Residente showcase his own kind of world music in ACL’s 44th season

photo by Scott Newton

Austin City Limits presents an extraordinary hour with Puerto Rican rap superstar Residente. The record-breaking Grammy Award-winning artist makes his ACL debut in a vibrant eight-song set showcasing his whipsmart rap and powerful message of social justice.

Rene Pérez Joglar, aka Residente, has earned a staggering 28 Grammy Awards (more than any other Latin artist) as a solo artist and co-founder of the trailblazing alternative rap duo Calle 13. The superstar also received the prestigious Nobel Peace Summit Award in 2015 for his efforts to promote social awareness and peace. In an impassioned, thought-provoking debut, Residente takes the ACL audience on a journey around the world, exploring his globe-spanning roots through music, and sharing the stories behind many of his songs. The rapper showcases highlights from his 2018 Grammy Award-winning, DNA-test inspired, self-titled solo debut. Finding he had roots all over the world, Residente traveled to many of the places that formed parts of his genetic makeup, from Serbia to Africa.

Backed by a commanding seven-piece band of global musicians hailing from Columbia to Morocco, the charismatic rapper opens with the explosive “Somos Anormales.” Residente preaches a message of unity, vowing “We include people, we don’t exclude people,” and speaking bilingual English and Spanish throughout. This inclusiveness translates to his musical vision as he dazzles on “Dagombas en Tamale,” a song based around the vocal and percussion styles of the Dagombas tribes of the African nation of Ghana. The politically-charged rapper shouts out for resistance, relaying a call to peace through the rapid-fire “Guerra.” Residente drives his message of love home with the gorgeous “Latinoamérica,” telling the roaring crowd, “America is the whole continent. This is for everyone.”

photo by Scott Newton

“At a time when Latin music is exploding worldwide, Residente stands out among his contemporaries,” says ACL executive producer Terry Lickona. “His raps are powerful and soul-searching, his music always inspiring, always true to his Puerto Rican roots.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for another brand new episode, featuring British rockers Arctic Monkeys and Austin favorites Wild Child.

Trombone Shorty and Cyril Neville bring New Orleans funk to Season 44

photo by Scott Newton

Austin City Limits showcases Trombone Shorty & his 10-piece band Orleans Avenue in an electrifying hour with the New Orleans funk shooting stars.

“What’s up, ACL? We meet again!” proclaims Trombone Shorty, aka Troy Andrews, in his second appearance on the ACL stage. The celebrated singer/songwriter/trombone sensation made his ACL debut in 2010 and has become New Orlean’s biggest musical ambassador, channeling his hometown’s rich cultural heritage of soul, funk, jazz, rock and hip-hop to audiences worldwide. The bandleader and his band of aces, including horns, guitar and percussion, show off their bona fides on the instrumental opener “Buckjump,” before easing into the brass-band funk of the Allen Toussaint classic “On Your Way Down.” The non-stop party features selections from Shorty’s catalog, including funky rocker “Where It At?” and the show-stopping “Here Come the Girls” from 2017’s acclaimed Parking Lot Symphony, along with numbers from 2011’s For True and 2010’s Backatown.

In a show full of musical highlights, Shorty takes the mood even higher, announcing “We about to take you to uptown New Orleans right now,” introducing a very special guest, ACL Hall of Famer Cyril Neville, “from the mighty, mighty Neville Brothers.” In an exhilarating performance, the beloved showman reaches back to the Nevilles’ origins, burning through the legendary Meters’ “No More Okey Doke” and “Fiyo On the Bayou,” certified Big Easy classics that have the Austin crowd on their feet for a glorious finale.

photo by Scott Newton

“The music of New Orleans has been a part of Austin City Limits’ legacy since the beginning,” according to executive producer Terry Lickona. “The two cities are kindred spirits in so many ways. Virtually every major artist from The Big Easy has played ACL over the years, and Trombone Shorty is the music of New Orleans today.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for another brand new episode, featuring Latin superstar Residente.

