Categories
Featured Hall of Fame News Taping Recap

Taping recap: Austin City Limits 8th annual Hall of Fame induction

It goes without saying that an ACL Hall of Fame taping is something special. The combination of ACL greats being saluted by their peers and fans always makes for an emotional, exciting evening. For our eighth HOF show, we were privileged to honor Austin music icon Joe Ely and superstar singer/songwriter Sheryl Crow. This year’s Hall of Fame, honoring a pair of inductees, featured a deeper dive into each artist’s work, highlighted by extended tributes, allowing the guest performers to share personal stories about their connection for a very special night.

Joe Ely accepts his ACL Hall of Fame trophy from author Lawrence Wright, Oct. 2022. Photo courtesy Austin City Limits.

Following introductions from Austin PBS CEO Luis Patiño and Austin City Limits executive producer Terry Lickona, who introduced perennial bandleader Lloyd Maines and the ACL All-Stars house band, renowned Texas author Lawrence Wright arrived to induct hometown hero Joe Ely. “The driving beat of a Joe Ely anthem tells us right away where he’s coming from,” Wright noted. “He’s a honky-tonk poet, an outlaw country minstrel, a corrido balladeer, a rocker with a broken heart, all these traditions experienced, captured, and transformed into his own distinctive style. The traditions that shaped Joe have been shaped by him in turn. He absorbed the legends and became the legend, and because of his gifts to our culture, the emptiness is filled with understanding, with connection, with meaning.” Ely accepted his award graciously, encouraging the show to get back to the music, which roared to life at the piano bench of ACL Hall of Famer Marcia Ball. The Austin legend recalled with obvious pleasure how she was introduced to Ely’s music in the seventies, watching the Amarillo native move from Lubbock expatriate to Texas rock star. That led immediately into a joyous take on Ely’s rip-roaring piano tribute “Fingernails,” because what other song should be in Ball’s capable hands?

Marcia Ball performs “Fingernails” in tribute to Joe Ely’s induction into the ACL Hall of Fame, Oct. 2022. Photo courtesy Austin City Limits.

While the audio crew struck Ball’s piano, Lloyd Maines came to the front of the stage to introduce the ACL All-Stars: ace players David Grissom, Chris Gage, Bill Whitbeck and Tom Van Schaik, plus special guests Jimmy Pettit and Davis McLarty, both mainstays (along with Grissom) of Ely’s band in the 80s and 90s. Country great Rodney Crowell took the stage next to sing Ely’s rockabilly anthem “Cool Rockin’ Loretta,” including an improvised testimony in the midsection paying tribute to “cool rockin’ Joe Ely.” Then it was time to hear from the man himself, who returned to the stage, guitar in hand, turning in a spirited performance of his classic tune “All Just to Get to You” to loud applause. 

Joe Ely performs his classic “All Just to Get to You” during his ACL Hall of Fame induction, Oct. 2022. Photo courtesy Austin City Limits.

The only way to follow that was for Ely to be joined by his decades-long pals and peers Butch Hancock and Jimmie Dale Gilmore – AKA the Flatlanders. Sitting in a row on stools, the trio jumped into a rollicking “I Had My Hopes Up High,” not only the first song on Ely’s 1977 debut album, but also the song that kicks off Ely’s debut ACL episode in 1980. “This is one of the most beautiful West Texas songs you’ll ever hear,” remarked Hancock, as Gilmore led them into Ely’s extraordinary ballad “Because of the Wind.” As another pair of mics were set up, Gilmore talked about what music means to humanity, and specifically to his old friend Joe. “One thing all of us had in our homes was Woody Guthrie,” he said, as Ball and Crowell returned for a round robin, Western swing-flavored take on the great American troubadour’s “Goin’ Down That Old Dusty Road,” a staple of Ely’s sets for many years. Leave it to Ely, at his own tribute, to insist on paying tribute to his own primary influence. “Thank you, Austin City Limits!” said Gilmore, as the crowd cheered and the Flatlanders took a grateful bow. 

