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New tapings: Colter Wall and Cage The Elephant

Austin City Limits is proud to announce two new tapings for our milestone Season 45. Canadian country singer Colter Wall makes his debut on August 30, while Kentucky modern-rock stars Cage The Elephant make their highly-anticipated ACL debut on September 27.  

After two years of nonstop touring, Colter Wall wanted to make an album about home. Drawing on the stories of his native Saskatchewan, the young songwriter’s corner of the world takes shape throughout his second full-length album, Songs of the Plains. Produced by GRAMMY® Award-winning Dave Cobb in Nashville’s Studio A, the project combines striking original folk songs, well-chosen outside cuts, and a couple of traditional songs that reflect his roots growing up in the small city of Swift Current. “One thing I’ve noticed over the last few years, in the United States and playing in Europe, is that people all over the world really don’t know much about Canada at all,” he says. “When you talk about Saskatchewan, people really have no idea. Part of it is because there are so few people there. It’s an empty place—it makes sense that people don’t know much about it. But that’s my home, so naturally I’m passionate about it. With this record, I really wanted people to look at our Western heritage and our culture.” “I went into the studio and knew exactly the story I wanted to tell,” Colter says of the release. “That made it easier on a sonic level and a musical level, to be able to tell Dave that it’s a record about my home. That changes it at the roots level because it’s like having a mission statement, saying, ‘All right, let’s make a Western album.’” Indeed, Wall captures the expansiveness of the Western Canadian plains by relying on minimal production and his resonant baritone, which he’s strengthened into a mighty instrument in its own right. It’s a deep and knowing voice you wouldn’t expect of a man who just turned 24 years old. The New Yorker declared, “Wall is among the most reflective young country singers of his generation… His ace in the hole is his showstopping voice: a resonant, husky baritone, wounded and vulnerable.” “Wall pushes in close against the untenanted space of the middle provinces, filling their geographic gaps with an intoxicating rasp,” notes Pitchfork. “He sings with a serrated edge, his voice digging crevices rich with heartbreak, homeland, and heritage.” Noisey calls Songs of the Plains “ a heartbroken triumph, a statement suggesting that all that’s missing is perhaps not forever lost.”

photo by Neil Krug

Currently on a national co-headlining tour with ACL veteran Beck, Cage The Elephant is one of rock’s biggest live acts, and the band makes their highly-anticipated ACL debut on the heels of their recently released fifth studio album Social Cues. Produced by John Hill (Santigold, Florence + The Machine, Portugal. The Man, tUnE-yArDs), Social Cues is the follow up to their 2015 GRAMMY®-winning Tell Me I’m Pretty for Best Rock Album.  The acclaimed Social Cues is garnering raves with Rolling Stone calling it “their best album yet” and The Chicago Sun-Times saying “the band has pushed their sonic boundaries further and created their most personal record to date.”  The majority of the material on Social Cues was written during the unraveling of frontman Matt Shultz’s marriage. In order to make sense of such a difficult experience, he explored the hidden recesses of his psyche, creating characters to tell different parts of his personal story. He explains, “when I’m creating, I try to put myself in a reactive state of improvisational thought. I let images just arise in my mind and wait for it to evoke an emotional response and then when it does, I know I’m on to something.” Deeply inspired by punk music, brothers Brad and Matt Shultz began playing music in their Bowling Green, KY high-school with fellow students Jared Champion and Daniel Tichenor. Shortly after forming the band, they made the bold move to London to launch their career. Their self-titled 2008 debut album generated international attention, catapulting them up the Billboard Alternative and Rock charts and achieving Platinum certification. Cage The Elephant has released three additional studio albums – 2011’s Thank You, Happy Birthday, the Gold-certified Melophobia in 2013 and 2015’s Tell Me I’m Pretty. They have had 7 Billboard #1 singles with 11 singles landing in the Billboard Top 10 and digitally have a combined 1.5 billion streams worldwide. Cage The Elephant is lead singer Matt Shultz, rhythm guitarist Brad Shultz, drummer Jared Champion, bassist Daniel Tichenor, lead guitarist Nick Bockrath and keyboardist Matthan Minster.  

Want to be part of our audience? We will post information on how to get free passes about a week before each taping. Follow us on Facebook and Twitter for notice of postings. The broadcast episodes will air on PBS later this year as part of ACL’s upcoming milestone Season 45.

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Featured News

R.I.P. Art Neville of the Neville Brothers

Austin City Limits was saddened to learn of the death of ACL Hall of Famer Art Neville, keyboardist, songwriter, singer and co-founder of funk/soul legends the mighty, mighty Neville Brothers and the Meters, and an ambassador for New Orleans music worldwide, on July 22. He was 81. 

