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Featured News Taping Recap

Taping recap: Foo Fighters

Rock superstars Foo Fighters returned to the ACL stage for their third headlining appearance with a powerhouse, unforgettable, near 20-song set. The iconic band have captured the hearts of audiences worldwide with their soul-baring rock and roll. 

Fearless leader Dave Grohl led the band through a mellow version of their classic “Times Like These,” opening a nearly two and a half hour performance—a musical sermon that celebrated the Foos legendary near three-decade career. Fans were undoubtedly welcomed to the church of rock and roll. A collection of the Foos’ signature blend of melody-driven alternative rock, roughened around the edges by Dave Grohl’s punk-influenced screams, were delivered masterfully. The rockers became intimate storytellers amongst speedy drum fills and rock and roll riff-mania, as they delivered tracks from their 2023 release But Here We Are and hard-hitting classics from throughout their catalog. The rock veterans proved their rightful place as the rock heroes of the ACL stage – a monumental music moment that fans will remember, everlong. 

Grohl’s candid stage charisma and heartwarmingly charming commentary lead the way for audience interactions sprinkled in between tracks. “What’s up, people!” Grohl shouted ahead of playing “Nothing At All.” “We’ve been here hanging out all week – this is good shit! I like playing new stuff with an audience like this.” After Grohl introduced esteemed guitarists Pat Smear and Chris Shiflett, bassist Nate Mendel banged out the instantly recognizable riff to the Beastie Boys classic “Sabotage.” Grohl then turned the spotlight to  keyboardist Rami Jaffee and new addition drummer Josh Freese (The Germs, Nine Inch Nails). “I wish this was the biggest band he’s ever been in,” Grohl noted about Freese. “He was in Devo, you guys!” Cue Freese energetically launching into the intro for their classic “Whip It.” 

Following the band’s powerfully moving performance of “The Glass”, a musical memorial to Grohl’s late mother, the Foos propelled forward with a change of pace, as Grohl asked “Anyone have any happy requests? Who wants to hear what? Let’s do a big, happy sing-along!” The uplifting anthem “My Hero”emerged  to gracefully lead the audience into an all-consuming emotional recovery,  with the raising of heart-shaped hands in a momentous gospel-like sing-along. 

As the heartfelt fan-lead choir filled the studio walls, the Foos’ raw lyricism returned to center stage with “The Teacher.” The song, off the 2023 release, But Here We Are, is a ten minute-long ode to grief’s tumultuous nature, one that pulls us to yearn for fond memories while tugging us to grapple with the abruptness of goodbyes. Grohl’s double decker ruby red Gibson SG played through to the final song, as the singer fondly recalled past ACL performances, and added “Let’s hear it for Terry and everyone at ACL!” before seamlessly pumping the breaks into Groho’s solo rendition of the signature tune “Everlong.” 

Encoring with their powerful anthem “The Best of You,” Foo Fighters exemplified an unparalleled realness that never shied away from raw musicality. Invigorated by a rock and roll type of sincere sensitivity that is exclusively Foo-like, Foo fans are simply left to watch their heroes as they go. 

Setlist

Times Like These

No Son of Mine

Rescued

La Dee Da

Under You

These Days

Generator

Nothing At All

The Sky is a Neighborhood

Shame Shame

The Glass

All My Life

My Hero

This is a Call

Aurora

White Limo

The Teacher

Everlong

Encore:

The Best of You

Musicians:

Dave Grohl – vocals, guitar

Pat Smear – guitar

Chris Shiflett – guitar, vocals

Nate Mendel – bass, vocals

Rami Jafee – keyboards

Josh Freese – drums

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Featured News Taping Recap

Taping recap: Bonnie Raitt

“Welcome to my fourth decade on Austin City Limits!” declared the legendary Bonnie Raitt after taking the stage at the Moody Theater in her fourth headlining appearance, for a taping that doubled as the final show of her most recent tour. A true statement – the beloved singer, songwriter, and slide guitarist previously taped in Seasons 9, 28, and 38. We’re always happy to welcome back the ACL Hall of Famer, who’s long been one of our besties, and this time she returned as a newly-minted multiple Grammy winner, including Song of the Year, thanks to her latest album Just Like That…. Raitt always brings her best to the ACL stage, making this, our final taping for Season 49, a treat on many levels. 

