ACL to live stream Patty Griffin and Steve Earle & the Dukes on July 2

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Austin City Limits is thrilled to announce that we will be live streaming a highlight of our milestone Season 45, a rare double-bill taping with Texas-rooted artists Patty Griffin and Steve Earle & The Dukes on July 2, starting at 8 pm CT on our YouTube channel.  

On her sixth appearance on our stage, Patty Griffin is among the most consequential singer-songwriters of her generation, a quintessentially American artist whose wide-ranging canon incisively explores the intimate moments and universal emotions that bind us together. The Grammy®-winning Austinite’s recent, self-titled LP (her tenth studio album), represents an extraordinary new chapter for this incomparable artist and stands among the most deeply personal recordings of her storied two-decade career. The album – which follows 2015’s Grammy® Award-nominated Servant of Love – collects songs written during and in the aftermath of several years in which she battled – and ultimately defeated – cancer. Yet as always, like very few others, Griffin’s power lies in how, as music critic Holly Gleason observed, “her songs seem to freeze life and truth in amber.” It’s in how Griffin can express the strikingly intimate while never making it about herself, all wrapped in sparse arrangements that breathe an incomparable force and import into her songcraft. NPR raves, “One quality that’s distinguished Griffin’s body of work throughout her nearly quarter-century career is her gift for imagining the untamed forces of people’s inner lives.”  

For his fifth appearance on ACL, the legendary Steve Earle presents Guy, his acclaimed tribute to his songwriting mentor and ACL Hall of Fame legend Guy Clark. Earle first met Clark after hitchhiking from San Antonio to Nashville when he was 19, becoming the older songwriter’s bass player and maintaining a lifelong friendship after striking out on his own.  “No way I could get out of doing this record,” says Earle. “When I get to the other side, I didn’t want to run into Guy having made the TOWNES record and not one about him.”  “Guy wasn’t really a hard record to make,” Earle says. “When you’ve got a catalog like Guy’s and you’re only doing sixteen tracks, you know each one is going to be strong.” Earle and his five-piece band The Dukes take on Clark classics including “Desperados Waiting For a Train,” “LA Freeway,” “New Cut Road” and “Heartbroke” with a spirit of reverent glee and invention.  Earle’s raw, heartbreaking vocal on the sweet, sad “That Old Time Feeling” sounds close enough to the grave as to be a duet with his departed friend. Guy is a saga of friendship, its ups and downs, what endures. Like old friends, Guy is a diamond.

Join us on July 2 here for both full live sets of these iconic singer/songwriters. The broadcast episodes will air on PBS later this year as part of our upcoming Season 45.

 

Giveaway: Patty Griffin & Steve Earle

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Austin City Limits will be taping a performance by both Patty Griffin & Steve Earle on Tuesday, July 2 at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by noon on Thursday, June 27.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified by email. Passes are not transferable and cannot be sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras computers or recording devices allowed in venue.

Taping recap: Maggie Rogers

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After ten years of writing and producing music, Maggie Rogers’ career has culminated in her bestselling major label debut Heard It In a Past Life, boasting the hits “Light On” and “Burning.” ACL is always thrilled to welcome fast-rising young artists, so we were happy to host the young Easton, Maryland singer/songwriter for her debut taping.

The crowd greeted executive producer Terry Lickona’s announcement with big cheers as the band took the stage, before the star herself bounded onstage to kick off “Give a Little,” her high energy stage presence matching the song’s caffeinated bounce. Her voltage doubled for “Burning,” as she ranged all over the stage like she wanted to cover every centimeter before the song was done. “This is a song about a crush,” Rogers said by way of introduction to “Say It,” a tune that entered ballad territory to allow everyone to catch a collective breath. Though it stayed with a slower tempo, “On + Off” adopted a slinky R&B groove that built to near-anthemic spirit. After expressing how thrilled she and the band were to be there for ACL’s 45th anniversary, they launched into the shimmering “Dog Years,” which she described as “a song about friendship.” She showed off her funky side again with “The Knife,” an undulating tune that really got her moving. On “Retrograde,” Roger and band grabbed a winsome pop melody and didn’t let go until extracting every ounce of emotional strength.

By way of once again giving band and crowd a break, Rogers expressed her gratitude at being allowed “to do this thing that I love more than anything,” seguing from stating her thanks to singing it with the pop anthem “Light On.” Her audience responded with a loud outpouring of love. She kept the powerful feel going with “Past Life,” which would’ve no doubt gotten lighterwaving if we allowed them into the theater. The band dug back into groove for “Overnight,” another tune that got Rogers’ feet moving, with the energy continuing for the airy “Alaska.” Then the ensemble jumped back into anthem territory for the emotional “Back in My Body,” before ending the main set with the lovely, almost gospel-tinged “Falling Water,” giving the crowd a chance to clap along before cheering their lungs out.

