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Featured New Broadcast News

ACL announces first half of Season 49 broadcast schedule

Rodrigo y Gabriela with the Austin Symphony Orchestra, Season 49. Photo by Scott Newton.

Venerable television music series Austin City Limits (ACL) announces the fall return of the program and the initial Season 49 broadcast line-up with seven all-new installments to begin airing October 7 at 7pm CT/8pm ET as part of the broadcast’s fourteen episode season. ACL brings fans a new season, packed with a stellar slate of ACL legends and highly-anticipated debuts from some of today’s most talked-about live acts. ACL airs weekly on PBS stations nationwide (check local listings) and full episodes are made available to stream online at pbs.org/austincitylimits immediately following the initial broadcast. 

The program, recorded live at ACL’s studio home ACL Live in Austin, Texas, continues its extraordinary run as the longest-running music television show in history, providing viewers a front-row seat to the best in live performance for 49 years as the music institution nears a remarkable half-century milestone. Austin City Limits celebrates 50 years as a live music beacon in 2024: on October 17, 1974, Willie Nelson taped the pilot episode and the trailblazing series premiered in 1975. Stay tuned for news on special concerts, fan events and activations as Austin City Limits salutes an incredible legacy of 50 golden years of American musical history and iconic performances. 

Austin City Limits returns this fall with a singular highlight as the season opener: Grammy-winning guitar virtuoso duo Rodrigo y Gabriela joined by the Austin Symphony Orchestra. The Mexico City natives are joined by an ensemble of over 30 musicians from the esteemed Austin Symphony Orchestra in an exhilarating hour; the unprecedented performance marks the first time ACL has collaborated with the world class orchestra, one of Austin’s leading arts institutions.

A season highlight is the return of Foo Fighters for their third appearance. The Rock & Roll Hall of Famers previously rocked the ACL stage twice before, with unforgettable performances in 2009 (in ACL’s original Studio 6A) and 2015. ACL saluted the rock superstars’ 25th Anniversary in 2021 with a fan-favorite hourlong special featuring beloved classics from both appearances, now one of the most requested episodes in the ACL archives. ACL is thrilled to feature the iconic band back on the ACL stage in an epic new hour.

The new season continues with a number of highly-anticipated appearances from a diverse slate of artists. Acclaimed singer-songwriter Jenny Lewis returns for the first time in nearly a decade, making her third appearance on the iconic ACL stage with highlights from her latest album Joy’All alongside career favorites; sharing the hour is breakout indie-pop band MUNA in a thrilling debut. ACL spotlights a pair of innovators making ACL debuts in a captivating double-bill: rap star Lil Yachty showcases his genre-bending album Let’s Start Here joined by special guests; violin savant and singer-songwriter Sudan Archives performs songs from her Natural Brown Prom Queen. Two American originals are paired in a revelatory new hour: country standout Margo Price returns for her second headlining appearance with her latest album Strays as the centerpiece; and next-generation bluegrass musician Molly Tuttle and her band Golden Highway dazzle in their first ACL appearance with gems from their 2023 Grammy-winning Best Bluegrass Album Crooked Tree and latest City of Gold. Global music powerhouse Jorge Drexler, who swept the 2022 Latin Grammy Awards with a record seven awards, makes his first appearance on the ACL stage with a sparkling hour of lush soundscapes and irresistible Spanish-language songs from his landmark Tinta y Tiempo. Celebrated singer-songwriter and four-time Grammy winner Jason Isbell and his band the 400 Unit, who made their initial debut a decade ago in Season 39, return for their third headlining appearance in a highly-anticipated hour featuring fan-favorites and new gems from his recent Weathervanes. 

“There’s no doubt in my mind that this is the most diverse mix of music and talent ACL has ever presented in a new season – and it’s only the beginning!’ says longtime ACL executive producer Terry Lickona. “We strive to live up to the axiom that ‘anything goes’ on ACL as long as it’s authentic, original or groundbreaking – or all three! There’s so much great music being made today from all genres and all corners of the world, and we try to showcase it all.”

