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Featured News Taping Announcement

New tapings: Leon Bridges and Angelique Kidjo

Austin City Limits is proud to announce new tapings for the month of October: Leon Bridges on Oct. 8 and Angélique Kidjo on Oct. 17, both making their ACL debuts.

Rising star Leon Bridges makes his first ACL appearance on Oct. 8. The river of soul music flows on deep and strong, and the 26-year-old Forth Worth native is immersed in its lifegiving current. “As a kid I grew fascinated with modern R&B. In high school I’d try singing songs by Ginuwine and Usher,” he explains, “and I thought well, maybe they weren’t in my range.” With a few early compositions tucked under his belt, a seeming dichotomy surfaced: Bridges’ tunes sounded less like the modern R&B he’d grown up loving than classic soul. He began a period of apprenticeship playing coffeehouses in and around Fort Worth, slowly finding and refining his voice. After Austin Jenkins and Joshua Block from White Denim saw Bridges performing, they insisted Leon enter the studio to cut a few tracks. That initial three-day session yielded the recordings that led Bridges to ink with Columbia Records, who released his debut album Coming Home, featuring its title track as the lead single, in June of 2015 to critical and public acclaim. “I’m not saying I can hold a candle to any soul musician from the ’50s and ’60s,” Bridges says, “but I want to carry the torch.” Join us on Oct. 8 to watch his flame burn bright.

On Oct. 17, we welcome Angélique Kidjo, dubbed “Africa’s premier diva” by Time and “the undisputed queen of African music” by the London Telegraph. The Benin native’s accolades span a 20-year discography and thousands of concerts around the world. She has won Grammys for her 2008 album Djin Djin and her 2014 album EVE, and enjoyed a long history of notable collaborations with greats like Carlos Santana, Bono, John Legend, Josh Groban, Peter Gabriel and more. On her new album Sings, recorded with the Orchestre Philharmonique de Luxembourg, Kidjo re-imagines nine classic songs from her expansive repertoire and two new songs, blending European classical traditions with the powerful rhythmic sounds of her native West Africa. “I love the challenge of doing new things,” explains Kidjo. “I never want to get too comfortable with what I’m doing, and I love my work too much to repeat myself.” Having already appeared on PBS in the concert documentary Lightning in a Bottle: One Night in the History of the Blues, we’re proud to welcome Angélique Kidjo to the ACL stage.

Want to be part of our audience? We will post information on how to get free passes about a week before the taping. Follow us on Facebook and Twitter for notice of postings.

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Taping Recap

Don Henley takes us to Cass County

It’s not everyday we get to witness a superstar artist explore his musical roots. But that’s what Don Henley did during his debut appearance on Austin City Limits. For his forthcoming solo album Cass County, co-produced by Stan Lynch, out on Sept. 25 and his first in 15 years, the erstwhile Eagles co-founder explores a genre with which he has more than a passing familiarity: country music. Inspired by the sounds he heard growing up in Linden, Texas, Henley, his band and some very special guests showcased many of the songs from his new album, debuting them on our ACL stage for the first time anywhere.

But first he dipped briefly back into the past, opening with the rock radio classic “Dirty Laundry,” getting the audience immediately engaged. He then segued into the first of his new songs, the country rockin’ political broadside “No, Thank You.” Henley followed by welcoming his first guest – acclaimed country singer/songwriter Ashley Monroe, last seen on our stage with Miranda Lambert’s Pistol Annies – she sang beautifully on the Louvin Brothers’ ballad “When I Stop Dreaming.” Outlaw country revivalist Jamey Johnson appeared next on the thoughtful “The Cost Of Living,” after which he and Henley were rejoined by Monroe for Tift Merritt’s poignant waltz “Bramble Rose.” Henley then returned to his back catalog, for a relaxed, crowd-pleasing take on his huge hit “The End Of The Innocence,” with Erica Swindell’s liquid fiddle subbing for the original’s sonorous sax.

Henley reached back a few decades to his very first solo release I Can’t Stand Still with the somber “Talking to the Moon,” co-written with Amarillo native J.D. Souther. Back in Cass County, he welcomed country star and Season 24 ACL vet Martina McBride to the stage for the anthemic heartland rocker “That Old Flame.” “Train In The Distance” brought the volume back down with its folky autobiography, before Henley flipped through his back pages once again with the stately “The Heart Of The Matter,” an audience favorite.

Nashville siren and ACL three-timer Trisha Yearwood then hit the stage for a pair of showcases: the romantic duet  “Words Can Break Your Heart” and the harmony rocker “Where I Am Now.” The lush breakup tune “Take A Picture Of This” added a spot of bitter defiance, before Henley brought on his final guests of the evening: sisters Emily Robison Strayer and Martie Maguire of Dixie Chicks and Court Yard Hounds. The pair added their banjo, fiddle and dulcet harmonies to “She Sang Hymns Out Of Tune,” a cover of the mystical Jesse Lee Kincaid waltz made famous in the 60s by Harry Nilsson and the Dillards.

