Natalia Lafourcade’s ACL taping to livestream on Mar. 23

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Austin City Limits is pleased to announce that we will be streaming our taping with international sensation Natalia Lafourcade live on March 23 at 8pm CT/9 pm ET. Fans around the world can watch the concert on  ACLTV’s  YouTube channel as it happens.

Singer-songwriter Natalia Lafourcade is one of Mexico’s biggest music stars. Her infectious mix of pop, rock, folk and bossa nova has earned her multiple chart-topping albums in Latin America and her first Grammy Award this year for her acclaimed album Hasta La Raíz.  Lafourcade became a breakout success in her homeland at the age of nineteen, releasing a self-titled debut which soared to #1 on the Mexican charts and delivered the first of many Latin Grammy nominations.  Lafourcade emerged the night’s big winner at this year’s Latin Grammy Awards, winning Best Alternative Music Album for Hasta La Raíz, with the record’s title track sweeping top honors for Record, Song and Alternative Song of the Year.  The best-selling album is being hailed “her most profound and enduring statement” by the Village Voice, thanks to what AllMusic calls “extremely well-written songs in the grand romantic Latin American tradition…but with a contemporary perspective.”

Please join us online on our ACLTV YouTube channel as we welcome Natalia Lafourcade.

Robert Plant’s ACL taping to livestream on Mar. 21

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Austin City Limits is thrilled to announce that we will be streaming our taping with the legendary Robert Plant & the Sensational Space Shifters live on March 21st at 8pm CT/9 pm ET.  The music icon returns to our stage for the first time in more than a decade and fans can log on via the show’s YouTube Channel to watch the entire taping as it happens live from The Moody Theater in downtown Austin.  Joined by his diverse, versatile six-piece band the Sensational Space Shifters for this appearance, Plant adds, “Having just begun work on our new album, we thought we’d take time out to raise a little sand and welcome springtime with one more adventure, another celebration of life and song.”  The broadcast version will air on PBS as part of the series upcoming Season 42 which launches this fall.    

Please join us online on our YouTube channel as we welcome back Robert Plant & the Sensational Space Shifters.

New tapings: Robert Plant, Rhiannon Giddens and Florence + the Machine

photo by Frank Melfi

Austin City Limits is proud to announce three new tapings. Singer and songwriter Robert Plant, returns to our stage for the first time in more than a decade on March 21, singer/multi-instrumentalist Rhiannon Giddens makes her ACL debut on April 25 and rock stars Florence + the Machine come back for their second visit on May 20 .

Plant travels to ACL with his band The Sensational Space Shifters as part of his “Southern Journey,” visiting the “places that gave birth to so much of the music I love,” with a select run of live dates dubbed the “Blues…Roots and Hollers” tour. The music icon celebrates the American South as a continuation of the eclectic soulful journey he began since leaving Led Zeppelin decades ago. He has spent many years exploring Americana music and America itself, traveling though the U.S. and collaborating with roots musicians, including Alison Krauss for 2009’s six-time Grammy-winning album Raising Sand.  Plant’s acclaimed 10th solo album, 2014’s lullaby and…The Ceaseless Roar, combines his love of everything from American country blues and rockabilly to British folk, Moroccan trance music and West African griot into a vision all his own.  Joined by the diverse, versatile six-piece band The Sensational Space Shifters, Plant adds, “Having just begun work on our new album, we thought we’d take time out to raise a little sand and welcome springtime with one more adventure, another celebration of life and song.”  

