Tag: Flor de Toloache

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Episode Recap Featured New Broadcast News

Episode premiere: Noah Kahan/ Flor de Toloache

Noah Kahan and Flor de Toloache on ACL Season 49. Photos by Scott Newton.

Austin City Limits showcases a pair of innovative acts making ACL debuts with singular music inspired by their geography and roots. Breakout Vermont singer-songwriter Noah Kahan, nominated for a 2024 Best New Artist Grammy, makes a highly-anticipated debut on the ACL stage with songs from his breakthrough Stick Season; sharing the hour is the groundbreaking all-female mariachi act Flor de Toloache, with numbers from their 2024 Grammy-nominated album Motherflower. The new installment premieres February 10 at 7pm CT/8pm ET as part of the series Season 49. ACL airs weekly on PBS stations nationwide (check local listings) and full episodes are made available to stream online at pbs.org/austincitylimits immediately following the initial broadcast. The show’s official hashtag is #acltv. 2024 marks the 50th Anniversary of the revered music institution, which continues its extraordinary run as the longest-running music television show in history, providing viewers a front-row seat to the best in live performance for an incredible five decades.  A monument to music, ACL has showcased iconic performances from legends and innovators in every genre of popular song for 50 years.  Produced by Austin PBS, and recorded live at ACL’s studio home ACL Live in Austin, Texas, the show remains a required stopping point for the finest acts to deliver stellar performances from the venerable ACL stage. On October 17, 1974, the notoriously TV-shy Willie Nelson taped the pilot episode; the trailblazing series then premiered on PBS in 1975.  This Peabody Award-winning program has earned its place in history and will salute its golden anniversary and incredible legacy with a yearlong celebration featuring archival gems, all-star tapings, a PBS special, live concerts and much more.

Noah Kahan on Austin City Limits, 2023. Photo by Scott Newton.

Noah Kahan delivers a revelatory ACL debut showcasing highlights from his celebrated Stick Season, an album inspired by his rural New England roots. The folk-pop phenomenon is having a banner year, fostering a connection with audiences to become one of 2023’s most talked-about live acts, with sold-out stadium and tour dates throughout 2024. The 27-year-old singer/songwriter/guitarist has struck a chord with his legions of fans through highly relatable songs about contemporary life—viral smashes that erupt into crowd singalongs. Taking the stage backed by his five-piece band, he opens with “All My Love,” a banjo-driven folk number, and the adoring audience sings along to every lyric. Kahan regales the crowd with the stories behind his confessional lyrics and cracks jokes with his signature, self-deprecating humor: “Put your hands up, Austin! Never mind, I don’t like it!” The crowd sings an entire verse themselves on the autobiographical  “Northern Attitude,” a gem containing the lyric “Forgive my northern attitude, I was raised on little light.” Kahan performs the pair of fan-favorite career highlights that launched his meteoric rise: the platinum breakthrough smash “Dial Drunk,” and the song that he says, “changed my life,” the double-platinum smash “Stick Season,” showcasing his deft blend of cathartic blast and ardent earnestness to full effect. 

Flor de Toloache on Austin City Limits, 2023. Photo by Scott Newton.

The New York City-based Flor de Toloache seamlessly combines tradition and innovation, breaking boundaries with their edgy, versatile, and feminist perspective on classic Latin American music. Musical partners and dual vocalists Shae Fiol and Mireya Ramos lead the all-female Latin Grammy-winning combo, which features Ramos on violin and Fiol on vihuela, joined by a trio of virtuosos on trumpet, guitar and traditional mariachi guitarron. The trailblazing group defies cultural and gender norms, becoming the first female act to receive a Latin Grammy Award in the Best Ranchero/Mariachi Album category. With white flowers in their hair and red roses adorning their mic stands, they perform a spellbinding set with their latest album Motherflower as the centerpiece. Grammy-winning producer and Black Pumas leader Adrian Quesada, a fan, makes a guest appearance on guitar for the luminous heartbreak ballad “Soledad” (Loneliness). Fiol shifts between English and Spanish language easily on “Let Down,” a highlight from their 2014 debut, a fusion of ranchera, blues and R&B, and a stunning showcase for her impassioned vocals. Ramos takes the lead vocal on “Regresa Ya,” captivating on the beautiful, self-penned ranchera. Putting tradition aside, the quintet displays their remarkable range and stunning musicianship with a dazzling medley of contemporary rock songs, incorporating riffs, melodies and lyrics from Nirvana, Led Zeppelin, No Doubt and Rage Against the Machine for an epic close. 

