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Taping Pass Giveaway: Jon Batiste

Austin City Limits will tape a performance by Jon Batiste on Friday, October 3rd at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). Austin City Limits Taping Giveaways are presented by AXS Events.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue. While we do our best to accommodate all winners, we cannot guarantee admissionThese passes are based on space available therefore you will be filling in spots available on the floor or balcony depending on the tickets that are available when you arrive.


One of America’s most celebrated musicians and entertainers, Jon Batiste delivered an electrifying and ecstatic performance in his 2021 Season 47 debut. He returns a seven-time Grammy Award winner and makes his highly anticipated return to the ACL stage with highlights from his ninth studio album, Big Money. A genre-defying body of work, Big Money (Verve/Interscope), features collaborations with artists including No I.D., Randy Newman, and Andra Day, and further deepens the New Orleans native’s exploration of the American musical canon. Expansive yet deeply personal, the album weaves together elements of soul, hip-hop, jazz, blues and pop, continuing Batiste’s tradition of blending innovation with emotional resonance. “We have such a profoundly rich cultural inheritance in America that many of us don’t know of, don’t fully embrace, don’t fully understand,” the artist recently told Rolling Stone. “And artists just have to keep making statements that point back to that and counter things that are trying to dilute that or erase it.” In support of the release, Batiste will bring his Big Money Tour across the U.S. with over 30 dates. A versatile and prolific artist, Batiste has released multiple albums since he made his ACL debut with songs from 2021’s landmark WE ARE. Batiste released his eighth studio album, Beethoven Blues (Batiste Piano Series, Vol. 1), in late 2024, which delivered his biggest debut sales week, debuting at No. 1 on Billboard’s Classical Albums chart and spending nine consecutive weeks at No. 1 on Classical Crossover, while entering the Billboard 200 at No. 64. The first installment in a solo piano series, that project showcased Batiste’s personal spin on some of Beethoven’s most iconic works, reimagined through an expansive lens. These reimagined classics embody the indomitable spirit of the blues, and – true to Batiste’s “message of open-armed inclusivity” (The New York Times) – embrace a broad genre spectrum. The release followed 2023’s World Music Radio, a globetrotting album of originals that drew inspiration from Batiste’s mission to create community and expand culture with the power of music. Featuring collaborators including Jon Bellion, Lana Del Rey, Lil’ Wayne and more, the album was praised by critics for its universal message and genre-defying sound. Hailed by NPR as “a sprawling exploration of what global music can sound like,” World Music Radio received a total of five Grammy nominations, including ‘Album of the Year.’ 


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

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Giveaway: My Morning Jacket

*UPDATE: Giveaway now closed.* Austin City Limits will tape a performance by My Morning Jacket on Friday, August 1st at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). Austin City Limits Taping Giveaways are presented by AXS Events.

In their return to the ACL stage for the first time in nearly a decade, My Morning Jacket will perform a full set taping in celebration of their induction into the Austin City Limits Hall of Fame. Special guest, legendary music journalist and acclaimed filmmaker Cameron Crowe, will induct the rock legends, as they join the other legendary acts who have been inducted over the past decade.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue. While we do our best to accommodate all winners, we cannot guarantee admissionThese passes are based on space available therefore you will be filling in spots available on the floor or balcony depending on the tickets that are available when you arrive.


