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Taping Recap

TV on the Radio conquers ACL

When TV on the Radio hit our studio for its livestreamed Austin City Limits debut, the Brooklyn combo proved exactly why it’s one of the most acclaimed bands in the land. The quartet’s ingenious mashup of rock, soul and electronica makes it a favorite of both critics and audiences, and gives it a unique style and flavor that conquered onstage.

A slow, psychedelic intro signaled the atmospheric “Young Liars,” the title track from the band’s 2003 EP that introduced it to the world. But the mood didn’t stay dreamy for long, as the foursome (plus two auxiliary musicians) launched into the punk-rocking “Lazerray,” an aggressive track from TVOTR’s latest album Seeds. That record, described as “ a perfect distillation of what the band does best” by Exclaim, provided the backbone of the set. Stripping down its often elaborate production schemes to simply get down to business, the band hit hard on “Winter,” the synth-spiked “Happy Idiot” and the trombone-frosted “New Cannonball Blues” (from the group’s previous LP Nine Types of Light). “Could You,” the 6/8 “Love Dog” and the crushing “Wolf Like Me” (from breakthrough Return to Cookie Mountain) represented TVOTR’s lighter-waving anthem side, while the dreamy “Seeds” and silky “Careful You” embodied its skill with psychedelic balladry.

Following the nearly rapped demi-punk smasher “Dancing Choose,” from the record Dear Science, TVOTR closed its main set with the emotional anthem “Trouble,” which directly addresses the loss the band felt at the sudden death of member Gerard Smith with the repeated plea “Everything’s gonna be okay!”. “This song is dedicated to anyone seriously going through something right now,” noted singer Tunde Adebimpe, and the crowd responded with a standing ovation after the song’s gentle close. Though no encore was planned, the band couldn’t just leave us in such an overwhelmed state, and came back with “DLZ,” a loud, wordy groover from Dear Science that gave us the catharsis we needed. A stunning show, and one we can’t wait for you to see once the final edit hits the PBS airwaves this fall.

 

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Featured Live Stream News

Live stream our taping with TV on the Radio Mar. 16

Austin City Limits is pleased to announce that we will be streaming our debut taping with TV on the Radio live on Monday, Mar. 16, 8pm CT/9pm ET. The taping will webcast in its entirety via our YouTube channel.

The Brooklyn-based quartet has been called  “one of the most compelling American rock and roll stories of the modern age” by the BBC, “the most innovative band on the planet” by AV Club and “the most vital, current band in America” by the Associated Press. Their critically-acclaimed latest release Seeds topped 2014 Year-End Best lists including capturing the top spot on respected critic Jon Pareles’ New York Times’ Best Albums of 2014 list. The influential band stole the hearts of fans and critics with its 2004 LP Desperate Hearts, Blood Thirsty Babes. By the time 2006’s Return to Cookie Mountain took Spin’s album of the year honors, the band’s eclectic musical spirit – encompassing rock, soul, psychedelia and electronica –  had made it one of the most esteemed acts in the world, with collaborations featuring David Bowie, Nine Inch Nails’ Trent Reznor and the Yeah Yeah Yeahs on its resumé. With a live show described as  “sexy nerdiness letting go in a controlled blast of unleashed energy” (The Boston Globe), TV On the Radio will give Austin City Limits a stunning show.

The broadcast version of this show will air this fall on PBS.  Join us for this live webcast of the Austin City Limits debut of TV on the Radio.

 

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Featured News Taping Announcement

New tapings: Sleater-Kinney, Cassandra Wilson and Shakey Graves

Austin City Limits is proud to announce new Season 41 tapings with Sleater-Kinney, Cassandra Wilson and Shakey Graves, all coming to our stage for the first time.

