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News Taping Announcement

Samara Joy, Cam and MJ Lenderman announced for Season 51 Tapings

Austin City Limits (ACL) is thrilled to announce summer tapings featuring a trio of American originals in their ACL debuts for our Season 51: on May 25 we welcome five-time Grammy-winning jazz vocalist Samara Joy, making her debut with songs from her celebrated 2025 album Portrait; previously announced modern soul act Thee Sacred Souls comes to our stage on May 28, straight from their buzzed-about Coachella performances; country artist Cam joins us on June 2; riding a high after a 2025 Grammy win for her songwriting on the landmark Cowboy Carter, Cam makes her headlining ACL debut with songs from her upcoming new collection; and ascendant singer-songwriter MJ Lenderman takes the ACL stage on July 1 with highlights from his acclaimed Manning Fireworks.

Photo by Gus Black

Samara Joy is having a banner year, earning a remarkable fourth and fifth Grammy at this year’s Awards, taking home gold for both Best Jazz Performance and Best Jazz Vocal Album. The 25-year-old jazz vocalist’s latest studio album Portrait won the Outstanding Jazz Album Award at the NAACP Image Awards in February. Joy co-produced the acclaimed Verve release with veteran trumpeter/bandleader and multi-Grammy winner Brian Lynch. Portrait showcases the intimate, soulful chemistry she’s developed with her touring band and spotlights her burgeoning gifts as a lyricist in ingenious arrangements that meld her thoughtful words with music by Charles Mingus, Sun Ra and her late mentor Barry Harris. Joy continues to secure her status as perhaps the first Gen Z jazz vocal star: The New York Times praised the “silky-voiced rising star” for “helping jazz take a youthful turn,” while NPR named her a “classic jazz singer from a new generation.” Joy’s meteoric rise launched in 2022 with the release of her breakout Verve debut, Linger Awhile, which garnered critical raves and signaled the arrival of a once-in-a-generation vocalist. The album earned her a Grammy for Best Jazz Vocal Album in addition to a headline-making win for Best New Artist. A native of the Bronx, Joy became entranced by classic R&B as a child and cut her teeth as a singer in her church’s gospel choir. And while her family history is deeply musical, Joy didn’t delve into the jazz tradition until college. During her studies she won the 2019 Sarah Vaughan International Jazz Vocal Competition, which introduced her to the larger jazz scene as a rising star to watch. She was heard, by audiences and critics alike, as a masterful interpreter of jazz standards and a rightful heiress of the sound, technique and charisma that defined her jazz heroines — including Vaughan, Betty Carter, Abbey Lincoln and Carmen McRae. Joy will tour across the globe throughout 2025, including a career high: her highly-anticipated Carnegie Hall debut this spring.

Multi-platinum country artist Cam turned heads when she performed on our 50th Anniversary special in 2024; she was featured in the program’s songwriter circle, trading songs and verses with Indigo Girls and Brandy Clark in what became a broadcast highlight.  The singer and songwriter kicked off 2025 with a career highlight: she picked up her first Grammy win as a songwriter on Beyoncé’s genre-shattering Album of the Year Cowboy Carter. A sought-after collaborator, Cam penned five songs for the landmark album (“Ameriican Requiem,” “Protector,” “Daughter,” “Tyrant,” and “Amen”) and contributed production and backing vocals. On the heels of her big year so far with Beyoncé, Cam is now gearing up for the 2025 release of her highly anticipated new album with RCA Records. Prolific and adored, Cam stepped into the spotlight in a big way with her critically acclaimed debut, Untamed. The chart-topping, triple-platinum release featured the breakthrough smash “Burning House,” and notched Grammy, ACM, and CMA award nominations. She followed with her critically acclaimed sophomore release, The Otherside, which featured the international Jolene-in-reverse hit “Diane,” plus songwriting from Avicii, Harry Styles, Jack Antonoff, and Sam Smith. A captivating live performer with a soaring voice, Cam has consistently sold out shows across the globe, cementing her status as an international powerhouse. From the coveted sunset slot at Stagecoach to top venues across five continents, in recent years, she has been one of the few country acts to play Lollapalooza, ACL Fest, and Outside Lands while also supporting acts like Harry Styles, George Strait, Sam Smith, Loretta Lynn, the Indigo Girls, Eric Church, Tim McGraw, and Faith Hill. A vivid storyteller, clever wordsmith, and committed visionary, fans have only just begun to scratch the surface of Cam’s many facets. As she bravely steps into her next era, she’s welcoming everyone into a space that’s inclusive, invigorating, and inspiring.