Widely ranked among the greatest live bands of their generation, My Morning Jacket have long maintained their status as one of the most vital forces in American rock-and-roll. With their thrillingly expansive and eclectic sound, the band has influenced an entire era of musicians, largely by staying one step ahead of mainstream pop culture and following their instincts to endless innovation. For more than 25 years, My Morning Jacket have achieved an incredibly rare feat in the world of modern rock – upholding a long-established cultural legacy while sustaining all the curiosity and creative hunger of their very earliest days. The Louisville, KY-bred five-piece – vocalist/guitarist Jim James, bassist Tom Blankenship, guitarist Carl Broemel, drummer Patrick Hallahan, keyboardist Bo Koster – recently released is, their first album in nearly four years, and their 10th studio album; the result is perhaps the most masterfully realized work yet from a band fully committed to their belief in music as a conduit for revelation of all kinds. Largely recorded at Henson Recording Studios in Los Angeles, is finds MMJ deviating from their typically self-produced approach by teaming up with 3x Grammy-winner Brendan O’Brien (Pearl Jam, Bruce Springsteen). For James – who has produced or co-produced all of the band’s studio albums since their 1999 debut The Tennessee Fire – the decision to work with O’Brien stemmed from a newfound willingness to open up their process and involve an outside creative force in shaping their restlessly inventive yet nuanced form of psych-rock. New songs such as the sprawling, album-opening epic, “Out In The Open,” the ravishing love song “Time Waited,” and the delightfully warped “Squid Ink” reveal a band whose voracious creative appetite is wholly matched by a deft command of their visionary musicality. When it came time to name the collection, MMJ chose a title that speaks to the infinitely unpredictable nature of music-making. “I like how the word ‘is’ indicates a sense of presence in the now – there’s no logic or rationale behind this record; it just is,” says James. “All these songs came into existence out of an attempt to connect with something beyond the human experiment, which for me is the whole purpose of music – that connection with something larger than us, yet something we are all equally a part of.” is represents another milestone in the band’s ever-evolving body of work, as well as an opportunity to breathe new energy into their historically stunning and hard-driving live performances. James points to the “undeniable force of loving” as the most essential factor in the band’s longevity and unending enchantment with the process of musical creation. “Hopefully, those songs will be helpful to people and give them some kind of peace as they try to deal with the insanity of the world,” says James. “Because that’s what music does for me, and doing the same for others is always my greatest dream come true.”


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

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Giveaway: The Marías

UPDATE: The giveaway is now closed. Austin City Limits will tape a performance by The Marías on Tuesday, July 8th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). Austin City Limits Taping Giveaways are presented by AXS Events.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue. While we do our best to accommodate all winners, we cannot guarantee admissionThese passes are based on space available therefore you will be filling in spots available on the floor or balcony depending on the tickets that are available when you arrive.


The Marías are the psychedelic-soul lovechild of Puerto Rican-bred, Atlanta-raised María Zardoya and Los Angeles native, Josh Conway. The pair are joined by their closest friends Jesse Perlman on guitar and Edward James on keys. The Marías’ undeniably intuitive musical chemistry is evident in their smooth blend of jazz percussion, hypnotic guitar riffs, smoke-velvet vocals, and nostalgic horn solos. Since the 2021 release of their critically acclaimed debut, Cinema, which paid homage to their early days of writing for film and television, the Marías have earned countless accolades and collaborations with some of the biggest names in Latin music, including Bad Bunny and Tainy. Their highly anticipated follow-up, 2024’s Submarine, represents the next phase of their fascinating sonic journey. Stepping back into the psychedelic indie rock roots that defined their 2017 breakout EP, Superclean, the recent album delivers a sense that you’ve been here before but the geography has evolved. The cinematic swells of their debut have been traded for a sonically matured return to form for an album that Conway calls the “bookend to
their trilogy.” A study in aloneness, the evocative ache of Submarine feels, at times, inescapable, as one is faced with what it means to choose solitude and the pain and beauty so inextricably interwoven within it. It embodies the grief in something as innately human as separation. María’s hypnotic vocals transport listeners to a place of reflection and exploration. The detail that defines their cinematic style off-stage is brought to life during ethereal live performances as the group delivers striking visuals that beautifully complement their dreamy songs, creating an indisputably
unique experience. This bespoke live Submarine show was on full display to rapturous audiences in buzzed-about sets at 2024’s ACL Fest and their recent Coachella appearances. The Marías are currently on a sold-out extended U.S. headlining tour with festival dates including Lollapalooza, Shaky Knees, and All Things Go.


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

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Giveaway: MJ Lenderman & The Wind

UPDATE: The giveaway is now closed. Austin City Limits will tape a performance from MJ Lenderman & The Wind on Tuesday, July 1st at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). Austin City Limits Taping Giveaways are presented by AXS Events.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue. While we do our best to accommodate all winners, we cannot guarantee admissionThese passes are based on space available therefore you will be filling in spots available on the floor or balcony depending on the tickets that are available when you arrive.


