because I’ve been waiting my whole life to be able to do this. And now I have. And none of us ever want it to stop.”

Want to be part of our audience? We will post information on how to get free passes about a week before each taping. Follow us on Facebook and Twitter for notice of postings.

Categories
Episode Recap Featured News

ACL’s Season 43 welcomes superstars Zac Brown Band

Austin City Limits presents a heartwarming hour with Southern country-rock act Zac Brown Band. The multi-platinum, three-time Grammy Award-winning group make their series debut with a career-spanning performance.

The acclaimed Atlanta octet showcase career highlights alongside new songs in a spirited, 11-song triumph. The country-rockers claimed Best New Artist at the 2010 Grammy Awards with their breakthrough release, The Foundation (now five-times platinum) and today are one of music’s biggest live acts. “We’re super-proud to be on the ACL stage,” says bandleader Zac Brown as he welcomes the crowd to pull up a seat at the “Family Table,” a gem from the band’s latest release Welcome Home. Brown shares the heartfelt stories behind many of their songs including the chart-topping ballad “Colder Weather” and the power-of-music testament “Day That I Die,” from 2012’s Uncaged, the Grammy Award-winning Best Country Album. The band cap the soaring set with a masterful hat-trick showcasing the musical range that has made them a fan-favorite; starting with “The Muse,” originally recorded with the Foo Fighters’ ubiquitous Dave Grohl, followed by their stirring cover of songwriting legend John Prine’s “All the Best,” and ending in tribute to their Southern-rock roots with a roof-raising finale of the Allman Brothers’ classic “Whipping Post.”

“To call them ‘Country’ or ‘Southern Rock’ doesn’t begin to describe the breadth and depth of what Zac Brown Band is really all about,” says ACL executive producer Terry Lickona. “Singing songs that tell great stories and playing music that just plain makes you feel better is definitely a big part of who they are and where they’re from.”

photo by Scott Newton

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for a brand new episode, featuring the return of our old pal Norah Jones and the debut of new friend Angel Olsen.

 

Categories
Featured Live Stream News

ACL to livestream debut taping of Austin’s Shinyribs

Austin City Limits is excited to announce that we will be streaming the debut taping of Austin favorite Shinyribs on Sunday, October 29 directly from the ACL stage at 8pm CT/9 pm ET on ACLTV’s YouTube channel.  

Led by Beaumont, Texas native Kevin Russell, who last appeared on ACL in 2007 with the Gourds, Austin’s Shinyribs began as a side project before becoming Russell’s full-time concern following the Gourds’ dissolution in 2013. This year, the now eight-person Shinyribs dosed fans with the exuberant swamp-pop soul-funk of their fourth release, I Got Your Medicine. Tracked at Houston’s legendary Sugar Hill Recording Studios, it carries a New Orleans R&B vibe — with extra gris-gris added by Russell’s co-producer, Jimbo Mathus, late of the Squirrel Nut Zippers. AllMusic calls the album “funny, heartfelt, and dirty, a retro-soul album that never feels stuck in the past,” while the Austin American Statesman names it as one of 2017’s best albums so far. The band puts a gospel groove on “Don’t Leave It a Lie,” and throw several retro influences into Ted Hawkins’ “I Gave Up All I Had.” The syncopated sexiness of “A Certain Girl,” an Allen Toussaint cover, a gorgeous rendering of the Toussaint McCall/Patrick Robinson ballad “Nothing Takes the Place of You” and the bluesy “I Knew It All Along,” Russell’s very-successful attempt to write “just a real good done-me-wrong soul song,” are equally captivating. “Tub Gut Stomp and Red-eyed Soul” gets its title from Russell’s definition of his musical style; an energetic N’awlins romper, it’s filled with “freak-out juice.” Gospel rave-up “The Cross Is Boss” puts a clever, slightly satirical finish on the affair; Russell says the song — like the album — is meant as a reminder that not every issue has to be taken so seriously. “A lot of people are so tightly wound, they can’t let themselves go,” he says. “I can demonstrate to them that you can shake your hips, roll around on the floor, scream and shout, and it’s OK: people will still accept you. It’s just music; relax and have some fun.”

Join the party October 29 for this full-set livestream on our ACLTV YouTube channel. The broadcast version will air on PBS early next year as part of our Season 43.

Categories
Featured Live Stream News

Austin City Limits to livestream debut taping from country star Chris Stapleton

Austin City Limits is excited to announce that we will be streaming the debut taping of acclaimed, bestselling country artist Chris Stapleton on Monday, October 23 directly from the ACL stage at 8pm CT/9 pm ET on ACLTV’s YouTube channel.  

Kentucky-born Chris Stapleton is one of Nashville’s most respected and beloved musicians. Since releasing his now double Platinum debut solo album Traveller in 2015, Stapleton has received multiple Grammy, CMA and ACM Awards and remains one of the most critically praised musicians of his time. His sophomore follow up, From A Room: Volume 1, debuted at No. 1 on the Billboard Country Albums chart upon its release and, with it’s Gold certification, remains the strongest-selling country album of 2017. Rolling Stone calls the album “strikingly focused, sonically and thematically” while The New York Times praises, “Like Traveller, From A Room is earthen, rich with tradition, has a tactile intensity and is carefully measured.” A second album, From A Room: Volume 2, will be released December 1 and is now available for pre-order. In celebration of the music, “Chris Stapleton’s All-American Road Show,” which Rolling Stone calls, “one of the most ambitious country tours ever,” is currently underway and will span throughout 2017. Of a recent performance, the Seattle Times declared, “Stapleton dazzled the sold-out crowd with a barrage of songs that defy easy categorization while receiving the kind of deafening cheers reserved for superstars.”

Please join us October 23 for this full-set livestream on our ACLTV YouTube channel. The broadcast version will air on PBS early next year as part of our Season 43.