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ACL Season 42 brings Latin grooves with Natalia Lafourcade and Grupo Fantasma

Austin City Limits presents the contemporary Latin sounds of two of music’s best in show, Natalia Lafourcade and Grupo Fantasma. Mexican superstar Lafourcade performs songs from her Grammy-winning album Hasta la Raíz and powerhouse Latin funk orchestra Grupo Fantasma deliver show-stopping grooves.  

As one of Mexico’s biggest music stars, Natalia Lafourcade’s infectious mix of pop, rock, folk and bossa nova has earned the singer-songwriter multiple international chart-topping albums.  In her Austin City Limits debut, Lafourcade and her backing quintet perform selections from her sixth studio album, the acclaimed Hasta La Raíz, which won universal accolades, culminating in four 2015 Latin Grammys, including top honors of song and record of the year for the title track, and a 2016 Grammy Award (her first) for Best Latin Rock album.  Opening with the title track, an intimate, melodic anthem about holding on to one’s roots, the set showcases her sweet, airy vocals.  Lafourcade reaches back to the catchy “En El 2000,” her 2003 breakthrough radio hit and a song she explained that she’d come to hate due to constant requests for it, but now “we’re friends again.”  She closes out the captivating set with the pretty, bossa nova-influenced gem “Para Qué Sufrir,” a clear fan favorite.   

“I was hooked as a fan when I saw Natalia Lafourcade perform at the Latin Grammys,” says ACL executive producer Terry Lickona.  “She may seem an unlikely Latin superstar, but her sweet voice and personal songs have a way of connecting with her fans and the world around her.”

Austin originals Grupo Fantasma deliver a white-hot, delirious blend of big-band samba, merengue and Latin jams in a powerhouse five-song set.  Formed in 2000, the 9-piece funk outfit first-appeared on ACL in Season 33.  The Grammy-winning funksters continue their decade and a half of magic with danceable, irresistible songs from their new, acclaimed album Problemas, produced by Los Lobos’ Steve Berlin.  Opening with the slow-burning cumbia “Nada,” the crowd is on its feet.  The band is joined by special guests Steve Berlin and renowned saxophonist Karl Denson for “Cayuco,” a sultry mambo torn from the horns and heat of Cuban dance halls.  The group welcomes Los Texmaniacs accordionist Josh Baca and former Grupo founding member Adrian Quesada for the conjunto-flavored “Esa Negra.”  Performing the title track of Problemas, Grupo’s charismatic bandleader Jose Galeano gives dance instructions to the front row.  For the final song, a tribute to the band’s late friend and champion Prince, the 9-piece orchestra swells to 17-pieces. Galeano, at a momentary loss for words, simply remarks “There’s not much we can say.  We’re just gonna play.”  And so they do, 17-strong across the stage, lighting the room aflame with the Purple One’s disco-fied early hit “Controversy.”

photo by Scott Newton

“Kick-ass Latin funk might not be a music genre, but it defines what Grupo Fantasma does,” says Lickona.  “There were 20 musicians blasting and riffing their way through the night, shaking the stage if not the balcony high above! Austin is not usually known for its Latin grooves, but Grupo could change that!”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for another brand new episode featuring the return of longtime ACL friends My Morning Jacket and Ben Harper & the Innocent Criminals.

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ACL 42 rocks on with the one and only Iggy Pop

Austin City Limits presents a Season 42 highlight: an hour with the one and only Iggy Pop. The larger than life icon gives a king-sized performance in his ACL debut, performing a mix of classics and songs from his acclaimed 2016 release Post Pop Depression, his first career solo #1 album.

Bringing new songs to life alongside classics that bookend his storied career, Iggy is joined by the all-star team behind Post Pop Depression: Queens of the Stone Age’s Josh Homme and Dean Fertita and the Arctic Monkeys’ Matt Helders, augmented for the stage with Queens’ Troy Van Leeuwen and indie-rock mainstay Matt Sweeney. Hurtling onstage to open the eleven-song set with “Lust For Life,” the godfather of punk bares his soul and torso in this memorable hour. Shirtless by the second song, the Detroit native performs selections from his first two solo albums, the late 1970s pair of collaborations with David Bowie, The Idiot and Lust for Life, including rarely performed gems “Some Weird Sin” and “China Girl”. A raucous “Funtime” features Josh Homme taking the vocal sung by co-writer Bowie on the original version. Iggy launches into new classics fitting perfectly into his solo catalog, featuring tight, punchy marvels that embellish his earlier work. Displaying his uniquely animated stage presence, the veteran rock ‘n’ roll warrior thrills with several trips deep into the crowd, saying “This is a pretty good job.”