Joined by her crack band (bassist Hutch Hutchinson, drummer Ricky Fataar, keyboardist Glenn Patscha, and guitarists Duke Levine and George Marinelli), Raitt traveled through the past thirty years of her long career, drawing deep cuts from records recent and revered. In great voice and with her stinging slide guitar as potent as ever, she revisited her hit album Luck of the Draw for the blues-rocking “No Business” and her acclaimed Silver Lining for the defiant breakup tune “Back Around.” She plucked her sultry cover of INXS’s “Need You Tonight” from her last album Dig In Deep, and grabbed two classics from her 1989 breakthrough LP Nick of Time: the reggae-grooved “Have a Heart” and the wisdom-frosted title track. “I’ve been wanting to sing this for Austin City Limits for a while,” revealed Raitt. 

Of course she performed a generous helping of tunes from the acclaimed Just Like That…, including a pair of her recent Grammy-winning gems, the slinky Best Americana Song “Made Up Mind” and Song of the Year winner “Just Like That,” alongside the soulful ballad “Blame It on Me”and the bopping rocker “Livin’ For the Ones.” She dedicated the Grammy-winning title track to her longtime friend John Prine. “This is a song I wrote inspired by singing ‘Angel From Montgomery’ every night,” she noted about the deeply moving track. “This is for John.” She and the band ended the main set to big cheers with a medley of Rufus & Chaka Khan’s devilishly funky “You Got the Love” and her own groovy hit “Love Sneakin’ Up On You.” 

For the encore, Raitt invited her tourmate Sunny War onstage to sing and play guitar on a bluesy, primarily acoustic cover of Jackson Browne’s socially charged “World in Motion.” As she indicated earlier, no Bonnie Raitt show is complete without John Prine’s “Angel From Montgomery,” and she sang it beautifully for her late friend in salute to his forthcoming induction into the ACL Hall of Fame this month. That was intended to be the final song, but no. “I don’t wanna stop playing,” Raitt asserted. “Are you kidding me?” The band then laid into a steamy cover of B.B. King’s “Never Make a Move Too Soon,” which Raitt herself cut with R&B legend Ruth Brown, in honor of “one of the greatest blues towns in America – Austin, Texas!” With the warm familiarity and unabashed love of old friends getting together, Bonnie Raitt delivered magic in her long-awaited Austin City Limits return, carving her name yet again in ACL history.

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Setlist:

Made Up Mind – Just Like That…

No Business – Luck of the Draw

Blame It On Me – Just Like That…

Back Around – Silver Lining

Just Like That – Just Like That…

Livin’ For the Ones – Just Like That…

Need You Tonight – Dig In Deep

Nick of Time – Nick of Time

Have a Heart – Nick of Time

You Got the Love/Love Sneakin’ Up On You – Rufus & Chaka Khan cover/Longing In Their Hearts

Encore:

World in Motion – Jackson Browne cover

Angel From Montgomery – Streetlights

Never Make A Move Too Soon – B.B. King/Crusaders cover

Bonnie Raitt – vocals, guitars, piano

Duke Levine – guitar, mandolin

George Marinelli – guitar

James “Hutch” Hutchinson – bass

Glenn Patscha – keyboards

Ricky Fataar – drums

Sunny War – vocals, guitar

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Featured Hall of Fame News Taping Announcement

Austin City Limits Announces Full Line-Up for 2023 ACL Hall of Fame

Austin City Limits proudly announces additional guest performers for the 2023 ACL Hall of Fame Inductions & Celebration on October 26, 2023. Acclaimed singer-songwriters Brandy Clark, Valerie June, Nathaniel Rateliff and Grammy-winning duo Brothers Osborne will join the previously announced line-up of music luminaries slated to perform: Tyler Childers, Ronnie Dunn, Don Henley, Jo Dee Messina, Tommy Prine, Allison Russell and Kurt Vile. The all-star line-up will salute a pair of American originals—country superstar Trisha Yearwood and late, beloved singer-songwriter John Prine—with one-of-a-kind music performances and intimate tributes as they are inducted into the ACL Hall of Fame. All-star guests will handle induction honors on this epic night: Don Henley will induct Trisha Yearwood; renowned actor and filmmaker Ethan Hawke will induct John Prine posthumously. 

