Tag: Tapings

“It’s great to be back at the world’s greatest and longest-running music show,” enthused Emmylou Harris tonight during her latest ACL taping. To say that she and Rodney Crowell aren’t strangers to our stage seems inadequate. Both Texas native Crowell and his current partner and former employer Harris have been on seven times apiece. The pair even shared an episode in 1983, though they didn’t share the stage. Tonight, however, these two old friends celebrated their shared history, their new collaborative album Old Yellow Moon and the continuing power of the song.

The pair opened with “Return of the Grievous Angel,” from Emmylou’s time with her mentor Gram Parsons. The GP connection continued with “Wheels,” a Flying Burrito Brothers-era Parsons tune Emmylou recorded on Elite Hotel, her first major label album and the beginning of her reign over the country music charts. That began the roll of hits, as the pair essayed “Pancho & Lefty,” ‘Til I Gain Control Again,” “I’ll Be Your San Antone Rose” (dedicated to its author, the late Susannah Clark) and “Luxury Liner,” another GP tune set aflame by lead guitarist Jedd Hughes’ turbo-powered chicken-pickin’. The duo fast-forwarded to a more recent era for “Red Dirt Girl” (from Harris’ LP of the same name) and “Rock of My Soul” (from Crowell’s career revitalization The Houston Kid), their voices wrapped the songs in the kind of harmonies only two old friends can generate.

An Old Yellow Moon rose for the next segment of the show, as the pair drew heavily from that LP. The pleasure these two old pals obviously took from singing some of their favorite songs – from Roger Miller’s honky-tonkin’ “Invitation to the Blues” and Matraca Berg’s melancholy “Back When We Were Beautiful” to Allen Reynolds’ elegant “Dreaming My Dreams” and Kris Kristofferson’s cautionary but rocking “Chase the Feeling” – was palpable. Then it was back to the hits, as the pair broke out Emmylou’s lovely take on Townes Van Zandt’s “If I Needed You,” blazed through Crowell’s “Leaving Louisiana in the Broad Daylight” (recorded by both of them at different points) and ended with the peaceful waltz of “Old Yellow Moon.”

Of course, the show wasn’t over. The duo and band returned, Harris and special guest Shawn Colvin dancing their way through Crowell’s “Stars On the Water.” The musicians rocked a blazing “I Ain’t Livin’ Long Like This,” a song not on the original setlist but an addition that drove the crowd wild. After a visit from Harris’ rescue dogs (brought onstage in tribute to Austin’s status as a no-kill city), the pair ended with “Tulsa Queen,” a co-write from Harris’ classic LP Luxury Liner that was a most appropriate way to end this tandem performance.

It was a magnificent show that reminded us that veterans get to that point for good reason. We’re eager for everybody to see it when it broadcasts on PBS in the fall – stay tuned.

From a number four album in his native U.K. to an opening slot on Mumford & Sons’ U.S. tour, Michael Kiwanuka has already quite a career arc. Now the 26-year-old singer/songwriter can add his first ACL taping to his resumé. “This is a real honor to do this show, to play Austin and do Austin City Limits,” he said at the top of the show, “So we’re gonna have as good a time as we can.”

Kiwanuka and his three-piece band opened with a new song, a breeze of 70s-style folky soul called “If You’d Dare.” From there he launched into the dazzling “Tell Me a Tale,” the groovy opening track of his debut album Home Again. Kiwanuka then went for a mellower vibe, essaying the countryish folk of “Always Waiting” and the Bill Withers-like “Worry Walks Beside Me,” the sweet folk pop of “I’m Getting Ready” and the mellow balladry of “Rest.” He shone a light on one of his other influences, Jimi Hendrix, with a perfect take on the pioneering guitarist’s pretty “May This Be Love.” Kiwanuka also stripped down to just himself and his guitar for the Tin Pan Alley pop of “Any Day Will Do Fine,” the brand new anthem-in-waiting “Running Through the Alleys” and the brooding darkness of Townes Van Zandt’s “Waiting ‘Round to Die.”

After bringing in the black clouds of Van Zandt, Kiwanuka brought the band back on for his radio hit “Home Again,” a jazzy pop tune that’s almost a lullaby. The quartet brought the house down with the funky pop/soul grooves of “I’ll Get Along,” waving to a crowd that definitely wanted more. Kiwanuka gave it to them, though not in the way he originally intended. Though the plan was for he and bassist Pete Randall to play the single “Lasan,” a call for “Bones” by an enthusiastic crowd member found Kiwanuka calling guitarist Miles James and drummer Graham Godfrey back onstage to acquiesce. The upbeat, jazzy groove ended up being the perfect way to end the evening.

Michael Kiwanuka made a striking debut on our stage. Tune in this fall to see the greatness for yourselves.

Things got a lot hotter in ATX last night when global superstar Juanes made his triumphant return to ACL. The Colombian singer and songwriter made his ACL debut back in 2006, and since then his following has only gotten bigger, with a massive international fanbase. Juanes fans tend toward the passionate side, so when we filled our studio with them for the star’s ACL taping, it wasn’t so much a television production—it was a party.

“Are you with me tonight?” Juanes called out, but he already knew the answer—the crowd sang the choruses of many of his songs for him. Juanes and his dozen-strong band came out rocking with “Fijate Bien,” the Latin Grammy-winning title track to his debut album. Audience installed in the palm of his hand, the singer proceeded to put Latin music through its paces, pulling in influences and styles from all over into his salsa/cumbia web. The busy pop of “La Camisa Negra” (his breakthrough smash) bounced alongside the Latin fusion of La Senal,” while the Cuban rhythm of the percussion-heavy “Rebelion” shooks the rafters in concert with the rock anthem “Nada Valgo Sin Tu Amor.” The Latin jazz explosion of “Me Enamora,” which showcased every member of the band, blazed in time with the Dixieland jazz flavor of “Azul Sabina.” It seemed like a dizzying array of stylistic detours, but in truth it all sounded like Juanes – his vision remained firm and fired up.

Juanes also paid tribute to his inspirations, covering Bob Marley’s “Could You Be Loved” early in the set, and treating the audience to his hit version of “Lo Noche,” a song composed and originally performed by pioneering Colombian salsa star Joe Arroyo. Of course, Juanes worked his well-established mojo with ballads, making the ladies swoon with “Para Tu Amor” and “Es Por Ti,” two of his biggest hits. Performed with just a piano, “Volverte A Ver,” the first song of the encore, brought the house down. The musicians ended on an impossibly upbeat note with the one-two-three punch of “Damelo,” “A Dios Le Pido” and “Mala Gente,” the audience often taking over on vocals for Juanes himself. Band and leader then came to the lip of the stage to receive the crowd’s enthusiastic adoration, with Juanes shooting video of his adoring fans.

Juanes made a believer out of everyone in the ACL audience last night and we can’t wait for you to see this unforgettable show when it airs this fall.