5th annual ACL Hall of Fame ceremony airs on New Year’s Eve

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Austin City Limits rings in the new year with an annual tradition, highlights from the Austin City Limits Hall of Fame Inductions & Celebration, hosted by Chris Isaak. This fifth annual all-star celebration features music luminaries and more sharing the stage for one epic night to perform in honor of the newest class of inductees: Ray Charles, Marcia Ball and Los Lobos. The special hour, taped October 25, 2018 at ACL’s studio home, ACL Live at The Moody Theater, in Austin, Texas, honors the musicians who have played an instrumental role in the evolution of the iconic series. The broadcast airs Monday, December 31 at 10pm C/11pm E on PBS check local listings for times.  

Master of ceremonies Chris Isaak opens the special noting that Austin City Limits, now in its 44th season, is the longest-running television music program in history, outlasting American Bandstand, Soul Train and—even—Hullabaloo. Isaak introduces honoree Marcia Ball, the Texas-born pioneering blues pianist who debuted on ACL’s first season in 1976, saying “when she sings the blues she makes you dance.” Inducted by her longtime friend and collaborator, New Orleans soul queen Irma Thomas, Ball accepts the honor saying of ACL “I was lucky enough to get here first, stay longer, go farther and have more fun than I ever, ever imagined possible.” An all-female line-up of blues all-stars pays tribute to her 50-year strong career in a sparkling three-song salute with Ball herself on piano, joined by Thomas and powerhouse vocalists Tracy Nelson, Lou Ann Barton, Carolyn Wonderland and Shelley King, celebrating a shared lifetime of friendship and music.

The late Ray Charles made two seminal ACL appearances in the 1980s and is honored following an induction by John Burk, president of Concord Records and producer of the music titan’s final studio album in 2004. Norah Jones salutes the Genius with a sterling rendition of “What Would I Do Without You,” saying “this is one of my favorite Ray Charles songs.” Blues great Ruthie Foster brings the house down with a powerhouse reading of Brother Ray’s signature “Georgia on My Mind” and blues-rock star Gary Clark Jr. puts down his guitar for the occasion and steps up to the mic to pay vocal tribute, delivering a radiant “Nighttime Is the Right Time” while vocalists Ruthie Foster, Shelley King and Carolyn Wonderland do The Raelettes proud with show-stopping backing chorus.

photo by Scott Newton

Acclaimed filmmaker Robert Rodriguez inducts his longtime compadres Los Lobos into the ACL Hall of Fame calling the East L.A. band “Endlessly inventive, unbelievably groundbreaking, masterful with all kinds of instruments, peerless musicians, and just truly great people.” Los Lobos’ musical kinship with ACL includes six appearances on the series, and they take the stage to perform a trio of back-to-back classics from their forty year-plus career. Joined by director Rodriguez on guitar, steel guitar ace Robert Randolph, Boz Scaggs and guitarist Adrian Quesada, the brothers in arms dazzle with a jubilant eight guitar heartbeat, and the celebration of music comes to an epic close, ushering in the New Year with a Feliz Año Nuevo! and a buoyant “La Bamba,” the 1987 classic.

Austin City Limits Hall of Fame New Year’s Special setlist:

I WANT TO DO EVERYTHING FOR YOU – Marcia Ball with Tracy Nelson, Irma Thomas
FOOL IN LOVE – Marcia Ball with Lou Ann Barton, Tracy Nelson, Irma Thomas, Carolyn Wonderland, Shelley King
SHINE BRIGHT – Marcia Ball with Tracy Nelson, Carolyn Wonderland, Irma Thomas, Shelley King  
WHAT WOULD I DO WITHOUT YOU – Norah Jones
GEORGIA ON MY MIND – Ruthie Foster
NIGHT TIME IS THE RIGHT TIME – Gary Clark Jr. with Ruthie Foster, Carolyn Wonderland, Shelley King
DON’T WORRY BABY – Los Lobos with Robert Randolph
LA PISTOLA Y EL CORAZON – Los Lobos
ALL-STAR FINALE: LA BAMBA  – Los Lobos with Robert Rodriguez, Boz Scaggs, Robert Randolph, Adrian Quesada, Marcia Ball, Tracy Nelson, Ruthie Foster, Carolyn Wonderland, Shelley King & Chris Isaak

The 5th Anniversary Austin City Limits Hall of Fame Inductions and Celebration is presented by NetApp and is sponsored in part by American Airlines, AXS, Brown Distributing, Cirrus Logic, Cousins Properties Incorporated, Dell, Keller Williams, Stratus Properties and Texas Monthly.  

