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Encore: Bob Mould and Delta Spirit

It’s amazing to think that the loosely defined umbrella “alternative rock” now stretches past the quarter century mark. In celebration of its endurance, this week Austin City Limits presents a veteran of the style and a fast-rising newcomer. Bob Mould pioneered the loud/fast guitar pop style with both his 80s punk band Hüsker Dü and his 90s power pop trio Sugar, while Delta Spirit carves its own path by blending Americana and indie rock. This episode will get your heart pumping and your air guitar flailing.

Joined by longtime bass foil Jason Narducy and Superchunk/Mountain Goats drummer Jon Wurster, Bob Mould wastes no time getting to the point, opening with the bludgeoning power chords of Sugar’s “The Act We Act.” It’s the start of a blazing career retrospective that ranges from the romping Sugary power pop of “Changes” and “If I Can’t Change Your Mind” to the raging power rock of “Star Machine,” the lead-off track from Mould’s highly acclaimed LP Silver Age. Hüsker Dü classics bring down the house, including the nuclear powered folk rock of “Celebrated Summer” and the irresistible hooks of “Makes No Sense at All.” While it’s hard to pick a highlight in a show packed with so many goodies, the epic, elegiac version of the rarely-performed Hüsker gem “Hardly Getting Over It” elevates the episode from simply excellent to truly magnificent.

From the intensity of the veteran we go to the enthusiasm of the newcomers, as Delta Spirit takes the stage. The Brooklyn-based quintet revs the energy up immediately with the rumbling “White Table,” before irrepressible singer Matt Vasquez sparks the crowd into overdrive with the anthemic “Money Saves.” The band brings things back down with “Vivian,” a lovely song about former Austinite Vasquez’s grandmother, performed with his own mama in the audience for a touching moment. Then it’s more palate-cleansing with the lilting, melodic “California,” before bringing the house down with the band’s explosive standard “Trashcan,” probably the only song in the ACL catalog that features a metal trashcan lid as a main instrument.

photo by Scott Newton

More details can be had on the episode page here. Don’t forget to check in with our Facebook and Twitter pages or sign up for our newsletter for more ACL news. Next week: Widespread Panic.

 

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Episode Recap Featured New Broadcast News

ACL Presents: Americana Music Festival 2013

Austin City Limits is taking a break from our fabulous season of new episodes, but never fear – that doesn’t mean new music isn’t up next. As we’ve been the past two years, we’re proud to present an ACL Presents special: Americana Music Festival 2013. Recorded at the Awards & Honors presentation in Nashville at the historic Ryman Auditorium, AMF 2013 gives us great performances by both veterans and newcomers across the spectrum of the music we know and love as Americana. From Dr. John walking through gilded splinters accompanied by the Black Keys’ Dan Auerbach, pioneering guitarist Duane Eddy proving himself still a “Rebel-Rouser” and Stephen Stills revisiting his classic composition “For What It’s Worth” to young songwriter John Fullbright ripping through “Jericho”, host Jim Lauderdale and bandleader Buddy Miller showing off their distinctive chemistry and Hank Williams’ daughter Holly reviving her father’s signature hit “I’m So Lonesome I Could Cry,” the special presents highlight after highlight. All this plus Shovels & Rope, Emmylou Harris & Rodney Crowell, The Milk Carton Kids, Kelly Willis & Bruce Robison, Old Crow Medicine Show and, during the finale, some surprise guests. It’s a feast of Americana.

Check out the episode page for a songlist and more details. Click over to our Facebook and Twitter pages or our newsletter for the latest ACL skinny. Next week: an encore episode featuring Bob Mould and Delta Spirit.

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Episode Recap Featured News

Jim James and The Black Angels get psychedelic for ACL’s new season

Austin City Limits explores new sonic directions in a double bill with Jim James and Austin’s own Black Angels.  My Morning Jacket leader Jim James plays songs from his acclaimed debut solo album Regions of Light and Sound of God while Texas psych-rockers The Black Angels highlight songs from their latest release Indigo Meadow.

The versatile Jim James commands a spellbinding set in his first-ever solo outing on ACL, marking his sixth appearance on the program—having performed twice with his main outfit My Morning Jacket, in addition to appearances with the Preservation Hall Jazz Band, Bright Eyes and Monsters of Folk.  Declaring his solo project a “new adventure”, James invites the Austin audience to come on the journey with him, and they are more than happy to oblige.  He reaches into new territory in an intimate and hypnotic performance that combines hints of old school R&B, flickers of hip hop, operatic pop and delicate instrumentation.  James and his four-piece band open with the 70s soul of “State of the Art” and “Know Til Now” and segue into the spiritual love song “A New Life” and the atmospheric “Actress”.  It’s a captivating and completely danceable set, with James himself getting in the groove while holding a bronze panda up and adding his own sliding dance steps.

