Giveaway: Ben Harper 9/1

UPDATE: Giveaway is now over

Austin City Limits will be taping a performance by Ben Harper & The Innocent Criminals on Thursday, Sept. 1st, at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by 9 am on Tuesday, August 30th.

Winners will be chosen at random and a photo ID will be required to pickup tickets. Winners will be notified by email. Passes are not transferable and cannot be sold. Standing may be required.  No photography, recording or cell phone use in the studio. No cameras or recording devices allowed in venue.

Giveaway: Hayes Carll 8/30

UPDATE: Giveaway is now over.

Austin City Limits will be taping a performance by Hayes Carll on Tuesday, August 30th, at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by 9 am on Friday, August 26th.

Winners will be chosen at random and a photo ID will be required to pickup tickets. Winners will be notified by email. Passes are not transferable and cannot be sold. Standing may be required.  No photography, recording or cell phone use in the studio. No cameras or recording devices allowed in venue.

ACL Hall of Fame 2016: ZZ Top’s Billy Gibbons, B.B. King’s Blues Band and Eve Monsees Added to Line-Up

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Austin City Limits proudly announces additional guests for its sold-out 2016 Austin City Limits Hall of Fame Inductions & Celebration on October 12th. Two Texas natives, ZZ Top’s Billy Gibbons and blues standout Eve Monsees, along with B.B. King’s Blues Band, the late bluesman’s touring band, join previously announced performers: Willie Nelson, Mavis Staples, Rodney Crowell, Gary Clark Jr. and Taj Mahal. The celebration will feature one-of- a-kind music performances and tributes, as three giants of American music are inducted into the third annual Austin City Limits Hall of Fame: B.B. King, Bonnie Raitt and Kris Kristofferson. Comedy super couple Nick Offerman and Megan Mullally will co-host the celebratory evening. Joining the superstar line-up will be honorees Kris Kristofferson and Bonnie Raitt, who will also perform. Sponsorships are still available.

All-star guest performers will handle induction honors in what is sure to be a historic night: ZZ Top’s Billy Gibbons will induct the late, great blues titan B.B. King, and will be joined by B.B. King’s Blues Band, featuring some of the original bandmembers who performed alongside King on his infamous 1983 ACL debut. Joining the musical tribute will be current blues sensation Gary Clark Jr. and longtime friend, guitarist Eve Monsees, along with ACL Hall of Fame honorees Willie Nelson and Bonnie Raitt. Country music trailblazer Rodney Crowell will induct singer-songwriter icon Kris Kristofferson, and Crowell will perform in tribute joined by Willie Nelson. Gospel and soul legend Mavis Staples, appearing on stage with blues kingpin Taj Mahal and Willie Nelson, inducts the legendary Bonnie Raitt.

Lloyd Maines returns as Music Director, leading an all-star house band. In addition to being one of the most respected music producers and musicians in Texas and beyond, and an Austin City Limits Hall of Fame inductee, Maines has performed on more ACL shows than any other single musician.

The sold-out event will take place Wednesday, October 12 at ACL’s studio home, Austin’s ACL Live at The Moody Theater. Musical highlights and inductions from the ceremony will be broadcast in a special New Year’s Eve episode to air as part of ACL’s Season 42 which premieres October 1st on PBS.

The Austin City Limits Hall of Fame was established in 2014 to celebrate the legacy of legendary artists and key individuals who have played a vital part in the pioneering music series remarkable 40+ years as a music institution. The inaugural induction ceremony in 2014 honored Willie Nelson, Stevie Ray Vaughan & Double Trouble, Lloyd Maines, program creator Bill Arhos and Darrell Royal. 2015’s second annual ACL Hall of Fame ceremony honored Asleep at the Wheel, Loretta Lynn, Guy Clark, Flaco Jiménez and Townes Van Zandt, along with the original crew of the show’s first season in 1974-75.

ACL continues its mission of producing great television with the debut of its 42nd season October 1, 2016 featuring a special hour with music legend Paul Simon in his ACL debut. The upcoming Season 42 is filled with musical highlights, including the first-ever appearance by punk-rock forefather Iggy Pop, ACL debuts from acclaimed singer-songwriters James Bay, Rhiannon Giddens, Andra Day and Latin Grammy-winner Natalia Lafourcade and highly-anticipated return appearances from music giant Robert Plant, My Morning Jacket, Florence + The Machine, Ben Harper and Latin funk orchestra Grupo Fantasma.

Austin City Limits and the Austin City Limits Hall of Fame are produced by KLRU-TV, Austin PBS. KLRU is a non-profit organization providing public television and educational resources to Central Texas as well as producing quality national programming. Net proceeds from the October 12 event benefit KLRU.

The 2016 Austin City Limits Hall of Fame is sponsored in part by SanDisk, Stratus Properties, Heritage Title Company of Austin, Dell and Cousins Properties.

Ms. Lauryn Hill’s ACL debut and a Season 42 preview

Austin City Limits presents a rare hour of television with hip-hop/R&B icon Ms. Lauryn Hill.  The special broadcast airs as a preview of the iconic PBS music series’ upcoming Season 42, which premieres October 1st with an hourlong episode featuring the legendary Paul Simon in his ACL debut. Ms. Lauryn Hill’s episode will encore in January during the second half of ACL’s new broadcast season.  