ACL announces lineup for second half of Season 44

photo by Scott Newton

Austin City Limits announces the second half of Season 44, with eight all-new installments to begin airing December 15 as part of the program’s fourteen-episode season. The stellar slate of broadcast episodes features highly-anticipated debuts from today’s most talked-about live acts, and the return of ACL stalwarts, continuing Austin City Limits’ run as the longest-running music television show in history, providing viewers a front-row seat to the best in live performance for over 40 years.

The season returns with many acts making first-time appearances on the ACL stage including UK modern rock icons (and 2019 Grammy nominees) Arctic Monkeys, rising R&B star Khalid and Canadian indie rocker Mac DeMarco splitting a bill, and trailblazing Puerto Rican rapper Residente in a thrilling rapid-fire hour. A series highlight features the return of American icon Willie Nelson, who helped launched ACL in 1974, in a new performance for the ages, marking a remarkable eighteenth appearance on the series and his first headlining set in a decade. Also returning is New Orleans sensation Troy “Trombone Shorty” Andrews who celebrates his second ACL with a N’awlins-style hourlong party featuring his 10-piece Orleans Avenue band along with special guest, ACL Hall of Fame legend Cyril Neville. Blues giant Buddy Guy, another 2019 Grammy nominee, returns for his third headlining appearance, sharing an episode with the all-star collective known as August Greene, featuring hip-hop’s Common and renowned producers/jazz music phenoms Robert Glasper and Karriem Riggins. Austin favorites Wild Child round out the season in a spirited debut from this seven-piece indie-folk outfit.

“This might be our most eclectic mix of artists, styles and genres in one fell swoop ever,” said ACL executive producer Terry Lickona.” It really speaks to what separates Austin City Limits from every other music show, ever. I’m so proud we are able to showcase two giants in their respective genres, and both legends: Buddy Guy and Willie Nelson. Without Willie, there would be no ACL!”

Season 44 | Season 44 Broadcast Season (second half)

December 15 Khalid / Mac DeMarco
December 22 Tom Waits (encore)
December 29 Iggy Pop (encore)
December 31 ACL Hall of Fame New Year’s Special

January 5 Trombone Shorty & Orleans Avenue
January 12 Residente
January 19 Arctic Monkeys / Wild Child
January 26 Willie Nelson

February 2 Buddy Guy/ August Greene

February 9 ACL Presents: Americana Music Festival

ACL’s Season 44 premiered in October with standout performances from St. Vincent, John Prine, Brandi Carlile, Kacey Musgraves, Miguel, Anderson East, Alessia Cara, Sam Smith and Lukas Nelson & Promise of the Real. The award-winning series will continue to broadcast fan-favorite encore episodes through the end of 2018. In what has become an ACL holiday tradition, the program will encore Tom Waits legendary December 1978 performance, one of the most requested episodes in ACL’s 40+ year archive. Tune-in on December 22nd to see this classic Christmas episode. A recent classic, Iggy Pop’s iconic 2016, Season 42 debut on the ACL stage, backed by an all-star band including Queens of the Stone Age’s Josh Homme, encores December 29th.

A special broadcast of Austin City Limits Hall of Fame New Year’s Eve airs Monday, December 31 at 10pm CT/11pm ET. Austin City Limits rings in the new year with this star-studded celebration, hosted by Chris Isaak, featuring one-of-a-kind performances and collaborations from the 2018 ACL Hall of Fame induction ceremony, taped October 25, 2018. Performers include ACL royalty Los Lobos, Marcia Ball, Norah Jones, Gary Clark Jr., Irma Thomas, Robert Randolph, Filmmaker Robert Rodriguez, Ruthie Foster, Boz Scaggs & more.

photo by Gary Miller

For the eighth consecutive year, the producers of Austin City Limits, in conjunction with Two Talented Cats, LLC, and the Americana Music Association, are proud to present a special ACL Presents on February 9th to close out Season 44—featuring the best music performances from the 17th Annual Americana Music Association Honors and Awards Ceremony held September 12, 2018 at the historic Ryman Auditorium in Nashville, TN.

