ACL Presents: Americana Music Festival 2012

Americana Music Festival 2012 by Erika Goldring

The folks behind Austin City Limits present a full hour of performances recorded live at The Americana Music Association’s 11th Annual Americana Honors & Awards, presented by Nissan. Recorded September 12 at the historic Ryman Auditorium in Nashville, the special will air November 10th on PBS.

Performers included in this very special broadcast are some of the best and brightest rising stars of Americana, as well as legendary icons who helped define the genre: Bonnie Raitt, Alabama Shakes, Booker T. Jones, Carolina Chocolate Drops, Hayes Carll with Cary Ann Hearst, Guy Clark, Jason Isbell and the 400 Unit, John Hiatt, Kasey Chambers & Shane Nicholson, Tom T. Hall with Lee Ann Womack and Peter Cooper, The Mavericks, Richard Thompson, and an all-star finale tribute to Levon Helm.

The program, described by Paste Magazine as “the best awards show in the world,” was again helmed by host Jim Lauderdale and band leader Buddy Miller. Miller led the All-Star Band that also included Don Was, Rami Jaffee, Brady Blade & Larry Campbell.
The awards show kicked off the festival with more than 100 official showcases throughout Music City. In 2011, more than 12,000 fans enjoyed the festival’s musical events.

ACL Presents: Americana Music Festival 2011

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Nashville, TN, November 3, 2011: Robert Plant, Emmylou Harris, Gregg Allman, Alison Krauss, The Avett Brothers and the Civil Wars are just a few of the artists to be showcased during ACL Presents: Americana Music Festival. The program will air November 19th on PBS stations(check local listings). Filmed live at the Ryman Auditorium October 13, 2011, during the sold out Americana Music Association’s Honors and Award Show presented by Nissan, viewers will be treated to an hour long special featuring performances from the genres’ established and rising stars.

Hosted by Jim Lauderdale, with an all-star house band led by Americana favorite Buddy Miller, the show runs the Americana gamet from the etheral opening of “I’ll Fly Away” a tribute to the O’ Brother Where Art Thou? soundtrack, featuring Emmylou Harris and Alison Krauss to the uplifting finale spotlighting the legendary Gregg Allman. In between are performances from Jim Lauderdale, Robert Plant and The Band of Joy, Elizabeth Cook, Justin Townes Earle, Jessica Lea Mayfield, Amos Lee, and many more.

“It was time to bring the Americana Honors to another level,” said Jed Hilly, Executive Director of the Americana Music Association. We could not have had better partners than Nashville Public Television (Channel 8) President and CEO Beth Curley for our Middle Tennessee premiere and Austin City Limits Executive Producer Terry Lickona to take this to a national audience.”

The program, described by Emmylou Harris as “the shining star of Nashville and music everywhere,” was filmed by High Five Entertainment and co-produced by its President Martin Fischer along with Lickona.

ACL Presents is music programming created by, or in association with, KLRU, the producers of Austin City Limits (ACL). ACL Presents programming includes television specials, live events, web series and recorded music presentations and is made in the spirit and standards of the legendary PBS series Austin City Limits, the longest-running live music series in television history. ACL Presents collaborations have included: Hardly Strictly Bluegrass with KQED and Americana Music Festival with Nashvile Public Television (NPT).

ACL Season 37 Special: – ACL Presents Highlights of the Americana Music Festival on Nov. 19

Here at ACL HQ, we don’t just stay within the borders of our (admittedly impressive) territory – we like to keep up with the interesting stuff our peers do as well. Case in point: the venerable Americana Music Association throws a four-day party in Nashville every year called the Americana Music Festival, sort of a more roots music-oriented version of Austin’s own SXSW. The highlight of a week of beer and bands is the annual Americana Music Association Honors and Awards ceremony – at which our own Terry Lickona received a lifetime achievement award in 2008. (You can see a list of every year’s winners here.)

We think this festival is a cool thing, so we’re proud to partner with the AMA and Nashville’s longstanding public television station WNPT for ACL Presents: Americana Music Festival, airing Saturday Nov. 19 on your local PBS station. ACLP:AMF (say that three times fast – or, um, at all)  taped on October 13, the night of the Awards and Honors show, and features a plethora of performances from that magical evening.

And who might be providing those performances, you might ask? You get everyone from ACL vets Robert Plant (recipient of Album of the Year for Band of Joy), Lucinda Williams (Lifetime Achievement Award for Songwriting) and the Avett Brothers (Duo/Group of the Year) to Justin Townes Earle (Song of the Year for “Harlem River Blues”), Candi Staton and the Civil Wars. Gregg Allman (who appeared on ACL with the Allman Brothers Band back in Season 21) celebrates his Lifetime Achievement Award for Performance by crooning the classic “Melissa,” and Emmylou Harris and Alison Krauss lead a tribute to the film soundtrack of O Brother Where Art Thou. All this and Amos Lee, Elizabeth Cook, Jessica Lea Mayfield, bandleader Buddy Miller and host Jim Lauderdale as well.