“Jim James has found many ways to pursue his musical muse, and it’s amazing that this is his very first solo album,” notes ACL executive producer Terry Lickona. “What better way to bring it to his legions of fans than ACL?”

photo by Scott Newton

Carrying on the long Texas tradition of psychedelia, Austin’s Black Angels round out the episode, making their long-awaited ACL debut with their unique brand of psychedelic music for the 21st century.  It’s a fitting showcase for ACL, as the psych rock movement has its roots in the Lone Star State thanks to 60s acid-rock heroes the 13th Floor Elevators, who were the first band to apply the term psychedelic to rock & roll.  Named in tribute to the Velvet Underground number “The Black Angel’s Death Song,” The Black Angels found themselves the spearhead of a new psychedelic revival soon after their formation in 2004.  The band’s carefully crafted blend of melody and noise won over fans of both modern indie rock and old school acid rock, and established it as a major force in underground rock & roll, even starting its own festival in 2008, the still-running Austin Psych Fest.  Opening with the heavy duty headbanger “Evil Things”, the Angels create a dark, brooding mood with their trademark vocal reverb and fuzzy, distorted guitars on a stage complete with fun-house optic, psychedelic images swirling on projection screens.  The Black Angels take the Austin crowd into the psychedelic heart of darkness and back out into the light, proving why they have become one of the foremost acts in the psych and garage rock revival.

“Whether you remember 60’s acid-rock first-hand or this is your first ‘psych’ experience, The Black Angels have taken a classic rock form and turned it into their own,” Lickona says. “It’s got an other-worldly vibe but at the same time it’s totally accessible.”

Check out the episode page here and tune in this Saturday to see the show for yourself. Click over to our Facebook and Twitter pages or our newsletter for the latest ACL skinny. Next week: Americana Music Festival 2013.

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Episode Recap Featured News

Emeli Sande and Michael Kiwanuka light up new episode of ACL

Austin City Limits showcases British soul with a brand new episode featuring two uniquely original singer-songwriters—chart-topping Scottish songstress Emeli Sandé and UK sensation Michael Kiwanuka making their ACL debuts. Sandé performs hits from her breakthrough album Our Version of Events, while Kiwanuka plays tunes from his debut Home Again. The episode premieres November 9th. Check with your local station for showtimes.

Sandé has achieved breakout success in her native UK and stateside with the striking debut, Our Version of Events, which was the biggest-selling album in 2012 in the UK and toppled The Beatles’ long-standing album chart record for the most consecutive weeks spent in the top 10 (an astounding 66 weeks). Sandé emerged as the big winner at this year’s 2013 Brit Awards, winning a pair of awards, including the coveted Album of the Year prize. The Los Angeles Times raves, “Emeli’s folk-inflected soul/pop is Nina Simone and Bob Dylan all in one.” The New York Times calls her “a redemptive singer,” saying “Ms. Sandé has a perspective-altering voice, clear and brassy and weapons-grade.” Originally starting her music career as a songwriter, Sandé had many stellar credits for other artists (Alicia Keys, Rihanna) to her name when she traded it in for the spotlight. A dynamic performer, Sandé opens her soulful ACL debut with the upbeat anthem “Heaven,” a huge UK hit. She engages the Austin crowd as her backing choir on her current single “My Kind of Love”, and closes out a stunning set with the massive hit “Next to Me”.

“Emeli Sandé should be one of the brightest stars in the musical firmament, but despite her UK success, she’s one of the best-kept secrets here in the U.S.,” says executive producer Terry Lickona. “Hopefully her ACL performance will change all that. The best word to describe her many talents is ‘astounding!’”

photo by Scott Newton

London native Michael Kiwanuka has been making waves with his debut album, the lush, acoustic-driven Home Again, which reached No. 4 on the British charts, spawned four singles, and went Top 10 around the world, earning the 24-year-old singer, songwriter and musician opening spots for superstar artists including Adele and Mumford & Sons, and a slot at the 2012 ACL Festival. Kiwanuka was announced the winner of the prestigious BBC Sound of 2012 poll, which has also been won by Jessie J, Florence + the Machine, and Ellie Goulding. Kiwanuka connects with the Austin audience with his blues-folk sound and timeless, soulful voice, which has led to comparisons to such artists as Bill Withers, Terry Callier, and John Martyn.

“Sometimes Michael’s singing comes across as very old-school, retro soul,” said Terry Lickona. “But he has a very contemporary sensibility. With Michael, it’s all about the voice, and that’s timeless!”

