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Taping Recap

Eric Church: hail to the Chief

The word “limits” may be in our name, but we at Austin City Limits pride ourselves on not having any, at least when it comes to the styles of music we feature on the show. That said, our roots are in country music, so we’re always happy to welcome one of the genre’s shining stars. Eric Church certainly fits that bill, and so we were thrilled to host his first ACL taping.  “I’ve been watching this show for, like, 30 years,” remarked a visibly excited Church, who noted that seeing Iris DeMent on ACL was a lifechanger. “And I’m a little nervous.” You’d never know from this confident, powerful performance.

The appropriately stalking rhythm and National Steel guitar of “Creepin’” opened the set, the hard rock riffs contrasting nicely with Church’s North Carolina drawl. The louder, heavier “Guys Like Me” followed, the first in a series of anthems that established Church’s songwriting tradition of both paying tribute to and subtly critiquing his characters. With twin lead guitars at his side, Church energetically blasted out paeans to overindulgence (“Jack Daniels,” “Smoke a Little Smoke”), small town values (the CMA-nominated “Give Me Back My Hometown,” “Pledge Allegiance to the Hag”) and good old-fashioned rebellion (“That’s Damn Rock & Roll,” “The Outsiders”). It wasn’t all just fist-pumpers, however – Church also delved into the more traditional country that inspired him with “Talladega,” “Sinners Like Me” and the inspirational “These Boots,” for which the audience saluted by pulling their own boots off and waving them toward the stage. (One young lady was rewarded by Church taking hers and signing it.)

Of course, Church also performed his anthem to end all anthems – “Springsteen” is the song he’ll be playing until the end of his career, and starting it by singing a few lines from the titular artist’s “Thunder Road” and engaging the crowd to sing the “whoa-ohs” only enhanced this readymade classic. But after all the lighter-waving songs, Church brought it all home solo with “A Man Who Was Gonna Die Young,” an ode to maturity that sent the audience away satisfied. We can’t wait for you to see Eric Church when his show airs as a full-hour episode November 15th on your PBS station during ACL’s 40th Anniversary Season.

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Episode Recap Featured New Broadcast News

Eric Church makes his ACL Season 40 debut

Austin City Limits proudly presents an hour with country sensation Eric Church. Church has blazed his own trail to superstardom and now makes his ACL debut with his signature brand of no-holds-barred country music.

Famous for a game-changing live show, Church performs songs from his critically-acclaimed, chart-topping 2014 album The Outsiders in his ACL debut.  The music rebel’s distinctively hard-rocking spin on country, influenced as much by AC/DC and Metallica as Merle Haggard and Waylon Jennings, has earned him a huge audience outside the confines of country radio.  Church appeared on the cover of Rolling Stone this year and was named one of their “50 Greatest Live Acts Right Now.” NPR raves, “Eric Church is working on a level that few other country artists of his generation can touch.”

“This is gonna be fun,” says the North Carolina native, clearly enjoying his first visit to the ACL stage. Church’s appearance is a twelve-song tour-de-force that presents the performer at the top of his game. Delivering a host of hits in his trademark aviators, Church’s crowd-pleasing set is filled with anthems about youth, family and outliers that ignite through songwriting skill, powerful riffs and energetic vocals. Highlights include the rebellious “The Outsiders”, the autobiographical title track “Sinners Like Me” from his 2006 debut and the Grammy-nominated anthem “Springsteen” from his 2011 breakthrough Chief, with the Austin audience providing the “whoa-ohs” of the chorus. Church brings it all home solo, showcasing his softer side with the heartfelt set-closing ballad “A Man Who Was Gonna Die Young.”

“Eric and his band know how to rock harder than many rock ‘n roll bands,” says ACL executive producer Terry Lickona, “and his music and the words behind it have a way of reaching fans way beyond the usual borders of country music. He’s a perfect fit for ACL.”

photo by Scott Newton

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week as ACL Presents: Americana Music Festival 2014.

 

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Featured Live Stream News

Eric Church livestream on 9/23

Austin City Limits is pleased to announce that we will be streaming our taping with Eric Church live on Tuesday, Sept. 23, 8pm CT/9pm ET. The taping will webcast in its entirety via our YouTube channel.

