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Bill Arhos, 1934-2015

LONGTIME KLRU STATION EXECUTIVE AND AUSTIN CITY LIMITS FOUNDER BILL ARHOS DIES
November 3, 1934 – April 11, 2015

KLRU-­‐TV, Austin PBS and the family of Bill Arhos are sad to announce the passing of the longtime station executive, who most regard as the father of Austin City Limits. Arhos died Saturday, April 11th, at the age of 80. His life’s work was devoted to KLRU, public media and music. He served in many positions during his nearly 40-­‐year career at KLRU, joining in 1961 to help launch the public television station. Over the years, Arhos served as Producer, Program Director, Vice President of Programming, Executive Producer of Austin City Limits (1975-­‐1999), and President/General Manager from 1986 until his retirement in 1999. He also served on the boards of PBS and the Country Music Association. Arhos was a proud graduate of Rice University, graduating in 1957. Rice honored Arhos in 2007 with the Association of Rice Alumni’s Distinguished Alumni Award.Arhos will always be remembered best for his vision and passion that drove Austin City Limits to become the longest-­‐running music series in American television history.  In 1974, KLRU (then KLRN) hatched the idea to create a music performance show. The pilot was shot on October 14, 1974, starring up and coming singer-­‐songwriter Willie Nelson and the rest is history.

“I’ve never met anyone like Bill Arhos,” says ACL Executive Producer and longtime colleague Terry Lickona. “He was a real character, known and loved not just in Austin but throughout the PBS system. The idea for Austin City Limits was not just his alone, but he brought it to life, and he kept the show going and growing through some difficult times. Whether they know it or not, millions of music fans, artists and PBS viewers owe a debt to him for his enormous contribution to what’s become a cultural institution.”

Called the “spirit” of the show, Arhos was inducted into the Austin City Limits Inaugural Hall of Fame last year, honored for his vision, passion and dedication. In accepting the award Arhos’ trademark wit was evident when he said: “It’s a little intimidating to be in a class of the first inductees, and three of the four have bronze statues around town.”

KLRU’s current general manager Bill Stotesbery says, “Bill Arhos was a legend in public media, respected for his creativity, energy, and persistence. From day one, he dedicated himself to building a station that was a national leader in production, and he set a standard that others seek to achieve. He will be missed greatly.”Arhos will be buried in a private ceremony at the Texas State Cemetery alongside other Texas legends. Details about his service and a celebration of his life will be forthcoming.

The family requests donations to the Bill Arhos Fund at KLRU in lieu of flowers.

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Encore Broadcast Episode Recap News

Encore: Juanes and Jesse & Joy

Austin City Limits presents an encore with two of the biggest acts in Latin music today, Juanes and Jesse & Joy. Colombian superstar Juanes headlines with a thrilling, high energy set, while Mexico City’s sibling duo Jesse & Joy sing a selection of their breakthrough hits.

With six solo albums to his credit and multi-platinum sales of over 16 million, Juanes is the world’s leading all-Spanish language rock artist. An electrifying guitarist and gifted songwriter, Juanes made his ACL debut back in 2005, and has since gone on to win multiple Grammy Awards and a record number of Latin Grammys. The Associated Press calls Juanes “the first truly international rock star to emerge from Latin America.” Juanes returns to the ACL stage in a dynamic performance, kicking things off with “Fijate Bien,” the Latin Grammy-winning title track to his debut album.  He pays tribute to one of his inspirations—Bob Marley—with a Latin spin on the reggae classic “Could You Be Loved?”.  By the time he launches into his huge hits, Juanes proves he doesn’t need to sing in English any more than he needs a surname to thoroughly rock the Austin audience.

Jesse & Joy have become one of the most celebrated pop-rock acts to emerge in the Latin music scene since they formed in Mexico City in 2005. The musical siblings boast five Latin Grammy Awards, including four for their triple platinum 2012 album ¿Con Quién Se Queda El Perro? (“Who Gets the Dog?”) and their first Grammy Nomination this year for Best Latin Pop Album.  The Los Angeles Times raves, “Their rootsy, soft-rock sincerity evokes ’80s country-pop, and Joy’s dulcet-but-earthy voice has been compared to those of Norah Jones, Alanis Morissette and, almost inevitably, Kelly Clarkson.” With Jesse Huerta on guitar, piano, drums, and background vocals and Joy Huerta on vocals and guitar, these siblings in sound deliver a breakout performance. A highlight is the duo’s emotional performance of their smash hit “Corre”— with the audience singing along to every word, waving their hands in the air, it’s a moment that reflects the truly universal language of music.

photo by Scott Newton

“Juanes is the first Latin artist since Ricky Martin to break out and transcend musical and cultural barriers,” says ACL Executive Producer Terry Lickona. “Audiences connect with him on many levels, and his charisma on stage is magnetic! As brother and sister, Jesse & Joy’s music is very genuine and emotional, and it’s just fun to watch them interact with each other and their fans.”

Check out the episode page here for setlists and more. Keep up with ACL happenings via our Facebook and Twitter pages or our newsletter. Next week: The Shins and Dr. Dog.

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Featured New Broadcast News Taping Announcement

New taping: Courtney Barnett

Austin City Limits is happy to announce the ACL taping debut of Australian singer/songwriter Courtney Barnett on June 4th.

