Category: New Broadcast

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New broadcast: Rufus Wainwright

photo by Scott Newton

In early September, in the midst of the global pandemic, Austin City Limits made history with its first-ever show in 46 years without a live audience. The unprecedented performance, featuring acclaimed singer-songwriter Rufus Wainwright in his ACL debut, premieres October 24 at 8pm CT/9pm ET on PBS as part of the iconic series’ Season 46. Rufus performs highlights from Unfollow the Rules, his first new pop album since 2012. The songwriter delivers a breathtaking performance for troubled times, filled with signature razor-sharp lyrics and soaring vocals. With live music still on pause, ACL continues to provide viewers a front-row seat to the best in live performance. The series airs weekly on PBS stations nationwide (check local listings) and full episodes are made available online for a limited time at pbs.org/austincitylimits immediately following the initial broadcast.  

Rufus Wainwright established himself as a daring, fearless new voice two decades ago with his much-lauded 1998 eponymous debut. Now one of the most distinctive voices in popular music, Rufus showcases songs from his widely acclaimed ninth studio album Unfollow the Rules. Inspired by middle age, married life, fatherhood, friends, loss, London and Laurel Canyon, the release captures the restless creative at the peak of his powers. Opening the intimate hour with the lush, witty pop tune “Trouble In Paradise,” he leans into the record’s Laurel Canyon influence with “Damsel In Distress,” a wonderfully melodic song inspired by his friend and neighbor Joni Mitchell. Backed for this appearance by members of North Texas bands Midlake and the Texas Gentlemen, Rufus’s resplendent vocals are at their soaring best and most exposed. He celebrates the content family man he has become with the domestic bliss gem “Peaceful Afternoon” written for his husband and the sparkling “My Little You” for his young daughter. His maturation into a seasoned artist is evident on the magnificently dramatic “Early Morning Madness” and the barbed “Devils And Angels (Hatred).” Rufus closes the stunning set with a personal-political song from his 2007 album Release the Stars, remarking with trademark caustic wit: “Here’s another uptempo number about everything’s so terrible,” before launching into “Going To A Town,” featuring the  daringly outspoken chorus: I’m going to a town that has already been burnt down…I’m so tired of America.”  

“I like to say we make history every time an artist makes their debut on Austin City Limits,” said ACL executive producer Terry Lickona, “but this was historic on a grand scale. Taping without an audience in the midst of the pandemic, uncertain whether it was even possible, was an emotional experience. Rufus delivered an epic performance like no other.”

Rufus Wainwright setlist:

Trouble In Paradise

Damsel In Distress

Unfollow The Rules

You Ain’t Big

Peaceful Afternoon

Only the People That Love

My Little You

Early Morning Madness

Devils And Angels (Hatred)

Alone Time

Going To A Town

Season 46 Broadcast Line-up (six new episodes to be announced):

October 3 The Best of John Prine 

October 10 Yola

October 17 Stevie Ray Vaughan 30 Years On

October 24 Rufus Wainwright

October 31                ACL Presents: 50 Years of Asleep at the Wheel

November 7             John Legend & The Roots: Wake Up!

November 14 Jackie Venson | Mavis Staples w/Bonnie Raitt

November 21            The Mavericks

Tune-in, log on, and let ACL be a trusted sidekick for entertainment during these challenging days. The complete line-up for the full 13-week season will be announced at a later date.  Viewers can visit acltv.com for news regarding live streams, future tapings and episode schedules or by following ACL on Facebook, Twitter and IG. . Fans can also browse the ACL YouTube channel for exclusive songs, behind-the-scenes videos and full-length artist interviews.

About Austin City Limits

Austin City Limits offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 46th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic KLRU Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.

Austin City Limits is produced by Austin PBS, KLRU-TV and funding is provided in part by Dell Technologies, RigUp, the Austin Convention Center Department and Cirrus Logic. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com. 

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Episode Recap Featured New Broadcast News

Episode recap: Stevie Ray Vaughan 30 Years On

photo by Scott Newton

Austin City Limits celebrates an icon with Stevie Ray Vaughan 30 Years On, an epic hour featuring the guitar giant’s two classic appearances on the ACL stage, on the 30th Anniversary of his tragic death. Widely hailed as one of the premier blues-rock guitarists, the Grammy-winning Vaughan made magic in his ACL outings and the broadcast captures his magnetic performances. The installment premieres October 17 at 9pm ET/8pm CT as part of the live music beacon’s Season 46. With live music still on pause, ACL continues to provide viewers a front-row seat to the best in live performance. The series airs weekly on PBS stations nationwide (check local listings) and full episodes are made available online for a limited time at pbs.org/austincitylimits immediately following the initial broadcast.  

