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News Ticket Giveaway Tickets Distributed

Giveaway: Nickel Creek

UPDATE: The Giveaway is now closed. Austin City Limits will tape a performance by Nickel Creek on Sunday, May 5th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). Austin City Limits Taping Giveaways are presented by AXS Events.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue.


GRAMMY Award-winning trio Nickel Creek—Sara Watkins (fiddle), Sean Watkins (guitar), and Chris Thile (mandolin)—is in the midst of a triumphant year following the release of their acclaimed new album, Celebrants—their first new project in nine years.

Recorded at Nashville’s historic RCA Studio A, Celebrants was nominated for Best Folk Album at this year’s 66th Annual GRAMMY Awards and was released to overwhelming critical attention. Of the record, NPR Music declares, “the trio sounds and plays better than ever…these songs are nuanced and honest, not fantasy but one suited for introspection,” while Paste praises, “their instruments and voices alternately blend and shine…it’s a joy to have the gang back together” and Spin proclaims, “giddily ambitious…breathtaking instrumental interplay between mandolin, guitar, and fiddle.”  Known for their high energy live shows, Nickel Creek will continue to perform through this summer in support of the record, including an extensive headline tour this spring as well as a special co-headline run with Andrew Bird in July. 

Together a sum of more than their staggering parts, Nickel Creek revolutionized bluegrass and folk in the early 2000s and ushered in a new era of what we now recognize as Americana music. After meeting as young children and subsequently earning the respect of the bluegrass circuit for a decade, the trio signed with venerable label, Sugar Hill Records, in 2000 and quickly broke through with their Grammy-nominated, Alison Krauss-produced self-titled LP. Since that effort, the trio has released three more studio albums to date: 2002’s This Side, which won Best Contemporary Folk Album at the 45th Grammy Awards, 2005’s Why Should the Fire Die? and 2014’s A Dotted Line.


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

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News

Happy 91st birthday to Willie Nelson

We here at Austin City Limits TV would like to wish a very happy birthday to the one and only Willie Nelson, 91 years young today. Willie has, of course, a long history with ACL, beginning with our pilot episode in 1975 and continuing through multiple (and we mean multiple) headlining shows, songwriters specials and guest appearances. He’s a local, state and national treasure, and we hope he’s still twanging away on Trigger when he hits 100. Happy birthday, Willie!

Willie performs on Austin City Limits through the years. From left to right: Season 1 pilot, Season 44, Season 6, Season Season 5

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News Ticket Giveaway Tickets Distributed

Giveaway: Brittany Howard

UPDATE: The taping giveaway is now closed. Austin City Limits will tape a performance by Brittany Howard on Monday, April 29th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). Austin PBS is giving away a limited number of passes to this taping. Austin City Limits Taping Giveaways are presented by AXS Events.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue.


There’s a double meaning to the title of What Now, the revelatory new album from singer/songwriter Brittany Howard. “With the world we’re living in now, it feels like we’re all just trying to hang onto our souls,” says the Nashville-based musician and frontwoman for four-time Grammy Award-winning Alabama Shakes. “Everything seems to be getting more extreme and everyone keeps wondering, ‘What now? What’s next?’ By the same coin, the only constant on this record is you never know what’s going to happen next: every song is its own aquarium, its own little miniature world built around whatever I was feeling and thinking at the time.” With five Grammy wins and sixteen nominations, Howard follows up her massively acclaimed solo debut Jaime—a 2019 LP that landed on best-of-the-year lists from the likes of Pitchfork, The New York Times and Rolling Stone – with What Now, drawing an immense and indelible power from endless unpredictability. Over the course of its 12 tracks, Howard brings her singular musicality to a shapeshifting sound encompassing everything from psychedelia and dance music to dream-pop and avant-jazz—a fitting backdrop for an album whose lyrics shift from unbridled outpouring to incisive yet radically idealistic commentary on the state of the human condition. Anchored in Howard’s inimitable and infinitely commanding voice—a supreme vessel for channeling raw emotional truth—the record is at turns galvanizing, cathartic, and wildly soul-expanding, and the result is a monumental step forward for one of the most essential artists of our time. “I think the gift I bring is to help people to be more introspective and ask themselves questions,” says Howard. “With a little self-examination, we can learn to be kinder, more compassionate, more understanding of each other. We can see that a lot of us are going through the same shit, and we all just want to be seen for who we really are.”


