ACL to livestream tapings from The Head and the Heart and The Black Angels

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Austin City Limits is proud to announce a pair of back-to-back livestreams with two of today’s most thrilling live acts. We will be streaming the upcoming tapings of Seattle’s The Head and the Heart on May 22 and Austin’s own The Black Angels on May 23, live and in their entirety, directly from the Austin City Limits stage at 8pm CT/9 pm ET on ACLTV’s YouTube channel.  Both acts are making return appearances to the ACL stage armed with acclaimed new albums.

When Seattle band, The Head and the Heart, who first appeared on ACL in Season 37, regrouped in 2016 to start writing together again after a sabbatical, “it almost felt like we were a new band, trying things we hadn’t tried,” bassist  Chris Zasche recalls. “We stayed at a bungalow on the beach. We’d wake up, have coffee and go boogie boarding. We were ready and excited to be back together.” That renewed sense of purpose can be felt throughout their major label debut, Signs of Light, the group’s third album and first release for Warner Bros. Records. “This album isn’t about us now having achieved our dreams,” says vocalist/multi-instrumentalist Charity Rose Thielen. “The day we started being able to live off our art was the day we achieved our dreams, in my mind. This is the album where we really fell into our true voices as those artists.” Recorded in Nashville with producer Jay Joyce (Eric Church, Cage The Elephant), Signs of Light crackles with the upbeat, singalong energy of the band’s finest work. Throughout, the colors are brighter, the electric guitars are louder and the musical touchstones more universal. Lead single “All We Ever Knew,” written during the Let’s Be Still era but never captured to the band’s satisfaction until now, is sure to be a crowd-pleaser, while “Turn It Around” seems primed to be a future concert staple, matching its inspirational message with a lush and multi-layered soundscape. Blurt say the album “fulfills the aim the band’s handle appears to indicate. This is after all, music that connects with the head and the heart, and imparts a dual sense of resilience and delight in its wake.” Join us on May 22nd for The Head and the Heart’s highly-anticipated second ACL taping.

BlackAngels_Livestream_43_squareAustin psych rock masters The Black Angels appear with charged new songs from Death Song, their first full-length release in four years, and their debut for Partisan Records. NPR raves, “The Black Angels have delivered an enormous and frighteningly timely fifth album full of uniquely trippy anthems to oblivion.”  Written and recorded in large part during the recent election cycle, the music serves as part protest, part emotional catharsis in a climate dominated by division, anxiety and unease. Recorded between Seattle and Austin, the eleven-track collection offers a sharply honed elaboration on their signature sound – menacing fuzz guitar and cutting wordplay, steeped in a murky hallucinatory dream. Since forming in Austin in 2004, The Black Angels have become standard-bearers for modern psych-rock, and the New York Times has said they “play psychedelic rock as if the 1960s never ended, and they are absolute masters of it.” The Black Angels made a stellar ACL debut in 2013 and we look forward to their return.

Please join us May 22 and May 23 for these full-set livestreams on our ACLTV YouTube channel. The broadcast versions will air on PBS later this year as part of Season 43.

New taping: The Black Angels

photo by Sandy Carson

Austin City Limits is thrilled to welcome back hometown heroes The Black Angels on May 23rd for their second ACL taping, armed with a powerful new record Death Song.

Death Song is the Austin psych rock masters’ first full-length release in four years, and their debut for Partisan Records. NPR raves, “The Black Angels have delivered an enormous and frighteningly timely fifth album full of uniquely trippy anthems to oblivion.”  Written and recorded in large part during the recent election cycle, the music serves as part protest, part emotional catharsis in a climate dominated by division, anxiety and unease. “Currency,” a strong contender for the heaviest song the band has ever put to wax, meditates on the governing role the monetary system plays in our lives.  Album highlight “Half Believing,” the track Texas Monthly calls “a turning point for the band,” is a slow-building stunner that questions the nature and confusing realities of devotion. Recorded between Seattle and Austin, ‘Death Song’ features production from Phil Ek (Father John Misty, Fleet Foxes, The Shins). The eleven-track collection offers a sharply honed elaboration on their signature sound – menacing fuzz guitar and cutting wordplay, steeped in a murky hallucinatory dream.  Classic Rock says Death Song “is their heaviest to date, a toxic draught of garage-rock and booming psychedelia that buzzes with echo and reverb,” while A.V. Club claims “confirms there’s no end to the kinds of hurt and frustration that can be channeled into its cathartic music.”