Stevie Ray Vaughan and Double Trouble’s two iconic appearances on the ACL stage in 1983 and 1989 rank among the most highly-requested episodes in the program’s archives. Stevie Ray Vaughan 30 Years On, an hour-long special, showcases the pair of performances in a rare broadcast, bookends of an incredible career cut short by the guitar hero’s tragic death in a helicopter crash at age 35 on August 27, 1990. The Texas bluesman’s towering command of the Fender Stratocaster was unparalleled, and Vaughan bridged the gap between blues and rock ‘n’ roll with an excitement that hadn’t been witnessed since Jimi Hendrix’s reign, sparking a rebirth of the blues, and inspiring a new generation of music fans. Three decades later, his lasting influence continues to resonate as countless musicians credit Vaughan’s ACL appearances as their inspiration to pick up the guitar. Vaughan and Double Trouble were inducted into the inaugural class of the Austin City Limits Hall of Fame in 2014 and the hometown legend is forever memorialized with a bronze statue in Austin. 

The thrilling hour opens with Vaughan’s December 1983 ACL debut, with the iconic riff of his signature “Pride and Joy,” as the virtuoso captivates with his passion-fueled guitar music and blistering Stratocaster solos. Performing alongside Double Trouble, featuring Chris Layton on drums and Tommy Shannon on bass, the guitar-slinger soars on a pair of inspired covers: the title track to his 1983 debut album Texas Flood, with a slowburn reading of the Lone Star classic, dazzling with his ability to play the guitar behind his back, and an epic interpretation of Jimi Hendrix’s “Voodoo Child” that is pure rock ‘n’ roll swagger.

Vaughan made his final ACL appearance on October 10, 1989, less than a year prior to his untimely death, newly sober and at the height of his powers, in a performance for the ages. Delivering back to back highlights from his acclaimed 1989 final album In Step, including “Tightrope,” “Cold Shot” and “Leave My Girl Alone,” Vaughan’s performance is extraordinary, displaying a combination of raw power, deep emotion and technical brilliance with note perfect solos. Augmented by the addition of keyboardist Reese Wynans, Double Trouble and Vaughan sizzle with an exhilarating performance of their 1989 smash “Crossfire,” punctuated by the guitar icon’s scorching runs. “This one goes out to anyone who’s still suffering in any way,” says the all-time great as he launches into the shimmering instrumental “Riviera Paradise,” pushing the guitar to new heights and continuing to explore new boundaries.

“30 years after his tragic death, these performances serve as bookends to Vaughan’s brilliant career with Double Trouble,” says ACL executive producer Terry Lickona, “showing a striking contrast between ‘zero self-confidence’ and ‘pure magic,’ but in both cases you can see a master at work.”

“My brother was so incredibly talented,” says Jimmie Vaughan. “Austin City Limits captured many of his best performances.”

Stevie Ray Vaughan 30 Years On setlist:

Pride and Joy

Texas Flood

Voodoo Child (Slight Return)

Tightrope

Leave My Girl Alone

Cold Shot

Crossfire 

Riviera Paradise

Season 46 Broadcast Line-up (six new episodes to be announced):

October 3 The Best of John Prine 

October 10 Yola

October 17 Stevie Ray Vaughan 30 Years On

October 24 Rufus Wainwright

October 31                ACL Presents: 50 Years of Asleep at the Wheel

November 7             John Legend & The Roots: Wake Up!

November 14 Jackie Venson | Mavis Staples w/Bonnie Raitt

November 21            The Mavericks

Tune-in, log on, and let ACL be a trusted sidekick for entertainment during these challenging days. The complete line-up for the full 13-week season will be announced at a later date.  Viewers can visit acltv.com for news regarding live streams, future tapings and episode schedules or by following ACL on Facebook, Twitter and IG. . Fans can also browse the ACL YouTube channel for exclusive songs, behind-the-scenes videos and full-length artist interviews.

About Austin City Limits

Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 46th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic KLRU Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.

Austin City Limits is produced by Austin PBS, KLRU-TV and funding is provided in part by Dell Technologies, RigUp, the Austin Convention Center Department and Cirrus Logic. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com. 