Rogers returned to the stage alone, eschewing backing for the ghostly, a cappella “Color Song,” a highlight from her 2017 EP Now the Light is Fading. At one point she even abandoned the mic, her voice still carrying across the crowded theater. It was a wonderful way to end this high-energy show, and we can’t wait for you to see it when it airs on your local PBS station during ACL’s 45th season.

Giveaway: Maggie Rogers 6/21

photo by Olivia Bee

UPDATE giveaway is now over.

Austin City Limits will be taping a performance by Maggie Rogers on Friday, June 21 at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by noon on Wednesday, June 19th.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified by email. Passes are not transferable and cannot be sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras computers or recording devices allowed in venue.

ACL announces guest performers for Hall of Fame 2019

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Austin City Limits announces an all-star slate of guest performers for the 2019 ACL Hall of Fame Inductions & Celebration on October 24, 2019. Music greats Jackson Browne, Shemekia Copeland, Jimmie Vaughan, Bruce Hornsby, Sarah Jarosz, Willis Alan Ramsey and blues phenom Christone “Kingfish” Ingram will take part in saluting the newest class of inductees: singer-songwriting legends Shawn Colvin and Lyle Lovett and blues giant Buddy Guy.  Texas troubadour Robert Earl Keen takes the reins for the first time as host of the star-studded night filled with performances and collaborations from music’s finest as the three beacons of American music enter the ACL Hall of Fame. “The Austin City Limits Hall of Fame is my Academy Awards,” says Robert Earl Keen. “I don’t think there is a higher honor than to be asked to host the ACL Hall of Fame and as a bonus, I don’t have to wear a tux!” More information about additional guest stars and presenters will be announced prior to the event.

The event will be open to the public and tickets are on sale at acltv.com/hall-of-fame. Sponsor packages are available now at acltv.com/hall-of-fame. All proceeds benefit KLRU-TV, Austin PBS. The ceremony will be held at ACL’s studio home, ACL Live at The Moody Theater in downtown Austin. Musical highlights and inductions from the celebration will air on PBS as a special Austin City Limits New Year’s broadcast. 

The sixth class of inductees features a diverse group of music legends and collaborators with longtime ties to Austin City Limits: Lyle Lovett has shared a musical kinship with the series, notably appearing on ACL more than any artist with the exception of Willie Nelson. Living legend Buddy Guy has made three classic headlining appearances on ACL, starting in Season 16 in 1991 and returning this year in Season 44. Shawn Colvin debuted on ACL the same season as Buddy Guy in 1991, going on to make two additional standout headlining appearances as well as frequent guest spots.

Shemekia Copeland; photo by Mike White

“Lyle, Shawn and Buddy share not only a long history with ACL, but a musical kinship with each other,” said long-time executive producer Terry Lickona, “so I’m sure we can expect some one-of-a-kind musical collaborations. They are each uniquely talented, and together they represent the legacy that has helped ACL thrive for four and a half decades.”

Established in 2014, the Austin City Limits Hall of Fame honors the legacy of legendary artists and key individuals who have played a vital part in the pioneering music series remarkable 40+ years as a music institution. The inaugural induction ceremony in 2014 honored Willie Nelson, Stevie Ray Vaughan & Double Trouble, Lloyd Maines, program creator Bill Arhos and Darrell Royal. The second annual ACL Hall of Fame ceremony in 2015 honored Asleep at the Wheel, Loretta Lynn, Guy Clark, Flaco Jiménez and Townes Van Zandt, along with the original crew of the show’s first season in 1974-75. The 2016 Hall of Fame honored Kris Kristofferson, Bonnie Raitt and B.B. King, alongside former ACL executive producer Dick Peterson. 2017’s Hall of Fame honored Roy Orbison, Rosanne Cash and The Neville Brothers, and the 50th Anniversary of the Public Broadcasting Act. Last year’s fifth anniversary class featured the inductions of Ray Charles, Marcia Ball and Los Lobos.

Taping recap: Mitski

photo by Scott Newton

Mitski has undoubtedly carved out her own unique space in modern music – appropriately enough for an artist equally comfortable opening for either the Pixies or Lorde. The Japanese-born/NYC-based singer, songwriter and university-trained composer has her own distinct point of view and a singular performance style that owes as much to theater and dance as rock and pop. With a generous setlist covering her entire career, Mitski and her four-piece band gave us a stand-out show, made all the more special by her announcement on her Twitter feed earlier today that this would be her final tour.

