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Featured Live Stream News

Vintage Trouble taping livestreams on 10/6

Austin City Limits is pleased to announce that we will be streaming our taping with Vintage Trouble live on Tuesday, Oct. 6, 8pm CT/9pm ET. The taping will webcast in its entirety via our YouTube channel.

Vintage Trouble play live-wired, straight-shootin’, dirty-mouth’d juke music. Or, as Rolling Stone put it, “imagine James Brown singing lead for Led Zeppelin and you’ll get an idea of Vintage Trouble’s muscular, in the pocket sound.” The LA quartet take a break from their current tour with rock giants AC/DC to make their ACL debut.  The band has garnered massive attention for their powerhouse performances, even securing opening slots with rock’s biggest live acts, The Rolling Stones and The Who, on the heels of their self-released 2011 debut album The Bomb Shelter Sessions. The band signed to prestigious Blue Note Records and their new release 1 Hopeful Rd., produced by label president Don Was, features the singles “Doin’ What You’re Doin’” and “Run Like the River.” Paste raves, “Doin’ What You’re Doin’” grooves like Al Green with background doo-wops. [Singer Ty] Taylor’s falsetto range stars in ‘Shows What You Know’ and the band could convincingly resurrect the blues-infused power ballad with songs like ‘If You Loved Me.’” Classic Rock notes, “You want the real vintage rock’n’soul deal? Look this way, and then make sure you catch them live.” We couldn’t have said it better ourselves, and it underlines how thrilled we are to welcome Vintage Trouble to the ACL stage.

The broadcast version of this show will air as part of our Season 41 on PBS.  Join us for this live webcast of the Austin City Limits debut of Vintage Trouble.

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Episode Recap Featured New Broadcast News

Vampire Weekend triumphantly returns in ACL’s 45th season

Austin City Limits spotlights Vampire Weekend in a must-see hour featuring the indie-rock band’s epic return showcasing their long-awaited new album Father of the Bride alongside classic gems from their catalog.  

Vampire Weekend performs a suite of songs off the celebrated, chart-topping Father of the Bride, their fourth album and first in six years. The seven-piece, led by frontman Ezra Koenig, unpack new gems: “Sympathy,” “Bambina,”“2021,” “My Mistake,” and “This Life,” showcasing their irresistible knack for melody and lyrics that capture the complexities of 21st-century life. The group perform select favorites from their catalog, including the breakthrough “A-Punk” from their 2008 debut and the rhythmic, Afrobeat “White Sky” from 2010’s landmark Contra. Koenig’s 2014 collaboration with EDM producer SBTRKT, “New Dorp. New York,” is here transformed into a Vampire Weekend funk-rock epic. A set highlight is an extended version of new classic “Harmony Hall,” a masterful, melodic wonder that opens with an iconic guitar riff and accelerates into a joyful piano sprint. The perfectly-paced set comes to a powerful close with Koenig’s stunning vocal on the hymnal, cathartic anthem “Jerusalem, New York, Berlin.” 

“There’s never been a better time to appreciate Vampire Weekend, given the world we live in today,” said ACL executive producer Terry Lickona. “I’ve always been a fan of Ezra Koenig’s voice and his new songs are more personal and inward-looking than ever. Vampire Weekend has remained tried-and-true – popular without ever becoming pop!”

photo by Scott Newton

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for another brand new episode, featuring two sides of modern country music with Kane Brown and Colter Wall.

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Featured News Taping Recap

Vampire Weekend keeps melodies and rhythms flowing

South By Southwest brings thousands of bands to Austin, but only one of them made it to the ACL stage this year. Vampire Weekend is a band we’ve been talking about having on the show for some time, and thanks to SXSW the time was right. The NYC band has been receiving accolades since it first emerged several years ago. Arriving at the ACL stage for its debut taping on the final night of the festival, Vampire Weekend did not disappoint.

One of the things for which the band has become known is its penchant for blending Afropop with British/American jangle pop, and its ability to do that was in full flower tonight. “White Sky,” “Cape Cod Kwassa Kwassa” and the hit “Holiday” displayed impressive musicianship in playing the tricky polyrhythms and intricate melodies, while not stinting on the irrepressible melodies. Afropop is only one arrow in the band’s quiver, however. The quartet mixed in ska rhythms for “M79,” jangled forthrightly in the more straightforward “Oxford Comma” and worked a less genre-specific tropical groove on “Cousins” and the monster hit “A-Punk,” the latter of which brought on the crowd’s biggest roar. The group got even more diverse in the songs it previewed from its upcoming LP Modern Vampires of the City: “Unbelievers” eschewed worldbeat for upbeat pop played on Farfisa organ and nylon-string guitar, “Ya Hey” soaked itself in electro rhythms and otherworldly atmosphere and “Diane Young” simply rocked out.

With sixteen songs in 70 minutes, Vampire Weekend kept its melodies and rhythms flowing with tight efficiency and maximum fun. We can’t wait for you to see this episode when it airs in the fall as part of our 39th Season. Stay tuned.