The inductees will be honored at a star-studded ceremony at ACL’s studio home, ACL Live at The Moody Theater in downtown Austin. Austin City Limits 9th Annual Hall of Fame is produced by Austin PBS. Musical highlights and inductions from the celebration will air as a pair of companion Austin City Limits Hall of Fame Honors installments dedicated to each inductee, set to air in January 2024 on PBS.

Co-founder of the Eagles Don Henley, will induct his longtime friend Trisha Yearwood and perform in tribute. Brandy Clark and Brothers Osborne join country greats Jo Dee Messina and Ronnie Dunn in saluting Yearwood; additionally, honoree Yearwood is slated to perform with Don Henley at the celebration. Actor and Austin native Ethan Hawke will induct John Prine, who passed away in 2020. Music great Nathaniel Rateliff and musician, artist, and bestselling author Valerie June join the musical salute as a stellar slate of guest artists take the stage to pay tribute to their friend, mentor and inspiration, including acclaimed singer-songwriter Tyler Childers, who performed with Prine during his final ACL taping in 2018 for Season 44, Americana great Allison Russell, and singer, songwriter and guitar ace Kurt Vile. John’s son, singer-songwriter Tommy Prine, will perform in honor of his father.

ACL Hall of Famer, renowned steel guitarist and producer Lloyd Maines, returns as Music Director, leading the ACL All-Stars house band featuring guitarist David Grissom, keyboardist Chris Gage, bassist Bill Whitbeck and drummer Tom Van Schaik

The event is open to the public and a limited number of tickets are on sale at acltv.com/hall-of-fame.  Sponsor packages are available at acltv.com/hall-of-fame. All proceeds benefit Austin PBS

Austin City Limits celebrates 50 years as a live music beacon with a yearlong milestone celebration beginning in 2024: on October 17, 1974, Willie Nelson taped the pilot episode and the trailblazing series premiered in 1975. Stay tuned for news on special concerts, fan events and activations as Austin City Limits salutes an incredible legacy of 50 golden years of American musical history and iconic performances. 

Since its inception in 2014, the annual ACL Hall of Fame celebration honors the legendary artists who helped to build the legacy of the trailblazing music series as it nears a remarkable half-century milestone as a music institution. The inaugural awards honored Willie Nelson and Stevie Ray Vaughan. The ninth class of inductees features two legendary acts: Multiple GRAMMY®, CMA® and ACM® Award-winner Trisha Yearwood debuted on the series in Season 17 in 1992. She went on to make two additional headlining appearances in 1996 and 2000 and returned in Season 41 in 2015 as a guest of Don Henley. The late singer-songwriter John Prine appeared regularly on ACL throughout his celebrated five-decade career. Prine made his first Austin City Limits appearance in 1978, in the third season of the nascent show, and returned for his eighth and final appearance forty years later in Season 44 in 2018. The influential artist appeared on a Songwriters Special in 1983 alongside peers including Guy Clark and Rodney Crowell, and made headlining appearances in 1988, 1992 and 1996; and in 2002 appeared as a special guest of Bonnie Raitt. Austin City Limits saluted Prine with a posthumous retrospective hour in 2020, which aired as the season premiere of Season 46 and highlighted classic gems from his catalog.

Established in 2014, the Austin City Limits Hall of Fame celebrates the legacy of legendary artists and key individuals who have played a vital part in the pioneering music series remarkable nearly half-century as a music institution. The Hall of Fame has inducted over twenty artists at eight previous ceremonies including Willie Nelson, Stevie Ray Vaughan & Double Trouble, Lloyd Maines, Asleep at the Wheel, Loretta Lynn, Guy Clark, Flaco Jiménez, Townes Van Zandt, Kris Kristofferson, Bonnie Raitt, B.B. King, Roy Orbison, Rosanne Cash, The Neville Brothers, Ray Charles, Marcia Ball, Los Lobos, Lyle Lovett, Buddy Guy, Shawn Colvin, Lucinda Williams, Wilco and Alejandro Escovedo. The eighth annual Hall of Fame in 2022 welcomed Sheryl Crow and Joe Ely to its ranks. 