L-R: Rodney Crowell, Joe Ely, Jimmie Dale Gilmore, Butch Hancock and Marcia Ball sing Woody Guthrie’s “Goin’ Down This Old Dusty Road” for Ely’s ACL Hall of Fame induction, Oct. 27, 2022. Photo courtesy Austin City Limits.

While the crew reset the stage for the next segment, the audience was treated to a pair of videos from the ACL archive, both featuring the late, great Loretta Lynn, in tribute to her passing earlier this month. Brandi Carlile took the stage to induct her friend Sheryl Crow. “She’s so charming and humble you almost forget that she’s Sheryl fucking Crow,” Carlile said about her mentor. “But we must never forget. When it comes to empowerment, Sheryl has always been on the right side of history.” A clearly moved Crow thanked Brandi and ACL, noting how many of her heroes performed on the show and how much it’s meant to her. Then her pal Jason Isbell took the stage, mentioning how Crow became the rock star she is while remaining a normal person – a rarity in this business. Joined by Crow’s longtime guitarist Peter Stroud, Isbell and the All-Stars then laid down a devastating version of Crow’s masterfully crafted ballad “Run Baby Run.” 

Sheryl Crow accepts her ACL Hall of Fame trophy as inductor Brandi Carlile looks on, Oct. 2022. Photo courtesy Austin City Limits.

The show then welcomed a very special guest: breakout country singer Brittney Spencer. She recounted first encountering Crow at her day job in a coffee shop, which became the root of a continuing friendship. It was also the spark that led to Spencer appearing on our stage to pay tribute to her hero with a soulful take on Crow’s soulful rocker “My Favorite Mistake.” Singer/songwriter Jess Wolfe from Lucius arrived to “literally sing the praises” of her friend. With Wolfe’s Lucius partner Holly Laessig sidelined by illness, Crow herself took Laessig’s place for a lovely version of her hit “Strong Enough” with Wolfe. The duo quit the stage to make way for the return of Carlile, who thrilled in getting to sing “the most fun Sheryl Crow song,” i.e. the Crow staple “If It Makes You Happy,” a tune perfect for Carlile’s lonesome wail. She didn’t leave, however, welcoming the inductee back onstage to duet on the massive hit and fan favorite “Every Day is a Winding Road.” The pair’s obvious joy in singing together translated to both the band and the audience, leading to a delightfully fun performance that earned enthusiastic applause. 

Alongside guitarist Peter Stroud, Sheryl Crow and Brandi Carlile sing “Every Day is a Winding Road” for Crow’s ACL Hall of Fame induction, Oct. 2022. Photo courtesy Austin City Limits.

With a Wurlitzer piano arriving onstage, Crow, Carlile, Isbell, Spencer and Wolfe returned for the grand finale. “It’s a huge honor to share a stage with Joe Ely,” Crow said, also praising the ACL All-Stars and her friends. With Carlile, Spencer and Wolfe acting as a gospel chorus and Isbell contributing guitar solos, Crow passionately sang “I Shall Believe,” turning the brokenhearted ballad into a rousing optimistic anthem. “Thank you, Terry Lickona! Thank you, Austin City Limits! I love you so much!” The audience gave that love back to her with huge applause. And it was over – a fantastic Hall of Fame show that we can’t wait for you to see when it airs January 7, 2023 as part of our Season 48 on your local PBS station. 

Sheryl Crow leads Peter Stroud, Jason Isbell, Jess Wolfe, Brandi Carlile, Brittney Spencer and Lloyd Maines and the ACL All-Stars through her classic “I Shall Believe” during the eight annual ACL Hall of Fame induction ceremony, Oct. 27, 2022. Photo courtesy Austin City Limits.

Austin City Limits 8th Annual Hall of Fame induction ceremony, honoring Joe Ely and Sheryl Crow, Oct. 27, 2022. Photos courtesy Austin City Limits.

