Author: Austin Hegarty

UPDATE: Due to overwhelming interest, the public giveaway is now closed, and pass winners have been notified. Please note there will not be a standby line for this taping; if you have not been contacted as a winner, please do not line up in front of the venue on the evening of October 12th.

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Since the 1995 release of their self-titled first album, no other band has carried the torch for rock & roll like Foo Fighters. Throughout the steady ascent to their indisputable status as the last great American rock band, they’ve raised stadiums, arenas and festival fields of voices in song with anthems like “This Is A Call,” “Everlong,” “Monkey Wrench,” “My Hero,” “Learn To Fly,” “All My Life,” “Times Like These,” “Best Of You,” “The Pretender,” “Walk,” “These Days,” “The Sky Is A Neighborhood,” “Shame Shame” and more. Foo Fighters’ 15-GRAMMY-Award-winning catalogue includes The Colour and the Shape, There Is Nothing Left To Lose, One By One, In Your Honor, Echoes, Silence, Patience and Grace, Wasting Light, Sonic Highways, Concrete and Gold and Medicine at Midnight. Following a year of staggering losses, personal introspection and bittersweet remembrances, the Rock & Roll Hall of Famers returned triumphantly with But Here We Are, released June 2, 2023 on Roswell Records/RCA Records. A brutally honest and emotionally raw response to everything Foo Fighters have endured in recent years, But Here We Are is a testament to the healing powers of music, friendship and family. Courageous, damaged, unflinchingly authentic and “driven by a fresh sense of pathos and urgency” (The New York Times), But Here We Are opens with the Alternative/Rock radio #1 “Rescued,” the first of 10 songs that run the emotional gamut from rage and sorrow to serenity and acceptance, and myriad points in between — including “a gruff, melodic rocker with bittersweet hooks” (Stereogum) in the form of “Under You,” the “totally unexpected foray into shoegaze and dream-pop territory” (Uproxx) that is “Show Me How,” the 10-minute epic “The Teacher,” and more. Produced by Greg Kurstin and Foo Fighters, But Here We Are is in nearly equal measure the 11th Foo Fighters album and the first chapter of the band’s new life. Sonically channeling the naiveté of Foo Fighters’ 1995 debut, informed by decades of maturity and depth, But Here We Are is the sound of brothers finding refuge in the music that brought them together in the first place 28 years ago, a process that was as therapeutic as it was about a continuation of life.

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For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

UPDATE: The giveaway is now closed. Austin City Limits will tape a performance by Alanis Morissette on Friday, October 6th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We are giving away a limited number of passes to this taping. Enter your name and email address on the below form by Tuesday, October 3rd at 5pm.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue.

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Since 1995, Alanis Morissette has been one of the most influential singer-songwriter-musicians in contemporary music. Her deeply expressive music and performances have earned vast critical praise and seven Grammy awards. Morissette’s 1995 debut, “JAGGED LITTLE PILL,” was followed by nine more eclectic and acclaimed albums. She has contributed musically to theatrical releases and has acted on the big and small screen. Outside of entertainment, she is an avid supporter of female empowerment, as well as spiritual, psychological and physical wellness. In 2001, Alanis was awarded the Global Tolerance Award by the Friends of the United Nations for her contributions to promoting tolerance through the arts. In 2016, Alanis launched Conversation with Alanis Morissette, a monthly podcast that features conversations with a variety of revered authors, doctors, educators, and therapists, covering a wide range of psychosocial topics extending from spirituality to developmentalism to art. On December 5, 2019, “JAGGED LITTLE PILL” the musical made its Broadway debut at the Broadhurst Theatre in New York City. The show was nominated for fifteen Tony Awards and won 2 Tony Awards at the 2021 ceremony. In July of 2020, Alanis released her ninth studio album, Such Pretty Forks In The Road, to rave reviews. In August of 2021, Alanis kicked off her sold out world tour celebrating 25 years of Jagged Little Pill. The tour became the #1 female-fronted tour and also one of the Top Worldwide Tours of 2021. Alanis also stars in Fox’s sitcom, “The Great North,” which just wrapped its third season, and has been picked up for a fourth season. Most recently, Alanis was inducted into the Canadian Songwriters Hall of Fame. For more information see www.alanis.com.