Photo by Shervin Lainez

26-year-old singer-songwriter-guitarist MJ Lenderman makes his ACL debut after a busy couple of years. A rock-and-roll and basketball obsessed kid growing up in the mountain town of Asheville, NC, he put out the breakthrough solo set Boat Songs in 2022; the sleeper hit piled offhanded, Southern-inflected rock on wry, laconic bangers like “Hangover Game,” “Six Flags” and “Tastes Just Like It Costs.” With its barbed little jokes, canny sports references, and gloriously ragged guitar solos, the album became one of that year’s standouts, a ramshackle set of charms and chuckles. He followed with a stellar 2024, bookended by a memorable feature on Waxahatchee’s “Right Back To It,” a magnetic duet about romantic doubt that became one of the year’s biggest indie-rock anthems, and the release of his own highly anticipated solo album, Manning Fireworks. A laser-sharp study of misfits and the mistakes they make, where sympathy and sardonicism share the same ragged rock song, the acclaimed release features thumbnail character studies: “She’s Leaving You,” a half-sneering portrait of a dad cheating his way through a midlife crisis, at least until he gets caught and blasts Clapton in a rented Ferrari en route to Vegas; “On My Knees” finds Lenderman wondering what it means to have fun in a world where so many people seem full of shit; and muses on edgelords and alpha males on the standout “Wristwatch.” Manning Fireworks topped many critics’ year-end best lists, with Rolling Stone raving, “MJ Lenderman delivers a sad-guy indie-rock gem” and named him “a budding guitar great and ace storyteller”; The New York Times calls Lenderman “A young artist with an old soul and a keen eye for observational detail that makes his canted portraits of small-town life come alive”; NPR raves, “He’s a homespun magical realist, always throwing in something off-kilter to elevate his tales of lovable losers”; and the Guardian concurs, “Far from being dude-centric, Manning Fireworks’ sad sack anthems tap into something devastatingly, purely human.” 

We’re thrilled to welcome these stellar acts to the ACL stage. The broadcast episodes will air on PBS this fall as part of our upcoming Season 51, stream previous seasons online or on your connected TV with the PBS App. Follow @acltv on socials for a chance to attend these tapings in person. Learn more about how to attend a taping here.

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Featured News Taping Announcement

Charley Crockett, ACL & Antone’s Celebrate the Blues, Waxahatchee and Thee Sacred Souls to Kick Off ACL’s 51st Season

Austin City limits Season 51 with photos of Charley Crockett, Waxahatchee, Antone's blues celebration, Thee Sacred Souls

Austin City Limits is ready to write the next chapter in its remarkable 50+ year broadcast run with the announcement of the initial tapings of Season 51: country maverick Charley Crockett returns to the ACL stage for his second appearance on April 1 to preview his new release Lonesome Drifter; ACL will celebrate 50 years of the blues and legendary Austin blues club Antone’s own 50th anniversary with a special taping “ACL & Antone’s Celebrate the Blues” on April  28, featuring an all-star line-up of blues standouts; on May 19, breakout singer-songwriter Waxahatchee makes her highly-anticipated ACL debut in support of her Grammy-nominated album Tigers Blood; and modern soul act Thee Sacred Souls take the ACL stage in their debut appearance on May 28 with highlights from their latest Got A Story To Tell.

Texas troubadour Charley Crockett made a sensational ACL debut in Season 47 in 2021 and we’re thrilled to welcome him back to our stage with his highly-anticipated new album Lonesome Drifter. After a decade of touring and more than a dozen independent albums under his belt, Lonesome Drifter marks his first for a major label, and will be released by Island Records on March 14. Hailing from the Texas bordertown of San Benito, Crockett has been on a helluva ride, tapping into a rebellious strain of country and defying the odds with a diehard work ethic; grinding from obscurity to garnering millions of streams and headlining some of the country’s most renowned venues, including the Greek Theater, Red Rocks and the Ryman. He capped 2024 with his first Grammy nomination for his acclaimed album $10 Cowboy. Lonesome Drifter was co-produced by Crockett and Shooter Jennings, and recorded at the legendary Sunset Sounds Studios in LA.  “If you can hang on as long as I have, you’ll have some good stories to tell,” grins Crockett. Lonesome Drifter arrives with the single and title track, a slow-burning rocker that finds him telling the tale of a vagabond traveler. “I started writing the song back when I was still playing in subways in New York,” he recalls. “While I was waiting for the next train, I wrote songs. A few years later, I was in California working on the ganja farms, and I came up with the ‘Lonesome Drifter’ section…The burden of becoming a troubadour is you’re standing in a position that gives you a clear perspective of the struggles of humans.” Crockett tips his hat to his Texas roots on the album with a pair of choice covers: “Jamestown Ferry,” made famous by Tanya Tucker, along with George Strait’s country classic “Amarillo by Morning.”

Legendary Austin club Antone’s celebrates its 50th anniversary this year and Austin City Limits is proud to salute this milestone, along with our own history of showcasing blues music, with a special taping featuring a stellar slate of blues all-stars taking the ACL stage. Performers will include Jimmie Vaughan, Sue Foley, Christone “Kingfish” Ingram, Charlie Sexton, Big Bill Morganfield, Lil’ Ed Williams, Grace Bowers, Bobby Rush, Kam Franklin, John Primer, Benny Turner and Lurrie Bell. These blues all-stars will be backed by an incredible 14-piece house band featuring legendary players, including ACL Hall of Famer Chris Layton, Steve Bell, Joe Sublett, Rodd Bland, Jon Deas, Nick Connolly, Larry Fulcher, Derek O’Brien, Jay Moeller, Eve Monsees and The Texas Horns, all under the musical direction of Zach Ernst.

