Tanya Trotter Archives - Austin City Limits

Backed by an incredible seven-piece band, Nashville-based husband and wife duo Michael and Tanya Trotter, AKA The War And Treaty, dazzled Austin City Limits last week for a second time. Their first performance on ACL was during the pandemic, so the Grammy-nominated duo unfortunately taped their debut episode to a limited audience. This time around, the dynamic pair took the stage to a high-energy, captivated live audience who hung on their every lyric, offering multiple standing ovations throughout the night.

“Can we take you to church tonight?” asked Michael Trotter Jr. of the audience early in their set, kicking off the hour with “Till the Walls Fall,” and new track “Tunnel Vision,” to be released on their forthcoming album (set for a 2025 release). After a soulful, “Are you Ready to Love Me,” the duo took a breath, a crew member running out to blot the sweat from powerhouse singer Michael Trotter Jr. He then introduced “Blank Page” as the song that garnered he and Tanya “a couple of firsts in our lives. “It got us our first Academy of Country Music Award nomination, our first Country Music Association award nomination, and first Grammy nomination…” continued Trotter Jr. As The War And Treaty continued into highlights “That’s How Love is Made,” “Yesterday’s Burn,” and “Reminisce,” it was more than apparent, from their otherworldly vocal harmonies to their onstage chemistry, that the duo is sonically synced in a way that’s deeply rooted with love for each other and for what they do. They held hands during a few of their songs. Taking a moment before “Stealin’ A Kiss” to describe their first date and how they came to fall in love, the stories the duo told behind some of their songs were equally as entertaining as the songs themselves.

The set took a turn to introspection, as U.S. War Veteran Michael Trotter Jr. prefaced “Skyscraper” with some background on his two tours in Iraq, and the decisions in his life that led him there. Shouting out his “battle buddies,” Trotter Jr. said, “I want to dedicate this song to everyone here.” From there, the talented pair closed out their set with the upbeat “Called You by Your Name,” featuring spirited violin from Chelsey Green, followed by “Leads Me Home.”

“Happy 50th Anniversary, Austin City Limits,” shouted Trotter Jr. as he recognized each band member, cuing the audience for applause for each talented person. As The War And Treaty left the stage to an audience on their feet, applauding, one thing was certain: bringing them back to the Austin City Limits stage for a proper live taping was the best decision we could have made. The War And Treaty’s taping will air this fall as part of Austin City Limits’ golden 50th anniversary season.

The War And Treaty performs on Austin City Limits, June 28, 2024. Photos by Scott Newton.

Listen to the full set list from the Austin City Limits taping below: (Note that “Till the Walls Fall,” “Tunnel Vision,” “Reminisce,” and “Skyscraper” were performed but are not currently available on Spotify.)

BAND CREDITS:

Michael Trotter, Jr. – Piano, Vocals

Tanya Blount Trotter – Vocals

Max Brown – Lead Guitar

Jonathan “Bam” Holmes – Drums

Tom Davis – Bass

Terrance “Slim” Holmes – Hammond Organ

Ben Murray – Pedal Steel Joe

Jordan – Trumpet

Chelsey Green – Violin

We here at Austin City Limits were so blown away by the performance of The War And Treaty on ACL Presents: Americana 18th Annual Honors last year that we knew we had to feature them for a full set on the show. Basing the set around their acclaimed new LP Hearts Town, the Michigan-bred husband-and-wife duo of Michael and Tanya Trotter did not disappoint, hitting real heights with their earthy, rock-infused soul.

Backed by an eight piece band and set up on stage so they could look at each other at any time, the Trotters kicked off the show with the jazzy groove of “Yearning,” as much a seduction as a plea. The tempo revved up for the rocking “Jealousy,” as the pair acknowledged the titular emotion, before kicking it out the door. The Trotters deftly altered the mood with “Liquid Lies,” which started as a sultry simmer before going into a full-tilt boil. “We’re here to sing to you, America,” stated Michael. “We’re here to sing not just to Austin, but we’re here as representation of what thriving and overcomers look like. So let’s give ourselves a hand.” Then they went into the dramatic “Beautiful,” a tune from Hearts Town recorded with Americana star and ACL two-timer Jason Isbell, subbed for here by W&T back-up singer Will Merrill during the song’s round robin vocals. The band then got funky with “Maryland,” a frisky tribute to the state from which Tanya hails with a round of solos from guitarist Matt Laurence, keyboardist Brett Sandler, trumpeter Joe Jordan and saxophonist Chuck Mullican.

The party definitely needed a cool down after that performance, so the band reached back to its debut EP Down to the River for the ballad “Til the Morning.” Of course, “cool down” is a relative term for this group, as the fire definitely burned in the couple’s impassioned singing. Bassist Max Brown then picked up an acoustic guitar for the folky “Jubilee,” dedicated to Anne Wade, a high school-age singer/songwriter the Trotters are mentoring. The group shifted to old school R&B for “Hey Pretty Moon,” a gorgeous tune inspired by Ray Charles. After that powerhouse, it was time to raise the roof once again, which they did with the jazzy, New Orleans-flavored “Little Boy Blue,” as much a showcase for Mullican and Jordan as the singers. Michael then led the band into the clever pop of “Hustlin’,” “which is what we’re doing now.” TW&T then launched into the title track of their new album, the truly heartwarming “Hearts Town.”

The band dipped into a Stax/Volt groove for “Five More Minutes,” a song inspired by the PTSD U.S. Army veteran Michael brought back from his two tours in Iraq that’s scoring radio play here in Austin, and no wonder: it’s a perfect blend of melody and groove. Michael then asked the audience, both in person and at home, for a moment of silence for everyone lost in 2020, due to the pandemic or otherwise. In particular, TW&T wanted to pay tribute to the late John Prine, a friend and mentor who showcased the band at his Grand Ole Opry appearance. It was the perfect lead-in to “Take Me In,” the band’s beautiful ballad of inclusion and unity. The band ended the song by leaning into their gospel side, running through “Amazing Grace” and “Everything’s Gonna Be Alright.” The show closed with the fiery “Need Someone to Love,” a sweeping climax that embraced the crowd, the crew, the streaming audience and the whole world with its message of love. It was a fantastic way to end the night, and we can’t wait for you to see it when The War And Treaty’s episode airs early next year as part of our Season 46 on your local PBS station.