26-year-old singer-songwriter-guitarist MJ Lenderman makes his ACL debut after a busy couple of years. A rock-and-roll and basketball-obsessed kid growing up in the mountain town of Asheville, NC, he put out the breakthrough solo set Boat Songs in 2022. The sleeper hit piled offhanded, Southern-inflected rock on wry, laconic bangers like “Hangover Game,” “Six Flags” and “Tastes Just Like It Costs.” With its barbed little jokes, canny sports references, and gloriously ragged guitar solos, the album became one of that year’s standouts, a ramshackle set of charms and chuckles. He followed with a stellar 2024, bookended by a memorable feature on Waxahatchee’s “Right Back To It,” a magnetic duet about romantic doubt that became one of the year’s biggest indie-rock anthems, and the release of his own highly anticipated solo album, Manning Fireworks. A laser-sharp study of misfits and the mistakes they make, where sympathy and sardonicism share the same ragged rock song, the acclaimed release features a number of thumbnail character studies. “She’s Leaving You” is a half-sneering portrait of a dad cheating his way through a midlife crisis, at least until he gets caught and blasts Clapton in a rented Ferrari en route to Vegas. “On My Knees” finds Lenderman wondering what it means to have fun in a world where so many people seem full of shit while the standout “Wristwatch” muses on edgelords and alpha males. Manning Fireworks topped many critics’ year-end best lists, with Rolling Stone raving, “MJ Lenderman delivers a sad-guy indie-rock gem” and named him “a budding guitar great and ace storyteller.” The New York Times calls Lenderman “A young artist with an old soul and a keen eye for observational detail that makes his canted portraits of small-town life come alive.” NPR says, “He’s a homespun magical realist, always throwing in something off-kilter to elevate his tales of lovable losers,” while the Guardian concurs, “Far from being dude-centric, Manning Fireworks’ sad sack anthems tap into something devastatingly, purely human.”


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

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Giveaway: Thee Sacred Souls

UPDATE: The giveaway is now closed. Austin City Limits will tape a performance from Thee Sacred Souls on Wednesday, May 28th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). Austin City Limits Taping Giveaways are presented by AXS Events.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue. While we do our best to accommodate all winners, we cannot guarantee admissionThese passes are based on space available therefore you will be filling in spots available on the floor or balcony depending on the tickets that are available when you arrive.


The highly anticipated follow-up to their breakout 2022 self-titled debut, Thee Sacred Soul’s Got A Story To Tell (Daptone Records) features 12 all original new songs, a soaring statement of exquisite craftsmanship from this young band from San Diego whose own story grows bigger by the day. Millions of monthly listeners on Spotify. Celebrity fans like SZA, Alicia Keys, and Kylie Jenner. An NPR Tiny Desk performance that burned the house down. And all in the first two years of the band’s existence. Then came life on the road.

Since 2022, Thee Sacred Souls have toured North America and Europe, playing their sweet soul music at dozens and dozens of sold-out headlining shows, and in the process they went from young musicians to a tight-knit, stress-tested band who knew each other like family. All the great bands were made better by life on the road, and Thee Sacred Souls is ready to join that pantheon. Got A Story To Tell is in every way a tighter and emotionally richer record because of their journey.  

The challenges of touring resulted in a darker, more mature record, Alejandro Garcia (drums, guitar) says. Salvador Samano (bass, drums) agrees: “As we got busier, we were all dealing with things back home, trying to balance life and music and touring.” Heartbreak, family issues, finding ways to be creative when you’re leaving it all on the stage every night. Every member had their own experience, and no new development went undetected by their bandmates. “You can’t hide how you’re feeling,” Garcia says, of the intimacy of touring. “We know what’s going with each other.”

But it’s not as if the songs on Got A Story To Tell, which they began writing at the end of 2022, are accounts of a band on the run; there’s no “Turn the Page” here. Josh Lane (vocals) says all those emotions and personal stories from the three founders were sprinkled into the songwriting to create a potent blend of truth and imagination. In an age where pop stars have their albums treated like chapters in an ongoing memoir, Thee Sacred Souls hearken back to the more universal, relatable school of songwriting that made Hitsville U.S.A. and the Brill Building so successful and timeless.

Lead single and opening song “Lucid Girl” is Thee Sacred Souls’ entry into the canon of pop and R&B songwriting that champions independent women. (Stevie Wonder’s “Superwoman” is but one example.) It started as an instrumental that Garcia wrote one Christmas morning, during a moment of quiet heartache and solitude. Driving away from the studio to see family in the afternoon after cutting the track, the phrase popped into his head: “lucid girl.” It was perfect fodder for Lane to start his work.