The eldest Neville Brother, Art was born in 1937 in the Big Easy. Though he claimed that the brothers had no radio or records growing up, Art still discovered music, falling under the spell of both the 1950s doo-wop groups like the Orioles and the Drifters and the New Orleans piano greats Professor Longhair and Fats Domino – obvious influences on both his instrument of choice and the R&B harmonies of his brothers’ band. He scored a regional hit early on with the Hawketts, recording “Mardi Gras Mambo” when he was only 16. The song is still a staple of New Orleans Fat Tuesday celebrations. 

Following a stint in the Navy, Art formed Art Neville & the Neville Sounds, becoming the house band for Allen Toussaint’s many productions and eventually evolving into the beloved funk outfit the Meters. With the Meters, Art contributed the classics “Hey Pocky Way” and “Cissy Strut” to the musical lexicon, recorded acclaimed instrumental albums like Rejuvenation (named one of Rolling Stone’s 500 Greatest Albums of All Time) and backed artists like the late Dr. John (“Right Place, Wrong Time”), LaBelle (“Lady Marmalade”) and Robert Palmer (Sneakin’ Sally Through the Alley). 

Following the expiration of a contractual obligation that prevented them from working together, Art joined forces with his younger brothers Cyril, Aaron and Charles, backing their uncle, Mardi Gras Indian Big Chief George “Jolly” Landry on the landmark 1976 Wild Tchoupitoulas album, and released their self-titled debut as the Neville Brothers in 1978. The siblings recorded frequently and toured relentlessly for over thirty years, issuing classic albums like Fiyo On the Bayou, Yellow Moon and Valence Street and iconic songs “Sitting in Limbo,” “Brother John,” “Yellow Moon,” “Congo Square” and, of course, the immortal N’awlins anthem “Iko Iko.” Art also resurrected the Meters as the Funky Meters, continuing to perform with both groups as his health allowed until he retired from the stage in 2018.  

Called “the captain of the ship” by New Orleans Jazz and Heritage Festival director Quint Davis, Art Neville made three iconic appearances on ACL with the Neville Brothers, the first Big Easy band to grace the ACL stage: in Season 4 (1979), Season 11 (1986) and Season 20 (1995).  We were proud to honor them with an induction into the ACL Hall of Fame in 2017, featuring tributes from some of New Orleans finest including Trombone Shorty and the late Dr. John.  Here is Art singing the first number in the band’s 1979 ACL debut: the Neville Brothers classic “Sitting in Limbo.” 

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Featured Live Stream News

CANCELED: ACL to live stream Julien Baker and Lucy Dacus double shoot

Due to unforeseen medical circumstances, Julien Baker will not tape Austin City Limits tonight. Lucy Dacus will still perform but it will not be live streamed.

Austin City Limits is excited to announce that we will be live streaming our upcoming taping featuring critically-acclaimed singer/songwriters Julien Baker and Lucy Dacus. The taping will stream on July 30, starting at 8 pm CT on our YouTube channel

2018 was a milestone year for Richmond, VA’s Lucy Dacus. Her widely celebrated sophomore record, Historian, was met by a cavalcade of critical elation, with NPR, Rolling Stone, Pitchfork, NBC News, Slate, The Atlantic, Billboard, Paste, Stereogum, and more choosing it as one of the year’s best albums. Dacus’ remarkable sense of melody and composition are the driving force throughout, giving Historian the immersive feel of an album made by an artist in full command of her powers. “This is the album I needed to make,” says Dacus, who views Historian as her definitive statement as a songwriter and musician. “Everything after this is a bonus.” She played revelatory sold-out shows at clubs and festivals alike, along with multiple high profile television appearances. A glance at her worldwide touring schedule in 2019 shows little sign that Dacus is slowing down, and in fact, she will release a series of songs titled 2019 to celebrate. Recorded in here-and-there studio spurts over the last two years, 2019 will be released later this year as a physical EP on Matador Records, and will be made up of originals and cover songs tied to specific holidays, each of which will drop around their respective date: Valentine’s Day, Mother’s Day (and Taurus season!), Independence Day, Springsteen’s Birthday, Halloween, Christmas, and New Year’s.