photo by Dan Winters

Rhiannon Giddens makes her highly-anticipated ACL debut performing tracks from her release Tomorrow Is My Turn, a 2016 Grammy nominee for Best Folk Album. The widely acclaimed album, produced by T Bone Burnett, marks Giddens’ solo debut after a decade in the string band the Carolina Chocolate Drops.  Rolling Stone calls the debut “a spiritual archaeology of American racial and economic struggle via sublime covers of songs identified with Nina Simone, Patsy Cline and Elizabeth Cotten.”  Reviving, interpreting, and recasting traditional material from a variety of sources has been central to Giddens’ career.  The Piedmont, NC native’s work with the Carolina Chocolate Drops has investigated and promoted the foundational role African-American artists have played in folk-music history, while making recordings that are vital, contemporary, and exuberant. With her solo album Tomorrow Is My Turn, the classically trained singer has embarked on a more personal sort of journey, but with a nod towards history as well. She’s chosen from a broad array of songs associated with the female artists who are her musical and spiritual forebears for an album that serves both as patchwork autobiography and as a tribute to these artists and their legacies. Through the process of creating this album with a disparate set of musicians and practically a century’s worth of songs, she also illustrates the democratic way American music has taken shape and evolved: “The strength of American music is in bringing all these things together—Celtic, gospel, jazz, folk—all these things that make American music great,” she says. “Putting them side by side and having a production that pulls it all into a cohesive whole shows how related all these things are.” We’re thrilled to follow her journey for her ACL debut on Apr. 25.

photo by Tom Beard

Florence + the Machine had a gigantic 2015, seeing the release of her first U.S. #1 album How Big How Blue How Beautiful and nominations for five Grammy Awards. Released to extensive critical acclaim and named to year-end best lists from Rolling Stone, NPR Music, SPIN, American Songwriter, Consequence of Sound and more, the album landed Welch on Coachella’s main stage in a standout performance, bookings all over TV and in front of her biggest audiences thus far. Written and recorded over the course of 2014 and produced by Markus Dravs (Björk, Arcade Fire, Coldplay), the album follows Florence’s globally acclaimed Lungs (2009) and Ceremonials (2011). Called “Florence Welch’s most personal, vulnerable and moving album to date” by Rolling Stone, How Big How Blue How Beautiful reached #1 in the U.K. (her third #1 album in the country), Australia, New Zealand, Ireland, Switzerland and Canada after reaching the top spot on iTunes charts in 24 countries worldwide. The album features the massive hit “Ship to Wreck,” which Fader calls “the best song of her career” and The Daily Beast calls “a testament to her ability to straddle pop and rock, convention and alternative.” As anyone who saw Florence’s previous appearance on ACL knows, her taping will present, as Entertainment Weekly puts it, “an outsize physical presence who doesn’t so much sing as emit deeply emoted sounds out of some wellspring of the collective unconscious who commanded her space and demanded undivided attention.” We’re happy to welcome back Florence + the Machine on May 20.

Want to be part of our audience? We will post information on how to get free passes about a week before the taping. Follow us on Facebook and Twitter for notice of postings.

ACL announces Bloody Mary Morning at SXSW 2016

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Austin City Limits is happy to announce the fifth edition of Bloody Mary Morning, our annual feel-good, barn-burner of a party during South By Southwest. On Thursday, March 17, starting at 10 a.m., enjoy performances by Eleanor Friedberger, Joseph, Margaret Glaspy, Eliot Sumner, The Heavy, Thao & the Get Down Stay Down and Caveman. Even better, you can listen to music while enjoying free (while supplies last!) Bloody Marys from Tito’s Vodka and breakfast tacos from Tacodeli. This year’s Bloody Mary Morning takes place at GSD&M and is brought to you by our friends People Pattern, ATX Seed Ventures, Rambler On, Shiner, New Musical Express and, of course, KLRU-TV, Austin PBS.

You don’t need to be a SXSW badgeholder to attend – Bloody Mary Morning is free and open to the public. You can RSVP here.

Encore: Ed Sheeran and Valerie June

photo by Scott Newton

Austin City Limits presents two innovative singer-songwriters: UK sensation Ed Sheeran and rising star Valerie June. Ed Sheeran makes his ACL debut in a must-see episode that features the breakout star performing his entire set solo. Sheeran exudes the raw talent that has made him a worldwide superstar, with charged versions of hits from his landmark debut and new songs from the chart-topping follow-up release. Acclaimed Southern singer-songwriter Valerie June shares the bill, making a captivating ACL debut with her starry-eyed roots music.  