Since forming in Austin in 2004, The Black Angels have become standard-bearers for modern psych-rock, and the New York Times has said they “play psychedelic rock as if the 1960s never ended, and they are absolute masters of it.” The band’s 2010 breakthrough Phosphene Dream launched the Austin collective onto the world stage, drawing massive audiences for their scorched earth live shows and touring with Queens of the Stone Age, Brian Jonestown Massacre, the Black Keys and more, and landing on festival stages including Glastonbury, Fuji Rock, Primavera, Harvest Fest, Coachella, Bonnaroo, Fun Fun Fun Fest and, of course, Austin City Limits Music Festival. Two of the band members co-founded Levitation Festival (formerly Austin Psych Fest) in 2008, which has since grown into one of the best-reviewed and expertly-curated festivals in the country. The Black Angels made a stellar ACL debut in 2013 and we look forward to their return.

Want to be part of our audience? We will post information on how to get free passes about a week before each taping. Follow us on Facebook and Twitter for notice of postings.

ACL to stream Benjamin Booker taping live

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Austin City Limits is proud to announce a livestream featuring red-hot rocker Benjamin Booker, taping April 27 as part of our 43rd season. The taping will be streamed live in its entirety directly from the Austin City Limits stage, and fans worldwide can watch the concert Thursday, April 27 at 8pm CT/9 pm ET on ACLTV’s YouTube channel as it happens.

Singer, songwriter, guitarist and rocker Benjamin Booker comes to ACL in advance of his greatly anticipated sophomore platter Witness, out in June. With Witness, the New Orleans-based Booker has created his most ambitious work yet by digging deep into his passion for eccentric soul, R&B, and blues – drawing on everything from William Onyeabor’s 70s African psych-rock to Freddie Gibbs and Pusha T, while never straying too far from the garage-punk intensity that made his self-titled 2014 debut such a creative breakthrough. Born in Virginia Beach and raised in Tampa, Booker attended a magnet school for the arts before matriculating at the University of Florida, studying music journalism. After self-releasing his 2012 EP Waiting Ones, he signed to ATO, who released his eponymous debut in 2014. “Singing with a maturity beyond his years,” said The Guardian about the critically-adored LP, “he crafts hooks that pay homage to Robert Johnson, Sam Cooke and the shambolic punk he grew up listening to.” Following the album’s release, Booker hit the road and the festival circuit, touring with Jack White and Courtney Barnett and playing the Austin City Limits Music Festival and Lollapalooza. Now Booker is ready to unleash Witness on the world, preceded by the title track, released as a single and featuring gospel legend and ACL alum Mavis Staples.

Please join us April 27 for this full-set livestream on our ACLTV YouTube channel. The broadcast version will air on PBS later this year as part of Season 43.

ACL Hall of Fame 2017 to induct Roy Orbison, Rosanne Cash, Neville Brothers

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Austin City Limits is proud to announce the newest class of Austin City Limits Hall of Fame inductees: pioneering rocker Roy Orbison, Americana legend Rosanne Cash and New Orleans icons The Neville Brothers. The 2017 ACL Hall of Fame inductees will be saluted at a ceremony with all-star music performances to be held October 25, 2017 at ACL’s studio home, ACL Live at The Moody Theater in downtown Austin. Renowned singer-songwriter Chris Isaak will induct his idol and host the celebratory evening, which features an all-star line-up of guest performers including Grammy-winning legends Raul Malo and Ry Cooder.

The event will be open to the public and tickets are on sale starting April 21st at http://acltv.com/hall-of-fame/. More information about performances, presenters and additional guest stars will be announced prior to the event.

The latest class of inductees features music legends who have given timeless performances on the ACL stage. Roy Orbison’s legendary appearance on ACL in 1983 is long considered one of the show’s undeniable classics. With a setlist of indelible hits — “Only the Lonely,” “Crying,” “Blue Bayou,” and “Pretty Woman” — Orbison performed his greatest hits with all the emotional power that made him an icon. Singer-songwriter Rosanne Cash debuted on ACL the same season as Roy Orbison in 1983 and has gone on to make seven standout appearances, each showcasing her artistic evolution as a songwriter. The Nevilles appeared on the show in 1979, 1986 and 1995, raising the bar on funk and soul with each appearance.

“Our annual Hall of Fame Induction and Celebration has become one of the highlights of the year,” says Executive Producer Terry Lickona. “This year’s honorees represent historic milestones in ACL’s early years. Roy Orbison gave the audience collective goosebumps when he hit those highest notes; Rosanne was a trailblazer among female country singers; and The Neville Brothers were the first major New Orleans band to play the show. Even in those early days, they represented the diversity that has been the hallmark of Austin City Limits down through the decades.”

