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Giveaway: Pat Benatar and Neil Giraldo

UPDATE: The giveaway is now closed. Austin City Limits will tape a performance by Pat Benatar and Neil Giraldo on Sunday, September 24th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We are giving away a limited number of passes to this taping. Enter your name and email address on the below form by Wednesday, September 20th at 5pm.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue.


In a pop culture world defined by its perpetual changes, the partnership of singer-songwriter Pat Benatar and producer-musician Neil Giraldo has been a potent, steadfast union that has soared to the top of the charts and into fans’ hearts on their own terms. Her staggering vocals and take-no-prisoners attitude, along with his trailblazing artistry as a guitarist, producer and songwriter, forged the undeniable chemistry and unique sound that created eternal rock hits including “We Belong,” “Invincible,” “Love Is A Battlefield,” “Promises In The Dark,” “We Live For Love,” “Heartbreaker” and “Hell Is For Children.”

Their stunning achievements are a testament to their vision. Together, Benatar and Giraldo have created two multi-platinum, five platinum and three gold albums, as well as 19 Top 40 hits. They have sold over 36 million records worldwide and have won an unprecedented four consecutive GRAMMY® awards. They have also been feted with three American Music Awards, a People’s Choice Award, a 2008 induction into the Long Island Music Hall of Fame, and most recently have become Rock & Roll Hall of Fame inductees.


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

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Giveaway: Jason Isbell and the 400 Unit

UPDATE: The Giveaway is now over. Austin City Limits will tape a performance by Jason Isbell and the 400 Unit on Monday, September 18th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We are giving away a limited number of passes to this taping. Enter your name and email address on the below form by Wednesday, September 13th at 5pm.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue.


A Jason Isbell record always lands like a decoder ring in the ears and hearts of his audience, a soundtrack to his world and magically to theirs, too. Weathervanes carries the same revelatory power. This is a storyteller at the peak of his craft, observing his fellow wanderers, looking inside and trying to understand, reducing a universe to four minutes. He shrinks life small enough to name the fear and then strip it away, helping his listeners make sense of how two plus two stops equaling four once you reach a certain age — and carry a certain amount of scars.

“There is something about boundaries on this record,” Isbell says. “As you mature, you still attempt to keep the ability to love somebody fully and completely while you’re growing into an adult and learning how to love yourself.”

Weathervanes is a collection of grown-up songs: Songs about adult love, about change, about the danger of nostalgia and the interrogation of myths, about cruelty and regret and redemption. Life and death songs played for and by grown ass people. Some will make you cry alone in your car and others will make you sing along with thousands of strangers in a big summer pavilion, united in the great miracle of being alive. The record features the rolling thunder of Isbell’s fearsome 400 Unit, who’ve earned a place in the rock ‘n’ roll cosmos alongside the greatest backing ensembles, as powerful and essential to the storytelling as The E Street Band or the Wailers.

They make a big noise, as Isbell puts it, and he feels so comfortable letting them be a main prism through which much of the world hears his art. He can be private but with them behind him he transforms, and there is a version of himself that can only exist in their presence. When he’s plays a solo show, he is in charge of the entire complicated juggle. On stage with the 400 Unit, he can be a guitar hero when he wants, and a conductor when he wants, and a smiling fan of the majesty of his bandmates when he wants to hang back and listen to the sound.

The roots of this record go back into the isolation of the pandemic and to Isbell’s recent time on the set as an actor on Martin Scorsese’s Killers of the Flower Moon. There were guitars in his trailer and in his rented house and a lot of time to sit and think. The melancholy yet soaring track “King of Oklahoma” was written there. Isbell also watched the great director work, saw the relationship between a clear vision and its execution, and perhaps most important, saw how even someone as decorated as Scorsese sought out and used his co-workers’ opinions.

“It definitely helped when I got into the studio,” Isbell says. “I had this reinvigorated sense of collaboration. You can have an idea and you can execute it and not compromise — and still listen to the other people in the room.”

The first of five focus tracks from the album, “Death Wish,” is about being in love with someone suffering from depression, with a powerful universal undercurrent about the fragility of life and the power and limits of love. That grown-up kind of love. Musically the track is beautiful and fascinating. Isbell, clearly, has been listening to the Cure and tiny little tracers of post-punk find their way into this song and others. Matt Pence, the drummer and engineer, came into the studio to help with the drum sound. He got a bunch of kits set up and they arrived on structure for “Death Wish.” The kick drum hits on the two, which was weird and disconcerting, even upsetting, until it clicked. Now it feels complicated and intricate, yet never fragile, like the subject of the song itself. As the first track it announces that Isbell is an artist growing, exploring new musical frontiers. The Sylvia Massy-added strings make it big and ambitious, almost like a James Bond theme song.