Categories
Episode Recap Featured News

Episode premiere: Parker McCollum/Robert Earl Keen

Austin City Limits presents a spectacular hour of country music, Texas-style, featuring rising star Parker McCollum and legendary singer-songwriter Robert Earl Keen. McCollum makes his ACL debut with songs from 2021’s Gold Chain Cowboy; and, in a special appearance, ACL veteran and Americana great Robert Earl Keen, who recently retired from touring, returns for a triumphant final bow showcasing beloved classics from his four-decade career. The new Season 48 installment premieres October 29 at 8pm CT/9pm ET. The program, recorded live at ACL’s studio home in Austin, Texas, continues its extraordinary run as the longest-running music television show in history, providing viewers a front-row seat to the best in live performance for 48 years as the music institution nears a remarkable half-century milestone. ACL airs weekly on PBS stations nationwide (check local listings) and full episodes are made available to stream online at pbs.org/austincitylimits immediately following the initial broadcast.  

Breakout country artist Parker McCollum is having a big year: he scored a best-selling album with his major label debut, Gold Chain Cowboy, won New Male Artist of the Year at the ACM Awards and received a coveted nomination for New Artist of the Year at this year’s upcoming CMA Awards. Raised in the East Texas town of Conroe, the charismatic performer wears his Lone Star roots proudly on his sleeve, and performs Gold Chain Cowboy highlights, including the album’s double-platinum single “Pretty Heart,” and the fan-favorite “To Be Loved By You.” With a smile as wide as Texas, McCollum thrills the crowd with a pair of new songs, “Handle on You,” and “Stoned,” then closes with the heartfelt power ballad “I Can’t Breathe.”

Robert Earl Keen during his final taping for Austin City Limits in 2022. Photo by Scott Newton.

A true Texas original, Robert Earl Keen first appeared on the ACL stage in 1989 as part of a Texas showcase. One of the Lone Star state’s most beloved songwriters and performers, the Houston native returns for his seventh appearance, accompanied by his longtime band and joined, for this occasion, by a special guest, pedal steel guitarist Lloyd Maines. A road warrior who has easily played over 180 dates in any given year, appearing at roadhouses, dance halls, theaters and fairgrounds, Keen caps his remarkable musical journey with this ACL swan song as he retires from live performance. He delivers gems from across his legendary career in an emotional set, opening with early highlights “Feelin’ Good Again” and “Gringo Honeymoon.” For the bittersweet send-off, Keen begins with his “I’m Comin’ Home,” which evolves into a full audience singalong; he then notes “You can take this one with ya,” before wrapping up with “I Gotta Go,” after which he sets down his guitar, tips his hat and waves goodbye to the emotional crowd.

“A Texas Country music legend meets the new face (and voice) of Texas Country music  today,” said ACL executive producer Terry Lickona. “Both Robert Earl Keen and Parker McCollum are part of a long tradition of singer-songwriters, with their own take on what makes Texas Country different.”

Parker McCollum setlist:

TO BE LOVED BY YOU 

HANDLE ON YOU 

STONED 

HELL OF A YEAR 

PRETTY HEART 

I CAN’T BREATHE

Robert Earl Keen setlist;

FEELIN’ GOOD AGAIN

GRINGO HONEYMOON

SHADES OF GRAY

I’M COMIN’ HOME

I GOTTA GO

Season 48 Broadcast Line-up (first half of season)

October 1 Brandi Carlile

October 8 Japanese Breakfast/Arlo Parks

October 15 Sylvan Esso/Lucius

October 22 Allison Russell/The Weather Station

October 29 Parker McCollum/Robert Earl Keen

November 5 Lyle Lovett and His Large Band

November 12 Cimafunk and The Tribe

Watch live, stream anytime, The complete line-up for the full 14-week season, including seven new episodes to air beginning January 2023, will be announced at a later date.  Viewers can visit acltv.com for news regarding live streams, future tapings and episode schedules or by following ACL on Facebook, Twitter and IG. Fans can also browse the ACL YouTube channel for exclusive songs, behind-the-scenes videos and full-length artist interviews.

Austin City Limits

Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 48th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic Austin PBS Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.  

Austin City Limits is produced by Austin PBS and funding is provided in part by Dell Technologies, Workrise, the Austin Convention Center Department, Cirrus Logic and AXS Ticketing. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com.

Categories
News Tickets Distributed

Giveaway: Maren Morris 10/31

UPDATE giveaway is now over. Austin City Limits will be taping a performance by Maren Morris on Monday, October 31st at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We will be giving away a limited number of passes to this taping. Enter your name and email address on the below form by Wednesday, October 26th at 2 pm.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue.