Check out the episode page for more details on this great show. Be sure to hit up our Facebook and Twitter pages and our newsletter for more ACL-related information. Next week: Jim James and The Black Angels

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Emmylou Harris and Rodney Crowell continue ACL’s new season

Music legends Emmylou Harris and Rodney Crowell return to Austin City Limits and share the stage for the first time. The pair celebrate their shared history, their recent collaborative album Old Yellow Moon and the continuing power of the song in a new episode that premieres November 2nd. Check with your local station for showtimes.

Friends for forty years, Harris and Crowell have an entwined four-decade history of music-making. ACL veterans, both artists have each appeared on the program seven times, although this episode marks the first time the pair have performed together on the ACL stage. The Americana icons perform favorites and songs from their acclaimed duets album Old Yellow Moon. The collaboration was chosen as album of the year at this year’s Americana Music Awards and the pair was honored as duo of the year. American Songwriter says of the album, “On Old Yellow Moon, Harris and Crowell embrace the entire range of life and music they’ve experienced, from the reckless passions of youth to the reflectiveness of age, from loose-limbed hillbilly boogies to graceful balladry.”

“It’s great to be back at the world’s greatest and longest-running music show,” says Harris as she takes the ACL stage with Crowell. The breathtaking performance includes the two longtime kindred spirits joining their voices on Crowell originals as well as revivals of songs by Roger Miller, Matraca Berg and Kris Kristofferson. Harris opens with some of her earlier Gram Parsons-era hits, and the duo fast-forwards to a more recent era for Harris’ “Red Dirt Girl” and Crowell’s “Rock of My Soul,” their voices wrapping the songs in the kind of harmonies only old friends can generate. Special guest Shawn Colvin joins in the finale for a spirited take on Crowell’s “Stars On the Water.” The episode celebrates a longtime friendship and collaboration, and the pleasure the two music legends take from singing some of their favorite songs is palpable.

photo by Scott Newton

“Emmylou and Rodney are an important part of the history of ACL – going all the way back practically to the beginning,” says executive producer Terry Lickona. “But it goes deeper than that – they reflect the heart and soul of what ACL is all about. And the two of them together is a perfect example of the whole being greater than the sum of its parts!”

Check out the episode page for more details on this great show. Be sure to hit up our Facebook and Twitter pages and our newsletter for more ACL-related information. Next week: Emeli Sande and Michael Kiwanuka.

 

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Vampire Weekend and Grizzly Bear continue ACL’s new season

This weekend, Austin City Limits shines the spotlight on two of indie rock’s most innovative bands, with the ACL debuts of Vampire Weekend and Grizzly Bear.

Vampire Weekend kicks off an exuberant performance with “Diane Young” from their latest album, Modern Vampires of the City.  The band formed in 2006 at NY’s Columbia University and “quickly became one of the most important New York bands of this millennium” (NY Times). Vampire Weekend’s dynamic, high-energy performance offers a window into their unique sound. The group perform tracks from their three albums, including the massive hit “Cousins,” from their 2010 sophomore release Contra, which earned the band a Grammy Award nomination for Best Alternative Album.  Displaying their impressive musicianship by playing the tricky polyrhythms and intricate melodies that are a hallmark of their sound, the four-piece band keeps their well-crafted choruses and melodies flowing throughout for a memorable debut.

“Vampire Weekend are festival favorites for good reason – everybody loves their music!” says ACL executive producer Terry Lickona. “They have an easy-going approach that almost makes it feel like they’re playing in somebody’s backyard instead of to thousands (or in this case, on national TV). Their songs are intoxicating.”

photo by Scott Newton

With their sweeping, psychedelic indie rock in full effect, Grizzly Bear turns in a stellar set as well. Grizzly Bear has been steadily ascending throughout their decade-long career, garnering raves for their special blend of visceral, majestic indie rock. Pitchfork says, “the Brooklyn four-piece make pop music for the ambient, asking us to notice the importance in detail, the beauty of texture, and the foregrounds that exist all across our spectrum of perception.” The band takes the ACL stage performing songs primarily from their acclaimed recent album Shields, which Rolling Stone named one of the year’s best. Grizzly Bear features two singers, Ed Droste and Daniel Rossen, who are also the main songwriters, and the band’s emphasis on collaboration is front and center as they trade off vocals, delivering gorgeous, elaborate, haunting compositions.

“There’s almost something spiritual, or at least ethereal, about Grizzly Bear’s music,” says ACL’s Lickona. “Their sweet harmonies can be hypnotic, and overall there’s this low-key kind of excitement about them that just leaves you wanting more!”

Check out the episode page here and tune in this Saturday to see the show for yourself. Click over to our Facebook and Twitter pages or our newsletter for the latest ACL skinny. Next week: Emmylou Harris & Rodney Crowell.