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

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Featured News Special event

Austin City Limits Heritage Collection with Modern Rocks Gallery

As Austin City Limits (ACL) prepares to celebrate a remarkable 50th Anniversary this year, the live music program salutes the iconic work of legendary longtime staff photographer Scott Newton. Austin City Limits Heritage unveils a stunning collection of signed limited edition black & white photographic prints, capturing many of music’s most enduring figures from the early days of the longest-running music program in television history. To commemorate Austin City Limits‘ 50 years of music, Modern Rocks Gallery founder and owner (and former Modern English guitarist) Steven Walker has curated a heritage collection of fifty classic prints from Newton’s extensive ACL archive, available to fans to purchase for the first time, exclusively from Modern Rocks Gallery in conjunction with Austin PBS. These limited edition fine arts prints will be displayed to view in person at an opening night reception with Scott Newton at Austin’s Modern Rocks Gallery on Friday, April 26 from 7pm-10pm. Fans will also be able to view and purchase the prints online.

A self-taught photographer, Newton has captured memorable images on the ACL stage since Season 5 of the series in 1979 and has remained the program’s official photographer for four and a half decades. As integral to an ACL taping as the television cameras, Newton can frequently be spotted in the footlights and dodging the swinging camera crane to document the artists onstage. During his remarkable tenure, Newton has chronicled early ACL legends including Willie Nelson, Dolly Parton, Stevie Ray Vaughan, B.B. King, Johnny Cash, Emmylou Harris, Ray Charles, John Prine and many more. 

From left: Steven Walker, Scott Newton and Terry Lickona. Image courtesy of Emily Bolf.

“After shooting all those great shows, I finally get to share the results with my fellow music lovers!” says Newton. “This is exciting; decades of my work made accessible as wall art. It’s a dream come true.” Modern Rocks Gallery’s Steven Walker states, “I can’t help but feel a profound sense of pride having been given the honor of curating Austin City Limits Heritage Collection. It seems quite fitting that Modern Rocks Gallery hits its 10th anniversary the same year ACL celebrates 50 years of music. Not only visually striking, this collection holds significant importance. Austin City Limits is ingrained in the very fabric of Austin—it’s singular and cherished, much like Scott Newton’s photography.”

Longtime ACL executive producer Terry Lickona adds: “Scott has always captured the essence and spirit of Austin City Limits through his lens. This nostalgic collection brings to life some of the most historic moments of ACL’s formative years.”

Newton began photographing musicians at Austin’s infamous Armadillo World Headquarters in the early 1970s. His work has been championed for capturing the spirit of the live music capital of the world, and has appeared in coffee table books and hotels, and is regularly featured in publications and on acltv.com.

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Taping Recap

Taping Recap: Jelly Roll

Fresh off the high of this weekend’s CMTs, where Jelly Roll swept the Awards with a trio of wins, and newly-nominated for four ACM Awards, including top honor of Entertainer of the Year, country music’s newest superstar took the stage for his debut ACL TV performance in high spirits, grabbing the microphone and shouting, “50 years of Austin City Limits!” The high energy audience was here for it, on their feet from start to finish, cheering along the Nashville singer/songwriter and band as they performed a blazing set which included unreleased new material that’s never been performed live… until now. 

Kicking off the hour with “Halfway to Hell” and “The Lost” from his record-breaking Whitsitt Chapel, Jelly Roll took time in between songs to acknowledge the adoring crowd, responding to intermittent “I love yous” and waving thankfully. He waxed poetic about his love of Austin City Limits – “I’ve been watching this since I was a child.” Jelly was quick to cite many of the country greats and ACL forebears that have influenced him from a young age, from Willie Nelson to Merle Haggard to George Jones: “I’ve got [ACL] posters on my walls from shows I never went to.” 

Jelly Roll gave a disclaimer to the audience, saying they were going to debut some new songs live for the first time, and might have to restart, before thrilling the crowd with a pair of unreleased tracks, “Liar” and “Winning Streak,” from his forthcoming album. He went on to say no one outside of his wife and close friends had heard these (we also learned the band had only first heard the songs earlier that day), asking the audience for grace as they delivered the new songs flawlessly. 

Next, Jelly Roll performed a cover of Toby Keith’s “Should’ve Been a Cowboy,” introducing the song with the sentiment, “country music lost a legend this year.” From there, he dove right into a monologue about musical influences and how he and his siblings were into massively varying genres – he was raised on country, while his sister was into rock and his older brother into hip hop and rap music. This segued into a medley of bangers, from Eazy-E’s “Boyz-in-the-Hood,” to DMX’s “Ruff Ryder’s Anthem.” Jelly capped it off  with Biz Markie’s anthem “Just a Friend,” inciting an ecstatic, audience-wide singalong. 

Jelly Roll and his 7-piece band, including longtime guitarist Casey Jarvis, went on to deliver back to back favorites from his hit albums, A Beautiful Disaster and Whitsitt Chapel, while also finding opportunity to sprinkle in a new tune, “I’m Not OK,” alongside “Smoking Section” from Therapeutic Music Collection. 

