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Episode Recap Featured New Broadcast News

Cassandra Wilson salutes Lady Day on ACL’s 41st season

Acclaimed jazz star Cassandra Wilson makes her Austin City Limits debut celebrating the music of “Lady Day” by performing songs from Coming Forth by Day, a tribute to jazz and blues legend Billie Holiday for the centennial of her birth.

Hailing from Jackson, Mississippi, multiple Grammy-winning artist Cassandra Wilson has been named “America’s best singer” by Time Magazine. Coming Forth By Day, Wilson’s nineteenth studio album, was released in 2015 to wide acclaim, with the Associated Press calling the jazz innovator a “masterful interpreter of songs,” and The New Yorker writing, “Cassandra Wilson, jazz’s reigning diva, puts a post-modernist spin on classic Holiday performances.”

Joined by a six-piece band, and an eight-piece string section, Wilson digs into the Holiday songbook in her first-ever ACL appearance, taking viewers on a spellbinding journey through lush soundscapes that conjure the spirit of “Lady Day.” “The idea was to find her essence, the sacred center of her spirit and bring it through our treatment of her songs,” says Wilson. She chooses songs that span Holiday’s abbreviated career to probe beyond her personal tragedy and honor her beauty, genius and craft. Beginning with a traditional take on “The Way You Look Tonight,” the singer steps off the path for “Don’t Explain” and “You Go To My Head,” putting her distinctive spin on classic material. Wilson masterfully manipulates the dynamics of “Good Morning Heartache,” taking a seat as the band swirls around her in collective improvisation. A set highlight is “Last Song (for Lester),” an original tune penned by Wilson for Holiday’s musical soulmate, saxophonist Lester Young, imagining the song Holiday might have sung at his funeral had it been possible. It’s a beautiful tour de force, blending sadness at opportunities lost and joy for a special bond.

Wilson closes out the breathtaking set with a sardonic, defiant romp through “Billie’s Blues,” exiting the stage to rapturous applause. A tribal drum beat and the sound of chains hitting the ground signals her return for “Strange Fruit,” Holiday’s bitter ballad about pre-civil rights era lynchings. The song’s already haunting atmosphere bristles with a new tension, a sudden surge of strings and a dramatic vocal from Wilson, capped by the singer’s feedback-drenched solo wrung from her shrieking Telecaster, channeling the howling ghosts of victims from beyond and invoking the struggles of today.

“I’ve been a fan of Cassandra’s magical vocal stylings since her first record, and I’ve always dreamed of the day when she would grace the ACL stage,” says ACL executive producer Terry Lickona.  “The fact that she chose to come honor Billie Holiday on our show made it that much more special – lending her own unique voice to Billie’s remarkable repertoire.”
Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for the ACL debut of Sturgill Simpson and the return of Asleep at the Wheel.

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Featured Live Stream News

Cassandra Wilson taping to stream live on Apr. 28

Austin City Limits is pleased to announce that we will be streaming our taping with Cassandra Wilson live on Tuesday, April 28, 8pm CT/9pm ET. The taping will webcast in its entirety via our YouTube channel.

 Grammy-winning American jazz musician, vocalist, songwriter, and producer Cassandra Wilson makes her ACL debut, armed with her acclaimed new LP Coming Forth by Day (Legacy Recordings), an homage dedicated to the beauty, power, and genius of Billie Holiday. The album boasts a surprising cast of characters: produced by Nick Launay (Nick Cave’s producer), string arrangements by Van Dyke Parks, guitar from T Bone Burnett and the Yeah Yeah Yeahs’ Nick Zinner, and rhythm section from The Bad Seeds (drummer Thomas Wydler and bassist Martyn P. Casey).  Critic Gary Giddins describes Wilson as “a singer blessed with an unmistakable timbre and attack who has expanded the playing field” by incorporating blues, country and folk music into her work.  A native of Jackson, Mississippi, Wilson moved to New York City in the early 80s, met saxophonist Steve Coleman and became one of the founding members of the M-Base Collective. She signed with Blue Note Records in 1992 and released the landmark album Blue Light ‘Til Dawn, which paved the way for a new generation of jazz singers seeking an approach and repertoire that challenged the supremacy of the American Standard songbook.

The broadcast version of this show will air this fall on PBS.  Join us for this live webcast of the Austin City Limits debut of Cassandra Wilson.

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Taping Recap

Cassandra Wilson salutes Billie Holiday at her debut taping

This year marks the 100th birthday of jazz icon Billie Holiday. What better way to celebrate one of the greatest singers of all time than to have one of her spiritual descendants do a tribute? Jazz vocalist Cassandra Wilson has long been on our wishlist, but the stars never aligned – until now, that is. Tonight’s show not only finally brought us a long-sought guest, but also paid tribute to a true musical titan via songs from Wilson’s new Holiday-themed album Coming Forth By Day.