“Middle of the Morning” was a lockdown song. Melancholy, honest, with those Isbell phrases that will sneak into your vocabulary – ahem, “farmhand’s ghost” – the narrator, who both is and is not Jason himself, describes the feeling of being stuck in place, wheels and mind spinning, feeling like some essential part of yourself lives just outside your reach.


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

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Giveaway: Flor de Toloache 8/29

UPDATE: The giveaway is now over. Austin City Limits will tape a performance by Flor de Toloache on Tuesday, August 29th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We are giving away a limited number of passes to this taping. Enter your name and email address on the below form by Friday, August 25th at 5pm.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue.


The Latin Grammy Award–winning, all-female Flor De Toloache mixes tradition and innovation, breaking boundaries with its edgy, versatile, and fresh take on traditional Latin American music. Like the legendary love potion that the Toloache flower is used for in Mexico, the talented New York ensemble casts a spell over its audiences with soaring vocals and physical elegance. The members’ diverse ethnicities and musical backgrounds transcend culture and gender by forging new paths. The group has graced international stages from Mexico to Japan and has extensively toured to cities in the US, Europe, and Latin America. With a total of five studio albums to date, “Las Flores,” as their fans call them, recently released Motherflower, described by the artists as a fiercely feminist mosaic of genres inspired by mariachi.


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

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Giveaway: Molly Tuttle & Golden Highway 8/28

UPDATE: The giveaway is now over. Austin City Limits will tape a performance by Molly Tuttle & Golden Highway on Monday, August 28th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We are giving away a limited number of passes to this taping. Enter your name and email address on the below form by Friday, August 25th at 5pm.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue.


GRAMMY Award-winning singer, songwriter, musician and performer Molly Tuttle and her band, Golden Highway, will release their new album, City of Gold, on July 21. The new record follows Tuttle’s acclaimed 2022 album, Crooked Tree, which won Best Bluegrass Album at the 65th Annual GRAMMY Awards and led NPR Music to call her, “a female flat picker extraordinaire with agility, speed and elegance who distinctively brings American roots music into the spotlight.” Produced by Tuttle and Jerry Douglas, the new record was inspired by Tuttle’s constant touring with Golden Highway these past few years, during which they have grown together as musicians and performers, cohering as a band. These 13 tracks—mostly written by Tuttle and Ketch Secor (Old Crow Medicine Show)—capture the electric energy of the band’s live shows by highlighting each members’ musical strengths. 

Raised in Northern California, Tuttle moved to Nashville in 2015. In the years since, she’s been nominated for Best New Artist at the 65th Annual GRAMMY Awards, won Album of the Year at the 2023 International Folk Music Awards, Female Vocalist of the Year at the 2022 International Bluegrass Music Awards, Instrumentalist of the Year at the 2018 Americana Music Awards and Guitar Player of the Year at the IBMAs in both 2017 and 2018, the first woman to receive the honor. Tuttle has performed around the world, including shows with Sam Bush, Béla Fleck, Hiss Golden Messenger, Jason Isbell, Old Crow Medicine Show and Dwight Yoakam as well as at several major festivals including Bonnaroo, Newport Folk Festival and Pilgrimage.  


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

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Giveaway: Robert Glasper 8/24

UPDATE: The giveaway is now closed. Austin City Limits will tape a performance by Robert Glasper on Thursday, August 24th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We are giving away a limited number of passes to this taping. Enter your name and email address on the below form by Monday, August 21st at 5pm.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue.


Robert Glasper is the leader of a new sonic paradigm with a career that bridges musical and artistic genres. To date, he boasts 5 Grammy wins and 12 nominations across 11 categories, an Emmy Award for his song for Ava Duvernay’s critically hailed documentary “13th” with Common and Karriem Riggins, and a Peabody Award for his Composition of “Mr. Soul!”. His work and accolades bridge all aspects of the music business, from live touring to film scoring, composing and producing.

Evolution is his hallmark. Glasper’s breakout crossover album Black Radio changed the face of the genre and set a new expectation for what popular music could be. The album won him the Grammy for best R&B album and established him as the musician of choice for some of the world’s most iconic artists; notably playing keys throughout Kendrick Lamar’s To Pimp A Butterfly, winning another Grammy for the elastic track “These Walls”. The ongoing Black Radio series has since become Glasper’s calling card, upholding a place at the heart of a trailblazing community: from long-time sonic brothers Mos Def and Bilal, to legends including Ledisi, Lupe Fiasco, Kanye West, Jill Scott, and Erykah Badu.

Glasper’s eternal pursuit to further his sound has been consistent in challenging and transforming his creative horizons across the board. Whether producing a remix album with Kaytranda or as a bandleader, Robert consistently defies the limits of the genre. This is evident in a portfolio that ranges from his acoustic jazz trio; which simultaneously defies and elevates the traditional idiom by uniting it effortlessly with electronics from visionary DJ Jahi Sundance, to August Greene; a collaboration with Common + Karriem Riggins, to R+R=Now; a supergroup at the crossroads of hip-hop and Jazz.

