Author: michael

Triple Grammy-winning artist Esperanza Spalding makes her return to Austin City Limits  this weekend with a mesmerizing performance that transcends jazz. In a touching tribute Spalding dedicates the episode to legendary guitarist Jef Lee Johnson, who passed away January 28, 2013. The appearance marks their final performance together.

Joined by a stellar 11-piece band, Spalding performs songs from her latest release Radio Music Society, which scored two 2013 Grammy Awards, including Best Jazz Vocal Album. The album represents a celebratory vision of the artists who helped cultivate and inspire Spalding’s career throughout the years. Radio Music Society has received high praise from critics, who hail the album’s “journey through soul, gospel, balladry and big-band swing” [The New York Times] and “torchy swaggers, world-jazzy guitar grooves propelling smoky saxes, and political songs with only a Hammond organ for company” [The Guardian].

Spalding made her ACL debut back in Season 35, performing tracks from her 2008 breakthrough Esperanza, and wowed an audience largely unfamiliar with her music. Her appearance continues to be one of ACL’s most popular encore episodes. She has since gone on to capture the attention of audiences around the globe, leading to her stunning 2011 Grammy win as the first jazz musician to win for Best New Artist. Spalding’s dynamic relationship with her acoustic double bass has cemented her presence in musical history as a modern jazz virtuoso with “a light, fizzy, optimistic drive that’s in her melodic bass playing and her elastic, small-voiced singing” [The Times].

“The first time Esperanza appeared on ACL, she was a best-kept secret,” admits ACL executive producer Terry Lickona. “But now the word is out, and the world is her stage. This time she also brings a stage full of incredible jazz musicians, and an hour full of new music. People will be writing about this show 50 years from now.”

Check out the episode page for more information. Don’t forget to keep up with ACL goings-on on our Facebook and Twitter pages, or via our newsletter. Next week: Nine Inch Nails.

Once again for the first time, welcome to the Austin City Limits stage: the King of the Blues, Mr. B.B. King.

“B.B. King personified blues music for the whole world,” says ACL executive producer Terry Lickona, “but when he first appeared on Austin City Limits in 1983 it was rare for a blues artist to command a full hour on national television.” In honor of the late, undisputed King of the Blues, ACL is proud to bring that iconic hour out from the vault and back to television for the first time in 22 years.

The first of two legendary appearances on ACL, King’s debut episode was recorded in 1982 and originally broadcast in 1983 as part of Season 8. The 11-song set spans the length and breadth of his career to that point, from his then-new album Love Me Tender (including “Since I Met You, Baby” and the title track, a cover of the Elvis Presley classic) to his own standards “Everyday I Have the Blues” and “The Thrill is Gone.” In a powerhouse performance, King hits full-force with a voice that is neither harsh nor sweet, that bends, like his fingers, with each note.

“There was electricity in Studio 6A that night like no other,” says Lickona. “It was pure B.B. – just him, Lucille and one of the best road bands he ever toured with. He mixed up hardcore blues with Elvis ballads, and had the audience in the palm of his hand, following his every lead. It was historic!”

“He was larger than life, but a gentle man with a kind soul and big heart. His ACL performance ranks as one of my personal favorites, and I was never more proud than when he somehow slipped ‘Austin City Limits’ into the lyric of his classic rendition of Willie Nelson’s ‘Night Life.’  We’ve lost a giant.”

Go here for more information on this episode, and check here to see where/when you can catch it. Be sure to follow our Facebook and Twitter pages for the latest ACL update, and subscribe to our newsletter for even more info. Next week: Bob Mould and Delta Spirit.

In a few short years, the world watched Bon Iver’s progression from the “bare boned” yet profound debut For Emma, Forever Ago in 2007, to 2011’s lush self-titled LP. Justin Vernon came a long way from writing in total seclusion in a cabin in the mountains to collaborating with artists such as Kanye West and winning Grammys. When the group recorded this episode in April 2012, we were eager to see how this progression and critical acclaim would manifest in the performance. The result is a passionate, meticulously layered display of talent and musical tranquility.

In this episode, Bon Iver draws mostly from the eponymous album, starting with the opening track, “Perth,” and seamlessly leading into the next tune, “Minnesota, WI.” From there we get “Brackett, WI,” a beautifully-written track that appeared on the 2009 Dark Was the Night compilation album that raised funds and awareness about HIV and AIDS. Audience favorites included a more fleshed-out version of “Blood Bank,” complete with various horns, and of course the hits from For Emma, “Skinny Love” and “For Emma.”

Go here for more information on this episode, and check here to see where/when you can catch it. Be sure to follow our Facebook and Twitter pages for the latest ACL update, and subscribe to our newsletter for even more info. Next week: The Lumineers and Shovels & Rope.