Austin City Limits 9th Annual Hall of Fame is produced by Austin PBS and funding is provided in part by AXS Ticketing.

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Episode Recap Featured New Broadcast News

Episode premiere: Jenny Lewis/MUNA

Austin City Limits (ACL) newly-launched Season 49 continues with a double-bill showcasing a pair of Los Angeles-based acts: acclaimed singer-songwriter Jenny Lewis returns to the ACL stage for her first appearance in a decade with selections from her latest Joy’All and breakthrough indie-pop band MUNA deliver a revelatory set in a radiant ACL debut. The new episode premieres October 14 at 7pm CT/8pm ET. ACL airs weekly on PBS stations nationwide (check local listings) and full episodes are made available to stream online at pbs.org/austincitylimits immediately following the initial broadcast. 

The program, produced by Austin PBS and recorded live at ACL’s studio home ACL Live in Austin, Texas, continues its extraordinary run as the longest-running music television show in history, providing viewers a front-row seat to the best in live performance for 49 years as the music institution nears a remarkable half-century milestone. Austin City Limits celebrates 50 years as a live music beacon in 2024: on October 17, 1974, Willie Nelson taped the pilot episode and the trailblazing series premiered in 1975. Stay tuned for news on special concerts, fan events and activations as Austin City Limits salutes an incredible legacy of 50 golden years of American musical history and iconic performances. 

Jenny Lewis on Austin City Limits, 2023. Photo by Scott Newton.

“What a joy to be back here at ACL,” says Jenny Lewis as she opens a joy-filled set in her second appearance as a solo artist on the ACL stage, two decades into a prolific career. Clad in a black leather jumpsuit, and fronting an all-female band of ringers, Lewis perches on a circular mini-stage for “Joy’All,” the irresistible title track of her acclaimed fifth album, produced by Nashville ace Dave Cobb. The clarion quality of Lewis’ voice soars as she switches between a guitar and a Wurlitzer. She sits at the keyboard for the soulful “Heads Gonna Roll,” from 2019’s On the Line, a tumultuous road trip anthem fueled by a fire of unrequited love. Revered by fans for her confessional, narrative lyrics, a set highlight is the country-rock kiss-off “Psychos,” featuring a lush melody, pedal steel arrangement and the fan-favorite line “I’m not a psycho, I’m just tryna get laid.” The set closes with the joyous rock tune “Love Feel,” earning rapturous cheers from the crowd as she namechecks forebears Waylon and Wilie, Marvin Gaye, Johnny Cash, Hank Williams and another ACL inspiration: “A little shout-out to John Prine there!” as Lewis closes out a sparkling set with a smile. 

MUNA perform on Austin City Limits, April 25, 2023. Photo by Scott Newton.

In their ACL debut, LA trio MUNA perform a supercharged set showcasing gems from their self-titled third album. The group consists of lead singer and songwriter Katie Gavin, multi-instrumentalist Naomi McPherson and lead guitarist Josette Maskin. The trio are enjoying a meteoric rise and a banner year, becoming one of music’s must-see live acts, landing 2023 arena dates opening for Taylor Swift and boygenius, in addition to high-profile festival appearances at Coachella and Bonnaroo, and their own sold-out “Life’s So Fun” tour. MUNA have earned legions of fervent fans and widespread acclaim for their propulsive pop-rock melodies and hook-filled queer anthems. MUNA’s songwriting touches on the joys, longings and complexities of life in the LGBTQ community. The band radiates electric energy as their followers in the MUNAverse thrill to the empowering singalongs of “Kind of Girl” and “Anything But Me.” The performance reaches a fever pitch with “Home By Now,” a dancefloor banger, as Katie Gavin dances across the stage for a euphoric close.

“‘Joy’ is the operative word for this powerful combo,” said ACL executive producer Terry Lickona. “Jenny Lewis showcases a new chapter in her prolific career, proving that she continues to break musical boundaries, and MUNA’s anthemic songs prove that everything is possible when people connect to each other.”