North Carolina native Church got his start playing Jimmy Buffett covers in hometown bars, but quickly transitioned to original material. After graduating from college with a marketing degree, Church moved to Nashville, recording demos and placing songs with other singers before releasing his debut Sinners Like Me in 2006. His second release Carolina included “Love to Love You the Most” and “Hell On the Heart,” his first top 10 country hits. That set the stage for the platinum-selling Chief, which debuted at No. 1 on the Billboard album chart and boasted the massive hits “Drink in My Hand” and “Springsteen,” his first single to cross over to the pop chart. This year’s follow-up The Outsiders also debuted at No. 1, throwing “Give Me Back My Hometown” and the title track up the charts. Church’s distinctively hard-rocking brand of country, influenced as much by AC/DC and Metallica as Merle Haggard and Waylon Jennings, has earned him a huge audience outside the confines of country radio, prompting him to tell CMT, “I think genres are dead. There’s good music. There’s bad music.” Eric Church does not play bad music, as you’ll find out at his debut ACL taping on 9/23.

The broadcast version of this show will air this fall on PBS as part of ACL’s 40th anniversary season. Join us for this live webcast of the Austin City Limits debut of Eric Church.

 

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News

Eric Church 9/23

If you did not get tickets to this taping, the performance will be live streamed on our Youtube channel

Breakout country star Eric Church tapes his ACL debut on September 23rd, performing songs from his critically-acclaimed new album The Outsiders, which debuted at #1 on Billboard‘s Top 200 and Country charts. Read more

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Episode Recap Featured New Broadcast News

Episode premiere: The War On Drugs

The War on Drugs on Austin City Limits, 2022. Photo by Scott Newton.

Austin City Limits spotlights the acclaimed American band The War On Drugs in a majestic new hour of atmospheric rock, featuring highlights from their current Grammy-nominated album I Don’t Live Here Anymore. The new installment premieres January 28 at 7pm CT/8pm ET on PBS.  Following the broadcast, the episode will be available to stream at 11pm CT/12am ET at pbs.org/austincitylimits for four weeks. The Peabody Award-winning program, recorded live at ACL’s studio home in Austin, Texas, continues its extraordinary run as the longest-running music television show in history. ACL gives viewers a front-row seat to the best in live performance as this American music institution nears its remarkable half-century milestone. ACL airs weekly on PBS stations nationwide (check local listings) and full episodes are made available to stream online at pbs.org/austincitylimits following the initial broadcast.

The War On Drugs made a powerful ACL debut in 2015 and now return with songs from their two most recent releases, the celebrated I Don’t Live Here Anymore, the band’s fifth album, a 2023 Grammy Award nominee, and 2017’s A Deeper Understanding, which earned the band their first-ever Grammy for Best Rock Album. Led by singer/guitar virtuoso and primary songwriter Adam Granduciel, the Philadelphia outfit has steadily evolved into one of rock’s most compelling live acts over the course of a nearly two-decade career, deftly blending gritty heartland rock, richly melodic vocals and sparkling analog synthesizers on a series of beloved albums. The New York Times says, “With this fifth studio album, they’ve reached improbable heights with meticulously crafted, guitar-forward songs”; Consequence hails, “It’s hard to imagine a musical experience that’s more enveloping and uplifting”; and GQ raves, “[I Don’t Live Here Anymore] is easily the band’s clearest, most vibrant, and upbeat. You’ll want to play it loud and see it live.” 

The War On Drugs on Austin City Limits, Season 48. Photo by Scott Newton.

The septet open their set with “Pain,” a Deeper Understanding cut that perfectly demonstrates their ability to blend bright melodies with brooding synth textures and grand-scale guitar solos. Bandleader Granduciel guides the group through a series of adventurous and emotionally resonant explorations in the hour, including the lush soundscapes and familiar synth and guitar intro of title track “I Don’t Live Here Anymore,” a radio favorite and the #1 song at the Adult Alternative format in 2022. “Thanks for having us on the legendary Austin City Limits,” Granduciel remarks. “Growing up without cable TV, this is one of the only things I grew up watching.” A wave of synthesizers signals “In Chains,” the closing number that mixes shimmering dreampop with anthemic rock, earning rapturous raves from the ACL audience.

“The War on Drugs are the perfect bridge between the legacy music in which ACL’s roots run deep and the contemporary sound of rock music today,” said ACL executive producer Terry Lickona. “Lyrically and sonically, they represent a big part of the sound of ACL today.”

Episode setlist:

Pain

I Don’t Wanna Wait

Victim

Strangest Thing

I Don’t Live Here Anymore

Thinking of a Place

In Chains

Season 48 Broadcast Schedule (Second Half):

January 7   Austin City Limits 8th Annual Hall of Fame Honors Sheryl Crow

January 14   Nathaniel Rateliff & The Night Sweats/ Adia Victoria

January 21   Adrian Quesada Boleros Psicodélicos

January 28   The War On Drugs

February 4   Pavement

February 11   Maren Morris

February 18   Spoon

February 25   Austin City Limits 8th Annual Hall of Fame Honors Joe Ely

Watch live on PBS, or stream anytime. Viewers can visit acltv.com for news regarding episode schedules, future tapings and select live stream updates or by following ACL on Facebook, Twitter and IG. Fans can also browse the ACL YouTube channel for exclusive songs, behind-the-scenes videos and full-length artist interviews.