ACL featured blues acts on the series dating back to its early seasons, providing the first television exposure for many including Lightnin’ Hopkins, Gatemouth Brown, Miss Lavelle White, B.B. King, W.C. Clark, Elizabeth Cotten and Ruth Brown. ACL is thrilled to celebrate a kindred long-running music institution that has played an instrumental role in Austin’s reign as “the live music capital of the world.” Antone’s “Home of the Blues” was founded by the late Clifford Antone in 1975 as the first live music venue on the city’s now-famous Sixth Street, and quickly became a home away from home for a Mount Rushmore of blues musicians including Muddy Waters, Albert King, Otis Rush, Buddy Guy, Stevie Ray Vaughan, Willie Dixon and B.B. King – as well as a broader tapestry of American roots music. The force behind all this was Clifford Antone, and under his guidance, his namesake club emerged as one of the most important blues joints and stages in the country. Throughout the venue’s remarkable five-decade run, Antone’s continued to define the present and shape the future of blues music, bolstering the careers of internationally-renowned artists including The Fabulous Thunderbirds, Doug Sahm, Charlie Sexton, Angela Strehli, Lou Ann Barton and many more. It remains a vital presence in the live music scene, with its legacy and influence carried forward by the next generation of trailblazing artists including Gary Clark Jr., Kam Franklin, Jackie Venson, Eve Monsees and Christone “Kingfish” Ingram.  

ACL is proud to welcome Katie Crutchfield, the indie musician who performs as Waxahatchee (the name of a creek she grew up near in Alabama). She’s been releasing albums as Waxahatchee since 2012 and recently scored a career high with Tigers Blood, which earned a 2025 Grammy nomination for Best Americana Album. Recorded at Sonic Ranch in the Texas bordertown of Tornillo with producer Brad Cook, the Kansas City-based Crutchfield wrote most of the songs on the album during a self-described “hot hand spell” while on tour in 2022. Tigers Blood features her most potent songwriting to date and includes the breakout single “Right Back To It,” a lo-fi gem that features southern indie-rock ace MJ Lenderman on harmony vocals and guitar, nominated for Song of the Year at the 2024 Americana Music Awards. Album highlights include the spellbinding opener “3 Sisters”; “365,” a powerful meditation on co-dependency and addiction; and “Bored,” a blazing number on diverging friendships in your 30s. Tigers Blood is Waxahatchee’s first release in four years since 2020’s acclaimed Saint Cloud, a pandemic era standout and turning point that found Crutchfield steering away from indie rock and leaning into Americana and roots music, a sound with deep ties to her southern upbringing. The road-tested artist is touring throughout 2025, including a special Luck Ranch show on March 14 with one of her primary influences, Lucinda Williams. Waxahatchee will also join Willie Nelson on his 2025 Outlaw Music Festival.

It’s been a tremendous couple of years for fast-rising Southern California sweet soul trio Thee Sacred Souls. Their sophomore release Got A Story To Tell (Daptone Records) features 12 original tracks that further cement the band’s status as masters of modern soul. The follow-up to their breakout 2022 self-titled debut, the album was recorded at Penrose Recorders in Riverside, CA, with producer and Daptones Records co-founder Gabriel Roth at the helm. Got A Story To Tell reflects the band’s artistic growth and deep connection to the soul tradition that inspires them. Richly layered with strings, smooth guitar, piano, congas, and horns, the album creates an immersive soundscape, unfolding like a novella filled with evocative tales of love, struggle, and triumph. NPR praises their “satin vocals and vintage melodies;” The LA Times raves, “One of the top acts in contemporary soul revival music. Thee Sacred Souls count fans among older enthusiasts of 1960s-style sweet soul as well as Gen Z listeners who vibe with the group’s grooving messages of romanticism, introspection, and empowerment.” Written by Thee Sacred Souls founding members Alejandro Garcia, Salvador Samano, and Josh Lane, the trio found inspiration in Brazilian legend Arthur Verocai, the Delfonics, Jamaican rocksteady and Motown siren Mary Wells. It’s a soaring statement of exquisite craftsmanship from a young band whose own story grows bigger by the day. Millions of monthly listeners on Spotify. In just two years, an ever-growing list of celebrity fans including SZA, Alicia Keys, Leon Bridges, and Kylie Jenner, and festival debuts at Austin City Limits, Bonnaroo, Newport Folk and Lollapalooza; the band make their Coachella debut this spring. 

We’re thrilled to welcome these stellar acts to the ACL stage. Want to be part of our audience? We will post information on how to get free passes a week in advance of each taping on our website. Follow us on socials – Instagram, Facebook and Twitter for taping announcements and latest episode news, and subscribe to our YouTube channel for even more. The broadcast episodes will air on PBS this fall as part of our upcoming Season 51, stream previous seasons online or on your connected TV with the PBS App. 