“A good instrumental tells a story on its own,” says Lane, and what Garcia laid down that Christmas hit him instantly. It was heavy, with some of the toughest drums and bass of anything the band had recorded, and Garcia’s title conjured the image of a woman who wouldn’t be held down. Like someone lucid dreaming, this woman did what she wanted, how she wanted. “She chose herself and then she grew,” he sings in his pure tenor before the drums hit a stutter-step and the chorus kicks in. The album is full of characters and stories, and “Lucid Girl” sets the stage for what comes after.

Thee Sacred Souls recorded Got A Story To Tell at Penrose Recorders, in Riverside, CA, the studio built by producer and Daptone Records co-founder Gabriel Roth (aka Bosco Mann). It’s a simple space some 50 miles east of Los Angeles that offers an unadorned analogue experience. They filled it with immortal grooves, classic vocal harmonies, and sincere, heartfelt lyrics about love and loss—the persistent feelings.

A ballad of guilty feelings, “My Heart Is Drowning” draws on two pivotal wells of inspiration for the band: Jamaican rocksteady and ‘60s girl-group pop. The spectral slow tempo of rocksteady, with its thick bass lines and simple guitar riffs, is the instrumental basis upon which Lane sings about making his lover cry, eventually losing her. The chorus is beautifully accented with soft and affecting backing vocals that recall the great Motown siren Mary Wells. In its final moments, it takes an unexpected turn toward the sunny, even though the protagonist is still languishing in regret. The tension between the music and lyrics create one of the most beguiling moments on the record.

Listening to the beloved Brazilian artist Arthur Verocai unlocked melodic ideas for Lane while writing “On My Mind,” a breezy stand-out on Got A Story To Tell. The rhythmic shifts on the song evoke the dynamics described in Lane’s lyrics, as he sings about “the good and the bad together…the good and the bad that make this man.” The acknowledgement of life’s total complexity brings one of the most stirring performances out of Lane.

Any conversation with the band will inevitably turn into a music celebration; the sharing of classic tunes, as they point out specific records that proved important during recording. Mann, their producer, is something of an encyclopedia, and what knowledge he bequeathed to them they’re all too happy to share.  The little-known Philadelphia guy group the Fabulous Performers. The sweeping vocals of the Delfonics. The unreal falsetto of Alton Ellis. The beguiling arrangements from Jesse Boone and the Astros. In part, Thee Sacred Souls are able to make timeless music because they have a deep appreciation for history.

Got A Story To Tell proves that Thee Sacred Souls are here to stay; a vital force in contemporary music. Though it’s not a concept album, it creates a satisfying emotional arc for the listener, taking them through life’s ups and downs—but finding a happy ending when it counts. The final track “I’m So Glad I Found You, Baby” is the feeling of coming home from a long journey to find your love waiting for you. 

If the last two years tested the mettle of Thee Sacred Souls, Got A Story To Tell is all that hard work paying off.


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

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Giveaway: Samara Joy

UPDATE: The giveaway is now closed. Austin City Limits will tape a performance from Samara Joy on Sunday, May 25th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). Austin City Limits Taping Giveaways are presented by AXS Events.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue. While we do our best to accommodate all winners, we cannot guarantee admissionThese passes are based on space available therefore you will be filling in spots available on the floor or balcony depending on the tickets that are available when you arrive.


Grammy-Winning Jazz Vocalist Samara Joy to Release New Verve Album Portrait on October 11, 2024

Recording presents inspired arrangements and performances by Joy’s impressive live ensemble

“I’m still speechless,” says Samara Joy, reflecting on her 2023 Grammy win for Best New Artist. When the Bronx-raised jazz vocalist, 24, tries to place herself back in that historic moment today, she feels nothing but gratitude.

At the same time, Joy understood then that she couldn’t let the award define her. She still had a lifetime of music to explore, a tight-knit crew of extraordinary collaborators to guide, and a passion for songwriting to nurture. So Joy did what any committed, eternally curious jazz musician would do: She hit the road. For her and her band, a seemingly endless run of sold-out tour dates became a nightly opportunity to reach new creative heights. “I just got back to work, doing what, in essence, got me the Grammy in the first place,” she says. 

Joy’s new Verve Records release, Portrait, is the proper follow-up to Linger Awhile, her 2022 breakthrough LP, and it represents the next phase in her continuing artistic evolution — unbound by expectations. 