In the last year alone, Glasper has seen a staggering diversity of success. He released Black Radio III and Black Radio III Supreme Edition on Loma Vista Records; with features ranging from Jennifer Hudson, Killer Mike, and the late Mac Miller. On screen he created the original score for Run The World Season 2 and The Best Man television series. In July 2022 he was the Co-Founder and Artistic Director of the first Blue Note Napa Valley Jazz Festival, which brought to the stage a plethora of iconic artists; from Chaka Khan to Maxwell and Glasper’s Dinner Party project featuring Snoop Dogg. October 2022 sees him back in New York for his now-legendary month-long residency at the Blue Note NYC, with the usual array of star-studded appearances from the likes of Dave Chappelle, Chris Rock, Questlove, Alex Isley and Miguel joining him both on and off stage.

With boundless innovation and elite technique as his signature it’s no surprise that Glasper has an avalanche of accolades, awards, and achievements to his name – most recently being asked to play at the 2020 March On Washington with Derrick Hodge and funk legend, Sir George Clinton. In August of 2020, Robert released ‘Better Than Imagined’ which won the Grammy for Best R&B song in 2021; the first taste of his Black Radio 3 album. Featuring H.E.R and Meshell Ndegeocello, the song advocates for Black love and the power, and responsibility, we have to improve our world; again demonstrating that, above all, Glasper is an artist at the heart of a moment – and a movement – to champion Black music, Black people, and the possibility of a better future.. The hip-hop-head-nod ballad is a dedication to just that: the beauty and brilliance of a heritage that is as much Kendrick as it is Coltrane, and which seeks to empower and uplift with every offering. Glasper later went on to win the Grammy for Best R&B Album for Black Radio 3 in 2023

In his own words:

“Black lives matter and so does black love; no one wants a life without love, but we have generations of people in our community who haven’t had the tools to actually be in healthy relationships. It seems like people are finally ready to open their eyes to systemic racism in this country, and if we’re going to talk about it, we have to also talk about how it affects our relationships – how we communicate, how we see ourselves, how we treat each other. It’s not always good, even though maybe it could be.” – Robert Glasper


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

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Giveaway: Sudan Archives 8/10

UPDATE: The giveaway is now closed. Austin City Limits will tape a performance by Sudan Archives on Thursday, August 10th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We are giving away a limited number of passes to this taping. Enter your name and email address on the below form by Monday, August 7th at 5pm.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue.


Sudan Archives breakthrough second album Natural Brown Prom Queen is an epic record that is also her most personal, taking in race, womanhood, and the fiercely loyal, loving relationships at the heart of Sudan’s life with her family, friends, and partner. Born Brittney Denise Parks, Sudan burst onto the scene in 2017 with “Come Meh Way,” back when she was a violinist and loop maker producing beats in her Ohio bedroom. While her 2019 debut album Athena drew inspiration from divine Black feminine power, on Natural Brown Prom Queen Sudan is in character as Britt, the girl next door from Cincinnati who drives around the city with the top down and shows up to high school prom in a pink furry bikini with her thong hanging out her denim skirt. From first listen, it’s immediately apparent that Natural Brown Prom Queen is the one-woman instrumentalist’s most ambitious work to date, spanning 18 tracks – from the disco-influenced R&B of “Home Maker” to Afrocentric anthem “Selfish Soul,” hip-hop banger “OMG Britt,” the wild ride of “NBPQ (Topless)” and the ballad “Homesick (Gorgeous & Arrogant).” The acclaimed release was named an album of the year by PitchforkNew York TimesThe GuardianThe FADERThe Needle DropNPRVultureTime OutCNNSlatePasteSPINPop Matters, and many more; “Home Maker” was chosen by Barack Obama for his Favorite Songs of 2022 and Sudan Archives was handpicked by superstar Bad Bunny for Rolling Stone’s Future of Music issue. Fittingly for an album named for a homecoming event, Natural Brown Prom Queen is all about home: both Sudan’s adopted hometown of L.A. and Cincinnati, where she was raised. It’s intimate in all senses of the word, with Sudan unafraid to be vulnerable, tender and open about her insecurities. “Natural Brown Prom Queen is an album of many movements and ruminations, but almost all of them trace back to the multiple ways that a person can find and re-find home,” writes poet and Sudan’s fellow Ohio native Hanif Abdurraqib. “In flimsy, shifting geography, in the fights and triumphs that filter into interactions with beloveds and kinfolk, and, of course, the mighty work of home-making within oneself.” But the record is also about finding pleasure – after all, this is the artist who played violin upside-down on a pole in a music video. On Natural Brown Prom Queen, Sudan Archives invites you to join in and embrace shared joy.


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.