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Featured News Taping Announcement

New tapings: Chris Stapleton, Carín León, Mickey Guyton, Norah Jones, the Avett Brothers, and Sturgill Simpson

Austin City Limits is proud to announce a stellar slate of acts for October tapings to complete our milestone Season 50, including a number of ACL Fest headliners featured on our namesake festival this fall. On October 3 we welcome back country giant Chris Stapleton for his second appearance on the ACL stage; on October 5 we present chart-topping Global Latin music superstar Carín León in his ACL debut; country music trailblazer Mickey Guyton comes to ACL for her first appearance on October 9; nine-time GRAMMY-winning Norah Jones returns to the ACL stage for her fifth appearance on October 10; October 13 brings The Avett Brothers to the ACL stage for their third headlining appearance; and Sturgill Simpson returns for the first time in nearly a decade with a new taping on October 28. We’re thrilled to welcome these exceptional artists to the ACL stage for our Anniversary season.

Kentucky-born Chris Stapleton is a 10x GRAMMY, 16x CMA and 19x ACM Award-winner and one of the country’s most respected and beloved musicians. In the midst of yet another triumphant year, Stapleton recently won four awards at the 59th ACM Awards as well as two more trophies at 2024’s 66th Annual GRAMMY Awards. These accomplishments celebrate Stapleton’s album, Higher, which includes break-out songs “White Horse” and “Think I’m In Love With You.” Produced by Dave Cobb, Morgane Stapleton and Chris Stapleton, the record landed on multiple “Best of” lists including Billboard, Esquire, Los Angeles Times, Vulture and Rolling Stone, who praises, “dazzling…the best evidence yet for the way one man’s voice has become synonymous with the very idea of a musical genre.” Additionally, The New Yorker declares, “Stapleton is the rare country star with both traditional bona fides and broad commercial appeal. He has an outlaw soul and a pop star’s capacity for inescapable hooks,” while GQ proclaims, “In an age rife with division, he’s maybe the only thing Americans all agree on.” Known for his electric live performances, Stapleton continues his extensive “All-American Road Show” through 2024. Additionally, Stapleton has new collaborations with Post Malone (“California Sober”), Slash (“Oh Well”), George Strait (“Honky Tonk Hall of Fame”) and Dua Lipa (“Think I’m In Love With You (Live from the 59th ACM Awards)”) in addition to recording a version of “I Should Have Known It” for the new Tom Petty tribute album.

Carín León continues his rapid ascent after a monumental 2023, including winning a Latin Grammy for Best Norteño Album for Colmillo de Leche and releasing two massive hit singles, with “Primera Cita” and “Según Quién” each charting Top 25 on Spotify and Top 30 on the Billboard Global 200. Earlier this year, the global Mexican star earned a standing ovation at the Grand Ole Opry with a set entirely in Spanish and made history as the first Latin artist to perform at both Coachella and Stagecoach. His single “ALCH SI” with Grupo Frontera reached the #1 spot on Billboard‘s Regional Mexican Airplay chart. León’s latest album Boca Chueca Vol. 1 is out now to great fanfare, and his Boca Chueca Tour 2024 sees stops across major cities in North America and Europe, including a performance at New York City’s Madison Square Garden. Originally from Hermosillo, Sonora, Mexico, León embarked on his musical journey at the age of 15, taking his first steps by learning to play the guitar and developing skills in singing and songwriting. In 2018, León released his debut album Desvelada con Banda y Mariachi which propelled him to quickly dominate the Regional Mexican music scene as a performer, singer and songwriter. In 2021 his album INÉDITO debuted atop the Apple Music charts, reaching #1 on the Mexican Music chart and #3 on the Latin Music chart and was named one of Billboard’s 25 Best Latin Albums of the year. León has received countless nominations and multiple awards, including a 2024 People’s Choice Country Award nomination for “The One (Pero No Como Yo),” his bilingual collaboration with country star Kane Brown, an ASCAP Award for the song “Me La Aventé,” numerous Premios Lo Nuestro (“Regional Mexican Breakthrough Artist,” “Best Male Artist” and “Banda Song of the Year”) and a 2022 Latin Grammy win for “Best Regional Mexican Song” for “Como lo Hice Yo,” a collaboration with Mexican pop group Matisse.

Mickey Guyton is a four-time GRAMMY-nominated artist and country music trailblazer. Over the course of her career, the Arlington, Texas native has been recognized for her musical achievements, including being named TIME Magazine’s Breakthrough Artist of the Year in 2022 and CMT’s Breakout Artist of the Year in 2021. With her 2021 debut studio album, Remember Her Name,  Mickey made history as  the first Black artist to earn a  GRAMMY nomination for Best Country Album.  Additionally, she became the first-ever Black female solo artist to earn a nod  in a country category with additional nominations for “Best Country Song” and “Best Country Solo Performance.” Beyond the GRAMMYs, Mickey has shined on the grandest of global stages, delivering powerful renditions of the national anthem at Super Bowl LVI and the 2023 World Series. She has also performed on a wide array of star-studded award shows and platforms, including the ACM Awards, CMA Awards, CMT Music Awards, ESPYs, CBS Mornings, Good Morning America, The Today Show, The Jennifer Hudson Show, The Kelly Clarkson Show, SHERRI, The Tonight Show Starring Jimmy Fallon, The Late Show with Stephen Colbert, Sesame Street, and many more. The multihyphenate has also evolved into a media personality, having co-hosted the Macy’s 4th of July Fireworks special on NBC, the 2023 National Christmas Tree Lighting Ceremony on CBS and co-hosted the 56th Academy of Country Music Awards on CBS along with Keith Urban. Mickey recently released a series of new songs, including “Scary Love,” “Make It Me,” and “My Side of the Country” leading to her highly-anticipated sophomore album House On Fire out Sept. 27, 2024 on Capitol Records Nashville.