Portrait documents the immersive, seemingly telepathic rapport she’s developed with her touring band, which includes musicians she learned the jazz craft alongside while earning her undergraduate degree; in fact, it wasn’t until college that Joy began to pursue jazz singing. On the strength of that cozy dynamic — on the road, “I’m among friends, which explains personal chemistry that translates to our live performances,” Joy says. The vocalist offers an album that both honors jazz heritage while staking out bold, singular territory. Whatever a rote, singer-with-sidemen record is, Portrait is not.  

Joy co-produced Portrait with fellow multiple Grammy winner Brian Lynch, a trumpeter and musical director who has been Eddie Palmieri’s most vital late-career collaborator and was a member of the final lineup of Art Blakey’s Jazz Messengers. The album was tracked in streamlined sessions — just two or three takes of each tune — at one of jazz’s most hallowed sites, Van Gelder Studio. “With this kind of band,” Joy says, “we play very close together on stage,” so the singer and Lynch recreated that vibe in the studio. The band recorded all together in that same fantastic room, feeding off each other’s energy as they would at a fiery live show. “It was the perfect place to capture this sound in its entirety,” Joy says.

Lynch, Joy raves, allowed her and the band to remain “in the driver’s seat, acting as our very supportive co-pilot.” The singer and her co-producer bonded over Abbey Lincoln’s 1961 LP Straight Ahead, on which the daring singer becomes brilliantly enmeshed in a band comprising Max Roach, Booker Little, Eric Dolphy, Coleman Hawkins, Julian Priester and other greats. That recording, Joy says, “showed me what my role could be, and opened my ears to what was possible.”

As on that vocal-jazz touchstone, Joy is best heard here as an integral part of an egalitarian octet featuring trumpeter Jason Charos, saxophonists David Mason and Kendric McCallister, trombonist Donavan Austin, pianist Connor Rohrer, bassist Felix Moseholm and drummer Evan Sherman. She soars above and out front, of course, but also functions as a pure instrument and a source of support and interplay. “I’m often the fifth voice,” she says, “the fifth horn. I just love the sound of this band. Hopefully, when people hear it they’ll realize that I’m a musician too.” 

Highlighting Joy’s generous, all-for-one strategy as a leader — an influence she gleaned from Art Blakey and Max Roach — Portrait boasts a uniquely synergistic approach to arranging. “I enjoy collaborating with fresh musical voices,” Joy says of her band, “because it not only helps all involved grow but helps to expand how musicians and audiences alike hear this music and what’s to come. So I wanted to put these creative minds in one place to expand the music and, as a result, each other.” Joy took the ever-evolving highlights from her concert songbook and gave them to individual band members to arrange, based on each player’s gifts and personality. 

Portrait is also Joy’s most profound expression yet of her prowess as a songwriter — particularly as a lyricist of absolute poetic precision. It’s an inspired, surprising program that serves as a reminder of how the vocal-jazz repertoire can still break new ground while nodding to jazz history. On “Reincarnation of a Lovebird (Pursuit of a Dream),” Joy weds Charles Mingus’ tender tribute to Charlie Parker to her own mediation on, as she describes it, “love so strong that it’s surreal.” “Peace of Mind/Dreams Come True” matches Joy’s first original song and saxophonist Kendric McCallister, which unpacks the anxieties Joy felt in her post-Grammy moment, with the gratitude and cosmic optimism of Sun Ra. “Now and Then (In Remembrance Of…)” features Joy’s affecting words atop music by the late, great bebop sage Barry Harris, with whom Joy and McCallister studied. “It’s for Barry,” Joy says, “but it’s also for everybody in my life who is no longer here and yet I want to keep thinking of them, keep them present.”

Still, as might be expected given Joy’s track record with classic tunes, some of Portrait’s most impressive moments are the standards: Jason Charos’ arrangements of “You Stepped Out of a Dream” and “No More Blues” (an exuberant palate cleanser on which Joy sings Jon Hendricks’ lyrics); McCallister’s take on “Autumn Nocturne”; David Mason’s “Day by Day.” Donavan Austin’s original “A Fool in Love (Is Called a Clown)” is so delightfully sentimental it might as well be a standard.   

Throughout, Joy sounds divine, evoking her jazz idols while tapping into her rich background in a family of gospel and R&B renown. Or as Joy puts it simply, “I’m grateful to have so many tools at my disposal.”

Ultimately, though, Portrait is a masterwork that unspools the story of an ensemble — a band that coalesced as friends and student musicians and has continued developing through jazz stardom. “It’s just everything that I could have ever dreamed of in a band,” Joy says. “I hope we stay together for years to come. I really do.” 


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.