Mixing witty, often hilarious, occasionally even heartbreaking observations with devastating self-assessment, Courtney Barnett’s debut album, Sometimes I Sit and Think, and Sometimes I Just Sit, cements her standing as one of the most distinctive and compelling new voices in indie rock. After leaving art-school in Hobart, Tasmania, Barnett moved to Melbourne and became a mainstay of the local scene. She paid her dues and honed her chops in short-lived garage outfits before playing lead guitar in the twang-psych band Immigrant Union. When she went solo, Barnett launched her own label, which she dubbed Milk! Records, to release her own material as well as music by some of Melbourne’s finest singers and songwriters. With the 2013 release of The Double EP: A Sea of Split Peas (which combined her first two self-released EPs), she embarked on an almost never-ending tour that took her to North America and Europe, barely stopping long enough to record her first true album. Sometimes I Sit and Think is a beguiling collection of songs that reveals her as an ambitious writer with an ear for clever turns of phrase and an eye for story-song details that are literate without being pretentious – Barnett even did the artwork and hand lettering for the liner notes. The Guardian calls the record “fun, intelligent and sets up Barnett as a voice who can tread between both high and low culture and treat them the same.”

“There’s something about the way she sings where I feel like I know that person,” says Britt Daniel of Spoon, who have invited her to play a show with them and the Decemberists at Red Rocks. “Her songs are fairly simple in their construction, and they’re carried by her lyrics, the way she finds humor in the mundane.” We’re thrilled to host this rocking singer and songwriter. Please join us in welcoming for the first time: Courtney Barnett.

Want to be part of our audience? We will post information on how to get free passes about a week before the taping. Follow us on Facebook and Twitter for notice of postings.

 

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Taping Recap

The War On Drugs’ psychedelic classic rock

For its debut ACL taping The War On Drugs lived up to the critical acclaim that’s been showered upon them since their 2011 breakthrough Slave Ambient. Drawing mostly from last year’s Lost in the Dream, widely praised as the Philadelphia band’s best so far, topping critics year-end Best lists, TWOD performed a strong set of its patented blend of spacey psychedelia and classic rock to an adoring audience.

Starting with a hazy synth intro, the sextet eased in “Under the Pressure,” also the first song on Lost in the Dream. Over a driving motorik rhythm, leader Adam Granduciel overlaid Dylanesque vocals and tasteful guitar solos, painting a vibrant picture that coaxes attention instead of demanding it. TWOD worked that formula even more successfully on “Red Eyes,” “Baby Missiles” and the midpoint anthem “An Ocean Between the Waves,” crowd-pleasers all. The band didn’t stick only to that groove, however. “Disappearing” added an almost disco rhythm to the drumming, giving the song its own buoyancy. “Lost in the Dream” and “Eyes to the Wind” worked more dynamic melodies, adding a certain wistfulness to the vibe, even as Granduciel traversed his fretboard. TWOD combined everything into “In Reverse,” the penultimate tune that served as the set’s climax.

Following that peak, the band closed by taking the crowd into the lush green valley of “Suffering,” the cathartic ballad pushing us gently into the good night. Eschewing the Big Rock Finish was the perfect way to bring this stunning, shimmering show to an end. We hope you’ll feel the same when this episode airs this fall on PBS.

 

Categories
News

Giveaway: Sleater-Kinney

UPDATE: Giveaway is now over.

Austin City Limits will be taping a performance by Sleater-Kinney on Wednesday, April 15th, at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd).  We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by 9 am on April 7th. Winners will be chosen at random and a photo ID will be required to pickup tickets. Winners will be notified by email. Passes are not transferable and cannot be sold. Standing may be required.

No photography, recording or cell phone use in the studio. No cameras allowed in venue.

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Encore Broadcast Episode Recap News

Encore: Ed Sheeran and Valerie June

Austin City Limits presents two innovative singer-songwriters: UK sensation Ed Sheeran and rising star Valerie June. Ed Sheeran makes his ACL debut in a must-see episode that features the breakout star performing his entire set solo. Sheeran exudes the raw talent that has made him a worldwide superstar, with charged versions of hits from his landmark debut and new songs from the chart-topping follow-up release. Acclaimed Southern singer-songwriter Valerie June shares the bill, making a captivating ACL debut with her starry-eyed roots music.

Ed Sheeran brings his A-game in his ACL debut, with a remarkable one-man solo performance that demonstrates why he’s one of music’s most popular live performers. Clad in an ACL t-shirt, the 23 year-old three-time Grammy nominee performs his  breakthrough hits “The A Team,” “Lego House” and songs from his new release x.  With an acoustic guitar and a loop pedal as his only accompaniment, Sheeran creates a perfectly balanced mix of hip-hop and acoustic balladry. He showcases the honest songwriting and vocals that have earned him legions of fans across the globe.  Closing out the crowd-pleasing set, Sheeran leads the rapturous audience in an epic sing-along of his hit “Sing,” with the Austin crowd still chanting as Sheeran leaves the stage.

Striking Southern singer-songwriter Valerie June makes her first appearance on the ACL stage performing songs from her luminous debut Pushin’ Against a Stone. The Washington Post raves of the release: “Shades of Nina Simone, Dolly Parton and blueswomen of decades past flicker throughout; you can easily picture it crackling out from a timeworn record player.” The Tennessee native’s heartfelt sound and beautifully timeless voice have earned her critical raves and a 2014 Americana Awards nomination for emerging artist. With one foot in country blues, the other in mountain folk music and her head in the stars, June and her band conjure a distinctive brand of genre-blending that she calls “organic moonshine roots music” for a memorable ACL debut.

photo by Scott Newton

“In some ways, Ed Sheeran and Valerie June are as different as night and day,” says ACL Executive Producer Terry Lickona, “but they are both distinctly original in their music. Through their intimately personal songs and unique onstage personas, they represent everything that Austin City Limits is all about.”

Tune in this Saturday for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL goodies. Next week: Juanes.