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

Categories
Featured News Taping Recap

Taping recap: Spoon

The deans of Austin alternative rock for over twenty-five years, Spoon hit another milestone in their impressive career: hitting the ACL stage for the fifth time. It may not seem like it, what with the Willies and Haggards and Lyles and Asleep at the Wheels, but the number of artists who visit that many times or more is pretty small. That it’s a band from our hometown makes it even more special – especially a band that’s hitting a new peak in its own career. The quintet’s tenth album Lucifer On the Sofa is one of their most acclaimed, and its songs formed the heart of their taping. 

Driven by Jim Eno’s pounding kit, Spoon kicked off the show with the hard-rocking “Held,” the powerhouse opener from Sofa. Leader Britt Daniel’s famed pop sense took hold on follow-up “Feels Alright,” without losing the rock & roll fervor. Spoon next looked back a few years to their breakthrough Ga Ga Ga Ga Ga for “Don’t You Evah,” a choice that earned immediate cheers, before moving on to Transference for the brow-furrowing rock tune “The Mystery Zone.” Daniel took a moment to reminisce about the free beer that was available at tapings in the pre-Moody Theater days before digging into the grooving boogie of “The Hardest Cut,” on which the band essayed their own take on old school classic rock. Daniel and company then reached all the way back to 1998 for the popwise “Metal Detektor,” wasting no time before moving into the blazing, beat-heavy “Got Nuffin.” 

Three saxophonists and a trombonist then joined Spoon onstage for the chunky rock of “The Devil & Mr. Jones” and the melody-rich title track to the new album, with splashes of reverb splitting the difference between the twentieth and twenty-first centuries. The horns stayed with the band for a spirited zip through the ultra-catchy “The Underdog,” which, as Spoon’s breakthrough radio hit, garnered the loudest, longest cheers yet. As the horn section exited the stage, Daniel kept the acoustic guitar he’d donned for “Underdog” and solicited requests, ending on the vibrant pop of “My Babe,” which just happened to be the next song on the setlist. “Inside Out” followed, its keyboard-heavy pop featuring Daniel singing on his back on the stage in one of his rare turns without a guitar – at least until the song’s outro. Back to his trusty Telecaster, Daniel ended the main set with the dynamic, danceable “Wild,” driving the audience, yes, wild. 

Given the fans’ enthusiasm, Spoon had to come back for more. Keyboardist/guitarist Gerardo Larios arrived first, starting with a familiar piano melody, drawing out Daniel and the rest of the band for an impassioned performance of John Lennon’s Plastic Ono Band standout “Isolation.” “Do us a favor,” Daniel said after finishing, “act like we’re the Who for a second.” Then he led the band into “Utilitarian,” a song from the band’s second LP A Series of Sneaks. After a brief false start, Daniel and crew then took us to Gimme Fiction for the dramatic “My Mathematical Mind,” which built into a frenzy of noise rock and flashing strobes. Despite the Big Rock Ending, Eno went straight into the bashing garage rock of “Rent I Pay,” with a second BRE, and a crowd of fans proclaiming their appreciation for as loud and as long as possible. It was a great show, possibly our best Spoon taping yet, and we can’t wait for you to see it when it airs early next year on your local PBS station as part of our Season 48. 

Spoon tapes Austin City Limits, Oct. 19, 2022. Photos by Scott Newton.

Categories
Episode Recap Featured News

Episode premiere: Allison Russell/The Weather Station

Austin City Limits showcases a pair of breakthrough Canadian singer-songwriters: Montreal native Allison Russell shares the hour with The Weather Station, the performance name of Toronto’s indie-folk singer/songwriter  Tamara Lindeman. Russell makes her show debut with a radiant set featuring songs from her 2022 Grammy-nominated solo debut album Outside Child; while The Weather Station presents a hypnotic set highlighting selections from Ignorance, an album that topped many 2021 year-end-best-of lists. The new Season 48 installment premieres October 22 at 8pm CT/9pm ET. The program, recorded live at ACL’s studio home in Austin, Texas, continues its extraordinary run as the longest-running music television show in history, providing viewers a front-row seat to the best in live performance for 48 years as the music institution nears a remarkable half-century milestone. ACL airs weekly on PBS stations nationwide (check local listings) and full episodes are made available to stream online at pbs.org/austincitylimits immediately following the initial broadcast. 