“There’s never been another show quite like this one, and that’s saying a lot!” says ACL executive producer Terry Lickona. “Iggy is an ageless, timeless, human dynamo, and he took command of the stage, the cameras, the whole building. This show captures the essence of what makes Iggy Pop the godfather of punk rockers.”

photo by Scott Newton

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for another brand new episode featuring Latin rock and pop powerhouses Natalia Lafourcade and Grupo Fantasma.

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Florence + the Machine and Andra Day’s breathtaking hour of ACL Season 42

Austin City Limits presents a breathtaking hour with two of today’s most inspirational acts: Florence + the Machine in their return appearance and Andra Day in a standout ACL debut.

It’s been over five years since UK hitmakers Florence + the Machine first-appeared on the ACL stage. Now international superstars and one of rock’s biggest live acts, the unstoppable band make a triumphant return with a high-energy, buoyant five-song set. Dynamic leader Florence Welch dances barefoot across the stage performing songs from their recent, chart-topping LP How Big, How Blue, How Beautiful. Her knockout vocals and remarkable rapport with fans captivate throughout as she enlists the crowd as a “hungover choir of angels” for the Grammy-nominated “Shake It Out” from 2011’s Ceremonials, closing with a rapturous performance of the band’s 2009 breakthrough smash, the anthemic “Dog Days Are Over.”

“Florence brings a unique performance art to all of her shows, and she took it to a new level this night,” says ACL executive producer Terry Lickona. “She went out of her way to establish a real connection with her audience, and at times the fans seemed to be as much a part of the show as she was. It’s very magical to watch it happen in real time.”

Rising star Andra Day dazzles with her unique mix of R&B, soul and jazz in her first ACL outing, performing songs from her Grammy-nominated debut Cheers to the Fall. A singer with astounding vocal range, she showcases her powerhouse vocals in a stellar, four-song set. The performance turns topical as Day addresses the events of the Orlando tragedy (her taping was the same day) and dedicates her anthem of resilience “Rise Up” to the victims and their families. In a raw, emotionally cathartic moment, she asks the audience to join her in song sending healing energy in the hopes that the families might feel some comfort. Closing with a cover of Queen’s “I Want It All,” altering the original’s rock arrangement into a pleading blues ballad, the song brings the singer to her knees and the audience to their feet.

photo by Scott Newton

“It was the day of the Orlando tragedy, and emotions were already running high,” says Lickona. “Andra’s powerful performance reminded us all that music can be a universal healer and a force for good. When she sang ‘Rise Up,’ there was hardly a dry eye in the house.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for another brand new episode featuring the ACL debut of Iggy Pop.

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Robert Plant returns to Austin City Limits for Season 42

Austin City Limits presents a thrilling hour with Robert Plant in an unforgettable performance marking the legendary frontman’s return to the ACL stage for the first time in more than a decade. The career-spanning set features Led Zeppelin classics alongside more recent songs in an episode that will delight die-hard fans and music fans everywhere.  

From the opening riffs of Led Zeppelin staple “The Lemon Song,” Plant commands the stage with his dynamic presence and iconic vocals. Backed by his world-class six-piece band the Sensational Shape Shifters, the rock superstar performs Zeppelin classics, including “Black Dog,” and an electrifying version of “Babe I’m Gonna Leave You.” Plant artfully mixes new and old, captivating the audience with songs from throughout his fascinating musical journey, including the blissed-out reverie of early solo smash “In The Mood” and recent standout “Rainbow” from 2014’s acclaimed lullaby and…The Ceaseless Roar. With his multi-cultural, diverse band, the icon explores the connection between rock ‘n’ roll and traditional African music, revitalizing fan favorites with West African instruments to glorious effect. Closing out the set with an explosive performance of the face-melter “Whole Lotta Love,” Plant weaves blues standards “I Just Want to Make Love to You” and “Hey! Bo Diddley” into the classic, demonstrating the epic scope of his illustrious career.

“Robert Plant is one of the few artists from any generation who can stand the test of time while always exploring, experimenting, and expanding his musical horizons,” says ACL executive producer Terry Lickona. “Yet there’s a common thread of genius through all his music, from the earliest Zeppelin tunes to his newest work. Then there’s that voice! We are truly honored to have such a legend return to our stage for a second time.”

photo by Scott Newton

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for another brand new episode featuring the return of Florence + the Machine and the debut of Andra Day.

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Paul Simon shines in first episode of ACL Season 42

Austin City Limits launches a new season of must-see performances from music’s finest with an icon of American popular music, Paul Simon, in his first-ever appearance on the ACL stage. The living legend shines in a sublime, career-spanning hour featuring beloved classics and new songs from his acclaimed recent album, Stranger to Stranger.