“There is no better example than this episode to showcase the musical diversity and variety that has been the hallmark of Austin City Limits for 50 years, said ACL executive producer Terry Lickona. “Noah will inspire with the lyrical and melodic beauty of his songs, and Flor de Toloache will mesmerize with their own take on not-so traditional mariachi music.”

Noah Kahan setlist:

All My Love

Northern Attitude

Dial Drunk

Stick Season

Homesick

Flor de Toloache setlist:

Brinda Por Ella

Soledad

Let Down

Regresa Ya

“Nirvana medley”: Killing in the Name/ Come As You Are/ Smells Like Teen Spirit/ Kashmir/ All of My Love/ No Sigas (Don’t Speak)

Season 49 Broadcast Schedule (upcoming):

February 10 Noah Kahan | Flor de Toloache

February 17 Alanis Morissette

February 24 Bonnie Raitt

March 2 Austin City Limits 9th Annual Hall of Fame Honors Trisha Yearwood

Watch new episodes live, stream online, or download the PBS App. Viewers can visit acltv.com for news regarding upcoming Season 50 tapings, live streams and episode schedules or by following ACL on Facebook, Twitter, IG and TikTok. Fans can also browse the ACL YouTube channel for exclusive songs, behind-the-scenes videos and full-length artist interviews.

Austin City Limits

Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 49th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic Austin PBS Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012. ACL celebrates 50 years as an American music institution in 2024.  

Austin City Limits is produced by Austin PBS and funding is provided in part by Dell Technologies, the Austin Convention Center Department, Cirrus Logic and AXS Ticketing. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com.

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Featured News Taping Recap

Taping recap: Flor de Toloache

Flor de Toloache performs on Austin City Limits, Aug. 29, 2023. Photo by Scott Newton.

When Adrian Quesada brought his Boleros Psicodélicos project to the Austin City Limits stage last year in our Season 48, one of his featured guests was singer and violinist Mireya Ramos, who brought the house down with an impassioned performance of the Latin love song “Tus Tormentas.” With her musical partner Shae Fiol, Ramos leads the Latin Grammy-winning and Grammy-nominated New York mariachi group Flor de Toloache, and it became clear after her appearance with Quesada that an invitation to the band to tape their own show was inevitable. We were thrilled to have the five-piece combo join us in support of their latest recording Motherflower. 

Eschewing the traditional mariachi outfits for clothes more glittery, Mona Seda (trumpet), Claudia Rascon (guitar), and Vaneza Calderon (guitarron)  strummed a slow mariachi beat before Ramos arrived to begin “Bolero Para ti Motherflower,” the defiant title track to Motherflower. Ramos’ voice soared and swirled, joined by her partner Fiol’s on the second verse, both women pulling every ounce of emotion out of the lyrics. Fiol picked up her vihuela and Ramos her violin for the cumbia “Bailando Penas,” driven by both the danceable rhythm and Seda’s melodic trumpet lines. On the ballad “Esta Ranchera,” which Ramos called their tribute to Patsy Cline, Fiol switched to flute, while she and her partner shifted from Spanish to English and back to enforce the emotion behind the heartbreak ballad. 

“This is another women empowerment song,” noted Ramos, before double violins from she and Rascon kicked off “Ruiseñor,” a tune from the band’s Las Caras Lindas album – and one that featured clogging, pizzicatto violin, and whistling during the breakdown. “This is the most personal song [on Motherflower], said Ramos in the lead up to “Brinda por Ella.” “You have to love yourself before you can love anyone else. It’s okay to take yourself out on a date once in a while!” That sentiment adorned a joyful 6/8 groove and sparkling violin from Ramos.  

The band then invited Grammy-winning producer and musician Adrian Quesada – “a legend here and around the world” – to join them onstage with his Telecaster. He gave a new texture to the gorgeous Motherflower ballad “Soledad,” a song written during the pandemic – appropriately enough – since the English translation is “Loneliness.” 