Memphis native Julien Baker’s chilling solo debut, Sprained Ankle, was one of the most widely acclaimed works of 2015. The album, recorded by a then 18-year-old and her friend in only a few days, was a bleak yet hopeful, intimate document of staggering experiences and grace, centered entirely around Baker’s voice, guitar, and unblinking honesty. Sprained Ankle appeared on year-end lists everywhere from NPR Music to The AV Club to New York Magazine’s Vulture. With 2017’s Turn Out The Lights, Baker claimed a much bigger stage, but with the same core of breathtaking vulnerability and resilience. From its opening moments — when her chiming, evocative melody is accompanied by swells of strings — Turn Out The Lights throws open the doors to the world without sacrificing the intimacy that has become a hallmark of her songs. The album explores how people live and come to terms with their internal conflict, and the alternately shattering and redemptive ways these struggles play out in relationships. “Turn Out The Lights is beautifully crafted throughout,” noted Spin, “full of the kinds of songs that linger long after they’ve ended.” Under the Radar declared, “Baker is writing faultless songs that will always have a home in our hearts because finding comfort in even the saddest moments means we’re still feeling. And if we’re feeling, there’s hope for us yet.” 

In addition to their successful solo careers, Julien Baker and Lucy Dacus (along with Phoebe Bridgers), comprise the indie rock supergroup boygenius, whose 2018 EP landed on the year-end best-of lists of Newsweek, The New Yorker, Esquire, The New York Times and more, with Pitchfork raving “(boygenius) sing like hell together in lung-shattering harmony.”

Join us on July 30 here for both sets by these fast-rising young singer/songwriters. The broadcast episodes will air on PBS later this year as part of our upcoming Season 45.

 

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Featured News

Amazing Rhythm Aces’ Russell Smith R.I.P.

Austin City Limits was saddened to learn of the July 12 passing of Amazing Rhythm Aces singer Russell Smith of cancer. He was 70. The group appeared on Austin City Limits in our second season in 1977. 

Born in Nashville, the Tennessean started his music career in the state’s other Music City, Memphis and co-founded the eclectic roots rockers Amazing Rhythm Aces in 1972. The band scored two hits from their 1975 debut Stacked Deck: the top 20 pop hit “Third Rate Romance” and the top 10 country hit “Amazing Grace (Used to Be Her Favorite Song).” The Aces won a Grammy in 1976 for ‘The End is Not in Sight,” which took home the award for Best Country Vocal Performance By a Group. The band dissolved in 1980. 

Smith then moved into country music, writing songs for a wide variety of artists. He penned number 1 country hits for Randy Travis (“Look Heart, No Hands”), T. Graham Brown (“Don’t Go to Strangers”), Ricky Van Shelton (“Keep It Between the Lines”) and Don Williams (“Heartbeat in the Darkness”), as well as placing cuts with Tanya Tucker, Rosanne Cash, Kenny Rogers, the Oak Ridge Boys and many others. Smith even scored a hit of his own with 1989’s “I Wonder What She’s Doing Tonight.” 

Following two albums in the 1990s with the bluegrass novelty band Run C&W (which also included the Eagles’ Bernie Leadon), Smith rejoined the reformed Aces in 1994. The band continued to record and perform up to the present day. He will be missed by the Aces’ loyal fan base. 

Here he is from the Aces’ ACL episode, performing “Third Rate Romance”:

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Featured Live Stream News

ACL to live stream Patty Griffin and Steve Earle & the Dukes on July 2

Austin City Limits is thrilled to announce that we will be live streaming a highlight of our milestone Season 45, a rare double-bill taping with Texas-rooted artists Patty Griffin and Steve Earle & The Dukes on July 2, starting at 8 pm CT on our YouTube channel.  

On her sixth appearance on our stage, Patty Griffin is among the most consequential singer-songwriters of her generation, a quintessentially American artist whose wide-ranging canon incisively explores the intimate moments and universal emotions that bind us together. The Grammy®-winning Austinite’s recent, self-titled LP (her tenth studio album), represents an extraordinary new chapter for this incomparable artist and stands among the most deeply personal recordings of her storied two-decade career. The album – which follows 2015’s Grammy® Award-nominated Servant of Love – collects songs written during and in the aftermath of several years in which she battled – and ultimately defeated – cancer. Yet as always, like very few others, Griffin’s power lies in how, as music critic Holly Gleason observed, “her songs seem to freeze life and truth in amber.” It’s in how Griffin can express the strikingly intimate while never making it about herself, all wrapped in sparse arrangements that breathe an incomparable force and import into her songcraft. NPR raves, “One quality that’s distinguished Griffin’s body of work throughout her nearly quarter-century career is her gift for imagining the untamed forces of people’s inner lives.”  