Season 49 Broadcast Line-up (second half of season to be announced separately)

Oct. 7 Rodrigo y Gabriela featuring the Austin Symphony Orchestra

Oct. 14 Jenny Lewis / MUNA

Oct. 21 Lil Yachty / Sudan Archives

Oct. 28 Margo Price / Molly Tuttle & Golden Highway

Nov. 4 Jorge Drexler

Nov. 11 Jason Isbell and the 400 Unit

Nov. 18 Foo Fighters

Watch new episodes live, stream online, or download the PBS App. The complete line-up for the full 14-week season, including seven new episodes to air beginning January 2023, will be announced at a later date.  Viewers can visit acltv.com for news regarding live streams, future tapings and episode schedules or by following ACL on Facebook, Twitter, IG and TikTok. Fans can also browse the ACL YouTube channel for exclusive songs, behind-the-scenes videos and full-length artist interviews.

Austin City Limits

Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 49th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic Austin PBS Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.  

Austin City Limits is produced by Austin PBS and funding is provided in part by Dell Technologies, the Austin Convention Center Department, Cirrus Logic and AXS Ticketing. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com.

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Featured News Taping Recap

Taping recap: Sudan Archives

Sudan Archives tapes Austin City Limits, Aug. 10, 2023. Photo by Scott Newton.

Theatrical, experimental, and playfully authentic, electronic R&B violinist Sudan Archives delivers an excitingly dynamic performance at her debut Austin City Limits taping, presenting various hits from the breadth of her musical discography. Aside from bringing a new level of musical complexity to the current state of R&B, she showcases a world that mixes modern musical influences and traditional string playing. The experimental fiddler’s diverse musical background makes for a sound that nearly transcends genres, with tracks that involve elements of hip-hop, techno, Irish Celtic music, and soul, all deeply influenced by the South African Sudanese violin scene. The fiddler and her band – consisting of three Austin-based backup singers (Maya Sampleton,Grace Sorensen, Shelbi Alexandria), a bassist (Ghalani Crenshaw), and electronic violinist (DSharp) – bring an enthrallingly theatrical essence. The performance was presented for the live ACL audience and to fans around the world via live stream. 

Lyrically exploring themes of spirituality, self-identity, relationships, and femininity, the experimental artist reflects her ethereal nature via her wardrobe and set-up, a manifestation of her own enchanting world. Sudan wore a fairy-warrior type wardrobe–a plaid dress with metallic silver ballerina slippers and a leather sheath strapped across the back, where she holds her mighty bow. The violinist and crew play amongst a stage showered with rose petals and next to mic stands that seemingly grow out of the stage ground intertwined with vines and roses. Candles, and water-filled wine glasses are spread throughout the stage. The multi-talented violinist kicks off the second song of the show with “Nont for Sale” from her 2018 EP Sink. The track that serves as a testament to the musician’s thought provoking lyrical commentary intertwined with spirituality, as she sings “My strings propagate through space and time/Here and there at the same time/Hand dimensions and basic rhyme/You ain’t gotta be mad, look deeper, go higher, when you climb.” Her signature midi violin makes its first appearance, signaled by the swooping sound effect of a sword being removed from its sheath. A symbolic representation of her own musical armor, the importance of the instrument’s role in her discography becomes increasingly emphasized both musically and visually throughout the performance with several sound effects that represent the fiddle as a weapon. The violin plays the role of the leader, narrator, and protagonist of the song’s story. Sudan Archives echoes a desire to re-imagine and re-examine the traditional instrument’s role in popular music. 

Displaying the musician’s breadth of musical influence, track “Freakalizer” mixes the sound of the 90’s to early 2000’s R&B traditional beats with modern techno elements. Before beginning the performance, she conducts a certified “vibe check,” lighting sage with the comment “I gotta get the vibe right,” and moving into the intro of the song with a call to action: “Alright Austin, where my freaks at?” Removing her iconic leather sheath, she moves towards shifting the stage focus to the performance art components of her stage presence, incorporating grand intentional gestures towards cameras and audience members. Attesting to the musician’s theatrical, expressive, and authentically “in your face” musical presence, the violinist leaves the stage and moves casually through the crowd on the floor below. Connected by Sudan’s creation of a playful club-like atmosphere, the crowd seemingly transports to a night out at Club Sudan. Dancing with fans surrounded within a dance circle, Sudan Archives is the lively, fun, “feel good” girlfriend everyone wants to party with.