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Episode Recap Featured New Broadcast News

British singer/songwriter Yola makes her ACL debut

This weekend, Austin City Limits showcases a rising star, UK singer-songwriter Yola in a new installment. Performing songs from her 2020 Grammy-nominated Walk Through Fire, along with sparkling renditions of choice classics, the country-soul sensation delivers a 12-song tour-de-force in her ACL debut. Her show was taped in February at ACL’s studio home ACL Live at the Moody Theater in Austin, Texas, before a live audience – like every other show in ACL’s 45-year history. Shortly after, the COVID pandemic hit and ACL ceased all production, only recently resuming tapings – without a live audience. With live music still on pause, ACL continues to provide viewers a front-row seat to the best in live performance. The series airs weekly on PBS stations nationwide (check local listings) and full episodes are made available online for a limited time at pbs.org/austincitylimits immediately following the initial broadcast.  

Hailing from the English port city of Bristol, the single-named Americana artist Yola delivers a knockout performance in an hourlong set featuring highlights from her acclaimed debut Walk Through Fire, which earned her four 2020 Grammy nominations, including one for best new artist. She recorded the album with in demand producer (and ACL three-timer) Dan Auerbach of The Black Keys at his Nashville studio. Backed by a quartet, Yola performs almost the entirety of the record in her ACL debut, dazzling with her arresting vocals on an emotion-filled catalog of heartbreak songs that inhabit the sweet spot between 1970s Southern soul and country. Donning her acoustic guitar, she performs “Ride Out in the Country” and unleashes the full power of her magnificent voice for the slowburn “Faraway Look.” The chatty and cheery singer charms the crowd with the stories behind her songs, including the house fire that inspired the album’s title track, transformed into a smoldering love song. 

Yola reveals her fondness for 1970s pop classics, captivating the crowd with a deeply soulful reading of the Hollies’ “The Air That I Breathe” and a powerhouse rendition of Elton John’s “Goodbye Yellow Brick Road.” Yola brings the house down for the closer, showcasing her gorgeous vocals on the Aretha Franklin gem “You’re All I Need to Get By.” 

“Yola may well be the best pure singer on the pop music scene today,” according to ACL executive producer Terry Lickona. “She has such an incredible dynamic range, a certain mystical spirit about her, and a devilish sense of humor. What’s not to love?”

Episode setlist:

Lonely the Night

Ride Out in the Country

Shady Grove

Walk Through Fire

Air That I Breathe

Faraway Look

Love is Light

Still Gone

It Ain’t Easier

Goodbye Yellow Brick Road

I Don’t Wanna Lie

You’re All I Need to Get By

Tune-in, log on, and let ACL be a trusted sidekick for entertainment during these challenging days. The complete line-up for the full 13-week season will be announced at a later date.  Viewers can visit acltv.com for news regarding live streams, future tapings and episode schedules or by following ACL on Facebook, Twitter and IG. . Fans can also browse the ACL YouTube channel for exclusive songs, behind-the-scenes videos and full-length artist interviews.

About Austin City Limits

Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 46th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic KLRU Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.

Austin City Limits is produced by Austin PBS, KLRU-TV and funding is provided in part by Dell Technologies, RigUp, the Austin Convention Center Department and Cirrus Logic. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com. 

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Episode Recap Featured New Broadcast News

Austin City Limits’ 46th season opens with the late John Prine

photo by Scott Newton

Live music beacon Austin City Limits proudly opens Season 46 with a gem: a poignant season premiere featuring the best of American songwriting giant John Prine. Sadly we lost Prine in 2020 due to complications from Covid-19, but ACL celebrates his remarkable life and legacy with twelve classic performances, chronicling his early days from his 1978 debut in Season 3 on the program to his final appearance in Season 44 in 2018. The requiem showcases the folk hero’s signature wit and wisdom, detailing the stories behind some of his most beloved songs. Check your local listings for showtimes. 

Called “the Mark Twain of American songwriting” by Rolling Stone, Prine made eight appearances on ACL over the course of 40 years, and the career-spanning hour captures his storied career, showcasing a mix of vintage fan favorites and more recent gems and includes a never-before-aired 1987 performance of his classic “Sam Stone.” Prine’s singular talent and his ability to write songs about everyday lives and the human condition were revered by generations of songwriters and the episode features a heartfelt introduction by Americana star Jason Isbell; Isbell introduces the hour saying “The thing I admired most about John’s songs was the way he could step completely into someone else’s life.” 