For more info on the embarrassment of riches that is this show, head over to the episode page for pics, clips, the set list and more. And, of course, for more scuttlebutt on all things ACL, you should visit the Facebook, Twitter and Tumblr pages and sign up for our newsletter.

After ACLP: AMF, we’ll take a break from Season 37 for the holidays. But we have lots of excellent encore episodes coming your way, including a much-beloved classic from way back in Season 4. Stay tuned.

Guy Clark 1941-2016

Austin City Limits is saddened by the passing of legendary singer/songwriter Guy Clark this morning after a long illness. Along with his compadre Townes Van Zandt, the Monahans, TX native and longtime Nashville resident wrote new rules for starkly honest songwriting. Distinctive from the West Coast confessional approach and the East Coast folk revival, the writing that came out of the  Lone Star State in the late 60s and early 70s defined a new style of songsmithery that has proven hugely influential not only on Texas music, but on what would become known as Americana. The author of inarguable classics “L.A. Freeway,” “Dublin Blues,” “The Cape,” “Heartbroke” and “Desperadoes Waiting For a Train,” Clark sat in front of a large, talented and influential class, showing everyone with a guitar and a pen how it’s done.

Clark appeared on Austin City Limits seven times, in 1977, 1982, 1983, 1990, 1998, 2000 and 2008, and was inducted into the ACL Hall of Fame in 2015 by Lyle Lovett, who said, “He is my hero. His songs have touched all of us in Texas and people around the world.”

“Call him the ‘Dean’ or ‘King’ of Texas songwriters, he was simply the best there was, and set the standard for all the others,” said ACL executive producer Terry Lickona. “If you want to know what makes Texas songwriters different, just listen to Guy Clark. He was a storyteller and a rascal with a poet’s heart. Most of the personal stories I have about him I can’t tell, but maybe someday. I doubt if there will ever be anybody else quite like him.”

May he rest in peace with his wife Susannah and his best buddy Townes in that great songwriters’ bar in the sky.

Here’s Clark singing  “L.A. Freeway” from the 1983 songwriters special.

 

Rhiannon Giddens does it all on ACL debut

Singer, songwriter, multi-instrumentalist, interpreter – Rhiannon Giddens does it all on her acclaimed solo debut Tomorrow is My Turn. We were thrilled to host the Carolina Chocolate Drops member for her livestreamed debut ACL taping, and the NC native didn’t disappoint.

A barefoot Giddens and her seven-piece Americana orchestra took the stage to already enthusiastic applause. Donning her banjo, she and the band launched into the dramatic “Spanish Mary,” a Bob Dylan song Giddens finished for the all-star New Basement Tapes project. An accidentally muted fiddle meant an immediate retake – “Here’s a tune you may have heard before,” Giddens quipped – but the eager crowd clearly didn’t mind, and was rewarded with a tougher, grittier performance. She then moved to Tomorrow for the jaunty, fiddle-heavy “Don’t Let It Trouble Your Mind” from the catalog of the great Dolly Parton, “one of the most feminist writers out there.” She stayed with classic country for a stirring take on Hank Cochran’s sad and beautiful “She’s Got You,” made famous by the iconic Patsy Cline, before turning to the catalog of folk singer Odetta for the African-American work song “Waterboy,” a powerful showcase for her classically-trained vocal chops. She closed out the Tomorrow portion of the evening with a rumbling version of the Geeshie Wiley blues “Last Kind Words” that spotlighted her Drops bandmate Hubby Jenkins on mandolin.

Giddens then dug into her own growing catalog of originals for “Julie.” Inspired by a book of slave narratives, the tune recounts a conversation between a slave and her mistress, a performance stripped down to Dirk Powell’s fiddle and her own banjo, which is a replica of a 19th-century instrument. The rest of the band rejoined them as Giddens switched to fiddle and Powell (a folk and traditional music star in his own right) picked up his accordion for the Creole tune “Dimanche Apres-Midi” (“Sunday Afternoon Waltz”). Giddens and the band rocked up the folk for “Louisiana Man,” a snarling romantic putdown from Giddens’ own pen that bore down thanks to the circle of her banjo, Powell’s fiddle, Jason Sypher’s bass and Chance McCoy’s electric guitar. Jenkins then stepped forward to join Giddens on vocals for the gospel song “Children, Go Where I Send Thee,” which he brought to the Drops’ repertoire.

