Tag: Tapings

Austin City Limits is excited to announce four new tapings for our landmark Season 45. On July 2, we present a double shoot with a pair of veteran singer/songwriters with Texas roots and extraordinary range: Patty Griffin and Steve Earle & The Dukes. On July 8, we welcome remarkable Grammy®-winning singer, songwriter and guitarist H.E.R. On August 22, we welcome back Vampire Weekend for the indie rock titans’ second ACL taping.

On her sixth appearance on our stage, Patty Griffin is among the most consequential singer-songwriters of her generation, a quintessentially American artist whose wide-ranging canon incisively explores the intimate moments and universal emotions that bind us together. The Grammy®-winning Austinite’s recent, self-titled LP (her tenth studio album), represents an extraordinary new chapter for this incomparable artist and stands among the most deeply personal recordings of her storied two-decade career. The album – which follows 2015’s Grammy® Award-nominated Servant of Love – collects songs written during and in the aftermath of several years in which she battled – and ultimately defeated – cancer. Yet as always, like very few others, Griffin’s power lies in how, as music critic Holly Gleason observed, “her songs seem to freeze life and truth in amber.” It’s in how Griffin can express the strikingly intimate while never making it about herself, all wrapped in sparse arrangements that breathe an incomparable force and import into her songcraft. NPR raves, “One quality that’s distinguished Griffin’s body of work throughout her nearly quarter-century career is her gift for imagining the untamed forces of people’s inner lives.”  

For his fifth performance on ACL, the legendary Steve Earle presents Guy, his acclaimed tribute to his songwriting mentor and ACL Hall of Fame legend Guy Clark. Earle first met Clark after hitchhiking from San Antonio to Nashville when he was 19, becoming the older songwriter’s bass player and maintaining a lifelong friendship after striking out on his own.  “No way I could get out of doing this record,” says Earle. “When I get to the other side, I didn’t want to run into Guy having made the TOWNES record and not one about him.”  “Guy wasn’t really a hard record to make,” Earle says. “When you’ve got a catalog like Guy’s and you’re only doing sixteen tracks, you know each one is going to be strong.” Earle and his five-piece band The Dukes take on Clark classics including “Desperados Waiting For a Train,” “LA Freeway,” “New Cut Road” and “Heartbroke” with a spirit of reverent glee and invention.  Earle’s raw, heartbreaking vocal on the sweet, sad “That Old Time Feeling” sounds close enough to the grave as to be a duet with his departed friend. Guy is a saga of friendship, its ups and downs, what endures. Like old friends, Guy is a diamond.

“The musical sensation H.E.R. is changing how we hear – and feel – music with her talent, vision and mystique,” hails Grammy.com and the forecast is bright for this young star with two 2019 Grammy® Award wins for Best R&B Album (H.E.R.) and Best R&B Performance (“Best Part” featuring Daniel Caesar). Elle magazine proclaims, “H.E.R. is more than a rising star – she’s a damn galaxy.” The 21-year-old is commanding stages on her own sold-out headlining tour, earning praise for live performances that not only showcase her honeyed vocals and self-penned lyrics, but also showcase her skills as a multi-talented musician playing keyboards, drum pad, acoustic and bass guitars.  With over two billion combined streams to date, the release of the breakthrough H.E.R. and the recent releases of I Used To Know Her: The Prelude and Part 2, singer/songwriter/multi-instrumentalist H.E.R. firmly established herself as one of modern music’s most fascinating new voices. H.E.R. Vol. 1 peaked at #1 on the iTunes R&B/Soul Albums chart upon its release and H.E.R. Vol. 2 saw the same trajectory, resulting in two EPs within the Top 5 at the same time. Her latest release, I Used To Know Her: The Prelude, debuted at #1 on the Billboard Top R&B Albums chart, while fan favorites “Focus,” and “Best Part” earned the #1 slot on the Billboard Adult R&B Songs Airplay chart and Urban Adult Contemporary chart, respectively. H.E.R. recently earned two 2018 Soul Train Music Awards for Album/Mixtape of the Year for H.E.R. and Best Collaboration Performance for “Best Part” feat. Daniel Caesar and captivated audiences with performances on the 2019 Grammy Awards, The Tonight Show starring Jimmy Fallon, Jimmy Kimmel Live, The Late Late Show with James Corden,  and the 2018 BET Awards.