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For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

UPDATE: The giveaway is now closed. Austin City Limits will tape a performance by Brittney Spencer on Thursday, October 5th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We are giving away a limited number of passes to this taping. Enter your name and email address on the below form by Tuesday, October 3rd at 5pm.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue.

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As a Baltimore native, Brittney Spencer is known for her free spirit and standout ability to mold life, truth, and wild imagination into songs. She has earned praise by The New York Times, Rolling Stone, Vanity Fair, and others, and she’s appeared on CBS Mornings with Anthony Mason, as well as performed on NBC’s Today Show, The Late Show (After Dark), the CMA Awards, ACM Awards and more. Spencer was featured as part of Victoria’s Secret Global “UNDEFINABLE” campaign, and she appeared in Amazon’s “For Love & Country” Documentary. Deemed a “one to watch” by PEOPLE Magazine, Spencer has shared stages with Jason Isbell, The Highwaymen, Willie Nelson, Reba, Bobby Weir, and Maren Morris to name a few. She’s also performed the National Anthem at The 148th Kentucky Derby, the Preakness in 2022 alongside Megan Thee Stallion and Lauryn Hill, and the 2023 NFL Draft. As an outspoken advocate for her community and the planet, Brittney is an active supporter of many causes, including Habitat for Humanity, the Women’s March, CARE, and more. in 2023, Brittney will continue touring globally and is slated to release her debut album, which will feature A-list writers, creatives and producers.

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For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

UPDATE: The giveaway is now over. Austin City Limits will tape a performance by Noah Kahan on Monday, September 25th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We are giving away a limited number of passes to this taping. Enter your name and email address on the below form by Friday, September 22th at 5pm.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue.

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Over the past year, Vermont singer & songwriter Noah Kahan has exploded from his New England roots into the global mainstream and has been touted as one of 2023’s biggest and best new artists. At the core of his music are vulnerable lyrics and an unfiltered yet relatable honesty, as the critically acclaimed artist pens songs straight from the heart and cracks jokes with his signature, self-deprecating sense of humor. Across his three albums and an EP, Kahan has garnered global renown that includes more than two billion streams, a Platinum Certification for his hit single “Stick Season,” and collaborations with the likes of Post Malone, Joy Oladokun, and GRAMMY-nominated artists Julia Michaels and Wesley Schulz of The Lumineers. His widely adored album, Stick Season, is inspired by his New England roots and conveys a vivid representation of what he loves, fears, and struggles with most passionately. Noah has been on his sold-out “Stick Season Tour” across North America since the album’s release last year, selling half-a-million tickets to date and performing in the biggest venues of his career, with newly announced global dates on the horizon. In June, he released an extended version of Stick Season (We’ll All Be Here Forever), which has gone on to surpass sales of the original and shows no signs of slowing down. His latest single, “Dial Drunk,” has already amassed millions of streams and a slew of critical acclaim, cementing Noah Kahan as one of the most successful breakout artists of the year.

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For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

UPDATE: The giveaway is now closed. Austin City Limits will tape a performance by Pat Benatar and Neil Giraldo on Sunday, September 24th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We are giving away a limited number of passes to this taping. Enter your name and email address on the below form by Wednesday, September 20th at 5pm.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue.

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In a pop culture world defined by its perpetual changes, the partnership of singer-songwriter Pat Benatar and producer-musician Neil Giraldo has been a potent, steadfast union that has soared to the top of the charts and into fans’ hearts on their own terms. Her staggering vocals and take-no-prisoners attitude, along with his trailblazing artistry as a guitarist, producer and songwriter, forged the undeniable chemistry and unique sound that created eternal rock hits including “We Belong,” “Invincible,” “Love Is A Battlefield,” “Promises In The Dark,” “We Live For Love,” “Heartbreaker” and “Hell Is For Children.”