The Austin City Limits Hall of Fame was established in 2014 to celebrate the contributions of those legendary artists and key individuals who have played a vital part in creating the legacy of what has become the longest-running music series in television history (43 years). The inaugural induction ceremony in 2014 honored Willie Nelson, Stevie Ray Vaughan & Double Trouble, Lloyd Maines, program creator Bill Arhos and Darrell Royal. 2015’s second annual ACL Hall of Fame ceremony honored Asleep at the Wheel, Loretta Lynn, Guy Clark, Flaco Jiménez and Townes Van Zandt, along with the original crew of the show’s first season in 1974-75. The 2016 Hall of Fame honored Kris Kristofferson, Bonnie Raitt and B.B. King, alongside former ACL executive producer Dick Peterson.

About the 2017 Austin City Limits Hall of Fame Inductees:

Roy Orbison:

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Roy Orbison possessed one of the most remarkable and recognizable voices in all of music; combined with his easy facility for writing memorable pop songs, it led to superstardom. The Vernon, Texas native’s first success came as a songwriter in the ‘50s, when the Everly Brothers recorded his “Claudette.” But he became a major star starting in 1960 with “Only the Lonely,” beginning a string of hits including “Crying,” “In Dreams,” “Running Scared” and the immortal “Oh, Pretty Woman.” After several years out of the spotlight, Orbison made a comeback in the late ‘80s as part of supergroup the Traveling Wilburys and with his final solo album Mystery Girl. His melodic gifts, well-timed sense of drama and magnificent voice spoke to generations of music fans – he remains one of the most beloved musical artists of the 20th century.

Rosanne Cash:

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One of the country’s pre-eminent singer/songwriters, Rosanne Cash has released 15 albums of extraordinary songs that have earned multiple Grammy Awards and 11 nominations, as well as 21 Top 40 hits, including 11 No. 1 singles. Her restless musical journey spans nearly four decades and includes a recent career triumph: three 2015 Grammy Awards for her widely-acclaimed album, The River & the Thread. Cash took top honors for the American roots travelogue, including Best Americana Album, and the Awards testify to her enduring talent as she won her original Grammy thirty years earlier. A collaboration with husband/co-writer/producer and arranger John Leventhal, The River & the Thread evokes a kaleidoscopic examination of the geographic, emotional, musical and historic landscape of the American South and achieved the highest Billboard album debut of Cash’s career. The soul-searching trailblazer has been winning over audiences since she debuted on Austin City Limits in 1983. Cash went on to make six more appearances on the ACL stage, with each performance offering new insight into her creative process. A longtime arts advocate, Cash has partnered in programming collaborations with Carnegie Hall, Lincoln Center, San Francisco Jazz, Minnesota Orchestra and The Library of Congress. Country royalty, Cash has carved out her own powerful legacy and continues at the peak of her artistic powers and in full command of her singing and songwriting talent.

The Neville Brothers:

The first family of New Orleans music, the Neville Brothers have been world ambassadors for their city’s distinctive style of funk, soul and R&B for four decades. Though Art, Aaron, Cyril and Charles first began performing as a unit in 1977, their musically legacy goes back much further, with Aaron’s 1966 hit “Tell It Like It Is” and Art’s work with the Meters starting in the mid-60s. The family band made its recorded debut in 1978 and has been unstoppable ever since, amassing a catalog of classic, rumpshaking albums like Fiyo On the Bayou and Yellow Moon and hits “Brother John/Iko Iko,” “Yellow Moon” and their inimitable take on Leonard Cohen’s “Bird On a Wire.” A mainstay of New Orleans stages and a huge influence on the musicians who followed them, the beloved band took its party around the world. The Nevilles’ three appearances on the show in 1979, 1986 and 1995, continued to get groovier, greasier and more funky with age.

photo by Scott Newton

The 2017 Austin City Limits Hall of Fame is brought to you by NetApp and also sponsored in part by Stratus Properties, Dell, HomeAway, Miller Imaging & Digital Solutions, Tracey & Bill Marshall, Asian American Cultural Center, The Capital Grille, Catherine L. Robb, Bruce Stuckman, Ph.D. and Nona Niland. For sponsorship opportunities contact Amanda Hutchins at ahutchins@klru.org.

NEW TAPINGS: ZAC BROWN BAND, ANGEL OLSEN, BENJAMIN BOOKER

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Austin City Limits continues its mission of presenting music’s best and brightest with new Season 43 tapings from Zac Brown Band on August 3, Angel Olsen on July 25 and Benjamin Booker on April 27, all making their ACL debuts.