After years of collaborations with like-minded artists, Allison Russell released her debut solo effort Outside Child to much critical acclaim, earning a trio of 2022 Grammy nominations, including Best Americana Album; it was recently named 2022 Album of the Year by the Americana Music Association. The starkly beautiful breakthrough deals with the abuse Russell suffered as a child and her subsequent survival. Now based in Nashville, the singer/songwriter and multi instrumentalist begins a magnetic set with the folk rocker “The Runner,” joined by a six-piece all-female band; the number soars with exquisite backing vocals and strings. She picks up her banjo for the powerful “All of the Women,” an attempt to find survivor’s joy despite continued societal injustices and senseless tragedy. “We believe that music, shared like this, is creative communion, an essential service that helps build up our empathy,” Russell tells the crowd. A co-founder of the supergroup Our Native Daughters, Russell closes with the stunner “You’re Not Alone,” from the 2019 album Songs of Our Native Daughters

Tamara Lindeman and her band The Weather Station perform on Austin City Limits, 2022. Photo by Scott Newton.

Tamara Lindeman, leader of the Toronto outfit The Weather Station, has earned critical acclaim for the thoughtful, soulful songcraft showcased on her 2021 breakthrough Ignorance, a commentary on climate change issues. Ignorance was named a Top 10 Album of 2021 by Pitchfork, The New Yorker, Spin, New York Times, Uncut, The Guardian, and several others. In a captivating set centered on the album and accompanied by her five-piece band, Lindeman opens kneeling for the riveting single “Robber,” as the tempo and urgency increase, amplified by saxophone and keyboards for dramatic, atmospheric effect. The musically inventive performance draws from elements of jazz, folk and indie-rock. A highlight is the mesmerizing “Stars,” the main track from her stripped-down companion album, 2022’s How Is It That I Should Look At the Stars. Backed only by keyboards, Lindeman’s voice rings out with pure grace, with the crowd remaining intensely hushed for the entire song. 

“No artist can sing or express a song better than the writer, and Allison and Tamara are living proof of that,” said ACL executive producer Terry Lickona. “Their emotional evocations cover the deeply personal to the global, and their songs resonate with meaning as we try to navigate the world around us.”

Allison Russell:

THE RUNNER

ALL OF THE WOMEN

POISON ARROW

YOU’RE NOT ALONE

The Weather Station:

ROBBER

ATLANTIC

PARKING LOT

STARS

TRIED TO TELL YOU

BETTER NOW

Season 48 Broadcast Line-up (first half of season)

October 1 Brandi Carlile

October 8 Japanese Breakfast/Arlo Parks

October 15 Sylvan Esso/Lucius

October 22 Allison Russell/The Weather Station

October 29 Parker McCollum/Robert Earl Keen

November 5 Lyle Lovett and His Large Band

November 12 Cimafunk and The Tribe

Watch live, stream anytime, The complete line-up for the full 14-week season, including seven new episodes to air beginning January 2023, will be announced at a later date.  Viewers can visit acltv.com for news regarding live streams, future tapings and episode schedules or by following ACL on Facebook, Twitter and IG. Fans can also browse the ACL YouTube channel for exclusive songs, behind-the-scenes videos and full-length artist interviews.

Austin City Limits

Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 48th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic Austin PBS Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.  
Austin City Limits is produced by Austin PBS and funding is provided in part by Dell Technologies, Workrise, the Austin Convention Center Department, Cirrus Logic and AXS Ticketing. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com.