Giddens went back to her own catalog for the chilling “At the Purchaser’s Option,” a dark tune inspired by a 19th century advertisement for a slave and her baby and frosted by Malcolm Parson’s scraping cello. After ten songs chronicling American folk, she crossed the ocean for one of the musical strains at its root, closing the set with a stunning performance of traditional Gaelic “Mouth Music” that brought the house down. A standing ovation brought Giddens and the band back, wherein she explained that this was the band’s last show of the year and how thankful she was for her band and the paths on which her music has taken her. Following hugs all around for the musicians, Gidden and friends launched into a medley of “That Lonesome Road” and “Up Above My Head” from the catalog of pioneering gospel singer/proto rock & roll guitarist Sister Rosetta Tharpe – a rollicking call-and-response closer with solos all around. The crowd sent the band out with wild cheers and applause, all well-deserved. It was a rousing closer to a great show, and we can’t wait for you to see it when it airs this fall as part of our Season 42 on your local PBS station.    

ACL to livestream Rhiannon Giddens’ taping debut

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Austin City Limits is pleased to announce that we will be streaming our taping with Americana sensation Rhiannon Giddens live on April 25 at 8pm CT/9 pm ET. Fans around the world can watch the concert on  ACLTV’s  YouTube channel as it happens.

Rhiannon Giddens makes her highly-anticipated ACL debut performing tracks from her release Tomorrow Is My Turn, a 2016 Grammy nominee for Best Folk Album. The widely acclaimed album, produced by T Bone Burnett, marks Giddens’ solo debut after a decade as a founding member and leader of the Grammy-winning string band the Carolina Chocolate Drops.  Rolling Stone calls the debut “a spiritual archaeology of American racial and economic struggle via sublime covers of songs identified with Nina Simone, Patsy Cline, Dolly Parton and Elizabeth Cotten.”  The Piedmont, NC native and classically trained singer has chosen from a broad array of songs associated with the female artists who are her musical and spiritual forebears for an album that serves both as patchwork autobiography and as a tribute to these artists and their legacies. “The strength of American music is in bringing all these things together—Celtic, gospel, jazz, folk—all these things that make American music great,” she says. “Putting them side by side and having a production that pulls it all into a cohesive whole shows how related all these things are.”  

Giddens’ showcased her powerful vocals at the White House this past year and gave a show-stopping performance in our own 2015 Americana Music Festival special, and we’re thrilled to follow her journey for her ACL debut.

Please join us on April 25 on our ACLTV YouTube channel as we welcome Rhiannon Giddens.

New tapings: Robert Plant, Rhiannon Giddens and Florence + the Machine

Austin City Limits is proud to announce three new tapings. Singer and songwriter Robert Plant, returns to our stage for the first time in more than a decade on March 21, singer/multi-instrumentalist Rhiannon Giddens makes her ACL debut on April 25 and rock stars Florence + the Machine come back for their second visit on May 20 .

Plant travels to ACL with his band The Sensational Space Shifters as part of his “Southern Journey,” visiting the “places that gave birth to so much of the music I love,” with a select run of live dates dubbed the “Blues…Roots and Hollers” tour. The music icon celebrates the American South as a continuation of the eclectic soulful journey he began since leaving Led Zeppelin decades ago. He has spent many years exploring Americana music and America itself, traveling though the U.S. and collaborating with roots musicians, including Alison Krauss for 2009’s six-time Grammy-winning album Raising Sand.  Plant’s acclaimed 10th solo album, 2014’s lullaby and…The Ceaseless Roar, combines his love of everything from American country blues and rockabilly to British folk, Moroccan trance music and West African griot into a vision all his own.  Joined by the diverse, versatile six-piece band The Sensational Space Shifters, Plant adds, “Having just begun work on our new album, we thought we’d take time out to raise a little sand and welcome springtime with one more adventure, another celebration of life and song.”  