Jenny Lewis setlist:

Joy’All

Heads Gonna Roll

Cherry Baby

Psychos

Puppy And A Truck

Love Feel

MUNA setlist:

Loose Garment

Winterbreak

Kind Of Girl

Taken

Anything But Me

Home By Now

Season 49 Broadcast Line-up (second half of season to be announced separately)

Oct. 7 Rodrigo y Gabriela featuring the Austin Symphony Orchestra

Oct. 14 Jenny Lewis / MUNA

Oct. 21 Lil Yachty / Sudan Archives

Oct. 28 Margo Price / Molly Tuttle & Golden Highway

Nov. 4 Jorge Drexler

Nov. 11 Jason Isbell and the 400 Unit

Nov. 18 Foo Fighters

Watch new episodes live, stream online, or download the PBS App. The complete line-up for the full 14-week season, including seven new episodes to air beginning January 2023, will be announced at a later date.  Viewers can visit acltv.com for news regarding live streams, future tapings and episode schedules or by following ACL on Facebook, Twitter, IG and TikTok. Fans can also browse the ACL YouTube channel for exclusive songs, behind-the-scenes videos and full-length artist interviews.

Austin City Limits

Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 49th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic Austin PBS Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.  

Austin City Limits is produced by Austin PBS and funding is provided in part by Dell Technologies, the Austin Convention Center Department, Cirrus Logic and AXS Ticketing. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com.

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Featured News Taping Recap

Taping recap: Alanis Morissette

Nineties rock icon Alanis Morissette made history on the Austin City Limits stage bringing the nostalgic air of MTV Unplugged episodes and an obsession with alternative rock to a packed Moody Theater crowd. The show-stopping  performance brought 1995’s landmark Jagged Little Pill album back to capture the hearts of 90’s rockers in combination with tracks from her classic albums including Supposed Former Infatuation Junkie, So-Called Chaos, Under Rug Swept, and Such Pretty Forks in the Road. Morissette’s magic, which comes from her unrivaled soul and authenticity in the presence of 90’s rock, continued to make waves. A musical trailblazer, Morissette’s Season 49 performance reflected a legacy that once compelled fans to cry, yell, and dance over the cords connected to their Sony CD players that continues to fuel audiences with a lust for life. More than an icon you oughta know, Morissette is the powerfully raw and introspective rock legend you oughta be. 

The singer’s performance kicked off with a high energy entrance, as she ran onto stage to the familiar intro of the classic “All I Really Want,” signature harmonica in hand. Capturing the crowd in excitement, Morisette walked and leaped back and forth across the stage singing powerfully. Morissette’s free-spirited stage presence, combined with an “in your face” authenticity, transports concert-goers back to 1995. The performance continued into the uplifting “Hand in My Pocket,” a testament to the comforting relatability of the singer’s intimate lyricism that captured the heart of the audience. The enraptured crowd swayed back and forth before the beginning of “Head Over Feet,” the popular ballad for the hopeless romantics dedicated to finally surrendering to the consuming purity of healthy love.  Around the theater, a group of patrons stood linked arm to arm, belting out “I couldn’t help it, it’s all your fault,” as couples exchanged long glances while listening to the heartwarming gem.

“Losing the Plot” from Morissette’s 2020 album Such Pretty Forks in the Road brings her familiar uplifting but confessional lyricism to the forefront as the singer explores the emotional exhaustion brought from the pursuit of relentless perseverance.  Towards the end of the song Morissette bared all with a brightly, bedazzled electric guitar while singing  “I am losing the plot, I am grieving the end of superwoman-ing.” The Canadian singer brought her performance to an end, bringing an already musically enamored crowd to jump on their feet to the angsty, tell-all, breakup anthem, “You Oughta Know.” A packed Moody Theater crowd passionately belted “And I am here to remind you of the mess you left when you went away” as fans headbanged and stretched their hands out in the signature rock and roll “horns” gesture while the band began “Uninvited.” The final anthem “Thank You” saw Morisette spinning in circles creating a passionately explosive end to a history-making performance. A trailblazer for female-fronted rock, Morissette’s originality continues to keep audiences head over feet. 