Showcasing the fiddler’s musical roots, influences, and well-rounded knowledge of the violin’s cultural presence and history, Sudan Archives performs a traditional Irish jig. Influenced by the likes of gospel, the Sudanese violin scene, and Celtic music, the musician calls out to the audience saying “Who in here is Irish? I love your culture. I joined the fiddle club and my life hasn’t been the same.” Gesturing that the crowd clap along, Sudan captures the role that culture plays in the artist’s unique sound by fusing a Celtic jig with hip-hop. This track showcases Sudan’s roots as a string player and the motivation behind her songs’ raw “fiddler” approach. Transitioning into one of artist’s biggest hits, as recently featured on The Stephen Colbert Show, track “Selfish Soul” demonstrates Sudan’s powerful commentary on femininity, the female appearance, and self-worth. She sings soulfully and moves intentionally up and down the stage, fist bumping backup singers and singing “If I cut my hair, hope I grow it long/Back long time like way before/If I wear it straight will they like me more?/Like those girls on front covers.” Ending the track with an explosive violin solo, the musician spins in circles in a rapidly moving pace as the crowd erupts into applause. 

Returning back to the stage to perform their encore, Sudan and band begin to play “Limitless”, a comforting and compelling song on society’s preoccupation with materialism and superficiality. The musician asks the audience to illuminate the theater with their iPhone lights as they sway to the track’s melody. The performer watches the crowd light up with a sea of swaying phone lights, singing “All we have is the internet/It’s okay to be afraid…All we have is the internet/We’re too cool to admit.” The soulful singer moves back into the crowd swaying with their movement and ending her performance by noting how the lights “looked like lightning bugs.” A cheerful end to a moving track, Sudan wraps up her ACL debut. 

As one of the most uniquely experimental performances to take the ACL stage, Sudan Archives delivers on the campy, “in your face” realness that radiates from her music and stage presence. From violin virtuoso to a feel good club jam, taking a visit to Sudan’s world is unapologetically thought-provoking and undeniably authentic. Presenting a complex musical sound elevated by the captivating components of her performance art, Sudan Archives leaves no room for predictability or conformity on her stage.

Sudan Archives on Austin City Limits, August 2023. Photos by Scott Newton.
Categories
Featured Live Stream News

Live stream: Sudan Archives

Austin City Limits is excited to announce that we will be live streaming our upcoming Season 49 taping with acclaimed singer-songwriter, violinist, and producer Sudan Archives for her ACL debut on August 10 at 8pm CT. We welcome this innovative artist to the ACL stage on the heels of her buzzed-about performances at Glastonbury and Coachella. ACL offers fans worldwide the unique opportunity to watch this taping live in its entirety free here on our ACLTV YouTube Channel. 

Sudan Archives breakthrough second album Natural Brown Prom Queen is an epic record that is also her most personal, taking in race, womanhood, and the fiercely loyal, loving relationships at the heart of Sudan’s life with her family, friends, and partner. Born Brittney Denise Parks, Sudan burst onto the scene in 2017 with “Come Meh Way,” back when she was a violinist and loop maker producing beats in her Ohio bedroom. While her 2019 debut album Athena drew inspiration from divine Black feminine power, on Natural Brown Prom Queen Sudan is in character as Britt, the girl next door from Cincinnati who drives around the city with the top down and shows up to high school prom in a pink furry bikini with her thong hanging out her denim skirt. From first listen, it’s immediately apparent that Natural Brown Prom Queen is the one-woman instrumentalist’s most ambitious work to date, spanning 18 tracks – from the disco-influenced R&B of “Home Maker” to Afrocentric anthem “Selfish Soul,” hip-hop banger “OMG Britt,” the wild ride of “NBPQ (Topless)” and the ballad “Homesick (Gorgeous & Arrogant).” The acclaimed release was named an album of the year by Pitchfork, The New York Times, The Guardian, The FADER, The Needle Drop, NPR, Vulture, Time Out, CNN, Slate, Paste, SPIN, Pop Matters, and many more; “Home Maker” was chosen by Barack Obama for his Favorite Songs of 2022, and Sudan Archives was handpicked by superstar Bad Bunny for Rolling Stone’s Future of Music issue. Fittingly for an album named for a homecoming event, Natural Brown Prom Queen is all about home: both Sudan’s adopted hometown of L.A. and Cincinnati, where she was raised. It’s intimate in all senses of the word, with Sudan unafraid to be vulnerable, tender and open about her insecurities. “Natural Brown Prom Queen is an album of many movements and ruminations, but almost all of them trace back to the multiple ways that a person can find and re-find home,” writes poet and Sudan’s fellow Ohio native Hanif Abdurraqib. “In flimsy, shifting geography, in the fights and triumphs that filter into interactions with beloveds and kinfolk, and, of course, the mighty work of home-making within oneself.” But the record is also about finding pleasure – after all, this is the artist who played violin upside-down on a pole in a music video. On Natural Brown Prom Queen, Sudan Archives invites you to join in and embrace shared joy.