On April 15 we welcome acclaimed rock band Sleater-Kinney, out supporting their first new album in a decade, No Cities To Love (Sub Pop), which New York Times critic Jon Pareles called “the first great album of 2015.” Consisting of guitarists/vocalists Corin Tucker and Carrie Brownstein (also the co-creator/star of Portlandia), and drummer Janet Weiss, the powerhouse trio came crashing out of the Pacific Northwest, setting a new bar for punk’s political insight and emotional impact. Hailed as “America’s best rock band” by Greil Marcus in Time Magazine, and as “America’s best punk band ever. EVER” by Rob Sheffield in Rolling Stone, the band put out seven searing albums in 10 years before going on indefinite hiatus in 2006. Almost a decade later, the trio has come back together with the surprise announcement of No Cities To Love, which Pareles described as full of “hurtling, bristling, densely packed, white-knuckled songs that are all taut construction and raw nerve.” Can’t join us in the studio for this taping? Join us online on our  Austin City Limits YouTube channel where you will be able to watch the entire taping as it happens live on April 15 starting at 8 pm CT.

Grammy-winning American jazz musician, vocalist, songwriter, and producer Cassandra Wilson makes her ACL debut on April 28, armed with her new LP Coming Forth by Day, an homage dedicated to the beauty, power, and genius of Billie Holiday. Jazz critic Gary Giddins describes Wilson as “a singer blessed with an unmistakable timbre and attack who has expanded the playing field” by incorporating blues, country and folk music into her work.  A native of Jackson, Mississippi, Wilson moved to New York City in the early 80s, met saxophonist Steve Coleman and became one of the founding members of the M-Base Collective. She signed with Blue Note Records in 1992 and released the landmark album Blue Light ‘Til Dawn, which paved the way for a new generation of jazz singers seeking an approach and repertoire that challenged the supremacy of the American Standard songbook.

On May 6 we open the stage to Austin-based singer/songwriter Shakey Graves, playing songs from his acclaimed 2014 LP And the War Came. An actor who had a recurring role on Friday Night Lights and appeared in several Robert Rodriguez films, the erstwhile Alejandro Rose-Garcia started making music as part of New York City’s “anti-folk” scene. Since returning to Austin, Shakey Graves has become so closely associated with his hometown that for the last three years, Austin has celebrated “Shakey Graves Day” by mayoral proclamation. With And the War Came, he extends the ground emotionally and sonically broken by his 2011 self-released debut Roll the Bones, which still ranks near the top of Bandcamp’s digital best-seller charts. As noted by Exclaim, And the War Came “displays remarkable growth as a songwriter, guitar player and arranger without entirely leaving behind the one-man-band, lo-fi aesthetic that made his debut such a captivating listen.” Please join us for the ACL debut of Shakey Graves. Watch KLRU’s Arts In Context documentary on Shakey Graves now

Want to be part of our audience? We will post information on how to get free passes about a week before the taping. Follow us on Facebook and Twitter for notice of postings.

 

Categories
Featured News Taping Announcement

New taping: TV on the Radio

Austin City Limits is proud to announce a new Season 41 taping – TV on the Radio on March 16th, making their ACL debut. The Brooklyn-based quartet has been called  “one of the most compelling American rock and roll stories of the modern age” by the BBC, “the most innovative band on the planet” by AV Club and “the most vital, current band in America” by the Associated Press.  Their critically-acclaimed latest release Seeds topped 2014 Year-End Best lists including capturing the top spot on respected critic Jon Pareles’ New York Times’ Best Albums of 2014 list.  The influential band stole the hearts of fans and critics with its 2004 LP Desperate Hearts, Blood Thirsty Babes. By the time 2006’s Return to Cookie Mountain took Spin’s album of the year honors, the band’s eclectic musical spirit – encompassing rock, soul, psychedelia and electronica –  had made it one of the most esteemed acts in the world, with collaborations featuring David Bowie, Nine Inch Nails’ Trent Reznor and the Yeah Yeah Yeahs on its resumé. With a live show described as  “sexy nerdiness letting go in a controlled blast of unleashed energy” (The Boston Globe), TV on the Radio will give Austin City Limits a stunning show.

Want to be part of our audience? We will post information on how to get free passes about a week before the taping. Follow us on Facebook and Twitter for notice of postings.

 

Categories
Taping Recap

Asleep at the Wheel’s all-star homecoming

It’s always a thrill to welcome back ACL alumni. It’s an even bigger thrill to re-open the stage to a band that was literally there from the beginning. Asleep at the Wheel appeared in ACL’s first official episode in 1976, joined by Bob Wills’ Original Texas Playboys. It’s now 40 years down the road, and Austin’s beloved Western swing institution returns for their tenth taping in salute to the Playboys’ vast catalog.