The set began quietly with “The Way You Look Tonight,” which Wilson and her 14-piece band (including an 8-piece string section) performed fairly traditionally, outside of the unusual choice of bass clarinet for Robbie Marshall’s solo. But she and her musicians stepped off the traditional path with “Don’t Explain,” guitarist Kevin Breit looping his instrument and applying slide and e-bow, while the rhythm section (including veteran bassist Lonnie Plaxico, who played on Wilson’s debut album) added healthy dollops of blues feel. A subtle singer who prefers to explore a song’s nooks and crannies rather than engage in acrobatics, Wilson is known for putting her own distinctive spin on classic material, and that’s the path she followed for the rest of the night.

“What a Little Moonlight Can Do” rode a samba rhythm, touched by Marshall’s flute and a gnarly electric violin solo from Charlie Burnham. “Crazy He Calls Me” shifted from Broadway flourish to jazz rock explosion, while “You Go to My Head” gained a funk undercurrent and a Breit solo that sounded like a soprano sax. The musicians put a subtle Latin spin on “All of Me” that turned into it into babymaking music, then masterfully manipulated the dynamics of “Good Morning Heartache,” Wilson taking a seat as the band swirled around her in collective improvisation. Perhaps the biggest highlight was “Last Song (for Lester),” a Wilson original that imagines the song Holiday might’ve sung at the funeral of her musical soulmate Lester Young had she been allowed. It was a beautiful tour de force, blending sadness at opportunities lost and joy for knowing a special someone. Wilson ended the set with a sardonic, defiant romp through “Billie’s Blues,” exiting the stage to raucous applause.

Naturally, the show wasn’t done yet – not without renditions of Holiday’s greatest hits. The encore began with “God Bless the Child,” given an almost pop/jazz reading with a slide guitar solo and Wilson’s distinctive take on the vocal melody. Then came a tribal drum beat and the sound of chains hitting the ground, which could only mean one thing: “Strange Fruit,” Holiday’s bitter ballad about the practice of lynching African Americans in the south. The song’s already haunted atmosphere bristled with dramatic strings and a particularly husky vocal from Wilson, before she picked up her Telecaster and clawed a skronky, feedback-soaked solo out of her helpless instrument, channeling the ghosts of lynching victims howling from beyond. To say this amazing performance brought the house down seems almost inadequate. We can’t wait for you to see it when it airs this fall on your local PBS station.

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Featured Hall of Fame

Cameron Crowe to Induct My Morning Jacket into Austin City Limits Hall of Fame

Cameron Crow filmmaker announcement as special guest at the 11th Annual Hall of Fame

Austin City Limits proudly announces that special guest Cameron Crowe will induct rock legends My Morning Jacket into the 2025 Austin City Limits Hall of Fame on Friday, August 1. The Oscar-winning filmmaker and best-selling author will be on hand to honor his friends as the American originals enter the  Austin City Limits Hall of Fame, joining the esteemed acts inducted since 2014. 

In their return to the ACL stage for the first time in nearly a decade, My Morning Jacket will perform a full set taping for the occasion. In a new first, the show is open to all, and the Hall of Fame will not be a ticketed event. Fans will have the opportunity to win free passes to attend by signing up for a ticket giveaway on acltv.com beginning July 24 through July 29. 

Cameron Crowe: “Thank you to Austin City Limits for the invitation to help honor My Morning Jacket. MMJ has the rarest kind of mastery. Their songs explode with passion and feeling on stage and in the studio. They’ve long been one of my favorite bands. I can’t wait for a chance to see them play again on the ACL stage.”

Jim James: “We are so excited to experience this ACL honor with the great Cameron Crowe! We have long loved his beautiful visions in the art of filmmaking, as well as his wisdom and humor in the world of music journalism. His art and friendship has enriched our lives so much over the years and we are so stoked to share the stage with him!”

One of America’s most iconic music journalists, Cameron Crowe helped define the job by becoming Rolling Stone’s youngest-ever contributor as a fifteen-year-old high school graduate. He went on to profile the likes of Bob Dylan, David Bowie, Elton John, Neil Young, Joni Mitchell, Led Zeppelin, Eagles, Fleetwood Mac, and The Who at the heady height of the album-oriented rock era. 

Crowe became an acclaimed filmmaker writing and/or directing some of the most beloved films of the past forty years, from Fast Times at Ridgemont High, Say Anything… and Singles, to Jerry Maguire, Vanilla Sky and Almost Famous.

