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Dick Peterson 1943-2018

We here at Austin City Limits are deeply saddened to report the death of former ACL executive producer Dick Peterson.

An Austin native, Dick started working for KLRU-TV after college in the mid-sixties, back when it was still KLRN and a shared station with San Antonio. Following a stint in the Air Force, he returned to public television via WQED, the home station for Mister Rogers’ Neighborhood, before moving on to KUHT in Houston and KAET in Phoenix. Dick then moved on to the Mecca of television production: Hollywood. While there, he worked as an editor for sitcoms The Bob Newhart Show, Maude (whose star Bea Arthur called Dick “a peach”) and the short-lived Maggie Briggs, whose headliner, Suzanne Pleshette, called Dick her favorite editor.

Dick returned to KLRU in 1984 to take over as vice president of production. In that role he brought the skills and professionalism he learned while in Hollywood, applying those same standards to local productions, including Austin City Limits. He also brought a mastery of stretching budgets, knowing how to get the most out of limited funds – a not inconsiderable skill in the waxing and waning fortunes of public broadcasting. When he became executive producer of Austin City Limits in 2000, he was able to adhere to the production values for which ACL had become known during years lean and fertile. Never a fan of the spotlight, Dick stayed resolutely behind the scenes, rarely, if ever, taking credit for the work he did for the show.

Dick retired from KLRU in 2009. “Dick did many great things for KLRU and for Austin City Limits,” says KLRU Vice President of Programming Maria Rodriguez, who worked with Dick for three decades. “And he loved working with people. Dick will be greatly missed.” ACL producer Jeff Peterson adds, “No one cared more about KLRU and ACL.”

Current executive producer Terry Lickona calls Dick “one of the most important and unforgettable people in KLRU history. During my time as producer of ACL, I worked with him for over two decades when he was VP Production, then executive producer. He stayed out of the spotlight (mostly in the back of the room during a taping), but his larger-than-life presence was felt by everyone, from volunteer to senior management. But most of all I remember that smile (slightly embarrassed – he hated having his photo taken!) and laugh.”

“Some of my best years have been spent at KLRU with a great group of experienced, creative, dedicated friends that are the best in the country,” Dick once said while reflecting on a near-50 year career in television. “I am one lucky dude.”

Dick was a true believer in public television as an idea, a means of communication and a standard by which to tell stories, and he believed in Austin City Limits as a way to convey those values. It’s why, in the last years of his career, he’d taken to signing off his correspondence with a simple but elegant phrase that encapsulated his belief: keep the faith. We will, Dick. Thanks for your guidance.

Dick was inducted into the Austin City Limits Hall of Fame in 2016. His time with and importance to the show was captured in the video below, produced for the induction ceremony.

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Featured News

Roy Clark 1933-2018

We at Austin City Limits extend our condolences to the family and friends of country guitarist, singer and comedian Roy Clark, who passed away today at the age of 85.

The always smiling, fleet-fingered multi-instrumentalist was born in Virginia and raised in New York and Washington, D.C. After winning multiple guitar and banjo championships and appearing on the Grand Ole Opry as a teenager, Clark became a regular on Jimmy Dean’s D.C-area TV show. He went on to play with Western swing bandleader Hank Penny and rockabilly queen Wanda Jackson. When Dean hosted The Tonight Show, he invited Clark to perform, introducing the nation to his protegé’s prodigious musical skills. Clark signed with Capitol Records in 1963 and scored several top 10 hits on the country charts. In 1969, he became the host of country comedy program Hee-Haw, a post he would hold for nearly a quarter of a century, until the show’s demise in 1993.  The show had an audience of more than 30 million viewers at the height of its popularity.

Though his Hee-Haw stint brought him his biggest fame, it ended up obscuring Clark’s musical talent, which was considerable. A master guitarist, banjoist, fiddler and mandolinist, Clark was conversant in many styles of music, as apt to play jazz, blues and rock & roll as country and bluegrass. He could throw down with the best of them – not just country pickers, but bluesmen Gatemouth Brown (with whom he appeared in a memorable double-header episode of Austin City Limits in 1980) and Count Basie. Though he was no slouch as a comedian, as Hee-Haw and appearances on The Odd Couple and The Beverly Hillbillies attest, it’s ultimately his amazing musical skills that will be his legacy, as he proved with regular performances at his theater in Branson throughout the nineties and ‘aughts.