Categories
Featured Hall of Fame News

ACL Hall of Fame 2022 adds new talent for next week’s ceremony

Austin City Limits proudly announces additional guest performers for the 2022 ACL Hall of Fame Inductions & Celebration on October 27. Acclaimed act Lucius and country legend Rodney Crowell will join the previously announced line-up of music luminaries slated to perform: Brandi Carlile, Jason Isbell, Brittney Spencer, Marcia Ball, Jimmie Dale Gilmore and Butch Hancock. We regret to announce that Mavis Staples will no longer be appearing at this event due to unforeseen circumstances. The all-star line-up will salute a pair of American originals—superstar singer-songwriter Sheryl Crow and legendary Texas music pioneer Joe Ely—with one-of-a-kind music performances and tributes as they are inducted into the ACL Hall of Fame. The star-studded ceremony takes place on Thursday, October 27th, 2022 at ACL’s studio home, ACL Live at The Moody Theater in downtown Austin. Musical highlights and inductions from the celebration will air as a special Austin City Limits on January 7, 2023 on PBS.  

All-star guests will handle induction honors on this epic night: Americana great and six-time Grammy Award winner Brandi Carlile will induct nine-time Grammy Award winner Sheryl Crow and perform in tribute along with celebrated songwriter Jason Isbell, power vocalists Lucius and country breakout Brittney Spencer. Texas music legend Joe Ely will be inducted by Pulitzer Prize-winning author Lawrence Wright along with a musical salute featuring revered Lone Star musicians: Ely’s longtime collaborators in Texas supergroup The Flatlanders, Jimmie Dale Gilmore and Butch Hancock, will salute the pioneer; joining the musical tribute are country music trailblazer Rodney Crowell and blues legend and ACL Hall of Famer Marcia Ball. Inductees Sheryl Crow and Joe Ely will perform at the celebration. 

ACL Hall of Famer, renowned steel guitarist and producer Lloyd Maines, returns as Music Director, leading the ACL All-Stars house band featuring guitarist David Grissom, keyboardist Chris Gage, bassist Bill Whitbeck and drummer Tom Van Schaik.

The event is open to the public and a limited number of tickets are on sale at acltv.com/hall-of-fame.  Sponsor packages are available now at acltv.com/hall-of-fame. All proceeds benefit Austin PBS.

The eighth class of inductees features two iconic acts: Celebrated singer-songwriter Sheryl Crow has made two classic hourlong appearances on ACL in her remarkable three-decade career, starting with her debut on Season 22 in 1997 and returning in 2004. She also co-hosted ACL’s 40th anniversary special in 2014, the same year the Hall of Fame was established. An icon of Texas music, Joe Ely has made 11 appearances on ACL: including as a headliner five times beginning with his 1980 ACL debut in Season 5; also joining Los Super 7 in 1999, Texas supergroup The Flatlanders in 2002, and a Songwriters Special with Lyle Lovett, John Hiatt and Guy Clark in 2008. The influential artist has made guest appearances with multiple acts, including Kevin Welch in 1992, Ryan Bingham in 2009 and joined Steve Earle and the Dukes in 2019 for a tribute to Guy Clark.

Established in 2014, the Austin City Limits Hall of Fame celebrates the legacy of legendary artists and key individuals who have played a vital part in the pioneering music series remarkable nearly half-century as a music institution. The Hall of Fame has inducted over twenty artists at seven previous ceremonies including Willie Nelson, Stevie Ray Vaughan & Double Trouble, Lloyd Maines, Asleep at the Wheel, Loretta Lynn, Guy Clark, Flaco Jiménez, Townes Van Zandt, Kris Kristofferson, Bonnie Raitt, B.B. King, Roy Orbison, Rosanne Cash, The Neville Brothers, Ray Charles, Marcia Ball, Los Lobos, Lyle Lovett, Buddy Guy, Shawn Colvin. The seventh annual Hall of Fame in 2021 welcomed Lucinda Williams, Wilco and Alejandro Escovedo to its ranks. 

Austin City Limits and the Austin City Limits Hall of Fame are produced by Austin PBS. Austin PBS is a non-profit organization providing public television and educational resources to Central Texas as well as producing quality national programming. 

Austin City Limits

Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 48th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic Austin PBS Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.  

Austin City Limits is produced by Austin PBS and funding is provided in part by Dell Technologies, Workrise, the Austin Convention Center Department and Cirrus Logic. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com.