The hour opens with Prine’s 1978 ACL debut, performing a pair of solo acoustic numbers, “Fish and Whistle” and “Hello in There,” as he introduces his immense talents to a rapt audience. Prine’s 1983 appearance as part of a songwriters special, alongside peers such as Guy Clark and Rodney Crowell, is captured here; he captivates the crowd and fellow artists with a hilarious intro to the irreverent relationship saga “There She Goes.” A bonus for fans is a never-before-aired 1987 performance of the addicts elegy “Sam Stone,” with Prine sharing a moving story about a personal visit to DC’s Vietnam Veterans Memorial. The hour showcases many of his best-known songs, including early standouts “Illegal Smile” and “Paradise” from his self-titled 1971 debut. Celebrated as a great storyteller, Prine sparkles in his introduction to “Jesus, The Missing Years” from 1992, gamely speculating on the deity’s young adulthood and Prine’s own wayward ways. Prine makes a memorable 2002 guest appearance, joining Bonnie Raitt for a gorgeous duet of the Prine-penned “Angel from Montgomery,” in a performance Raitt has called one of the highlights of her career. The hour closes with a pair of songs about mortality from Prine’s last album The Tree of Forgiveness during his final ACL appearance in 2018. Bouncing back and forth between spoken recitation and joyful singing on the closer “When I Get to Heaven,” the songwriter offers a good-time singalong about leaving this world on a high note. Prine couldn’t have written a better epitaph: When he gets to heaven, he tells the Austin crowd, “I’m gonna get a guitar and start a rock ’n’ roll band/check into a swell hotel/ain’t the afterlife grand?”

“Very few artists appeared on ACL more times than John Prine,” said ACL executive producer Terry Lickona. “It was a mutual love affair – he loved doing the show, and we loved having him (8 times!!). We consider these his best performances, and as always, he will have you laughing and crying – sometimes both during the same song.”

“John loved to play Austin City Limits and was very proud to have made so many appearances over the years,” said Prine’s widow Fiona Whelan Prine. “Terry Lickona has been a wonderful supporter of John’s career and a good friend to our family. Thank you ACL and Terry for opening your season with this special show.“ 

Episode setlist:

Fish and Whistle (1978)

Hello in There (1978)

There She Goes (1983)

Sam Stone (1987)

Illegal Smile (1987)

Paradise (1987)

Jesus, The Missing Years (1992)

Everything Is Cool (1992)

Picture Show (1996)

Angel from Montgomery (2002)

Summer’s End (2018)

When I Get to Heaven (2018)

As always, check your local PBS listings for the broadcast time in your area, and don’t forget to click over to our Facebook and Twitter pages or sign up for our newsletter for more ACL info. Join us next week for a brand new episode featuring soulful British songstress Yola. 

About Austin City Limits

Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 46th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic KLRU Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.

Austin City Limits is produced by Austin PBS, KLRU-TV and funding is provided in part by Dell Technologies, RigUp, the Austin Convention Center Department and Cirrus Logic. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com. 

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ACL Season 45 Streaming Bonus: Epic Hour with Rock Supergroup The Raconteurs

photo by Scott Newton

Steady now: Austin City Limits turns up the volume with a fan-favorite highlight from this season: a streaming-only bonus installment of The Raconteurs’ acclaimed appearance, back by popular demand and amplified by previously unseen performances for a full, hour-long set. The return of powerhouse rockers The Raconteurs, the supergroup featuring Jack White, Brendan Benson, Patrick Keeler and Jack Lawrence, in their first appearance in over a decade was one of the most-watched broadcasts of Season 45.  The free webisode offers double The Raconteurs and will be available to music fans everywhere to stream online here beginning Wednesday, February 12, 3 pm CT at pbs.org/austincitylimits. 

The Raconteurs’ electrifying Season 45 broadcast earned raves from viewers and critics alike: “The Raconteurs Cut Loose with Face-Melting Austin City Limits Performance”—Spin; “The Raconteurs Rock the Fuck Out on ACL TV”—Consequence of Sound. The 11-song enhanced performance includes five additional songs from their 2019 Austin City Limits taping—more of the incomparable Jack White and his partners-in-crime, more blazing guitar solos, more iconic riffs and more swaggering hooks.