Clark appeared on ACL in 1980 with Gatemouth Brown, as noted above, and again in 1982 for a solo show that was released that same year on LP at The Roy Clark Show Live From Austin City Limits. Here he is in 1980 playing one of his signature songs, “Under the Double Eagle.”

 

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Episode Recap Featured New Broadcast News

Janelle Monáe delivers a show-stopping Season 44 episode

Austin City Limits presents one of today’s most celebrated artists, Janelle Monáe, in a thrilling new hour of euphoric funk.  The award-winning singer, songwriter, performer, producer, activist and actor showcases songs from her widely acclaimed Dirty Computer in a must-see episode.

Monáe stole the show at this year’s namesake ACL Festival; now the visionary funk songstress delivers a show-stopping master class for her Austin City Limits debut, featuring songs from her third solo album, Dirty Computer, one of 2018’s most lauded releases.  Performing with a predominantly female ensemble, including a four-woman dance team, the Kansas City native slays in a breathtaking, eight-song set packed with exuberant choreography and elaborate costumes.  “I come in peace, but I mean business,” the powerhouse proclaims to the Austin audience. She performs Dirty Computer gems, singing the funky “Django Jane” refrain “Black girl magic, y’all can’t stand it,” atop a golden throne; the sizzling “Pynk,” a cleverly costumed celebration of female empowerment, and the sensual “Make Me Feel,” opening in silhouette to showcase her Michael Jackson and James Brown-inspired dance moves.  Saying “We love you, Prince,” Monáe pays tribute to her late mentor and collaborator with “Primetime,” from 2013’s The Electric Lady, as her guitarist evokes the unmistakable coda of the icon’s “Purple Rain.” She dazzles with back-to-back highlights from her Grammy-nominated 2010 debut The ArchAndroid, including her smash “Tightrope,” then wraps up her stunning ACL debut with a climactic “Come Alive.”

“The artistry of Janelle Monáe is stunning,” says ACL executive producer Terry Lickona. “She can do it all. There’s nobody else out there like her. I’ve never seen anybody like her on Austin City Limits – in over three decades, and that says a lot!”

photo by Scott Newton

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for an encore episode featuring singer/songwriters James Bay and Rhiannon Giddens.

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News

Giveaway: Willie Nelson 11/19

UPDATE giveaway is now over.

Austin City Limits will be taping a performance by Willie Nelson on Monday, November 19th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by noon on Thursday, November 15th.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified by email. Passes are not transferable and cannot be sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras computers or recording devices allowed in venue.

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Episode Recap Featured News

The modern Americana of Kacey Musgraves and Lukas Nelson & Promise of the Real on ACL 44

Austin City Limits showcases left-of-center country with Kacey Musgraves and Lukas Nelson & Promise of the Real in a new episode. Two-time Grammy Award-winning Kacey Musgraves returns for the first time since her 2014 appearance and roots rocker Lukas Nelson and his band Promise of the Real make their ACL debut.

One of country music’s most critically acclaimed singer-songwriters, Kacey Musgraves returns to the ACL stage with songs from Golden Hour, her third album, and a career highlight. The release has generated glowing reviews and recently earned a coveted Album of the Year nomination from the Country Music Association for the upcoming CMA Awards (on November 14), along with a nod for Musgraves as Female Vocalist of the Year. With a sequin-studded saddle suspended over the stage, the boundary-pushing country artist delivers a radiant seven-song set showcasing Golden Hour, opening with the lush “Slow Burn,” an introspective stunner reflecting the more personal direction of her latest collection. The East Texas native made a name for herself with her piercing observations and irreverent brand of country and reaches back to her 2013 breakthrough for the fan-favorite “Follow Your Arrow,” letting the crowd take over on the final verse. “Get on your roller skates Austin,” she instructs the rapt audience for the disco-fied set-closer “High Horse,” as Musgraves treats the crowd to some smooth moves, turning the ACL stage into her very own dance floor.