Crowe’s long-awaited memoir, The Uncool, will be published by Avid Reader Press, a division of Simon & Schuster, on October 28, 2025.  Hamburgers for the Apocalypse: The Music Journalism of Cameron Crowe, a companion collection of the author’s essential interviews and newly conducted follow-up conversations, will be published in 2026.

The Induction and taping will take place at ACL’s studio home, ACL Live at The Moody Theater in downtown Austin. The hourlong broadcast episode will air as a season highlight of Austin City Limits‘ upcoming Season 51, premiering this October on PBS. The series recently celebrated its milestone 50th Anniversary in 2024 with a landmark campaign honoring its legacy and future. The live music beacon is a public media institution that continues to champion artistry, authenticity and music discovery. 

ACL is thrilled to welcome My Morning Jacket into the ACL Hall of Fame and to showcase their latest sonic adventure, is. The Louisville, KY-bred five-piece recently released is, their first album in nearly four years, and their 10th studio album. My Morning Jacket has made a trio of fan-favorite appearances on Austin City Limits over their 25+ year career, with revelatory performances that have earned the band a place in the ACL canon. They made their series debut in Season 31 (2006) and returned within the course of a decade during Season 34 (2008) and Season 42 (2016). Bandleader Jim James also appeared during that period with Monsters of Folk (S36/2010), and as a guest of Bright Eyes (S30/2005) and the Preservation Hall Jazz Band (S37/2011). Additionally, James also taped a solo appearance in 2013 for Season 39. 

Since its inception in 2014, the Austin City Limits Hall of Fame has honored legendary artists who have played a pivotal role in the trailblazing music series’ remarkable half-century legacy as a music institution. The inaugural awards honored Willie Nelson and Stevie Ray Vaughan. The Hall of Fame has inducted over twenty-five artists at ten previous ceremonies including Lloyd Maines, Asleep at the Wheel, Loretta Lynn, Guy Clark, Flaco Jiménez, Townes Van Zandt, Kris Kristofferson, Bonnie Raitt, B.B. King, Roy Orbison, Rosanne Cash, The Neville Brothers, Ray Charles, Marcia Ball, Los Lobos, Lyle Lovett, Buddy Guy, Shawn Colvin, Lucinda Williams, Wilco, Alejandro Escovedo, Sheryl Crow, Joe Ely, John Prine and Trisha Yearwood. The 10th Anniversary Hall of Fame welcomed Garth Brooks to its ranks.

Widely ranked among the greatest live bands of their generation, My Morning Jacket have long maintained their status as one of the most vital forces in American rock-and-roll. Known for their thrillingly expansive and eclectic sound, the five-piece – vocalist/guitarist Jim James, bassist Tom Blankenship, guitarist Carl Broemel, drummer Patrick Hallahan, keyboardist Bo Koster – has influenced an entire era of musicians, largely by staying one step ahead of mainstream pop culture and following their instincts toward endless innovation. For more than 25 years, My Morning Jacket has achieved an incredibly rare feat in the world of modern rock – upholding a long-established cultural legacy while sustaining all the curiosity and creative hunger of their earliest days.

Fans can enter a public giveaway to win free passes to be a part of the audience for this historic Hall of Fame taping. Visit us at acltv.com and follow @acltv on IG, Facebook and X for updates. 

Austin City Limits and the Austin City Limits Hall of Fame are produced by Austin PBS. Austin PBS is a non-profit organization providing public television and educational resources to Central Texas as well as producing quality national programming.

Austin City Limits: 

A monument to music, Austin City Limits is the longest-running music series in television history, providing viewers a front-row seat to the best in live performance for more than 50 years. On October 17, 1974, Willie Nelson taped the pilot episode and the trailblazing series premiered on PBS in 1975. The public media mainstay has showcased iconic performances from legends and innovators in every genre of popular song. The series is the flagship of the popular Austin City Limits Music Festival and has earned countless accolades for its quality presentation of live music performances, including a Peabody Award, a Rock & Roll Hall of Fame designation and it remains the only TV series awarded the National Medal of Arts. Austin City Limits writes the next chapter in its remarkable 50+ year broadcast run with the upcoming Season 51.

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Episode Recap Featured New Broadcast News Uncategorized

Cage The Elephant and Tank and The Bangas galvanize ACL Season 45

photo by Scott Newton

Austin City Limits spotlights thrilling live bands in a new installment featuring rock giants Cage The Elephant, one of music’s biggest live acts. The hour also introduces a 2020 “Best New Artist” GRAMMY nominee, New Orleans breakout act Tank and the Bangas. 