Three-time GRAMMY Award-winning multi-platinum artists Zac Brown Band will tape their first-ever ACL appearance August 3, on the heels of their highly-anticipated new release WELCOME HOME, the band’s upcoming album out May 12, and their first release on Southern Ground/ Elektra Records. Produced by GRAMMY Award-winning producer Dave Cobb (Chris Stapleton, Sturgill Simpson, Jason Isbell) and In The Arena Productions, and recorded at Southern Ground Nashville Studio, WELCOME HOME is what the band calls not only a return to their roots, but also a return to The Foundation, the band’s 2008 breakthrough debut that is now 5X platinum. 2016 was a record-breaking year for Zac Brown Band. Their “Black Out the Sun” tour broke attendance records at Camden’s BB&T Pavilion and Boston’s Fenway Park, and the Country Music Hall of Fame and Museum hosted a career-spanning exhibition exploring the group’s rise to fame. All this built on the group’s three platinum-selling albums (Uncaged, You Get What You Give, and Jekyll + Hyde), 5x platinum The Foundation, their 2013 project The Grohl Sessions Vol. 1, 25 million singles and eight million albums sold, and a historic fifteen #1 radio singles, along with the distinction of becoming the second act ever to top both the country and active rock formats.

photo by Amanda Marsalis

An artist who reigns over the land between being an elliptical outsider and a pop personality with a haunting obliqueness and sophisticated grace, Angel Olsen hits our stage in celebration of her third LP My Woman, which Uncut calls “another giant progression in an already distinguished career.” The St. Louis native began her journey in Chicago as a backing vocalist for Bonnie Prince Billy, but her talent soon manifested in her first EP Strange Cacti and album Half Way Home in 2012. Signing to respected indie Jagjaguwar, Olsen released 2014’s Burn Your Fire For No Witness to great fanfare, setting the stage for My Woman. Recorded with producer Justin Raisen (Charlie XCX, Santigold) after her relocation to Asheville, NC, the record expands on the reverb-shrouded poetic swoons, shadowy folk and grunge-pop workouts of her previous work via 70s country rock, vintage electronic pop and languid psychedelic soul. “These are controlled, tempered, well-steered songs, capable of navigating genres,” notes Q. An intuitively smart, warmly communicative and fearlessly generous record, My Woman speaks to everyone. “Contradictory, complex, and worthy of endless re-listens,” says DIY, “Angel Olsen has crafted her most compelling record to date.”

Singer, songwriter, guitarist and rocker Benjamin Booker comes to ACL in advance of his greatly anticipated sophomore platter Witness, out in June. With Witness, the New Orleans-based Booker has created his most ambitious work yet by digging deep into his passion for eccentric soul, R&B, and blues – drawing on everything from William Onyeabor’s 70s African psych-rock to Freddie Gibbs and Pusha T, while never straying too far from the garage-punk intensity that made his self-titled 2014 debut such a creative breakthrough. Born in Virginia Beach and raised in Tampa, Booker attended a magnet school for the arts before matriculating at the University of Florida, studying music journalism. After self-releasing his 2012 EP Waiting Ones, he signed to ATO, who released his eponymous debut in 2014. “Singing with a maturity beyond his years,” said The Guardian about the critically-adored LP, “he crafts hooks that pay homage to Robert Johnson, Sam Cooke and the shambolic punk he grew up listening to.” Following the album’s release, Booker hit the road and the festival circuit, touring with Jack White and Courtney Barnett and playing the Austin City Limits Music Festival and Lollapalooza. Now Booker is ready to unleash Witness on the world, preceded by the title track, released as a single and featuring gospel legend and ACL alum Mavis Staples.

Want to be part of our audience? We will post information on how to get free passes about a week before each taping. Follow us on Facebook and Twitter for notice of postings.

Chris Isaak to host Austin City Limits Hall of Fame 2017

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The Austin City Limits Hall of Fame is pleased to announce the date and host of the 2017 Inductions & Celebration. The announcement was made by Terry Lickona at the Moody Theater at tonight’s Pretenders taping.

A new class of inductees will be announced at a later date, and will be saluted at a ceremony with all-star music performances to be held October 25, 2017 at ACL’s studio home, Austin’s ACL Live at The Moody Theater. Chris Isaak will host the celebratory evening. The event will be open to the public and ticket onsale information will be announced at a later date. More information about performances, presenters and additional guest stars will be announced prior to the event.