Ending months of fevered anticipation punctuated by three brilliant double-A-side singles and a slew of over-the-top positive early reviews, Vampire Weekend’s long-awaited fourth album Father of the Bride was released this month, landing the #1 spot on the U.S. charts in its debut.  The rapturous reviews continue: GQ says “One of the most important bands of the 21st century…With Father of the Bride, their fourth album, the group has expanded itself and the conception of what a band can be”;  Stereogum hails Father of the Bride, “Quite possibly their magnum opus”; USA Today raves “Vampire Weekend returns as the best indie band of their generation.” The third Vampire Weekend album in a row to reach #1 on the Billboard 200, Father of the Bride’s first week tally of 138,000 is both the year’s biggest sales week for a rock act and the highest single week sales of the Grammy-winning band’s career. Vampire Weekend recently made their first television appearance in five years and kicked off their Father of the Bride North American Tour with sold-out dates throughout 2019.

Want to be part of our audience? We will post information on how to get free passes about a week before each taping. Follow us on Facebook and Twitter for notice of postings. The broadcast episodes will air on PBS later this year as part of ACL’s upcoming milestone Season 45.

ACL is thrilled to welcome three remarkable artists under the age of 25-years-old: acclaimed producer/songwriter/performer Maggie Rogers makes her ACL debut on June 21 and lauded indie singer/songwriter phenoms Julien Baker and Lucy Dacus join us for the first time on July 30 for a taping highlight—a one-of-a-kind co-headline evening with these two accomplished solo artists.

Rogers hits our stage in the middle of a sold-out tour in support of her debut album, Heard It In A Past Life (Capitol Records), which entered Billboard’s Top Album Sales chart at No. 1 and charted at No. 2 on the Billboard 200. The breakout debut has sold nearly 200,000 album adjusted units to date with cumulative streams across all tracks exceeding 400 million.  Her current single, “Light On,” topped Billboard’s Adult Alternative Songs chart for three consecutive weeks.  Tickets for Rogers’ upcoming October 19thand 20th ACL Live shows sold out immediately at on sale.   

Raised in rural Easton, Maryland, Rogers released her critically acclaimed debut EP, Now That The Light Is Fading in 2017 upon graduating from NYU’s Tisch School of the Arts.   The 24-year-old released her recent debut LP Heard It In A Past Life to critical raves, with The New Yorker declaring, “Maggie Rogers is an artist of her time.”  The New York Times notes, “‘Heard It in a Past Life’ is a collection of buoyant electronic pop songs, but the lyrics are unmistakably the work of an introvert struggling to recalibrate.” Rolling Stone awarded the album four stars and hailed it as “a laser-focused statement with nary a wasted lyric or synth line.” NPR Music agrees, “’Heard It In A Past Life’ (is) smart sparkling pop.”  TIME notes, “The album confirms Rogers as a tender but powerful musical force, putting her in the company of a group of solo female artists claiming space outside of the typical machines of pop, country or R&B.”

2018 was a milestone year for Richmond, VA’s Lucy Dacus.  Her widely celebrated sophomore record, Historian, was met by a cavalcade of critical elation, with NPR, Rolling Stone, Pitchfork, NBC News, Slate, The Atlantic, Billboard, Paste, Stereogum, and more choosing it as one of the year’s best albums. Dacus’ remarkable sense of melody and composition are the driving force throughout, giving Historian the immersive feel of an album made by an artist in full command of her powers. “This is the album I needed to make,” says Dacus, who views Historian as her definitive statement as a songwriter and musician. “Everything after this is a bonus.” She played revelatory sold-out shows at clubs and festivals alike, along with multiple high profile television appearances.  A glance at her worldwide touring schedule in 2019 shows little sign that Dacus is slowing down, and in fact, she will release a series of songs titled 2019 to celebrate.  Recorded in here-and-there studio spurts over the last two years, 2019 will be released later this year as a physical EP on Matador Records, and will be made up of originals and cover songs tied to specific holidays, each of which will drop around their respective date: Valentine’s Day, Mother’s Day (and Taurus season!), Independence Day, Springsteen’s Birthday, Halloween, Christmas, and New Year’s.