Hailing from Kentucky, the Nashville-based six-piece Cage The Elephant perform tracks from their acclaimed fifth album Social Cues, alongside career highlights in a stellar, hit-filled set. Charismatic lead singer/live wire Matt Shultz takes the stage in a signature makeshift outfit: elbow-length blue gloves, blue tights adorned with women’s lace underwear, headphones and goggles. A wardrobe rack and a trunk filled with props sit onstage amidst the amplifiers, as the shape-shifting frontman changes outfits with each song. “It’s a lot of work wearing all these different personalities,” says Shultz, while seamlessly delivering a seven-song set of his ubiquitous alternative-rock hits. Opening with the new wave-heavy smash “Broken Boy,” Shultz, known for his wild antics, stalks the stage in a can’t-look-away performance. Reaching back to 2015’s GRAMMY-winning Tell Me I’m Pretty for “Cold Cold Cold,” Shultz changes into fluorescent yellow fishermen’s gear, and ventures into the audience, sprinting into the bleachers and sliding down the steps backward on his head. Without missing a beat, the hit parade continues with melodic charmer “Trouble,” as the crowd sings along with every word; an iconic slide guitar riff next signals the 2008 breakthrough hit “Ain’t No Rest for the Wicked,” as Shultz dons a fishnet face mask and climbs onto the P.A. for the Cage classic. The band closes out with radio smash “Come a Little Closer,” turned into a raucous, audience participation anthem.

“Matt Shultz takes the prize for the most wardrobe changes in a single show in ACL history,” laughs ACL executive producer Terry Lickona. “Who knew? Nobody knows quite what to expect from Cage The Elephant, and that’s a big part of why their fans love them so much.”

photo by Scott Newton

New Orleans five-piece R&B, funk and hip-hop outfit Tank and the Bangas shine in a radiant ACL debut featuring songs from the 2019 major label debut Green Balloon. A unit where jazz meets hip-hop, soul meets rock, and funk is the heartbeat of all they do, this versatile act came together in 2011 at a NOLA open mic event, and got propelled into the national limelight when they unanimously won NPR’s Tiny Desk Contest in 2017. The Big Easy band takes viewers on a handclapping, swaying, joyous ride through its world. Former slam poet and magnetic lead singer Tank Ball shifts from a lilting sing-song to deep and forceful rapping on set opener “Spaceships.” The Bangas keep the music rolling and solos flying as Tank unleashes her powerful vocal on “Ripperton Love,” in tribute to R&B legend Minnie Ripperton. On the soulful meditation “Hot Air Balloon,” Ball explores her elastic voice as the band provides an other-worldly soundscape building to a fiery sax solo. Set-closer “The Brady’s” has it all: sweet harmonies, crashing drums, rock guitar and relentless groove, anchored by Tank’s colorful vocal stylings.

“Tank and the Bangas radiate joy, and their set is nothing but a musical joy ride,” says Lickona. “The world needs Tank and the Bangas more now than ever.”

As always, check your local PBS listings for the broadcast time in your area, and don’t forget to click over to our Facebook and Twitter pages or sign up for our newsletter for more ACL info. Join us next week for another new episode, featuring Grammy-nominated pop newcomer Billie Eilish. 

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Featured Live Stream News

Buddy Guy to live stream 9/17 ACL taping

Austin City Limits is thrilled to announce that we will be live streaming Buddy Guy’s taping on September 17 here on the ACL TV YouTube channel.  This will be the blues titan’s third headlining appearance on the ACL stage.

Buddy Guy’s astounding career spans over fifty years with just as many albums released. Career highlights include the 2015 Grammy Lifetime Achievement Award, seven Grammy Awards, 37 Blues Music Awards, Kennedy Center Honors, Billboard Music Awards’ Century Award, Presidential National Medal of Arts, and induction into the Rock and Roll Hall of Fame, to name a few. The veteran bluesman recently released his eighteenth solo LP, The Blues is Alive and Well, the acclaimed follow-up to his 2015 album Born To Play Guitar, which received “Best Blues Album” honors at the 2016 Grammy Awards, and debuted at #1 on Billboard’s Top Blues Album charts.  Produced by Guy’s longtime partner Tom Hambridge and featuring special guests Mick Jagger, Keith Richards, Jeff Beck and James Bay, the new album is hailed “a heart-warming set from a cultural treasure” by Mojo. Rolling Stone raves, “Buddy Guy proves blues is alive and well,” while Uncut notes, “[Guy] stretches out into these songs, inhabiting them comfortably and casually, almost always finding a way to make the familiar sound fresh.” Guy will be the recipient of this year’s Americana Music Awards Lifetime Achievement Honor, and at 82 years young, proves unstoppable as he continues to record and tour around the world.

Join us on Sept. 17 for this full set live stream of Buddy Guy’s return taping here on our ACLTV YouTube channel. The broadcast version will air on PBS as part of our upcoming Season 44.