Norah Jones’ ninth solo studio album Visions is a vibrant and joyous 12-song set of original songs that finds the singer-songwriter-pianist singing about feeling free, wanting to dance, making it right, and acceptance of what life brings. The album is a collaboration with producer and multi-instrumentalist Leon Michels (Sharon Jones, Dan Auerbach). “The reason I called the album Visions is because a lot of the ideas came in the middle of the night or in that moment right before sleep,” says Jones. “We did most of the songs in the same way where I was at the piano or on guitar and Leon was playing drums and we were just jamming on stuff. I like the rawness between me and Leon, the way it sounds kind of garage-y but also kind of soulful, because that’s where he’s coming from, but also not overly perfected.” Jones first emerged on the world stage with the 2002 release of Come Away With Me, her self-described “moody little record” that introduced a singular new voice and grew into a global phenomenon, sweeping the 2003 GRAMMY Awards including Album of the Year, Record of the Year, Song of the Year, and Best New Artist. Since then, Jones has become a nine-time GRAMMY-winner, sold 53 million albums, and her songs have been streamed 11 billion times worldwide. She has released a series of critically acclaimed and commercially successful solo albums—Feels Like Home (2004), Not Too Late (2007), The Fall (2009), Little Broken Hearts (2012), Day Breaks (2016), Pick Me Up Off The Floor (2020), the live album ‘Til We Meet Again (2021), and her holiday album I Dream Of Christmas (2021). The 2010 compilation …Featuring Norah Jones showcased her incredible versatility by collecting her collaborations with artists as diverse as Willie Nelson, Foo Fighters, Outkast, and Herbie Hancock. In 2022, Jones launched her podcast Norah Jones Is Playing Along which features candid conversations and impromptu musical collaborations with some of her favorite musicians.

The Avett Brothers return with their first album in five years, produced by longtime collaborator Rick Rubin. The Avett Brothers, their eleventh studio album, is a record interested in the divine unknowable, as much untitled as it is self-titled. Songs like “Love Of A Girl,” “Country Kid” and “Forever Now” seek the sacred in the commonplace: a cheap cup of coffee, broken hearts and school bus lessons, a baby’s first steps, growing older and holding on to one’s roots, losing someone and accepting fate, rediscovering hope and finding sanctity in tragedy…ultimately reveling in the fun and surrender of what we cannot understand. Recorded in Malibu, Nashville, Mar Vista, and the band’s hometown of Concord, NC, the album is also one that revealed itself naturally over time. As their first LP on Ramseur Records/Thirty Tigers since 2007’s Emotionalism, The Avett Brothers is at once a cumulative opus and fresh start for the band’s future. Since the start of their expansive US tour of nearly 50 dates that extends throughout 2024,  The Avett Brothers have remained tireless and gleefully unpredictable in their music, live set and beyond.

Respected, beloved and fiercely independent, Sturgill Simpson makes his highly anticipated return to music with the release of his acclaimed new album, Passage Du Desir, under a new name, Johnny Blue Skies. Of the new chapter, Johnny Blue Skies shares, “You can turn the page or you can light the book on fire and dance around the flames. You can try to live above hell or you can just go raise some. Here’s to clean livin’ and dirty thinking.” The eight-song Passage Du Desir was produced by Johnny Blue Skies and David Ferguson and recorded at Clement House Recording Studio in Nashville, TN and Abbey Road Studios in London, England. Simpson and his band—Kevin Black (bass), Robbie Crowell (keys), Laur Joamets (guitar) and Miles Miller (drums)—will also make their long-awaited return to the road this fall with the “Why Not? Tour.” Simpson’s first full tour in over four years, the extensive headline run includes stops at L.A.’s The Greek Theatre, Washington State’s The Gorge Amphitheater, Lexington’s Rupp Arena, Chicago’s Salt Shed (two nights), Queens’ Forest Hills Stadium and Nashville’s Bridgestone Arena among many more. Simpson also headlined Outside Lands and will close out both weekends of this year’s Austin City Limits Music Festival. Since his debut, Simpson has released five full-length studio albums—2013’s High Top Mountain, 2014’s Metamodern Sounds in Country Music, 2016’s A Sailor’s Guide to Earth, 2019’s Sound & Fury and 2021’s The Ballad of Dood and Juanita—along with the 2020 projects, Cuttin’ Grass Vol. 1 and Vol. 2. Throughout his singular career, Simpson has relentlessly pushed against expectations, earning widespread acclaim and countless accolades including a Grammy Award in 2017 for Best Country Album and six GRAMMY nominations across four genres: country, rock, bluegrass and americana.