The band took the stage behind a table desk and chair, followed by Mitski herself, holding a mic and standing still at stage right. As she sang “Goodbye, My Danish Sweetheart,” she did a slow walk from the side of the stage to her desk, taking a seat as the song ended. She sat stock still as the synth pulse of “Why Didn’t You Stop Me?” kicked off, going into full-on choreography as the song progressed. She went back to the desk for the atmospheric “Old Friend,” climbing atop at the song’s climax. The band cranked up the volume for “Francis Forever” and “Dan the Dancer,” which contrasted nicely with her stoic performance style – at least until the leg kicks began on “Dan.” A plethora of sampled claps heralded the arrival of “Washing Machine Heart,” which garnered immediate cheers and encouraged Mitski to leave the desk. She returned to the prop for the throbbing “I Will,” ending the song standing atop it.

The music became noisier and more insistent for “I Don’t Smoke,” which Mitski performed with her arms as much as her voice. The more straightforward “First Love/Last Spring” earned a more energetic performance from the auteur, as if she was fueled by nervous energy. The dramatic “Geyser” followed, with the table desk taking on a role closer to dance partner than prop. Leaving the table on its end, she stalked the stage for the vibrant, aggressive “Townie,” before straddling the chair like a Bob Fosse character for the danceably poppy “Nobody.” She re-embraced the table for the tightly powerful “Liquid Smooth,” before taking to a microphone stand for the clamorous “A Pearl.” The languid, spacey “Thursday Girl” found her back on the table, as did the heartworn “Lonesome Love.”

After a quick sip of water, she sat on her knees on the table as guitarist Patrick Hyland strummed the chords to “Your Best American Girl,” which moved from meditative pop song to loud rock thumper, complete with whipped hair. The more melancholic “I Bet On Losing Dogs” followed, which also used the soft/loud dynamic to great advantage, as Mitski took over the desk once again. She then turned the desk over and stood behind it for the angry, strident “Drunk Walk Home,” brandishing her mic stand like a soldier practicing with a rifle and crawling on the floor in defiance. She ended the main set with the heartbroken pop anthem “Happy,” after which she left the stage.

It was only to retrieve her guitar, however, as her musicians continued to play. “My band, everyone,” Mitski remarked as they quit the stage, leaving her alone for the stark “A Burning Hill.” She then left the stage herself, leaving her adoring fans to cheer wildly. She returned, of course, as did keyboardist Kyuhyun Marie Kim, launching quietly, almost resignedly into the lovely “Two Slow Dancers.” She then thanked both the audience for supporting her in doing her “favorite thing in the world,” before praising the ACL crew as “the kindest, most accommodating, least pretentious people” with whom she’d ever done a TV gig. Then it was time for the big, show-closing anthem: “Carry Me Out,” a clear crowd favorite and the perfect way to end such a special show. We can’t wait for you to see it when it airs as part of our upcoming Season 45 this fall on your local PBS station.

Julien Baker and Lucy Dacus 7/30/19

Julien Baker by Nolan Knight and Lucy Dacus by Dustin Condren

ACL is thrilled to welcome lauded indie singer/songwriter phenoms Julien Baker and Lucy Dacus on July 30 for a taping highlight—a one-of-a-kind co-headline evening with these two accomplished solo artists. read more

New tapings: Patty Griffin/Steve Earle & the Dukes/H.E.R./Vampire Weekend

photo by Michael Wilson

Austin City Limits is excited to announce four new tapings for our landmark Season 45. On July 2, we present a double shoot with a pair of veteran singer/songwriters with Texas roots and extraordinary range: Patty Griffin and Steve Earle & The Dukes. On July 8, we welcome remarkable Grammy®-winning singer, songwriter and guitarist H.E.R. On August 22, we welcome back Vampire Weekend for the indie rock titans’ second ACL taping.