The Austin City Limits Hall of Fame was established in 2014 to celebrate the legacy of legendary artists and key individuals who have played a vital part in the pioneering music series remarkable 40+ years as a music institution. The inaugural induction ceremony in 2014 honored Willie Nelson, Stevie Ray Vaughan & Double Trouble, Lloyd Maines, program creator Bill Arhos and Darrell Royal. 2015’s second annual ACL Hall of Fame ceremony honored Asleep at the Wheel, Loretta Lynn, Guy Clark, Flaco Jiménez and Townes Van Zandt, along with the original crew of the show’s first season in 1974-75. The 2016 Hall of Fame honored Kris Kristofferson, Bonnie Raitt and B.B. King, alongside former ACL executive producer Dick Peterson.

ACL to livestream Pretenders taping on March 13

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Austin City Limits kicks off Season 43 with what’s sure to be the talk of the town: a livestream of rock legends The Pretenders’ ACL debut, taping March 13. The taping will be streamed live in its entirety directly from the Austin City Limits stage, and fans worldwide can watch the concert Monday, March 13 at 8pm CT/9 pm ET on ACLTV’s YouTube channel as it happens.

Led by iconic singer/songwriter/guitarist Chrissie Hynde, The Pretenders have blazed a trail in rock ‘n’ roll for four decades and come to ACL in support of latest album Alone. Recorded with the Black Keys’ Dan Auerbach at his Easy Eye Studio in Nashville, the album was initially conceived as the follow-up to Hynde’s acclaimed 2014 solo debut Stockholm. But as its songs and sonics took shape, the collection soon revealed itself as the first all-new Pretenders LP since 2008′s Break Up The Concrete. Backed by a team of what Hynde proudly calls “real people playing real instruments,” Akron natives Hynde and Auerbach made for ideal foils, two idiosyncratic songwriter/musicians possessing a deep knowledge and even deeper love of rock ‘n’ roll.

Alone bears all the trademarks of The Pretenders’ legendary canon: raw and rollicking riffs, poignant balladry, taut hooks and indelible melodies – all in service of Hynde’s heartworn, ever-unsentimental songcraft. Nearly four decades on from the band’s epochal 1980 debut album, Hynde’s instantly identifiable voice, called “one of rock’s finest,” by The Guardian, is perhaps more emotional and aggressive than at any other time in her career.  That extra bit of edge only serves to add fire to new Pretenders classics like the brutally candid “I Hate Myself” and the defiant title track, a spiky rocker that sees Hynde extolling the joys and virtues of solitude. “At 65, she’s still mouthing off over brass-knuckled rock & roll,” notes Rolling Stone, “flexing command and carnality with no apology.”

Other highlights include “Roadie Man,” a softly sung paean to the hard working touring crew that has been kicking around Hynde’s unrecorded songbook for more than 25 years, the seductive “Let’s Get Lost,” and “Never Be Together,” featuring an appropriately twangy contribution from pioneering guitar hero Duane Eddy. The UK’s The Independent asserts that Alone is “a fine album, subtly varied in both musical style and lyrical slant,” while Magnet declares it’s “as good a Pretenders record as has been made.” Armed with original drummer Martin Chambers, a new landmark and their catalog of undeniable classics, The Pretenders finally make their long-awaited ACL debut.

Please join us March 13 for this full-set livestream on our ACLTV YouTube channel. The broadcast version will air on PBS later this year as part of our Season 43.

Austin City Limits invites you to Bloody Mary Morning 2017

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Join Austin City Limits and KLRU-TV, Austin PBS at the 6th Annual Bloody Mary Morning during SXSW on Thursday, March 16 from 10 a.m. until 2 p.m in the  GSDM courtyard.

This year’s lineup is our biggest yet and in keeping with Austin City Limits tradition of bringing audiences “Great Music. No Limits,” includes some of music’s most buzzed about artists from across the globe and stateside: blues revivalist duo Little Hurricane, Canadian country standout Colter Wall, U.K. rockers Sundara Karma, Third Man recording artist Lillie Mae, Minneapolis breakout rapper/singer Lizzo, Australian indie-folk up-and-comer Slow Dancer and veteran indie music outliers R. Stevie Moore & Jason Falkner.

Even better, you can listen to music while enjoying free (while supplies last!) Bloody Marys from Tito’s Vodka, beer from Shiner Beer and breakfast tacos from Tacodeli. Bloody Mary Morning is brought to you by our friends The Guild, NetApp and YETI. So make it a Bloody Mary Morning like Willie would want you to!

You don’t need to be a SXSW badgeholder to attend – Bloody Mary Morning is free and open to the public. You can RSVP here. Please join us!