After more than a decade on the road barnstorming across the U.S.A. and around the world, Lukas Nelson & Promise of the Real have developed into one of music’s most impressive live acts, earning a 2018 Group of the Year nomination from the Americana Music Awards. The band’s sound draws on many of Nelson’s influences including his own father, outlaw country icon Willie Nelson, and Neil Young, with whom the band has regularly toured and recorded in recent years. In their ACL debut, the six-piece outfit delivers on their promise with a powerhouse set filled with songs from their acclaimed self-titled album. Opening with the fierce rocker “Something Real,” the band showcase their bona fides segueing seamlessly into country heartbreaker “(Forget About) Georgia.” The Austin-born Nelson performs a sterling solo acoustic “Just Outside of Austin,” a crowd-pleaser steeped in the Texas singer-songwriter tradition, before closing out the set with the stirring social anthem “Turn Off the News” for a memorable ACL debut.

photo by Scott Newton

“Both Kacey Musgraves and Lukas Nelson & Promise of the Real represent the new generation of Country and Americana music,” said ACL executive producer Terry Lickona, “but their talents really transcend those traditional labels. What they both have in common is attitude – and lots of it!”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for a brand new episode featuring progressive soul artist Janelle Monáe.

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Episode Recap Featured News

Miguel and Alessia Cara spotlight contemporary R&B and pop in ACL’s 44th season

Austin City Limits presents an uplifting hour showcasing two standouts from the worlds of contemporary R&B and pop: Grammy Award-winning R&B phenom Miguel and hitmaker Alessia Cara in their ACL debuts. Miguel performs cuts from his acclaimed album War & Leisure and Alessia Cara, the 2018 Grammy Award-winning Best New Artist, shines with mega-hits and new songs.  

“I’ve watched many episodes of ACL and to be on this stage, this legendary stage, and share it with you tonight means the world to me,” says Miguel from behind his fringe-covered mic stand.  Los Angeles-raised, with black and Latino roots, the singer-songwriter—born Miguel Jontel Pimentel—is one of the most adventurous voices in contemporary R&B. A magnetic performer, he sends a message of love through a soaring set that inspires sing-alongs to his biggest hits.   Opening with fan-favorite “How Many Drinks?” from his 2012 breakthrough Kaleidoscope Dream, Miguel moves across the stage with style, showcasing his signature falsetto.  He delivers a solo acoustic version of the social consciousness anthem “Now,” saying, “I can’t think of a better time or more fitting place to sing this song…now is the time when we have to stop looking at other people for the answers and every day take a moment to do something ourselves to move things in a positive direction.”  Miguel closes out the thrilling set with his euphoric smash “Sky Walker,” chanting the refrain “You gotta stay up!” as the willing Austin audience is on their feet.

22-year-old pop breakout star Alessia Cara earned the coveted Grammy Award for Best New Artist this year,  and delivers a crowd-pleasing set of her irresistible songs in a sparkling ACL debut. The Toronto native catapulted onto the charts in late 2015 with her spellbinding smash “Here,” from her platinum debut album KNOW-IT-ALL.  Cara performs the number in her ACL set, saying “This is the first song I ever released, and it changed my life, so sing along,” even dropping a bonus new verse on the eager audience.  The vocal stunner performs show-stopping versions of the mega-hits that have earned her legions of fans, including her emotional ode to self-love, “Scars To Your Beautiful,” and “How Far I’ll Go” from the Disney blockbuster Moana.  Her band exits the stage as she dons an acoustic guitar for a soulful solo performance of her new song “A Little More”.  With smoke effects and flying confetti, Cara closes the set with an ecstatic rendition of her #1 pop collaboration with renowned DJ/producer Zedd, “Stay,” sparking an instant crowd sing-along as she playfully urges the enthralled ACL crowd to jump along.

photo by Scott Newton

“Miguel and Alessia Cara represent the best of a new generation of contemporary singer-songwriters,” said ACL executive producer Terry Lickona. “Rather than wallow in self-pity or self-indulgence, their songs aren’t afraid to confront the challenges and realities of life today, but always with hope for a better world.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for a brand new episode featuring Americana stars Kacey Musgraves and Lukas Nelson & Promise of the Real.