Along with a pair of hammer dulcimers, all of the evening’s guests joined Henley for the environmentally conscious plea “Praying For Rain,” another new song that garnered a particularly enthusiastic reception. Dulcimer masters Dana Hamilton and Bonnie Carol brought down the rain as the star, guests and band left the stage.  

But it wasn’t quite over yet, as Henley launched into “The Boys Of Summer,” perhaps his best-known and loved hit, then invited Monroe back for “When I Stop Dreaming.” Thus ended a remarkable show full of new classics and old favorites. We can’t wait for you to see it when it airs on October 24th as part of our upcoming Season 41 on your local PBS station.

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Featured News Taping Announcement

New taping: James Taylor

For the first time in our 40+year history, Grammy-Award winner James Taylor is set to take the ACL stage, making his Austin City Limits debut on October 1st, 2015.  (The show airs on PBS on Nov. 14.) The American icon will perform songs from his acclaimed new release Before This World, which debuted at #1 on the Billboard Top 200 and is his first collection of original music in 13 years, as well as fan favorites from throughout his storied career.

James Taylor is the quintessential singer/songwriter. His warm baritone is among the most recognized voices in popular music, and his distinctive style of guitar playing has been enormously influential. Taylor is a master at describing specific, even autobiographical situations in a way that resonates with people everywhere.

Taylor has sold over 100 million albums and earned 40 gold, platinum, and multi-platinum awards and five Grammy Awards for a catalog running from 1970’s Sweet Baby James to his Grammy Award-winning efforts Hourglass (1997) and October Road (2002). He has received numerous honors, including the 1998 Century Award, Billboard magazine’s highest accolade, and inductions into the Rock ‘n’ Roll Hall of Fame and the prestigious Songwriter’s Hall of Fame in 2000.  In 2012, Taylor was awarded the distinguished Chevalier of the Order of Arts and Letters by the French government and in 2011, was awarded the National Medal of Arts by President Barack Obama in a ceremony at the White House. Both medals are their nation’s highest honors for artistic excellence recognizing “outstanding achievements and support of the arts.”

2015 brings the release of Before This World, Taylor’s first new album of original material in over 13 years. Produced by Dave O’Donnell, Before This World features ten songs, nine of which are brand new compositions in which Taylor continues to explore many of the themes that have absorbed him throughout his recording career. “The themes that really engage me keep pulling me back again and again,” says Taylor. “For instance, on the new album there’s a recovery song called “Watchin’ Over Me.” I’ve written many recovery songs that are almost spiritual and based on personal experience.  There’s a love song on this album (“You And I Again”) – a couple actually – a traveling song (“Stretch of the Highway”), there’s a song about working (“Today Today Today”) and another of my hymns for agnostics I tend to write (“Before This World”).  My sort of self-expression and the autobiographical aspect of my work is a thru-line that links all my albums together. I think I have grown musically, and I think people can hear it in what I played in ‘68, and you can hear it in what I’m singing about now. It is ongoing, it’s still me, but it’s still evolving.”

Witness the evolution for yourself when James Taylor makes his ACL debut on October 1st.

Want to be part of our audience? We will post information on how to get free passes about a week before the taping. Follow us on Facebook and Twitter for notice of postings.

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News

Giveaway: Don Henley

UPDATE: The giveaway is now over.

Austin City Limits will be taping a performance by Don Henley on Tuesday, Sept. 1st, at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd).  We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by noon on Friday, Aug. 28th. Winners will be chosen at random and a photo ID will be required to pickup tickets. Winners will be notified by email. Passes are not transferable and cannot be sold. Standing may be required.

No photography, recording or cell phone use in the studio. No cameras or recording devices allowed in venue.

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Taping Recap

Gary Clark Jr.’s stellar performance leaves crowd satiated

Back on the ACL stage in support of is terrific new record The Story of Sonny Boy Slim, singer, songwriter and guitarist Gary Clark Jr. kicked things off with his signature tune “Bright Lights.” Joined not only by his longtime band guitarist King Zapata, bassist Johnny Bradley and drummer Johnny Radelat, but also singers Stevvi Alexander and Sophia Stephens and a horn section borrowed from Austin Afrobeat act Hard Proof, the Austin native blazed right into rocking soul tune “Ain’t Messin’ Round” and rumbling blues anthem “When My Train Pulls In,” both from breakthrough LP Blak and Blu. Clark employed clean tones, rather than the fuzz in which he often indulges, resulting in a looser, more open sound. That new sonic aesthetic especially suited the songs from the new record, which is a more vocal- and groove-oriented affair than his past guitar-slinging work. The sparse, funky “Hold On” and the slow ‘n’ soulful “Our Love” allowed Clark to break into an alluring falsetto, a tactic that worked even more effectively on the biting, 70s-style soul attack of “Cold Blooded.”