We’re thrilled to welcome these remarkable artists to the ACL stage for our milestone season. Want to be part of our audience? We will post information on how to get free passes a week in advance of each taping. Follow us on Facebook and Twitter for notice of postings. The broadcast episodes will air on PBS as part of our upcoming anniversary Season 50.

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Featured News Taping Announcement

New taping: Wynonna

Austin City Limits is thrilled to announce a new taping with one of country music’s most legendary voices and iconic performers: Wynonna. A musical force like none other, we welcome her to the ACL stage on September 3 for our milestone Anniversary Season 50.

One of the most widely recognized and awarded female country musicians in history, Wynonna is celebrating a remarkable 40-year career. Her 1992 self-titled solo debut sold over five million units, becoming the highest-selling debut album by a female artist at the time. Wynonna earned three consecutive #1 hits and the singer followed the wildly successful debut with the multi-platinum album Tell Me Why. Building on the groundbreaking music she and her mother created as The Judds, Wynonna grew into her once-in-a-generation vocal prowess with an ease that resonated with legions of fans. Chart-topping hits “No One Else On Earth,” “Tell Me Why,” “She Is His Only Need,” “Girls With Guitars,” and “I Saw The Light” set the next chapter in motion for the girl from Ashland, Kentucky who became a global superstar. Having practically grown up as America’s favorite musical daughter, Wynonna matured into a woman who embraced life’s peaks and valleys, great thrills, and heavy disappointment. Beyond the Grammy Awards, multi-platinum albums and sold-out tours, the country/soul vocalist expanded on the Appalachian traditionalism that defined The Judds to create a world where Top 5 dance/club hits were as possible as being inducted into the Country Music Hall of Fame. Wynonna has sold-out concerts scheduled throughout the summer before she hits the road for her “Back to Wy” tour in September. She’ll be playing her debut and sophomore albums back-to-back for 17 special shows across the country. Wynonna first appeared on Austin City Limits with The Judds during ACL’s 10th Anniversary Season in 1985 and opened our Season 22 in 1997 with a full-hour season premiere. We’re proud to welcome her back during our 50th Anniversary Season for the first time in nearly three decades. 

Want to be part of our audience? We will post information on how to get free passes a week in advance of the taping. Follow us on Facebook and Twitter for notice of postings. The broadcast episode will air on PBS as part of our milestone Season 50, which premieres on September 28, 2024.

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Featured News Taping Announcement

New Taping: Hurray for the Riff Raff

Hurray for the Riff Raff

Austin City Limits is excited to announce a new summer taping, Hurray for the Riff Raff, to be included in the stellar lineup of Season 50 performances. Hurray for the Riff Raff will make their debut on ACL Tuesday, July 2 in support of their latest release, The Past Is Still Alive.

Hurray for the Riff Raff. Photo by Tommy Kha.

Hurray for the Riff Raff’s latest release, The Past Is Still Alive, finds bandleader Alynda Segarra (they/them) being called “one of America’s best songwriters” (Vulture). Recently released on Nonesuch Records, The Past Is Still Alive is the record of Segarra’s life so far. Finding fans in everyone from Elton John to poet Eileen Myles, it has been hailed as “the next great American road album” (The Atlantic), through which Hurray for the Riff Raff is “etching their own story into the American songbook, and asserting that they belong there” (The New York Times). Pitchfork named it Best New Music, NPR Music‘s Ann Powers drew comparisons to Joni Mitchell’s Hejira and Lucinda Williams’ Car Wheels On a Gravel Road, and in a sweeping cover story, Paste declared it “the most important album of the 2020s so far.” Produced by Brad Cook (Bon Iver, Indigo Girls, Waxahatchee), The Past Is Still Alive is both a memoir and a roadmap to America’s fringes, as Segarra uses portraits of their radical, itinerant experiences to deliver profound reflections on time, memory and loss. Segarra is 36, or a little less than halfway through the average American lifespan. In that comparatively brief time, though, the Hurray for the Riff Raff founder has been something of a modern Huck Finn, an itinerant traveler whose adventures prompt art that reminds us there are always other ways to live. Segarra’s poetic power proves why they have become a pan-everything fixture of the modern folk movement, illustrating inequality and independence, and navigating chaos and trauma with a sense of wonder and want. With The Past Is Still Alive, their ninth studio album, Segarra finally tells the story themselves, speckling stirring reflections on love, loss, and the end or evolution of the United States with foundational scenes from their own life. “It felt like a trust fall, or a letting go of this idea of proving something to the music industry—how I can be more digestible, modifiable, sellable,” Segarra says. “I feel like I’m closer to what I actually have to share.” 