Memphis native Julien Baker’s chilling solo debut, Sprained Ankle, was one of the most widely acclaimed works of 2015. The album, recorded by a then 18-year-old and her friend in only a few days, was a bleak yet hopeful, intimate document of staggering experiences and grace, centered entirely around Baker’s voice, guitar, and unblinking honesty. Sprained Ankle appeared on year-end lists everywhere from NPR Music to The AV Club to New York Magazine’s Vulture. With 2017’s Turn Out The Lights, Baker claimed a much bigger stage, but with the same core of breathtaking vulnerability and resilience. From its opening moments — when her chiming, evocative melody is accompanied by swells of strings — Turn Out The Lights throws open the doors to the world without sacrificing the intimacy that has become a hallmark of her songs. The album explores how people live and come to terms with their internal conflict, and the alternately shattering and redemptive ways these struggles play out in relationships. “Turn Out The Lights is beautifully crafted throughout,” noted Spin, “full of the kinds of songs that linger long after they’ve ended.” Under the Radar declared, “Baker is writing faultless songs that will always have a home in our hearts because finding comfort in even the saddest moments means we’re still feeling. And if we’re feeling, there’s hope for us yet.”  

In addition to their successful solo careers, Julien Baker and Lucy Dacus (along with Phoebe Bridgers), comprise the indie rock supergroup boygenius, whose 2018 EP landed on the year-end best-of lists of Newsweek, The New Yorker, Esquire, The New York Times and more, with Pitchfork raving “(boygenius) sing like hell together in lung-shattering harmony.”

Want to be part of our audience? We will post information on how to get free passes a week before the taping. Follow us on Facebook and Twitter for notice of postings. The broadcast episodes will air on PBS later this year as part of ACL’s upcoming milestone Season 45.

Austin City Limits is thrilled to announce the debut taping of acclaimed indie songwriter and performer Mitski, who will join us on June 4, 2019.

Mitski Miyawaki, “one of the most interesting songwriters of her generation” (Paste Magazine), achieved breakout success with 2016’s critically-acclaimed Puberty 2, and soon after circled the globe as a headliner and as an opener for both The Pixies and Lorde. She was hailed as the new vanguard of indie rock, the one who would save the genre from the white dudes who’ve historically dominated it.  Her carefully crafted songs have often been portrayed as emotionally raw, overflowing confessionals from a fevered chosen girl, but on her stunning fifth album, Be The Cowboy, Mitski introduced a persona who had been teased but never so fully present until now—a woman in control.  Recorded with her long-time producer Patrick Hyland, the album is not a departure so much as an evolution from previous albums. The title “is a kind of joke,” Mitski says. “There was this artist I really loved who used to have such a cowboy swagger. They were so electric live. With a lot of the romantic infatuations I’ve had, when I look back, I wonder, Did I want them or did I want to be them? Did I love them or did I want to absorb whatever power they had? I decided I could just be my own cowboy.” There is plenty of buoyant swagger to the album, but just as much interrogation into self-mythology.  

Be the Cowboy has earned widespread acclaim, topping critics 2018 year-end best lists. It was named the #1 album of 2018 by the likes of Pitchfork, New York Magazine, ESQUIRE, Consequence of Sound, and more, and  #2 by NPR Music, The New York Times (Jon Pareles),  and SPIN. Pitchfork proclaimed it “Mitski’s most triumphant record to date, a refining of her many strengths, splashed across the largest canvas her arms can carry.”  The New York Times raved: “[Mitski] has grown ever bolder musically, moving well beyond the confines of indie rock and chamber pop to try synthesizers, disco beats, country and more, while savoring the sweep of her voice…On this album, even more than she has before, Mitski makes the music her partner.”  “An album defined by impeccable construction and open defiance of the confessional mode,” noted NPR.

Want to be part of our audience? We will post information on how to get free passes about a week before each taping. Follow us on Facebook and Twitter for notice of postings. The broadcast episode will air on PBS later this year as part of ACL’s upcoming milestone Season 45.