Setlist:

All I Really Want – Jagged Little Pill

Hand in My Pocket – Jagged Little Pill

Right Through You – Jagged Little Pill

You Learn – Jagged Little Pill

Segue 1 (Hands Clean) – Under Rug Swept

Forgiven – Jagged Little Pill

Segue 2 (Everything) – So-Called Chaos

Mary Jane – Jagged Little Pill

Segue 3 (Diagnosis) – Such Pretty Forks in the Road

Reasons I Drink – Such Pretty Forks in the Road

Head Over Feet – Jagged Little Pill

Segue 4 (So Unsexy) – Under Rug Swept

Ablaze – Such Pretty Forks in the Road

Segue 4 ½ (Nemesis) – Such Pretty Forks in the Road

Perfect – Jagged Little Pill

Segue 5 Mike (Losing the Plot) – Such Pretty Forks in the Road

Wake Up (acoustic) – Jagged Little Pill

Not the Doctor – Jagged Little Pill

Ironic – Jagged Little Pill

Segue 6 (Sympathetic Character) – Supposed Former Infatuation Junkie

Smiling – Such Pretty Forks in the Road

Segue 7 (I Remain) – Havoc and Bright Lights

You Oughta Know – Jagged Little Pill

Encore:

Uninvited – City of Angels soundtrack

Thank U – Supposed Former Infatuation Junkie

Musicians: 

Alanis Morissette – vocals, harmonica, guitar

Michael Farrell – keyboards

Jason Orme – guitar

Cedric Lemoyne – bass

Julian Coryell – guitar

Victor Indrizzo – drums

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Featured News Taping Recap

Taping recap: Brittney Spencer

The Brittney Spencer song “First Car Feeling” celebrates the exhilaration of new experiences, new moments when everything feels fresh and exciting. We’d like to think Ms. Spencer was feeling some of that as she took the stage for her debut taping on Austin City Limits. She was a standout at last year’s ACL Hall of Fame presentation as she put her stamp on Sheryl Crow’s “My Favorite Mistake,” so it was inevitable that she would come back to showcase her own tunes. 

And what tunes they were. Drawn mostly from her forthcoming debut album My Stupid Life, out this January on Elektra Records, the songs bespoke a thoughtful songsmith unafraid to bare her soul while still paying attention to artistry. Fronting a seven-piece band of versatile musicians, Spencer smoothly blended country music with R&B, much like classic singers like Arthur Alexander and contemporary ones like Yola – a perfect fusion of craft and soul. She got the crowd dancing and singing along with “I Got Time,” smiling in recognition with “Night In,” and feeling her every emotion in the ballad “Deeper.” In a couple of special moments, Spencer paid tribute to her inspirations – Reba, Aretha, Janis, Dolly, Latifah and more – with “Bigger Than the Song”  and a cover of Willie Nelson’s “On the Road Again” worked up especially for this show. She also marveled at her good fortune (augmented by hard work) in the title track of the upcoming record. A spectacular vocal performance on “My First Rodeo” brought the audience to their feet, leaving the singer fighting back tears. “I’ve been trying not to cry the whole show,” she remarked. 

Most impressively, she stunned  the crowd with the poignant “Sober & Skinny,” taking the surface humor of “If you get sober, I’ll get skinny” and using it to highlight the heartbreak of a mutually self-destructive relationship. That led into the even more emotional “Reaching Out,” an anthem for anyone who feels alone and unwanted – something anyone can identify with, as shown by the standing ovation Spencer received as she quit the stage. She rewarded the people’s persistent applause by returning with a raucous version of the Nancy Sinatra classic “These Boots Are Made For Walking.” Spencer looked giddy as she left the stage for the second time, as well she should: once it airs early next year as part of our Season 49, this episode will prove that Brittney Spencer is a star. 


Setlist: 

First Car Feeling – My Stupid Life

Better As Friends – If I Ever Get There: A Day at Blackbird Studio EP

Night In – My Stupid Life

Bigger Than the Song – My Stupid Life

Deeper – My Stupid Life

On the Road Again – Willie Nelson cover

I Got Time  – My Stupid Life

My Stupid Life – My Stupid Life

If You Say So – My Stupid Life

My First Rodeo – My Stupid Life

Sober & Skinny – single

Reaching Out – My Stupid Life

These Boots Were Made For Walking – Nancy Sinatra cover

Musicians: 

Brittney Spencer – vocals, guitar

Abbey Cone – vocals

Alfred Carty – bass

Bobby Wesley – guitar

Harrison Finks – keyboards

John McNally – pedal steel, guitar

Matt Cummings – guitar

Megan Jane – drums