The Raconteurs return with a full-tilt romp featuring killer gems from the acclaimed HELP US STRANGER, their third studio LP and first album in more than a decade. Featuring both Jack White and Brendan Benson as lead singers/guitarists AND songwriters, with an ace rhythm section of Jack Lawrence (bass) and Patrick Keeler (drums), and augmented by multi-instrumentalist Dean Fertita (Queens of the Stone Age) for this appearance, The Raconteurs deliver a love letter to classic rock in a performance for the ages. Fellow Detroit natives Benson and White trade-off lead vocals in a blistering 11-song set of pure rock and roll. Tearing into back-to-back STRANGER highlights including “Bored and Razed,” “Only Child,” “Sunday Driver” and “Help Me Stranger,” the energy is pushed to 11, as the band adds new classics to rock’s canon. The hard-driving combo dip back into 2008’s GRAMMY-winning Consolers of the Lonely for the searing “Old Enough” and “Top Yourself” anchored by White and Benson’s mighty guitar work, then nod to the Sixties with an ecstatic cover of Donovan’s 1965 classic “Hey Gyp (Dig the Slowness)”. With dazzling showmanship and guitars shredding in harmony, the band rips into the number that introduced The Raconteurs to the world,  “Steady, As She Goes,” from their 2006 debut Broken Boy Soldiers. White leads the crowd in call-and-response with the audience chanting “Are you steady now?” before the face-melting anthem erupts into an epic blitz of guitar bliss. Tying it all off is an extended version of “Carolina Drama,” The Raconteurs’ gothic American murder ballad. “If you want to know the truth of the tale,” howls White, with the Austin audience chanting the final, dramatic “Go and ask the milkman” line for a storybook ending and a standing ovation.

“As usual, The Raconteurs are doing what comes natural – reminding us that rock and roll is alive and well, and in Jack White’s hands the power of the guitar has no match,” said ACL executive producer Terry Lickona.

THE RACONTEURS SETLIST: *(additional songs not in original broadcast)

BORED AND RAZED*

ONLY CHILD*

NOW THAT YOU’RE GONE

SUNDAY DRIVER

HELP ME STRANGER

THOUGHTS AND PRAYERS*

OLD ENOUGH*

TOP YOURSELF

HEY GYP (DIG THE SLOWNESS)

STEADY, AS SHE GOES

CAROLINA DRAMA*

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Rosalía invigorates ACL’s season 45 finale

photo by Scott Newton

Austin City Limits closes out Season 45 with a spectacular full-hour performance showcasing celebrated Spanish singer-songwriter Rosalía in her ACL debut. The globally praised Flamenco-fusion artist has taken the music world by storm, winning her first Grammy Award and five Latin Grammys while also garnering the first-ever Best New Artist Grammy nomination for a principally Spanish language artist.

Catapulted to global stardom with chart-topping Spanish language hits, Rosalía lights up the ACL stage in an irresistible hour, filled with songs from her acclaimed 2020 Grammy-winning El Mal Querer album, which also led the field of winners at this year’s Latin Grammy Awards—including the first “Album of the Year” recognition in 13 years for a solo female artist. She dazzles in a stellar 16-song set that showcases her trailblazing fusion of classic flamenco, reggaetón, hip-hop and electronic beats. The captivating red-clad singer, flanked by dancers in sheer red outfits, opens the hour with “Pienso En Tu Mirá,” her emotive vocals augmented by double-time flamenco handclaps and exciting choreography. The 26-year-old Catalan, Spain native puts her hand to her heart as she reacts to enthusiastic cheers from the Austin audience, saying “It means so much to me to be here because I’m very far from where I am from.” Rosalía has revolutionized flamenco, making it accessible for a new generation, and thrills the rapt audience with a passionate, goosebump-inducing a capella version of an early 20th century flamenco classic, “Catalina.” A gifted, expressive singer and dancer, she tilts her head back to unleash her powerful vocal amid rhythmic handclaps and the audience erupts. Rosalía closes out a stunning set with back-to-back showstoppers including the smash international single, “Con Altura,” her chart-topping collaboration with reggaetón star J Balvin (which has racked up more than 1.2 billion views on YouTube, making it 2019’s most-viewed music video by a female artist) and the breakout single “Malamente” that started it all, earning six 2018 Latin Grammy nods, propelling Rosalía from Spanish pop star to international sensation.

“‘Original’ is often a cliché when it’s applied to new music, but there’s no better way to describe Rosalía,” says ACL executive producer Terry Lickona. “Her impact is profound – blurring all the boundaries between cultures, genres, and generations. She is the future, here today.”

As always, check your local PBS listings for the broadcast time in your area, and don’t forget to click over to our Facebook and Twitter pages or sign up for our newsletter for more ACL info. Join us next week for a special encore episode, featuring Americana superstar Brandi Carlile. 

ROSALÍA setlist:

PIENSO EN TU MIRÁ

BAREFOOT IN THE PARK

DE MADRUGÁ

CATALINA (a cappella)

DIO$ NO$ LIBRE DEL DINERO

A NINGÚN HOMBRE

DE AQUI NO SALES (PREGÓN)

DI MI NOMBRE

BAGDAD

BRILLO

PARRITA REMIX

SANTERÍA

YO X TI, TU X MI

CON ALTURA

AUTE CUTURE

MALAMENTE