We’re thrilled to welcome Hurray for the Riff Raff to the ACL stage for our milestone 50th season. Want to be part of our audience? We will post information on how to get free passes a week in advance of the taping. Follow us on Facebook and Twitter for notice of postings. The broadcast episode will air on PBS this fall as part of our anniversary Season 50

Categories
Featured News Taping Announcement

New tapings: Maggie Rogers, Kacey Musgraves, The War And Treaty, Gracie Abrams

Austin City Limits is proud to announce new summer tapings from a stellar slate of American originals for our golden anniversary Season 50: critically acclaimed producer/songwriter/performer Maggie Rogers returns on May 30 with songs from her new album Don’t Forget Me; celebrated singer-songwriter Kacey Musgraves returns for her third headlining appearance on June 3 to showcase her acclaimed new release Deeper Well; powerhouse act The War And Treaty return to the ACL stage on June 28 for their second feature slot; and 2024 Grammy Best New Artist nominee Gracie Abrams makes her ACL debut on July 30 with new music from her upcoming sophomore album The Secret of Us.

Maggie Rogers. Photo by Maddy Rotman.

GRAMMY® Award-nominated producer/songwriter/performer Maggie Rogers recently shared her third studio album, Don’t Forget Me, out now via Capitol Records.  Rogers co-produced her new album with Ian Fitchuk (Kacey Musgraves, Maren Morris) at Electric Lady Studios in New York City, writing eight of its 10 songs with him and penning two alone. Shawn Everett (Brittany Howard, The War on Drugs) mixed and the album was mastered by Emily Lazar (Beck, Coldplay), who has mastered all of Rogers’ albums to date. Praising the album’s “transcendent songwriting,” SPIN said, “with Don’t Forget Me, Rogers sounds fully confident.” Rolling Stone said, “For such a heavy emotional lift, the album is an easygoing listen, perfect for a Sunday-afternoon drive.” In this feature, The New Yorker praised the album as “the loosest and most elemental music she’s made…burly, coltish, tender, fun,” while Pitchfork declared, “the singer-songwriter’s third album is her strongest yet, the sounds of a wise, clear-eyed melodious prodigy coming into her own voice.  Originally from Maryland, Rogers released her breakthrough EP Now That The Light Is Fading in 2017. Widely hailed as an artist to watch, Rogers released her critically acclaimed Capitol Records debut album Heard It In A Past Life in January 2019 and immediately found tremendous success: entering Billboard’s Top Album Sales chart at No. 1 and debuting at No. 2 on the Billboard 200. The album earned praise from the likes of NPR, The New York Times, Rolling Stone, Pitchfork, TIME Magazine, Vogue, and many more. Heard It In A Past Life also landed Rogers a nomination for Best New Artist at the 62nd GRAMMY® Awards and led to performances on major TV shows including Saturday Night Live, The Tonight Show Starring Jimmy Fallon, The Late Show with Stephen Colbert, Austin City Limits, Today, and more. The album, which contains the platinum hits “Light On” and “Alaska,” has amassed over one billion combined global streams and is certified Gold in the U.S. In 2022, Rogers released her follow up album, Surrender, to widespread acclaim and embarked on two sold-out headline tours across Europe and North America including her Summer of ’23 Tour, which included stops at legendary venues like Red Rocks Amphitheatre in Colorado, Forest Hills Stadium in NYC and the Hollywood Bowl in Los Angeles.  Rogers kicks off her “Don’t Forget Me Tour, Part 1” May 23 at Gallagher Square at Petco Park in San Diego, CA, and will perform two nights at Red Rocks Amphitheatre in Colorado (May 27 + May 28). The “Don’t Forget Me Tour, Part II” — Rogers’ first-ever arena outing — will launch on October 9th at Moody Center in Austin, TX and include shows at New York City’s Madison Square Garden (October 19) and the Kia Forum in Inglewood, CA (November 2).

Kacey Musgraves. Photo by Kelly Christine Sutton.

Kacey Musgraves has always been a little bit magic. From the tumbling sparkle of Laurel Canyon acoustics that cascade into “Cardinal,” the swirling opener on the seven-time Grammy winner’s fifth album, Deeper Well, the metaphysical and incandescent are even more present and powerful from a woman whose songs have cast a glow on how evolved people live since her first single “Merry Go ‘Round” charmed the world over a decade ago with its hypocrisy-skewering appeal. If there’s one thing Musgraves has done across one of modern music’s most expansive and adventurous creative journeys, it’s trust her gut. Glistening folk-pop and country explorations with just enough bluegrass to spin the modern arrangements organically, she wears these songs like a second skin. For Deeper Well, the introspective writer found herself drawn to NYC’s legendary Electric Lady studio. Working with longtime co-producers Ian Fitchuk and Daniel Tashian, the music on Deeper Well is almost chimeric: rolling acoustic guitars, puffy clouds of strings and synth, warm bass punctuations, layered harmonies, moments of Celtic melody and plenty of room on the tracks for Musgraves’ silvery vocals. On the bright, almost folky title track, the 30-something songstress surveys her life and priorities, recognizing what feeds her, drains her and even examines the Texas childhood she’s left behind on her way to now. “Sonically, I’ve been craving classic American songwriting,” she says. “Real songs. No gimmicks. The color palette of where those songs came from was everything I felt pulled to. New York is one of the places that kind of record came from. Simon & Garfunkel, the Greenwich Village clubs, fingerpicking and James Taylor. Social commentary. Storytelling. I always look for honesty in terms of the songs, and this record is no different. Unconsciously, I think that’s part of what drew us to taking our stories to New York City.” Deeply personal, universally true, Deeper Well is a coming of enlightenment song collection that embraces fear, vulnerability and the joy found beyond the doubt most sentient people wrestle. “Love is the prism,” says the sloe-eyed songwriter, “and my role in it. I make sense of the world around me by looking for balance and I’d like to think this album is for anyone who’s living life and paying attention.”