After opening with straightforward renditions of “Cherokee Maiden” and “Miles and Miles of Texas” (which is as much a Wheel standard at this point as a Playboys staple), bandleader Ray Benson welcomed 92-year-old saxophonist Billy Briggs, who was a 1950s-era Playboy, to the stage for a hopping take on “Route 66,” co-sung by pianist Emily Gimble, the granddaughter of former Playboy (and frequent ACL guest) Johnny Gimble. The band then took a skillful, joyful trip through Wills’ back catalog, hitting not only the obvious hits (“San Antonio Rose,” “I Can’t Give You Anything But Love,” “Faded Love”) but titles that ring bells only with hardcore Western swing fans (“Keeper of My Heart,” “It’s All Your Fault,” “A Good Man’s Hard to Find”). Ending the first half with the party-hearty “Big Balls in Cowtown,” the Wheel brought the crowd to their feet.

For the second half, the band brought out some special guests. The Quebe Sisters, a trio from Burleson, TX, brought triple harmonies to both their fiddles and their Andrews Sisters-styled vocals on “Navajo Trail” and “Across the Alley.” Amos Lee gave “I Hear Ya Talkin’” and “Sweet Pea” a bluesily soulful spin. The Avett Brothers and their band turned “Girl I Left Behind Me” and “Take Me Back to Tulsa” (the Wheel’s first song on their debut episode 40 years prior) into down-home folk songs as much as Western swing. Then came the night’s biggest coup, as former Playboys singer Leon Rausch, who played with Wills in the ‘50s and with the Playboys on ACL’s 10th anniversary episode in front of the Texas capitol, arrived onstage for a rousing “Milk Cow Blues.” Eighty-eight years young. Rausch hasn’t lost a step and the audience showed its appreciation.

The entire ensemble then took the stage for a nifty run through the “Texas Playboys Theme,” which used to open the Playboys’ radio show; the band interpolated “Happy Trails” into the old chestnut. The Wheel encored with another of its standards, the jumping “Choo Choo Ch-Boogie,” before closing things out with a crowd singalong on country superstar – and Western swing fanatic – George Strait’s “All My Exes Live in Texas.” We can’t imagine a better way to complete a circle that began in the mid-70s, and we can’t wait for you to see it when it airs later this year on PBS.

 

Categories
Featured News Taping Announcement

New Tapings: Asleep at the Wheel, Sturgill Simpson & The War on Drugs

Austin City Limits announced the first round of new tapings for the series upcoming Season 41!

Feb. 24 sees the return of Austin City Limits veteran and new Hall of Fame inductee Asleep at the Wheel. The premier Western swing band not only of Texas but of the United States, the Wheel first appeared on the show in Season 1, way back in 1976, and most recently in Season 35 with Willie Nelson. Now leader Ray Benson and company return in support of the upcoming Still the King: Celebrating the Music of Bob Wills & His Texas Playboys, with special guests Amos Lee and The Avett Brothers in tow. We’re happy to welcome Asleep at the Wheel back for its eleventh taping.

On April 1st, we welcome acclaimed country singer Sturgill Simpson to the Austin City Limits stage. The Kentucky native released his first album High Top Mountain in 2013, establishing his philosophical brand of outlaw country. He broke out with his second LP Metamodern Sounds in Country Music, which earned Simpson national press coverage and the Emerging Artist of the Year Award at the 2014 Americana Music Awards & Honors. We’re proud to welcome Simpson for his ACL debut.

photo by Dusdin Condren

April also brings another Austin City Limits debut for the much-lauded rock band The War On Drugs. Following the Philadelphia group’s breakout with 2011’s Slave Ambient and two years of non-stop touring, TWOD – led by singer, songwriter and guitarist Adam Granduciel – reached a new peak with the celebrated Lost in the Dream. Pitchfork calls it a record “loaded with songs whose greatness is revealed slowly, where the simplest, most understated chord change can blow a track wide open and elevate it from simply pretty to absolutely devastating.” We’re thrilled to bring the shimmering indie rock of The War On Drugs to the ACL stage for the first time on April 6th.

Want to be part of our audience? We will post information on how to get free passes about a week before the taping. Follow us on Facebook and Twitter for notice of postings.