After Quesada left the stage, Ramos introduced the next song “Let Down” as a fusion of ranchera, blues, and R&B. A showcase for the golden-voiced Fiol, its writer, the tune was originally featured in the band’s Tiny Desk Concert, which helped introduce the quintet to the wider world. Ramos and Seda also engaged in some playful locking of horns with their violin and trumpet. The group then paid tribute to their style’s history with the “Huapango Medley,” starting with the Trini Lopez classic “Malagueña Salerosa,” and including mariachi standards “El Pastor” and “La Cigarra.” For the ranchera “Regresa Ya,” written by Ramos for a bandmate going through a breakup, the group asked for an assist from the enthusiastic audience. All five members gave a brief workshop in the art of the grito, those spontaneous cries that punctuate the emotional heft of a good mariachi ballad. The crowd was already primed for participation, inserting gritos into the luminous heartbreak ballad without prompting. 

After that exercise in tradition, the quintet jumped feet first into another arena, dazzling with a briskly performed medley of contemporary hard rock songs, incorporating riffs, melodies, and lyrics from Rage Against the Machine, Nirvana (both “Come As You Are” and “Smells Like Teen Spirit”), and Led Zeppelin. The temperature level was already spiked by that epic performance, so Flor kept it going with the cumbia “Dicen,” which got the audience dancing and singing along in call-and-response. The band closed the set with “Besos de Mezcal,” a tune that drew just as heavily on crowd participation, with the Austin crowd singing the chorus alongside Fiol and Ramos. The latter also led the audience in some enthusiastic cries of “Tikki-tikki-ta!” 

The theater went wild after the magical set, as well they should have. We’ve never had a show quite like this before, and we’re excited for everyone to see it when it airs this fall as part of our upcoming Season 49 of Austin City Limits on your local PBS station. 

Flor de Toloache tapes Austin City Limits, Aug. 29, 2023. Photos by Scott Newton.
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Featured News Taping Announcement

Taping announcement: Flor de Toloache 8/29

Photo by Kelvin Pagan.

Austin City Limits is happy to announce a brand new taping for late summer as part of our Season 49, featuring the extraordinary Latin Grammy-winning and Grammy-nominated all-female Flor de Toloache on August 29. 

Under the dynamic leadership of Shae Fiol and Mireya Ramos, Flor de Toloache seamlessly combines tradition and innovation, breaking boundaries with their edgy, versatile, and fresh perspective on classic Latin American music. Much like the enchanting effects of the toloache flower in traditional Mexican love potions, the talented New York ensemble casts a spell over its audiences with stunning live performances showcasing striking vocals, musical virtuosity and enthralling stage presence. Boasting members from a myriad of ethnic and musical backgrounds, the ensemble continually pushes the boundaries, defying cultural and gender norms. NPR raves, “Flor de Toloache stuns at the crossroads of fusion and mariachi girl magic.” 2017 was a milestone year for the trailblazing group, as they clinched the Latin Grammy Award for  Best Ranchero/Mariachi Album, marking their place in history as the first all-female act to receive this accolade. Their 2019 third studio album, which featured collaborations with esteemed artists including John Legend, Miguel and Alex Cuba, further elevated their reputation, earning them a 2020 Grammy nomination. Flor de Toloache’s musical journey has taken them across continents, with memorable performances from Mexico to Europe, Latin America to Japan, and even a performance at The White House. 

“Las Flores,” as their fans call them, recently released their groundbreaking fifth studio album, Motherflower, a fiercely feminist mosaic of genres inspired by mariachi. The innovative album masterfully crafts a genre-defying blend rooted in mariachi influences while embarking on a voyage of purely original compositions. Spearheading this sonorous journey is the highlight “Una Vida y Otra Más”, a track infused with samba rhythms and co-created with the distinguished Argentine composer Claudia Brandt. Motherflower emanates a boldness, an unyielding declaration of feminist vigor, channeled in a way that’s both commanding and unparalleled. This new auditory treasure aligns seamlessly with the band’s ongoing artistic evolution. Vocalist and violinist Mireya Ramos first appeared on our stage in Season 48, joining Grammy-winning producer Adrian Quesada to bring to life his acclaimed Spanish-language album Boleros Psicodélicos. We’re thrilled to welcome Flor de Toloache to the ACL stage in their headlining debut.

Want to be part of our audience? We will post information on how to get free passes a week in advance of the taping. Follow us on Facebook and Twitter for notice of postings. The broadcast episode will air on PBS this fall as part of our upcoming Season 49.