The War And Treaty. Photo by Austin Hargrave.

Founded in 2014 by the husband-and-wife duo Michael Trotter Jr. and Tanya Trotter, The War And Treaty has emerged as one of the most electrifying new acts in American music. The Nashville-based pair recently garnered their first-ever GRAMMY nominations for Best American Roots Song and the all-genre Best New Artist, along with a 2024 Duo of the Year nomination from the Academy of Country Music. This follows an exciting year of honors for the pair including their first-ever Duo of the Year nomination from the Country Music Association and nominations for this year’s CMT Music Awards for Duo/Group Video of the Year and for CMT Performance of the Year. Further recent recognition has come from the Country Music Hall of Fame, the Rock & Roll Hall of Fame, the Grand Ole Opry, and the Americana Music Association. With a lionhearted sonic blend, both roaring with passion and tender to the touch, The Tennessean notes, “they are unlike any other act in music.” The War And Treaty’s 2023 major label debut album Lover’s Game (Mercury Nashville) was met with critical praise, with the Associated Press claiming, “The colossally talented pair continue their commando, no-limits journey to the top of the music world.” Drawing respect across the board, they have gone on to appear as top-flight collaborators, including the latest “Hey Driver” with Zach Bryan. The group also just released their first new single of 2024, “Stealing A Kiss” – a seductive envelope of country soul that they are becoming well known for. The War And Treaty has captivated audiences across the globe from North America to Europe, Australia and beyond, while headlining their own shows and opening for a diverse group of living legends: Al Green, Brandi Carlile, Chris Stapleton, Jason Isbell, John Legend, Lauren Daigle, and Van Morrison among them. The War And Treaty made their ACL debut in Season 46 in 2020 during ACL’s limited audience pandemic tapings, and we are thrilled to welcome them back to light up the ACL stage, this time with a full live audience.

Gracie Abrams. Photo by Abby Waisler.

Gracie Abrams returns with the highly-anticipated new album, The Secret of Us, out June 21st on Interscope Records. The album’s newly-released lead single “Risk” was met with an outgoing of support and excitement from fans online as well as raves from Rolling Stone, Billboard, Nylon and more. The 24-year-old songwriter co-wrote the bubbly yet incisive new track with longtime friend Audrey Hobert and took a hands-on role producing the new single alongside her friend and frequent collaborator, the National’s Aaron Dessner.  The Secret of Us will come nearly a year since her debut album, Good Riddance, which Gracie released in February 2023 and Rolling Stone hailed “one of 2023’s Best Debuts.” Good Riddance earned Gracie her first ever Grammy nod at the 66th Annual Grammy Awards with a nomination for the highly coveted Best New Artist. Since making her debut in 2019, Gracie Abrams has emerged as one of the most compelling singer-songwriters of her generation, earning the admiration of such like minded artists as Taylor Swift, Lorde, Billie Eilish, and Olivia Rodrigo. A consummate songwriter who names Joni Mitchell as her most formative influence, she penned her first song at age eight, then went on to amass a devoted following on the strength of her emotionally intimate lyrics and DIY sensibilities. With the arrival of her breakout debut project minor in summer 2020, she received glowing reviews from the likes of NME, who praised her “painfully honest tales of heartbreak draped in delicate melodies that carry much more intrigue than the usual run-of-the-mill singer-songwriter.” The seven-song effort features her beloved singles “21,” “I miss you, I’m sorry,” and “Long Sleeves.” In late 2021, Abrams returned with This Is What It Feels Like, a 12-track project exploring such complex emotional experiences as self-betrayal, insecurity, and failed attempts at connection. Soon after completing her sold-out North American headline tour for This Is What It Feels Like, she set to work on her debut album. Abrams kicked off 2022 with a headline tour of North America followed by a support slot on Olivia Rodrigo’s tour and reconnected with Dessner to release two songs “Block me out” and “Difficult.” In early 2023, Abrams released her debut album, Good Riddance, followed by a North American headline tour that sold out in under one hour. Gracie toured with Taylor Swift as the opening on select dates of her blockbuster Eras Tour and will continue as direct support when the Eras Tour returns to North America later this year. 

We’re excited to welcome these stellar acts to the ACL stage for our milestone 50th season. Want to be part of our audience? We will post information on how to get free passes a week in advance of each taping. Follow us on Facebook and Twitter for notice of postings. The broadcast episodes will air on PBS this fall as part of our anniversary Season 50.