In a performance for the ages, the trailblazing Ms. Lauryn Hill dazzles the Austin crowd with a career-spanning  set culled from her landmark release The Miseducation of Lauryn Hill and her pioneering work with the Fugees, one of the best-selling hip-hop acts of all time. Opening the emotional set with her solo hit “Ex-Factor,” the multiple Grammy-winning singer and songwriter performs stunning versions of her biggest hits and fan favorites. One of the greatest MCs of all time, Hill has the crowd on their feet with the opening notes of “Fu-Gee-La” for an explosive take on the Fugees classic, weaving “Austin, I love you like no other before” into the lyric. Hill commands the stage, backed by a 12-piece band and performs a gorgeous cover of Nina Simone’s “Feeling Good” before closing out her unforgettable performance with the crowd-pleaser “Doo Wop (That Thing),” proving she’s still one of the most powerful artists in music today.  

“Every Lauryn Hill performance is special,” says ACL executive producer Terry Lickona, “and an hour of Ms. Hill on the ACL stage is nothing less than historic. She pours her heart and soul and every ounce of energy into every minute, and it shows. There’s nobody else quite her!”

photo by Scott Newton

The upcoming Season 42 is filled with musical highlights, including the first-ever appearance by punk icon Iggy Pop, ACL debuts from acclaimed singer-songwriters James Bay, Rhiannon Giddens, Andra Day and Latin Grammy-winner Natalia Lafourcade and highly-anticipated return appearances from music giant Robert Plant, My Morning Jacket, Florence + The Machine, Ben Harper and Latin funk orchestra Grupo Fantasma.  

Ms. Lauryn Hill Episode Setlist:

EX-FACTOR

FINAL HOUR

LOST ONES

FU-GEE-LA

HOW MANY MICS

READY OR NOT

KILLING ME SOFTLY

FEELING GOOD

DOO WOP (THAT THING)

 

Season 42 | 2016 Fall Broadcast Schedule (seven additional shows to be announced)

Oct. 1   Paul Simon

Oct. 8   James Bay / Rhiannon Giddens

Oct. 15    Robert Plant

Oct. 22   Florence + The Machine / Andra Day

Oct. 29    Iggy Pop

Nov. 5     Natalia Lafourcade / Grupo Fantasma

Nov. 12   My Morning Jacket / Ben Harper

The complete line-up for the full 14-week season, including seven new episodes to air beginning January 2017, will be announced at a later date. Check the news section of acltv.com for additional episode updates.

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for an encore featuring Los Lobos and Thao & the Get Down Stay Down.

New taping: Cyndi Lauper

Austin City Limits is pleased to announce a new taping with a pop culture icon: the one and only Cyndi Lauper. We’ll be taping this special performance on Friday, Sept. 9th.

The New York native scarcely needs any introduction. She’s a two-time Grammy-winning, multi-platinum selling singer and songwriter with a string of instantly recognizable hits: “True Colors,” “She Bop,” “I Drove All Night,” “Change of Heart,” “Time After Time” and, of course, the immortal “Girls Just Want to Have Fun.” She’s also a recent Tony-winning Broadway composer for the smash musical Kinky Boots as well as an Emmy-winning actress for her role on Mad About You. Her current project, however, blazes a new trail. Detour, her eleventh album, takes an unexpected Southern turn, as Lauper puts her signature spin on a dozen country classics. Detour showcases Lauper’s unmistakable voice on tunes from the 40s, 50s and 60s, and features guest performances from some of country music’s finest: Vince Gill, Emmylou Harris, Alison Krauss and Willie Nelson. She recorded the album in Nashville alongside a band comprised of the city’s top session players. “When I was a really young kid, country music was pop music, so this is what we grew up listening to,” Lauper says. “These songs are part of some of my earliest memories.” Magnet calls the record “a great showcase for Lauper’s vocal range and prowess,” while Uncut asserts that “she flexes both empathy and interpretive might.” People says “that New Yawk spunk and those frisky, agelessly girlish vocals are…even more charming when paired with a steel guitar’s whine.” Lauper will showcase both Detour and her catalog of hits in an ACL performance sure to be one for the ages.

Want to be part of our audience? We will post information on how to get free passes about a week before the taping. Follow us on Facebook and Twitter for notice of postings.

New taping: Ben Harper & the Innocent Criminals

Austin City Limits is delighted to announce the return of an ACL favorite: Ben Harper & The Innocent Criminals. Revered singer, songwriter and multi-instrumentalist Harper is set to return to the ACL stage on Thursday, September 1st, 2016. Harper will be joined by The Innocent Criminals, who recently teamed with Harper to release, Call It What It Is, their first record together in nine years.