Join us here on August 10 at 8 p.m. CT for Sudan Archives; the broadcast episode will air on PBS this fall as part of our upcoming Season 49. Tune in to your local PBS station on Saturday nights for fan-favorite encore episodes of Austin City Limits; watch live on PBS, or stream anytime at PBS.org.

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Featured News Taping Announcement

New tapings: Sudan Archives, Robert Glasper, and Molly Tuttle & Golden Highway

Austin City Limits is pleased to announce a trio of highly-anticipated tapings for our upcoming Season 49 to amplify your summer. On August 10, we welcome the ACL debut of innovative violinist and singer-songwriter Sudan Archives on the heels of her buzzed-about performances at Glastonbury and Coachella. On August 24, five-time Grammy-winning producer and musician Robert Glasper brings his groundbreaking, award-winning and genre-shattering Black Radio to the ACL stage alongside special guests including multiple Grammy-nominees rapper D Smoke and singer/guitarist Emily King, along with Grammy-winning R&B singer and songwriter Yebba.  On August 28, acclaimed Grammy-and Americana Award-winning bluegrass iconoclast Molly Tuttle makes her ACL debut with her band Golden Highway.

Sudan Archives breakthrough second album Natural Brown Prom Queen is an epic record that is also her most personal, taking in race, womanhood, and the fiercely loyal, loving relationships at the heart of Sudan’s life with her family, friends, and partner. Born Brittney Denise Parks, Sudan burst onto the scene in 2017 with “Come Meh Way,” back when she was a violinist and loop maker producing beats in her Ohio bedroom. While her 2019 debut album Athena drew inspiration from divine Black feminine power, on Natural Brown Prom Queen Sudan is in character as Britt, the girl next door from Cincinnati who drives around the city with the top down and shows up to high school prom in a pink furry bikini with her thong hanging out her denim skirt. From first listen, it’s immediately apparent that Natural Brown Prom Queen is the one-woman instrumentalist’s most ambitious work to date, spanning 18 tracks – from the disco-influenced R&B of “Home Maker” to Afrocentric anthem “Selfish Soul,” hip-hop banger “OMG Britt,” the wild ride of “NBPQ (Topless)” and the ballad “Homesick (Gorgeous & Arrogant).” The acclaimed release was named an album of the year by Pitchfork, New York Times, The Guardian, The FADER, The Needle Drop, NPR, Vulture, Time Out, CNN, Slate, Paste, SPIN, Pop Matters, and many more; “Home Maker” was chosen by Barack Obama for his Favorite Songs of 2022 and Sudan Archives was handpicked by superstar Bad Bunny for Rolling Stone’s Future of Music issue. Fittingly for an album named for a homecoming event, Natural Brown Prom Queen is all about home: both Sudan’s adopted hometown of L.A. and Cincinnati, where she was raised. It’s intimate in all senses of the word, with Sudan unafraid to be vulnerable, tender and open about her insecurities. “Natural Brown Prom Queen is an album of many movements and ruminations, but almost all of them trace back to the multiple ways that a person can find and re-find home,” writes poet and Sudan’s fellow Ohio native Hanif Abdurraqib. “In flimsy, shifting geography, in the fights and triumphs that filter into interactions with beloveds and kinfolk, and, of course, the mighty work of home-making within oneself.” But the record is also about finding pleasure – after all, this is the artist who played violin upside-down on a pole in a music video. On Natural Brown Prom Queen, Sudan Archives invites you to join in and embrace shared joy.