Their stunning achievements are a testament to their vision. Together, Benatar and Giraldo have created two multi-platinum, five platinum and three gold albums, as well as 19 Top 40 hits. They have sold over 36 million records worldwide and have won an unprecedented four consecutive GRAMMY® awards. They have also been feted with three American Music Awards, a People’s Choice Award, a 2008 induction into the Long Island Music Hall of Fame, and most recently have become Rock & Roll Hall of Fame inductees.

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For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

UPDATE: The Giveaway is now over. Austin City Limits will tape a performance by Jason Isbell and the 400 Unit on Monday, September 18th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We are giving away a limited number of passes to this taping. Enter your name and email address on the below form by Wednesday, September 13th at 5pm.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue.

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A Jason Isbell record always lands like a decoder ring in the ears and hearts of his audience, a soundtrack to his world and magically to theirs, too. Weathervanes carries the same revelatory power. This is a storyteller at the peak of his craft, observing his fellow wanderers, looking inside and trying to understand, reducing a universe to four minutes. He shrinks life small enough to name the fear and then strip it away, helping his listeners make sense of how two plus two stops equaling four once you reach a certain age — and carry a certain amount of scars.

“There is something about boundaries on this record,” Isbell says. “As you mature, you still attempt to keep the ability to love somebody fully and completely while you’re growing into an adult and learning how to love yourself.”

Weathervanes is a collection of grown-up songs: Songs about adult love, about change, about the danger of nostalgia and the interrogation of myths, about cruelty and regret and redemption. Life and death songs played for and by grown ass people. Some will make you cry alone in your car and others will make you sing along with thousands of strangers in a big summer pavilion, united in the great miracle of being alive. The record features the rolling thunder of Isbell’s fearsome 400 Unit, who’ve earned a place in the rock ‘n’ roll cosmos alongside the greatest backing ensembles, as powerful and essential to the storytelling as The E Street Band or the Wailers.

They make a big noise, as Isbell puts it, and he feels so comfortable letting them be a main prism through which much of the world hears his art. He can be private but with them behind him he transforms, and there is a version of himself that can only exist in their presence. When he’s plays a solo show, he is in charge of the entire complicated juggle. On stage with the 400 Unit, he can be a guitar hero when he wants, and a conductor when he wants, and a smiling fan of the majesty of his bandmates when he wants to hang back and listen to the sound.

The roots of this record go back into the isolation of the pandemic and to Isbell’s recent time on the set as an actor on Martin Scorsese’s Killers of the Flower Moon. There were guitars in his trailer and in his rented house and a lot of time to sit and think. The melancholy yet soaring track “King of Oklahoma” was written there. Isbell also watched the great director work, saw the relationship between a clear vision and its execution, and perhaps most important, saw how even someone as decorated as Scorsese sought out and used his co-workers’ opinions.

“It definitely helped when I got into the studio,” Isbell says. “I had this reinvigorated sense of collaboration. You can have an idea and you can execute it and not compromise — and still listen to the other people in the room.”

The first of five focus tracks from the album, “Death Wish,” is about being in love with someone suffering from depression, with a powerful universal undercurrent about the fragility of life and the power and limits of love. That grown-up kind of love. Musically the track is beautiful and fascinating. Isbell, clearly, has been listening to the Cure and tiny little tracers of post-punk find their way into this song and others. Matt Pence, the drummer and engineer, came into the studio to help with the drum sound. He got a bunch of kits set up and they arrived on structure for “Death Wish.” The kick drum hits on the two, which was weird and disconcerting, even upsetting, until it clicked. Now it feels complicated and intricate, yet never fragile, like the subject of the song itself. As the first track it announces that Isbell is an artist growing, exploring new musical frontiers. The Sylvia Massy-added strings make it big and ambitious, almost like a James Bond theme song.

“Middle of the Morning” was a lockdown song. Melancholy, honest, with those Isbell phrases that will sneak into your vocabulary – ahem, “farmhand’s ghost” – the narrator, who both is and is not Jason himself, describes the feeling of being stuck in place, wheels and mind spinning, feeling like some essential part of yourself lives just outside your reach.

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For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.