For his fifth appearance on ACL, the legendary Steve Earle presents Guy, his acclaimed tribute to his songwriting mentor and ACL Hall of Fame legend Guy Clark. Earle first met Clark after hitchhiking from San Antonio to Nashville when he was 19, becoming the older songwriter’s bass player and maintaining a lifelong friendship after striking out on his own.  “No way I could get out of doing this record,” says Earle. “When I get to the other side, I didn’t want to run into Guy having made the TOWNES record and not one about him.”  “Guy wasn’t really a hard record to make,” Earle says. “When you’ve got a catalog like Guy’s and you’re only doing sixteen tracks, you know each one is going to be strong.” Earle and his five-piece band The Dukes take on Clark classics including “Desperados Waiting For a Train,” “LA Freeway,” “New Cut Road” and “Heartbroke” with a spirit of reverent glee and invention.  Earle’s raw, heartbreaking vocal on the sweet, sad “That Old Time Feeling” sounds close enough to the grave as to be a duet with his departed friend. Guy is a saga of friendship, its ups and downs, what endures. Like old friends, Guy is a diamond.

Join us on July 2 here for both full live sets of these iconic singer/songwriters. The broadcast episodes will air on PBS later this year as part of our upcoming Season 45.

 

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Featured Hall of Fame News

ACL announces guest performers for Hall of Fame 2019

Austin City Limits announces an all-star slate of guest performers for the 2019 ACL Hall of Fame Inductions & Celebration on October 24, 2019. Music greats Jackson Browne, Shemekia Copeland, Jimmie Vaughan, Bruce Hornsby, Sarah Jarosz, Willis Alan Ramsey and blues phenom Christone “Kingfish” Ingram will take part in saluting the newest class of inductees: singer-songwriting legends Shawn Colvin and Lyle Lovett and blues giant Buddy Guy.  Texas troubadour Robert Earl Keen takes the reins for the first time as host of the star-studded night filled with performances and collaborations from music’s finest as the three beacons of American music enter the ACL Hall of Fame. “The Austin City Limits Hall of Fame is my Academy Awards,” says Robert Earl Keen. “I don’t think there is a higher honor than to be asked to host the ACL Hall of Fame and as a bonus, I don’t have to wear a tux!” More information about additional guest stars and presenters will be announced prior to the event.

The event will be open to the public and tickets are on sale at acltv.com/hall-of-fame. Sponsor packages are available now at acltv.com/hall-of-fame. All proceeds benefit KLRU-TV, Austin PBS. The ceremony will be held at ACL’s studio home, ACL Live at The Moody Theater in downtown Austin. Musical highlights and inductions from the celebration will air on PBS as a special Austin City Limits New Year’s broadcast. 

The sixth class of inductees features a diverse group of music legends and collaborators with longtime ties to Austin City Limits: Lyle Lovett has shared a musical kinship with the series, notably appearing on ACL more than any artist with the exception of Willie Nelson. Living legend Buddy Guy has made three classic headlining appearances on ACL, starting in Season 16 in 1991 and returning this year in Season 44. Shawn Colvin debuted on ACL the same season as Buddy Guy in 1991, going on to make two additional standout headlining appearances as well as frequent guest spots.

Shemekia Copeland; photo by Mike White

“Lyle, Shawn and Buddy share not only a long history with ACL, but a musical kinship with each other,” said long-time executive producer Terry Lickona, “so I’m sure we can expect some one-of-a-kind musical collaborations. They are each uniquely talented, and together they represent the legacy that has helped ACL thrive for four and a half decades.”

Established in 2014, the Austin City Limits Hall of Fame honors the legacy of legendary artists and key individuals who have played a vital part in the pioneering music series remarkable 40+ years as a music institution. The inaugural induction ceremony in 2014 honored Willie Nelson, Stevie Ray Vaughan & Double Trouble, Lloyd Maines, program creator Bill Arhos and Darrell Royal. The second annual ACL Hall of Fame ceremony in 2015 honored Asleep at the Wheel, Loretta Lynn, Guy Clark, Flaco Jiménez and Townes Van Zandt, along with the original crew of the show’s first season in 1974-75. The 2016 Hall of Fame honored Kris Kristofferson, Bonnie Raitt and B.B. King, alongside former ACL executive producer Dick Peterson. 2017’s Hall of Fame honored Roy Orbison, Rosanne Cash and The Neville Brothers, and the 50th Anniversary of the Public Broadcasting Act. Last year’s fifth anniversary class featured the inductions of Ray Charles, Marcia Ball and Los Lobos.