Since his 1994 debut, Ben Harper has amassed worldwide acclaim as a genre-spanning singular talent with an unmatched ability to blend the personal and political. The Innocent Criminals – percussionist Leon Mobley, bassist Juan Nelson, drummer Oliver Charles and keyboardist Jason Yates – reunited with Harper for a tour in 2015, but quickly discovered that he had more in mind than simply revisiting the group’s prodigious collection of hits. In fact, Harper had been quietly amassing material for a new record with his long-time band mates. “I thought we would be more energized and revitalized by thinking outside the box and starting with new material in the studio before we dug into the old stuff,” explains Harper. “It was meant to be a signpost that we’re here to forge new ground musically and personally. Because of that, the older material started to sound brand new too.”

Released via the legendary Stax Records in April 2016, Call It What It Is explores themes of deep cultural and emotional resonance. Plaudits have poured in from around the world. Uncut called the album “a well-honed primer in what Harper does best, fusing blues, rock, folk, country, R&B, gospel and reggae with politically conscious lyrics into a dynamic stew.” And Entertainment Weekly raved, “A welcome homecoming…his most diverse collection in years. Grade: A-.”

“I gave everything I could to it,” says Harper. “To be able to say that we’ve left no stone unturned just feels great.”

Want to be part of our audience? We will post information on how to get free passes about a week before the taping. Follow us on Facebook and Twitter for notice of postings.

Grupo Fantasma and family’s delirious groove

Few bands on Earth bring the party like Grupo Fantasma. The Austin-based Latin funk orchestra throws down its irresistibly danceable grooves like no other, as evidenced by a lively global fanbase that included the late genius Prince, who often jammed with the band. The music icon wasn’t Grupo’s only famous friend, however, as evidenced by this second taping for our hometown heroes. Jam-packed to the tune of twenty-two musicians with special guests, family and alter egos, the show, which we livestreamed around the world, never let up on delirious groove.

Taking the stage to enthusiastic applause, the nine-piece Grupo Fantasma kicked things off with a surprise – a cleverly salsafied take on Led Zeppelin’s groover “Immigrant Song,” with the horns subbing for Robert Plant’s iconic wail. The band then hopped into its own catalog for “Nada,” an acid-dipped cumbia that’s a highlight of its latest acclaimed album Problemas. The first of the group’s guests, Los Texmaniacs accordionist Josh Baca and former Grupo founding member Adrian Quesada arrived to add rippling squeezebox and crackling guitar to the conjunto-flavored “Esa Negra.” “Ausencia” put the rhythm back in salsa time, the groove augmented by Beto Martinez’ psychedelic guitar solo. The rubbery cumbia “Otoño” followed, as did the roiling salsa “Descarga Pura Y Dura,” with dueling trombone licks and ringmaster Jose Galeano’s skittering timbales.

Jazz/funk guru Karl Denson joined the band on stage, adding his flute to the infamous Grupo Fantasma horns for the slinky funk rock of“L.T.” With Denson still onstage, a barrage of polyrhythmic handclaps from band and crowd signaled the beginning of the ambitious, multi-faceted “Solo un Sueño,” which added Afrobeat and a Sweet Lou conga solo to the groovy stew. After that triumph, Galeano and fellow singer Kino Esparza left the stage and Quesada rejoined, allowing Grupo Fantasma to transform into its funk alter ego Brownout. In that configuration, the band laid down some serious jams. Bassist Greg Gonzalez powered the soul-inflected “Aguilas and Cobras,” as Sweet Lou rocked the congas and Martinez and Quesada their guitars. Percussionist Alex Marrero took the mic for a new song, the hard rocking “The Blade,” an outgrowth of Brownout’s well-received covers of Black Sabbath.  “You didn’t expect me to stay back there all night,” joked Marrero as he came to the front of the stage for another new Brownout tune, the free-flowing “ThingsYou Say (Denver Funk).”

Galeano and Esparza returned and the band transmuted back into Grupo Fantasma. Joined by Austin’s preeminent mariachi ensemble Mariachi Estrella, the group essayed the gorgeous “Porque,” a Spanish cover of the Beatles’ “Because.” As Estrella exited, Denson and Los Lobos saxist Steve Berlin, who produced Problemas, came on for the flute-enhanced “Cayuco.” Berlin remained, manning the keyboard for the Esparza-crooned cumbia “Roto.” Grupo then launched into the title track of Problemas, with Galeano giving dance instructions to the front row and Mark “Speedy” Gonzales laying down a powerhouse trombone solo. The high-energy salsa of “Montañozo” got hips swaying hard before running directly into the hyperspeed of “Caña Brava,” a song going all the way back to the band’s first album in 2002.

Berlin, Denson, Baca and Quesada came back for the final song, a tribute to the band’s friend and champion Prince. Galeano was at a loss for words – “There’s not much we can say. We’re just gonna play.” And so they did, 15-strong across the stage, with Denson joining in on vocals for the Purple One’s discofied early hit “Controversy.” Solos were traded all around, with the guitars going to the accordion going to the saxophone and the groove burning a hole in the stage. The crowd went appropriately nuts, yelling for more. Grupo answered the call, returning with Baca in tow for “Salsa Caliente,” a  favorite that had the audience dancing and singing along. After bringing the house down and the show to a close, Grupo Fantasma quit the stage and the lights came up. It was a marvelous show by one of Austin’s best bands, and we can’t wait for you to see it when it airs this fall on PBS.