A new season of Austin City Limits begins, and we were happy to open Season 44 with a rising artist making his debut on our stage: singer and songwriter Mac DeMarco. Celebrating his acclaimed fourth LP This Old Dog, the Canadian-turned-Californian by way of Far Rockaway, Queens, graced his loyal fans with an interactive set of his distinctive soul-flavored soft rock, which we streamed live around the world.
Taking a stage artfully cluttered with fake fruit, real pound cake, plenty of red wine, a Michael Jackson mask and assorted bric-a-brac, DeMarco and his four-piece backing band launched into the smoothly flowing “On the Level,” from This Old Dog. Switching to acoustic guitar, DeMarco revisited his second LP Salad Days via the poppy title track. Then it was back to the new album, as the creamy sound of an electric grand piano signalled the drift into “For the First Time,” a very eighties-sounding soft rocker that thrilled the under twenty-something crowd and prompted livestream viewer Pierce Hannah to rave “Mac Daddy rocking the yacht rock vest with these smooth, smooth tunes.” “We’ve never played this song as a band,” DeMarco noted, introducing the lightly rocking “One Another,” “but we’re gonna try to play it for you.” That successfully pulled off, he and the band cheekily kicked into its opposite number “Another One,” highlighted by a twangy guitar solo. Following a brief interlude in which the engaging rocker shared parmesan cheese (the powdered stuff, that is, not freshly grated) from one of the Italian restaurant-style tables adorning the stage, to the delight of the grateful front row, DeMarco essayed the title track of This Old Dog, a spell-binding dreamy pop tune.
“Now we’re gonna play a song we haven’t played in…four years?” DeMarco noted. “Fifteen years,” quipped guitarist Andy White. “The last time we played this song I was thirteen.” This was the intro to the easygoing “Brother,” from Salad Days. “So take it slow now, brother/Let it go,” the singer crooned over a languid, soul-influenced groove. Keeping it casual, DeMarco explained the next song was about his father, with the genial host again offering pound cake to his guests as the band went into a piano-heavy soft pop tune. He invited a couple of exuberant young fans to join him onstage, and after a quick lesson in shakers, the duo added to the percolating percussion. The band then reached back to his second album, the appropriately titled 2, for “Ode to Viceroy,” another easygoing pop song with harmony Stratocaster licks at the end. After sharing some red wine with another fan (whose ID he checked first), it was back to TOD, for the languorous “Dreams From Yesterday.”
One rendition of “Happy Birthday” to a fan later, DeMarco rode a jazzy, soul-pop vibe into “Chamber of Reflection,” powered by clapping from the crowd. He closed the show with the sugary romance of “Still Together,” on which he showed off a striking falsetto. Before the song was over, however, drummer Joe McMurray switched places with DeMarco to lead the crowd in the Red Hot Chili Peppers’ “Under the Bridge.” Then DeMarco reclaimed the mic for another couple of choruses of “Still Together,” before quitting the stage. It was a refreshing ending to the show, letting the audience down easy instead of overwhelming them with bombast. We can’t wait for you to see it when his show airs this fall on your local PBS station.