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Episode Recap Featured New Broadcast News

Vampire Weekend and Grizzly Bear continue ACL’s new season

This weekend, Austin City Limits shines the spotlight on two of indie rock’s most innovative bands, with the ACL debuts of Vampire Weekend and Grizzly Bear.

Vampire Weekend kicks off an exuberant performance with “Diane Young” from their latest album, Modern Vampires of the City.  The band formed in 2006 at NY’s Columbia University and “quickly became one of the most important New York bands of this millennium” (NY Times). Vampire Weekend’s dynamic, high-energy performance offers a window into their unique sound. The group perform tracks from their three albums, including the massive hit “Cousins,” from their 2010 sophomore release Contra, which earned the band a Grammy Award nomination for Best Alternative Album.  Displaying their impressive musicianship by playing the tricky polyrhythms and intricate melodies that are a hallmark of their sound, the four-piece band keeps their well-crafted choruses and melodies flowing throughout for a memorable debut.

“Vampire Weekend are festival favorites for good reason – everybody loves their music!” says ACL executive producer Terry Lickona. “They have an easy-going approach that almost makes it feel like they’re playing in somebody’s backyard instead of to thousands (or in this case, on national TV). Their songs are intoxicating.”

photo by Scott Newton

With their sweeping, psychedelic indie rock in full effect, Grizzly Bear turns in a stellar set as well. Grizzly Bear has been steadily ascending throughout their decade-long career, garnering raves for their special blend of visceral, majestic indie rock. Pitchfork says, “the Brooklyn four-piece make pop music for the ambient, asking us to notice the importance in detail, the beauty of texture, and the foregrounds that exist all across our spectrum of perception.” The band takes the ACL stage performing songs primarily from their acclaimed recent album Shields, which Rolling Stone named one of the year’s best. Grizzly Bear features two singers, Ed Droste and Daniel Rossen, who are also the main songwriters, and the band’s emphasis on collaboration is front and center as they trade off vocals, delivering gorgeous, elaborate, haunting compositions.

“There’s almost something spiritual, or at least ethereal, about Grizzly Bear’s music,” says ACL’s Lickona. “Their sweet harmonies can be hypnotic, and overall there’s this low-key kind of excitement about them that just leaves you wanting more!”

Check out the episode page here and tune in this Saturday to see the show for yourself. Click over to our Facebook and Twitter pages or our newsletter for the latest ACL skinny. Next week: Emmylou Harris & Rodney Crowell.

 

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Featured Live Stream News

Valerie June livestream on 5/28

Austin City Limits is pleased to announce that we will be streaming our taping with Valerie June live on May 28, 8pm CT/9pm ET. The taping will webcast in its entirety via our YouTube channel.

The daughter of a music promoter, Tennessee native Valerie June grew up exposed to gospel and soul music. She moved to Memphis in 2000 as part of the group Bella Sun; after the band ended, she began incorporating blues and Appalachian folk into her gospel-soaked sounds. Dubbing the blend “organic moonshine roots music,” she self-released three albums, including a collaboration with Old Crow Medicine Show, and appeared on the MTV online series $5 Cover. By 2011, she had attracted the attention of the Black Keys’ Dan Auerbach, who co-produced and co-wrote 2013’s acclaimed Pushin’ Against a Stone, which Spin hailed for its “poise and clarity of vision,” Blurt proclaimed was “an impressive calling card to the rest of the world” and Rolling Stone named one of the 50 Best Albums of 2013. Now she brings that vision to the Moody Theater for her first ACL taping.

The broadcast version of this show will air this fall on PBS as part of ACL’s 40th anniversary season. Join us for this live webcast of the Austin City Limits debut of Valerie June.

 

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Taping Recap

Valerie June brings organic moonshine to ACL

“I’ll try not to cry tonight,” said Valerie June directly after taking the stage for her ACL debut. “It means the world to me to be here.” With an intro like that, it would be impossible not to be on the side of this fast-rising Memphis singer/songwriter. The talent bursting from her seams, however, justified the empathy. With one foot in country blues, the other in mountain folk music and her head in the stars, June and her band conjured a distinctive brand of genre-blending songs that she calls organic moonshine roots music.

June opened with the Carter Family chestnut “Happy or Lonesome,” her unique voice working the midpoint between those emotional extremes. Then she and her band – which includes guitarist Binky Griptite, last seen on the ACL stage as part of Sharon Jones & the Dap-Kings – ranged all over the Americana map, from the twanging folk of “Twined & Twisted” and sprightly country of “Rain Dance” to the waltzing honky-tonk of “Keep the Bar Open” and the heartfelt gospel of Jim Reeves’ “This World is Not My Home,” which earned especially vocal approval from the crowd. But whether June was strumming her custom-made “baby” (a banjo/ukulele hybrid) for “Somebody to Love,” crooning through the R&B balladry of “The Hour” or philosophizing the slow blues of “Pushin’ Against a Stone,” June put her own stamp on every note. Once you hear “Goodnight Irene,” her show-closer, you’ll never want to hear it any other way.

This was one of those special first-time shows that will be talked about for years to come. We can’t wait for you to see it when it airs this fall on PBS.