Clark returned to Blak and Blu for “You Saved Me,” a quiet storm ballad that’s not quiet at all, thanks to his power chords. The pull of new tunes proved strong, though, as Clark jumped back into Slim with both feet. He sat at the electric piano for the seductive “Wings” – “I’ve never done that before, it was kinda scary,” he remarked. He was back on the six-string for “Grinder,” a well-titled blues rocker highlighting what the Austin Chronicle notes as his “raw, visceral fearlessness as a soloist,” really pumping the crowd up. He brought the mood back to a quieter place with the stripped-down gospel plea “Church,” before ending the main set with “The Healing,” a funky blues tribute to his muse that asserted “This music is my healing!” The rapt audience agreed.

Following chants of “Gary! Gary!,” Clark encored with Slim’s “Shake,” a dirty boogie that featured Zapata on a rollicking slide solo. The high energy romp left the crowd satiated at last. It was a stellar performance by a young artist developing by leaps and bounds, and we can’t wait for you to see it when it airs this fall on your local PBS station.

 

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Featured New Broadcast News

ACL announces Season 41 broadcast schedule

Following four decades as a music institution with more unforgettable performances as it gets ready to write its next illustrious chapter. Providing viewers with a front-row seat to the best in live music, ACL unveils Season 41’s stellar line-up of legendary artists, trend-setting innovators and many highly-anticipated debuts. ACL airs weekly on PBS stations nationwide (check local listings for times) and full episodes are made available online for a limited time at http://video.pbs.org/program/austin-city-limits/ immediately following the initial broadcast. Select tapings are also live streamed to enable music fans everywhere to experience the performances as they happen, live and unedited. Viewers can visit acltv.com for news regarding future tapings, episode schedules and live stream updates. The show’s official hashtag is #acltv.

The program returns on October 3rd with the 2015 ACL Hall of Fame Special, a special hour showcasing unique collaborations and tributes from this year’s induction ceremony and celebration, held June 18, 2015. Artists Lyle Lovett, Dwight Yoakam, Vince Gill, Gillian Welch, Jason Isbell and more perform in honor of the newest class of inductees: Asleep at the Wheel, Guy Clark, Flaco Jiménez, Loretta Lynn and Townes Van Zandt.  

The upcoming season is filled with musical highlights, as a number of acts make their long-awaited ACL debuts. Grammy-winning jazz vocalist Cassandra Wilson appears for the first time in a dazzling hour featuring the songs of Billie Holiday. Music legend Don Henley makes his ACL debut, armed with his first solo release in 15 years. Iconic singer-songwriter James Taylor is also set to make his Austin City Limits debut in a career-spanning, hour long showcase that will feature songs from his latest release, his first collection of original music in 13 years.

Country music’s range is exemplified in a double-bill with modern country rebel Sturgill Simpson making his full set debut and Western swing veterans Asleep at the Wheel returning for their 11th appearance. Asleep at the Wheel, newly-minted ACL Hall of Fame members, are joined by guest stars The Avett Brothers and Amos Lee in a special tribute to forebear Bob Wills, the original Texas Playboy.  

Hometown hero Gary Clark Jr., now a Grammy-winning global sensation, returns to the program for his second headline appearance, in support of a highly anticipated new release. A number of genre-bending rock acts make their ACL debuts this year: indie rock breakout star Courtney Barnett showcases her compelling live set, while left-of-the-dial faves The War on Drugs and TV On The Radio split an episode, both gracing the ACL stage for the first time.

“With our 40th anniversary in our rearview mirror, we’re back to doing what we do best: showcasing awesome music whether it’s classic or contemporary, familiar or groundbreaking,” says ACL executive producer Terry Lickona. “As usual, we’ll give our viewers the chance to rediscover old favorites or discover new artists who are making their own mark.”

Season 41 Fall Broadcast Schedule (additional episodes to be announced)

October 3 2015 Hall of Fame Special

October 10 Cassandra Wilson

October 17 Sturgill Simpson / Asleep at the Wheel

October 24 Don Henley

October 31 Gary Clark Jr. / Courtney Barnett

November 7 TV On The Radio / The War on Drugs

November 14 James Taylor

November 21 ACL Presents: Americana Music Festival 2015

The complete line-up for the full 14-week season, including seven new episodes to air beginning January 2016, will be announced at a later date. Check the news section of acltv.com for additional episode updates.

For the fifth consecutive year, the producers of Austin City Limits, in conjunction with High 5 Productions, and the Americana Music Association, are proud to present a special ACL Presents—featuring the best music performances from this year’s Americana Music Association Honors and Awards Ceremony held September 16th at the historic Ryman Auditorium in Nashville, TN.