On her sixth appearance on our stage, Patty Griffin is among the most consequential singer-songwriters of her generation, a quintessentially American artist whose wide-ranging canon incisively explores the intimate moments and universal emotions that bind us together. The Grammy®-winning Austinite’s recent, self-titled LP (her tenth studio album), represents an extraordinary new chapter for this incomparable artist and stands among the most deeply personal recordings of her storied two-decade career. The album – which follows 2015’s Grammy® Award-nominated Servant of Love – collects songs written during and in the aftermath of several years in which she battled – and ultimately defeated – cancer. Yet as always, like very few others, Griffin’s power lies in how, as music critic Holly Gleason observed, “her songs seem to freeze life and truth in amber.” It’s in how Griffin can express the strikingly intimate while never making it about herself, all wrapped in sparse arrangements that breathe an incomparable force and import into her songcraft. NPR raves, “One quality that’s distinguished Griffin’s body of work throughout her nearly quarter-century career is her gift for imagining the untamed forces of people’s inner lives.”  

photo by Tom Bejgrowicz

For his fifth performance on ACL, the legendary Steve Earle presents Guy, his acclaimed tribute to his songwriting mentor and ACL Hall of Fame legend Guy Clark. Earle first met Clark after hitchhiking from San Antonio to Nashville when he was 19, becoming the older songwriter’s bass player and maintaining a lifelong friendship after striking out on his own.  “No way I could get out of doing this record,” says Earle. “When I get to the other side, I didn’t want to run into Guy having made the TOWNES record and not one about him.”  “Guy wasn’t really a hard record to make,” Earle says. “When you’ve got a catalog like Guy’s and you’re only doing sixteen tracks, you know each one is going to be strong.” Earle and his five-piece band The Dukes take on Clark classics including “Desperados Waiting For a Train,” “LA Freeway,” “New Cut Road” and “Heartbroke” with a spirit of reverent glee and invention.  Earle’s raw, heartbreaking vocal on the sweet, sad “That Old Time Feeling” sounds close enough to the grave as to be a duet with his departed friend. Guy is a saga of friendship, its ups and downs, what endures. Like old friends, Guy is a diamond.

“The musical sensation H.E.R. is changing how we hear – and feel – music with her talent, vision and mystique,” hails Grammy.com and the forecast is bright for this young star with two 2019 Grammy® Award wins for Best R&B Album (H.E.R.) and Best R&B Performance (“Best Part” featuring Daniel Caesar). Elle magazine proclaims, “H.E.R. is more than a rising star – she’s a damn galaxy.” The 21-year-old is commanding stages on her own sold-out headlining tour, earning praise for live performances that not only showcase her honeyed vocals and self-penned lyrics, but also showcase her skills as a multi-talented musician playing keyboards, drum pad, acoustic and bass guitars.  With over two billion combined streams to date, the release of the breakthrough H.E.R. and the recent releases of I Used To Know Her: The Prelude and Part 2, singer/songwriter/multi-instrumentalist H.E.R. firmly established herself as one of modern music’s most fascinating new voices. H.E.R. Vol. 1 peaked at #1 on the iTunes R&B/Soul Albums chart upon its release and H.E.R. Vol. 2 saw the same trajectory, resulting in two EPs within the Top 5 at the same time. Her latest release, I Used To Know Her: The Prelude, debuted at #1 on the Billboard Top R&B Albums chart, while fan favorites “Focus,” and “Best Part” earned the #1 slot on the Billboard Adult R&B Songs Airplay chart and Urban Adult Contemporary chart, respectively. H.E.R. recently earned two 2018 Soul Train Music Awards for Album/Mixtape of the Year for H.E.R. and Best Collaboration Performance for “Best Part” feat. Daniel Caesar and captivated audiences with performances on the 2019 Grammy Awards, The Tonight Show starring Jimmy Fallon, Jimmy Kimmel Live, The Late Late Show with James Corden,  and the 2018 BET Awards.

photo by Monika Mogi

Ending months of fevered anticipation punctuated by three brilliant double-A-side singles and a slew of over-the-top positive early reviews, Vampire Weekend’s long-awaited fourth album Father of the Bride was released this month, landing the #1 spot on the U.S. charts in its debut.  The rapturous reviews continue: GQ says “One of the most important bands of the 21st century…With Father of the Bride, their fourth album, the group has expanded itself and the conception of what a band can be”;  Stereogum hails Father of the Bride, “Quite possibly their magnum opus”; USA Today raves “Vampire Weekend returns as the best indie band of their generation.” The third Vampire Weekend album in a row to reach #1 on the Billboard 200, Father of the Bride’s first week tally of 138,000 is both the year’s biggest sales week for a rock act and the highest single week sales of the Grammy-winning band’s career. Vampire Weekend recently made their first television appearance in five years and kicked off their Father of the Bride North American Tour with sold-out dates throughout 2019.

Want to be part of our audience? We will post information on how to get free passes about a week before each taping. Follow us on Facebook and Twitter for notice of postings. The broadcast episodes will air on PBS later this year as part of ACL’s upcoming milestone Season 45.