Celebrated multihyphenate Robert Glasper is the leader of a new sonic paradigm with a career that bridges musical and artistic genres. With boundless innovation and elite technique as his signature, it’s no surprise that Glasper has an avalanche of accolades, awards, and achievements to his name—his contributions to music and culture span over two decades with 5 career Grammy wins and 12 nominations across 11 categories, along with a 2017 Emmy Award and a 2022 Peabody Award. The Houston native’s body of work is a masterclass in hip-hop, R&B and jazz fusion that sonically has influenced the decades to come. His breakout 2012 crossover album Black Radio changed the face of the genre and set a new expectation for what popular music could be. The album earned Glasper his first career Grammy for Best R&B Album and established him as the musician of choice for some of the world’s most iconic artists, notably playing keys throughout Kendrick Lamar’s landmark To Pimp A Butterfly, winning another Grammy for the elastic track “These Walls.” One of the most respected collaborators of his generation, the ongoing Black Radio series has since become Glasper’s calling card, upholding a place at the heart of a trailblazing community. In 2023 Glasper earned his fifth Grammy Award for Best R&B Album for Black Radio III.  The album’s debut single “Better Than I Imagined,” featuring H.E.R. and Meshell Ndegeocello, previously won a 2021 Grammy Award for Best R&B Song. Black Radio III celebrates Black joy, love and resilience with a host of special guests, including Common (with whom Robert Glasper appeared during ACL Season 44 as part of their supergroup August Greene), Killer Mike, Esperanza Spalding, Q-Tip, Ty Dolla $ign, De La Soul’s Posdnuos and Jennifer Hudson. For this special ACL appearance, Glasper will be joined by Black Radio III family including a pair of triple Grammy-nominated acts, rapper D Smoke, and singer/guitarist Emily King, along with Grammy-winning R&B singer-songwriter Yebba. Glasper has formed an exceptional legacy that permeates contemporary art and advocacy. Above all, Robert Glasper is an artist at the heart of a moment – and a movement – to champion Black music, Black people, and the possibility of a better future. We welcome him back to the ACL stage in his second headlining appearance.

Grammy Award-winning singer, songwriter, musician and performer Molly Tuttle and her band, Golden Highway, make their ACL debut with the release of the highly-anticipated new album City of Gold, out  July 21. The new record follows Tuttle’s acclaimed 2022 album, Crooked Tree, which won Best Bluegrass Album at the 65th Annual Grammy Awards in 2023 and also led to a Best New Artist nomination. NPR Music calls her “a female flat picker extraordinaire with agility, speed and elegance who distinctively brings American roots music into the spotlight.” Produced by Tuttle and bluegrass legend Jerry Douglas and recorded in Nashville, City of Gold, —written primarily by Tuttle and Ketch Secor of Old Crow Medicine Show—captures the electric energy of Golden Highway’s live shows. Reflecting on the project, Northern California native Tuttle tells it best firsthand: “When I was a kid, we took a field trip to Coloma, CA to learn about the gold rush. I’ll never forget the dusty hills and the grizzled old miner who showed us the nugget around his neck. Just like gold fever, music has always captivated me, captured my heart, and driven me to great lengths to explore its depths. On my new album I dug deep as a songwriter and co-producer and surfaced with a record that celebrates the music of my heart, my life, the land where I grew up, and the stories I heard along the way. I made this record with my band Golden Highway after playing over 100 shows across the country last year. On the road and in the studio, we are inspired by artists such as John Hartford, Gillian Welch and Peter Rowan to name a few, whose records are like family albums to us. Just like them, on this album we chart some new territory along some old familiar ground. The songs span from breakdowns to ballads, fairytales and fiddle tunes, from Yosemite up to the Gold Country and out beyond the mountains. That visit to Coloma, site of California’s first gold strike is where I first heard about El Dorado, the city of gold. Playing music can take you to a place that is just as precious.” Tuttle moved to Nashville in 2015 and in the years since, the celebrated artist has been nominated for Best New Artist at the 65th Annual Grammy Awards, won Album of the Year at the 2023 International Folk Music Awards, Female Vocalist of the Year at the 2022 International Bluegrass Music Awards, Instrumentalist of the Year at the 2018 Americana Music Awards and Guitar Player of the Year at the IBMAs in both 2017 and 2018, the first woman to receive the honor. Tuttle has performed around the world, including shows with Sam Bush, Béla Fleck, Hiss Golden Messenger, Jason Isbell, Old Crow Medicine Show and Dwight Yoakam, as well as at major festivals including Bonnaroo, Newport Folk Festival and Pilgrimage. In celebration of the new music, the band will tour throughout the summer including dates supporting Dave Matthews (who guests on the new record), Tommy Emmanuel, Greensky Bluegrass, Charley Crockett and Marcus King.  

We’re thrilled to welcome these music innovators to the ACL stage. Want to be part of our audience? We will post information on how to get free passes a week in advance of the taping. Follow us on Facebook and Twitter for notice of postings. The broadcast episodes will air on PBS this fall as part of our upcoming Season 49.