Ed Sheeran brings his A-game in his ACL debut, with a remarkable one-man solo performance that demonstrates why he’s one of music’s most popular live performers.  Clad in an ACL t-shirt, the 23 year-old three-time Grammy nominee performs his  breakthrough hits “The A Team,” “Lego House” and songs from his new release x.  With an acoustic guitar and a loop pedal as his only accompaniment, Sheeran creates a perfectly balanced mix of hip-hop and acoustic balladry. He showcases the honest songwriting and vocals that have earned him legions of fans across the globe.  Closing out the crowd-pleasing set, Sheeran leads the rapturous audience in an epic sing-along of his hit “Sing,” with the Austin crowd still chanting as Sheeran leaves the stage.

Striking Southern singer-songwriter Valerie June makes her first appearance on the ACL stage performing songs from her luminous debut Pushin’ Against a Stone. The Washington Post raves of the release: “Shades of Nina Simone, Dolly Parton and blueswomen of decades past flicker throughout; you can easily picture it crackling out from a timeworn record player.” The Tennessee native’s heartfelt sound and beautifully timeless voice have earned her critical raves and a 2014 Americana Awards nomination for emerging artist. With one foot in country blues, the other in mountain folk music and her head in the stars, June and her band conjure a distinctive brand of genre-blending that she calls “organic moonshine roots music” for a memorable ACL debut.

photo by Scott Newton

“In some ways, Ed Sheeran and Valerie June are as different as night and day,” says ACL Executive Producer Terry Lickona, “but they are both distinctly original in their music. Through their intimately personal songs and unique onstage personas, they represent everything that Austin City Limits is all about.”

Tune in this Saturday for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL goodies. Next week: Jim James and The Black Angels.

Encore: ACL Hall of Fame 2015

photo by Scott Newton

Austin City Limits presents a special encore featuring musical highlights and tributes from the 2015 Austin City Limits Hall of Fame. Hosted by Dwight Yoakam on June 18, 2015, this unique special showcases one-of-a-kind performances and collaborations from the ACL Hall of Fame celebration, honoring the artists who’ve helped make the award-winning tv series an American music institution.  An all-star line-up including Lyle Lovett, Jason Isbell, Vince Gill, Patty Loveless, Dwight Yoakam, Gillian Welch and more come together for one night to perform in honor of the newest class of inductees: Asleep at the Wheel, Guy Clark, Flaco Jiménez, Loretta Lynn and Townes Van Zandt.   

ACL reaches back to its roots with a show-opening tribute to country trailblazer Loretta Lynn, who first appeared on the series in 1983. Country singer Patty Loveless, also a coal miner’s daughter, pays tribute to the living legend, and is joined by Vince Gill for a spirited duet of the Conway Twitty/Loretta Lynn classic “After the Fire Is Gone.” Lynn accepts her honor saying “Texas has always been so good to me. They fed me when my kids was hungry. They fed me when I was hungry.” Lyle Lovett takes the stage to honor Texas songwriting legend Guy Clark, saying “He is my friend.  He is my hero,” with a stunning reading of the first song Clark ever wrote: “Step Inside This House.” Acclaimed singer-songwriter  Jason Isbell performs a moving solo rendition of a Clark classic, “Desperados Waiting For A Train.”  

Superstar Tex-Mex accordionist Flaco Jiménez makes a joyous show-stopping cameo during his own tribute, joining Dwight Yoakam, Los Lobos’ David Hidalgo and conjunto masters Los Texmaniacs to show off his nimble accordion style. The late, great Texas troubadour Townes Van Zandt, who first appeared in ACL’s debut season in 1975, is honored beautifully in acoustic performances by roots outfit Gillian Welch and British singer-songwriter Laura Marling. Austin’s own Asleep at the Wheel, who performed on the very first episode of ACL in 1975, are inducted by longtime fan Vince Gill, who joins the Western swing institution for a lively take on their early recording “Take Me Back to Tulsa.”