photo by Dan Winters

Rhiannon Giddens makes her highly-anticipated ACL debut performing tracks from her release Tomorrow Is My Turn, a 2016 Grammy nominee for Best Folk Album. The widely acclaimed album, produced by T Bone Burnett, marks Giddens’ solo debut after a decade in the string band the Carolina Chocolate Drops.  Rolling Stone calls the debut “a spiritual archaeology of American racial and economic struggle via sublime covers of songs identified with Nina Simone, Patsy Cline and Elizabeth Cotten.”  Reviving, interpreting, and recasting traditional material from a variety of sources has been central to Giddens’ career.  The Piedmont, NC native’s work with the Carolina Chocolate Drops has investigated and promoted the foundational role African-American artists have played in folk-music history, while making recordings that are vital, contemporary, and exuberant. With her solo album Tomorrow Is My Turn, the classically trained singer has embarked on a more personal sort of journey, but with a nod towards history as well. She’s chosen from a broad array of songs associated with the female artists who are her musical and spiritual forebears for an album that serves both as patchwork autobiography and as a tribute to these artists and their legacies. Through the process of creating this album with a disparate set of musicians and practically a century’s worth of songs, she also illustrates the democratic way American music has taken shape and evolved: “The strength of American music is in bringing all these things together—Celtic, gospel, jazz, folk—all these things that make American music great,” she says. “Putting them side by side and having a production that pulls it all into a cohesive whole shows how related all these things are.” We’re thrilled to follow her journey for her ACL debut on Apr. 25.

photo by Tom Beard

Florence + the Machine had a gigantic 2015, seeing the release of her first U.S. #1 album How Big How Blue How Beautiful and nominations for five Grammy Awards. Released to extensive critical acclaim and named to year-end best lists from Rolling Stone, NPR Music, SPIN, American Songwriter, Consequence of Sound and more, the album landed Welch on Coachella’s main stage in a standout performance, bookings all over TV and in front of her biggest audiences thus far. Written and recorded over the course of 2014 and produced by Markus Dravs (Björk, Arcade Fire, Coldplay), the album follows Florence’s globally acclaimed Lungs (2009) and Ceremonials (2011). Called “Florence Welch’s most personal, vulnerable and moving album to date” by Rolling Stone, How Big How Blue How Beautiful reached #1 in the U.K. (her third #1 album in the country), Australia, New Zealand, Ireland, Switzerland and Canada after reaching the top spot on iTunes charts in 24 countries worldwide. The album features the massive hit “Ship to Wreck,” which Fader calls “the best song of her career” and The Daily Beast calls “a testament to her ability to straddle pop and rock, convention and alternative.” As anyone who saw Florence’s previous appearance on ACL knows, her taping will present, as Entertainment Weekly puts it, “an outsize physical presence who doesn’t so much sing as emit deeply emoted sounds out of some wellspring of the collective unconscious who commanded her space and demanded undivided attention.” We’re happy to welcome back Florence + the Machine on May 20.

Want to be part of our audience? We will post information on how to get free passes about a week before the taping. Follow us on Facebook and Twitter for notice of postings.

Encore: Ed Sheeran and Valerie June

Austin City Limits presents two innovative singer-songwriters: UK sensation Ed Sheeran and rising star Valerie June. Ed Sheeran makes his ACL debut in a must-see episode that features the breakout star performing his entire set solo. Sheeran exudes the raw talent that has made him a worldwide superstar, with charged versions of hits from his landmark debut and new songs from the chart-topping follow-up release. Acclaimed Southern singer-songwriter Valerie June shares the bill, making a captivating ACL debut with her starry-eyed roots music.  

Ed Sheeran brings his A-game in his ACL debut, with a remarkable one-man solo performance that demonstrates why he’s one of music’s most popular live performers.  Clad in an ACL t-shirt, the 23 year-old three-time Grammy nominee performs his  breakthrough hits “The A Team,” “Lego House” and songs from his new release x.  With an acoustic guitar and a loop pedal as his only accompaniment, Sheeran creates a perfectly balanced mix of hip-hop and acoustic balladry. He showcases the honest songwriting and vocals that have earned him legions of fans across the globe.  Closing out the crowd-pleasing set, Sheeran leads the rapturous audience in an epic sing-along of his hit “Sing,” with the Austin crowd still chanting as Sheeran leaves the stage.

Striking Southern singer-songwriter Valerie June makes her first appearance on the ACL stage performing songs from her luminous debut Pushin’ Against a Stone. The Washington Post raves of the release: “Shades of Nina Simone, Dolly Parton and blueswomen of decades past flicker throughout; you can easily picture it crackling out from a timeworn record player.” The Tennessee native’s heartfelt sound and beautifully timeless voice have earned her critical raves and a 2014 Americana Awards nomination for emerging artist. With one foot in country blues, the other in mountain folk music and her head in the stars, June and her band conjure a distinctive brand of genre-blending that she calls “organic moonshine roots music” for a memorable ACL debut.

photo by Scott Newton

“In some ways, Ed Sheeran and Valerie June are as different as night and day,” says ACL Executive Producer Terry Lickona, “but they are both distinctly original in their music. Through their intimately personal songs and unique onstage personas, they represent everything that Austin City Limits is all about.”

Tune in this Saturday for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL goodies. Next week: Jim James and The Black Angels.