Austin City Limits

Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 48th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic Austin PBS Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.  
Austin City Limits is produced by Austin PBS and funding is provided in part by Dell Technologies, Workrise, the Austin Convention Center Department, Cirrus Logic and AXS Ticketing. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com.

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Featured New Broadcast News

The Mavericks bring the party to ACL En Español

photo by Scott Newton

Austin City Limits spotlights renowned rock and country trailblazers The Mavericks, showcasing their chart-topping, all Spanish-language album, En Español in their first appearance on the program in two decades. Widely celebrated as one of the great live bands, The Mavericks perform a mix of new and reimagined Spanish classics alongside career highlights from their three-decade career in a sparkling hour. Recorded in September 2020, The Mavericks’ taping reflects the second no-audience taping, due to the coronavirus pandemic, in the series near five-decade history,.  With live music grounded, ACL continues to provide viewers a front-row seat to the best in live performance. The series airs weekly on PBS stations nationwide (check local listings) and full episodes are made available online for a limited time at pbs.org/austincitylimits immediately following the initial broadcast.   

The GRAMMY, CMA & ACM award-winning roots rockers make their third appearance on the ACL stage showcasing a career milestone, their first Spanish-language album, En Español, which debuted at #1 on Billboard’s Latin Pop Albums Chart. The genre-bending Country, Americana and Tejano-infused Rock & Roll band, who celebrated their 30th Anniversary in 2019, return to their early Miami roots to mesh their uplifting eclecticism with a collection of Spanish language originals and traditional Latin tracks that inspired them. The four core Mavericks members—golden-voiced lead singer and songwriter Raul Malo, guitarist Eddie Perez, keyboardist Jerry Dale McFadden and drummer Paul Deakin—are augmented by horns, accordion and backing vocals for a powerhouse nine-musician combo.  The band celebrate the diversity of cultures with their unique take on classic tracks from the vast Latin American songbook, opening with the Cuban country song “La Sitiera,” which builds into a thrilling full-band bloom complete with horns and accordion. Malo, a first-generation Cuban American, introduces his late grandfather’s favorite song, the early Julio Iglesias ballad, “Me Olvidé de Vivir,” made the Mavericks’ own in a country-folk rendition, and salutes one of his own favorite artists, Mexican star Juan Gabriel, with a mariachi-flavored take on the spirited “No Vale La Pena.” They deliver stirring performances of new originals, including the passionate “Recuerdos,” backed by full horns and “Suspiro Azul,” amplified by dazzling harmonies. In a nod to performing at the house that Willie built, Malo gives a gorgeous solo acoustic reading of the Willie Nelson classic “Blue Eyes Crying In the Rain.” The freewheeling outfit treat fans to standouts from their more recent catalog, including Latin-influenced numbers from their 2013 reunion album In Time, closing out the hour with a pair of highlights: the lush stunner “Come Unto Me,” a fan favorite performed with dueling guitar and accordion solos, and the high-energy rockabilly-flavored “As Long As There’s Loving Tonight.” 

“Showcasing The Mavericks first all-Spanish album on Austin City Limits during the same week as the annual Latin Grammy Awards is perfect timing,” said ACL executive producer Terry Lickona. “Since I became co-producer of the Latin Grammys, I’ve made it my mission to bring the joy and beauty of Latin music to the ACL stage every year. This show is a great ‘primer’ for that!”

The second half of ACL’s Season 46 broadcast line-up, including six new episodes to begin airing in January 2021 as part of the full 13-week season, will be announced shortly. Tune-in, log on, and let ACL be a trusted sidekick for entertainment during these challenging days. Viewers can visit acltv.com for news regarding live streams, future tapings and episode schedules or by following ACL on Facebook, Twitter, IG and TikTok. Fans can also browse the ACL YouTube channel for exclusive songs, behind-the-scenes videos and full-length artist interviews.

Episode setlist:

La Sitiera

Recuerdos

Back In Your Arms Again

Easy As It Seems

No Vale La Pena

Me Olvidé De Vivir

Suspiro Azul

Blue Eyes Crying In the Rain

Come Unto Me

As Long As There’s Loving Tonight

About Austin City Limits

Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 46th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic KLRU Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.

Austin City Limits is produced by Austin PBS, KLRU-TV and funding is provided in part by Dell Technologies, RigUp, the Austin Convention Center Department and Cirrus Logic. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com.