The special comes to a perfect close with the night’s entire cast returning to the ACL stage for a grand finale, trading verses on a Townes Van Zandt classic, “White Freightliner Blues.”

photo by Gary Miller

“We created our own Hall of Fame as part of our 40th anniversary last year to recognize and celebrate those artists who were there in the beginning and helped make Austin City Limits what it is today,” says ACL executive producer Terry Lickona.  “The annual event is a unique showcase for some amazing performances and emotional moments, and we’re thrilled to be able to capture it all to bring to our fans at home.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for an encore episode with Ed Sheeran and Valerie June.

Congratulations to ACL artists on their 2016 Grammy wins

photo by Scott Newtong

Austin City Limits congratulates our many distinguished alumni on their Grammy wins this past Monday.

A highlight of our Season 41, rap superstar Kendrick Lamar swept the Grammy’s Rap categories, winning for Best Rap Performance, Best Rap/Sung Collaboration, Best Rap Song and Best Rap Album for his landmark To Pimp A Butterfly. Alabama Shakes, who also lit up the ACL stage this season, took home three trophies for their acclaimed Sound & Color, including Best Alternative Music Album, Best Rock Performance and Best Rock Song. Season 40 alum Ed Sheeran won his first-ever Grammys in two top categories, Song of the Year and Best Pop Performance. Jason Isbell, an ACL favorite who gave a standout performance in our Americana Music special this season, won big for his Something More Than Free, including Best Americana Album and American Roots Song. World music queen Angelique Kidjo, who made an unforgettable full-hour ACL debut this season, went home with the Grammy for Best World Music Album.

Shout-outs as well to Mavis Staples, Buddy Guy, Bela Fleck,Glen Campbell, John Legend and Asleep at the Wheel, who each took home a trophy apiece. Well-done! Also congrats to Natalia Lafourcade on her Grammy for Best Latin Rock album – we look forward to her debut ACL taping this May.

Gary Clark Jr. and recently-announced 2016 ACL Hall of Fame inductee Bonnie Raitt paid tribute to the one and only B.B. King, who will also be inducted into ACL’s Hall of Fame this October. And recognizing our incredible legacy, we were proud to see ACL’s esteemed founder Bill Arhos (1934-2015) receive special mention during the In Memoriam segment.

Kudos to these and all the other winners as well – you can find a complete list here. See you next year!

Tedeschi Trucks Band closes out ACL Season 41

photo by Scott Newton

Austin City Limits caps a standout Season 41 with a sensational hour of music from American roots superstars Tedeschi Trucks Band in their ACL debut.   

Singer-songwriter-guitarist Susan Tedeschi, a three-time ACL veteran who first appeared on the program in 1999, and her guitar hero husband Derek Trucks merged their solo careers to form the Tedeschi Trucks Band in 2010.  The now 12-piece strong powerhouse—one of music’s most talented and admired ensembles—lights up the ACL stage in their debut, arriving at the top of their game and presenting gems from their newly-released third studio album, Let Me Get By.  Opening with the uplifting new track “Don’t Know What It Means,” the virtuoso outfit, complete with horns and back-up singers, perform a thrilling seven-song set combining their distinctive hybrid of Memphis soul, R&B, blues, rock and classic song craft.  Tedeschi puts down her guitar to let her powerful vocals shine on several standout covers including a Joe Cocker-inspired version of the Box Tops’ hit, “The Letter,” and the Leonard Cohen classic “Bird On A Wire.”  As they close out the stellar set with a highlight, “Midnight in Harlem” (from their Grammy-winning 2011 debut Revelator), featuring Trucks’ mesmerizing slide-guitar solo, TTB turn the soulful ballad into a gorgeous wall of sound for a perfect close to a thrilling performance and an outstanding season.  The transcendent set has the Austin crowd walking on air inspired by the undeniable power of great music.

“Susan Tedeschi and Derek Trucks are a match made in blues-rock heaven, and are proof-positive of the old maxim that the whole is greater than the sum of these musical partners,” says ACL executive producer Terry Lickona.  “Together they show how their new songs are a big leap forward for these road veterans.”

photo by Scott Newton

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for an encore of our 2015 Hall of fame special.