Making a rare television appearance, Simon sparkles in an irresistible performance filled with career highlights from his over five-decade strong musical legacy. Backed by a world-class nine-piece band, the music legend opens an eleven-song set with selections from Graceland, his landmark 1986 album that brought African rhythms to mainstream American radio. A lifelong sonic adventurer, Simon takes viewers to Louisiana Cajun country for a joyful performance of “That Was Your Mother.” Simon also showcases new classics from 2016’s acclaimed Stranger to Stranger, his 13th solo album, including standouts “Wristband” and “The Werewolf.” Simon’s showmanship is on full display throughout as he dazzles the ACL audience with non-stop gems from his extensive catalog, including early solo hit “Me and Julio Down by the Schoolyard” and a stripped-down, countrified “Homeward Bound.” He dips back into his Graceland songbook for “Diamonds On the Soles Of Her Shoes,” and a show-stopping “You Can Call Me Al,” engaging the crowd in hand-clapped rhythm. Simon closes with one last classic, “The Sound of Silence,” in a potent solo acoustic rendition of the Simon & Garfunkel standard that first introduced his immense talent to the world a half-century ago.

“Paul Simon is one of those rarities among the icons of contemporary music: he just keeps getting better,” says Austin City Limits executive producer Terry Lickona. “He continues to amaze with new songs that display his musical curiosity and sense of adventure, while bringing a fresh energy to songs that have been such a big part of the American songbook for so many decades. As an admitted long-time ACL fan, he was perfectly at home on our stage, and it shows!”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for another brand new episode featuring James Bay and Rhiannon Giddens.

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Ms. Lauryn Hill’s ACL debut and a Season 42 preview

Austin City Limits presents a rare hour of television with hip-hop/R&B icon Ms. Lauryn Hill.  The special broadcast airs as a preview of the iconic PBS music series’ upcoming Season 42, which premieres October 1st with an hourlong episode featuring the legendary Paul Simon in his ACL debut. Ms. Lauryn Hill’s episode will encore in January during the second half of ACL’s new broadcast season.  

In a performance for the ages, the trailblazing Ms. Lauryn Hill dazzles the Austin crowd with a career-spanning  set culled from her landmark release The Miseducation of Lauryn Hill and her pioneering work with the Fugees, one of the best-selling hip-hop acts of all time. Opening the emotional set with her solo hit “Ex-Factor,” the multiple Grammy-winning singer and songwriter performs stunning versions of her biggest hits and fan favorites. One of the greatest MCs of all time, Hill has the crowd on their feet with the opening notes of “Fu-Gee-La” for an explosive take on the Fugees classic, weaving “Austin, I love you like no other before” into the lyric. Hill commands the stage, backed by a 12-piece band and performs a gorgeous cover of Nina Simone’s “Feeling Good” before closing out her unforgettable performance with the crowd-pleaser “Doo Wop (That Thing),” proving she’s still one of the most powerful artists in music today.  

“Every Lauryn Hill performance is special,” says ACL executive producer Terry Lickona, “and an hour of Ms. Hill on the ACL stage is nothing less than historic. She pours her heart and soul and every ounce of energy into every minute, and it shows. There’s nobody else quite her!”

photo by Scott Newton

The upcoming Season 42 is filled with musical highlights, including the first-ever appearance by punk icon Iggy Pop, ACL debuts from acclaimed singer-songwriters James Bay, Rhiannon Giddens, Andra Day and Latin Grammy-winner Natalia Lafourcade and highly-anticipated return appearances from music giant Robert Plant, My Morning Jacket, Florence + The Machine, Ben Harper and Latin funk orchestra Grupo Fantasma.  

Ms. Lauryn Hill Episode Setlist:

EX-FACTOR

FINAL HOUR

LOST ONES

FU-GEE-LA

HOW MANY MICS

READY OR NOT

KILLING ME SOFTLY

FEELING GOOD

DOO WOP (THAT THING)

 

Season 42 | 2016 Fall Broadcast Schedule (seven additional shows to be announced)

Oct. 1   Paul Simon

Oct. 8   James Bay / Rhiannon Giddens

Oct. 15    Robert Plant

Oct. 22   Florence + The Machine / Andra Day

Oct. 29    Iggy Pop

Nov. 5     Natalia Lafourcade / Grupo Fantasma

Nov. 12   My Morning Jacket / Ben Harper

The complete line-up for the full 14-week season, including seven new episodes to air beginning January 2017, will be announced at a later date. Check the news section of acltv.com for additional episode updates.

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for an encore featuring Los Lobos and Thao & the Get Down Stay Down.