Jelly Roll left the stage for a quick break toward the end of “Bottle and Mary Jane,” as Casey Jarvis and Jack Fowler ripped wailing guitar solos back-and-forth. 

Jelly Roll closed his set with “She” and “Save Me,” taking a moment to reference his recent appearance before Congress to urge lawmakers to pass legislation combating the distribution of fentanyl. As the audience applauded, Jelly flashed the “hook ‘em horns” gesture, saying after the CMT Awards at the Moody Center Sunday night, the longhorn culture has started to rub off on him. One thing is certain after carving his name in ACL history, Austin would be happy to welcome Jelly Roll back any day. 

Jelly Roll performs on Austin City Limits, April 9, 2024. Photos by Scott Newton.

SETLIST:

Halfway to Hell – Whitsitt Chapel

The Lost – Whitsitt Chapel

Son of a Sinner – Ballads of the Broken

Liar – new song

Winning Streak – new song

Cover of Toby Keith “Should’ve Been a Cowboy” 

Covers of DMX, “Ruff Ryder’s Anthem,” Eminem – “Lose Yourself,” Outkast, “Ms. Jackson,” Biz Markie’s “Just a Friend,” Eazy-E’s “Boyz-in-the-Hood”

Creature – A Beautiful Disaster

Bottle and Mary Jane – A Beautiful Disaster

Need a Favor – Whitsitt Chapel

I’m Not OK – new song

Smoking Section – Therapeutic Music Collection

She – Whitsitt Chapel

Save Me – Whitsitt Chapel

MUSICIANS:

Jelly Roll – vocals

Cody Ash – drums

DJ Chill – DJ

Casey Jarvis – guitar

Roosevelt Collier – pedal steel (note: he’s a Sacred Steel player)

Joe Andrews – keyboards, guitar

Alex Howard – bass

Jack Fowler – guitar

Categories
News Ticket Giveaway Tickets Distributed

Giveaway: Jelly Roll

Update: The giveaway is now closed. Austin City Limits will tape a performance by Jelly Roll on Tuesday, April 9th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). Austin PBS is giving away a limited number of passes to this taping. Enter your name and email address on the below form by Friday, April 5th at 2pm. Austin City Limits Taping Giveaways are presented by AXS Events.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue.


2X Grammy nominated singer/songwriter Jelly Roll (Jason DeFord) debuted Top 3 on the Billboard 200 All Genre Chart and #2 on the Top Country Album charts with his debut Country Album, Whitsitt Chapel (released June 2nd, 2023) – earning the biggest Country debut album in Billboard Consumption Chart history and a Best New Artist Grammy nomination. Following his sweep at the 2023 CMT (Country Music Television) Music Awards where he earned 3 awards to become the most awarded artist of the night, the Billboard Country Power List Cover star and “country’s ‘most authentic’ new artist” (The New Yorker) recently received Billboard’s 2023 Breakthrough Award. “One of Nashville’s fastest rising stars” (The New York Times), Jelly won 4 People’s Choice Country Awards and Best Male Country Artist at the People’s Choice Awards, and was the most nominated male at the 2023 CMA Awards, with 5 total nominations, winning CMA Best New Artist. His hit #1 single “Save Me” — a confessional, vulnerable expression of self-doubt—broke radio airplay records and set the stage for his new season of life and took him to new heights and earned him his 3rd consecutive #1 single at Country radio. He spent a 28-week reign at No. 1 on Billboard’s Emerging Artists chart, and with his 3 #1s on Country radio, Jelly earned the most #1s of the year in the format alongside Morgan Wallen and Luke Combs, as well as several multi-genre #1s.

Jelly Roll continues to resonate with fans on a global scale and earn numerous industry milestones – from playing his sold-out hometown show for 18,000 fans at Nashville’s Bridgestone Arena to sold-out dates at the Ryman Auditorium to his 44 date sold out headlining arena tour to the release of his critically acclaimed Hulu documentary produced by ABC News, “Save Me.” Featured by Nightline, GMA, GMA3, The New York Times, The Tennessean, Billboard, Variety, American Songwriter, CMT and more, his self-built, unconventional industry rise and unique fan connection has garnered praise from numerous outlets, with Variety noting, “for everyone who’s facing the same struggles, Jelly Roll is their Springsteen,” and American Songwriter echoing, “with a string of accolades and an extremely dedicated following, Jelly Roll has emerged as a force to be reckoned with in the music industry.”

His current single, “Halfway To Hell” continues to dominate Country and Rock radio in the US as well as international charts including Canada, the UK, Europe, Japan, and more.


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.