Austin City Limits continues to offer its popular live streams of select performances for fans worldwide on ACL’s YouTube Channel. Viewers can visit acltv.com for news regarding live streams, future tapings and episode schedules.

Janelle Monáe delivers a show-stopping Season 44 episode

photo by Scott Newton

Austin City Limits presents one of today’s most celebrated artists, Janelle Monáe, in a thrilling new hour of euphoric funk.  The award-winning singer, songwriter, performer, producer, activist and actor showcases songs from her widely acclaimed Dirty Computer in a must-see episode.

Monáe stole the show at this year’s namesake ACL Festival; now the visionary funk songstress delivers a show-stopping master class for her Austin City Limits debut, featuring songs from her third solo album, Dirty Computer, one of 2018’s most lauded releases.  Performing with a predominantly female ensemble, including a four-woman dance team, the Kansas City native slays in a breathtaking, eight-song set packed with exuberant choreography and elaborate costumes.  “I come in peace, but I mean business,” the powerhouse proclaims to the Austin audience. She performs Dirty Computer gems, singing the funky “Django Jane” refrain “Black girl magic, y’all can’t stand it,” atop a golden throne; the sizzling “Pynk,” a cleverly costumed celebration of female empowerment, and the sensual “Make Me Feel,” opening in silhouette to showcase her Michael Jackson and James Brown-inspired dance moves.  Saying “We love you, Prince,” Monáe pays tribute to her late mentor and collaborator with “Primetime,” from 2013’s The Electric Lady, as her guitarist evokes the unmistakable coda of the icon’s “Purple Rain.” She dazzles with back-to-back highlights from her Grammy-nominated 2010 debut The ArchAndroid, including her smash “Tightrope,” then wraps up her stunning ACL debut with a climactic “Come Alive.”

“The artistry of Janelle Monáe is stunning,” says ACL executive producer Terry Lickona. “She can do it all. There’s nobody else out there like her. I’ve never seen anybody like her on Austin City Limits – in over three decades, and that says a lot!”

photo by Scott Newton

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for an encore episode featuring singer/songwriters James Bay and Rhiannon Giddens.

Sam Smith and Anderson East sing blue-eyed soul on ACL’s 44th season

photo by Scott Newton

Austin City Limits has all the feels in a soulful new installment showcasing two gifted vocalists: worldwide superstar Sam Smith and emerging singer-songwriter Anderson East.  

The multi-platinum, four-time GRAMMY ® award-winning Sam Smith wowed ACL audiences with his 2014 debut during the program’s milestone Season 40, and the British native returns with songs from his chart-topping, acclaimed sophomore album The Thrill Of It All.  Smith turns his songs about heartbreak into anthems of strength in a sparkling performance, backed by gospel-style vocalists. Smith proudly tells the Austin crowd he wrote “HIM,” the powerful same-sex anthem, “as a message that love is love,” inspiring the crowd to join on the soaring chorus. He performs a thrilling version of his smash “Pray” and delivers the stirring “Palace” as a passionate duet joined by his backing singer, displaying the full range of his vocal prowess.  The magnetic star closes out the set with the mega-hit “Too Good At Goodbyes,” with Smith gamely instructing the Austin crowd to “sing this to your ex.”

Alabama rock-and-soul singer Anderson East dazzles with his staggering vocal power and a firestorm of songs blending rock, blues, country and soul for a mighty ACL debut.  The singer-songwriter performs songs from his acclaimed Encore, produced by longtime collaborator, Nashville it-producer Dave Cobb.  The album’s title is derived from East’s steadfast belief that every song on his new album must be worthy of closing out one of his notoriously epic live shows.  East brings the fireworks for set-opener “Surrender” with his hard-charging eight-piece band, complete with joyous horns and backup singers, laying down the driving beat.  He introduces the tender charmer “King For A Day” saying “here’s a song about how I’m feeling.” The swaggering “Girlfriend” segues directly into the sultry declaration of desire “All On My Mind” for a one-two gut-punch.  Vintage Southern soul-burner “Satisfy Me,” a Stax-worthy R&B gem from his 2015 debut Delilah, has the crowd on their feet and East saves the finest moment for last—bringing the house down with the powerhouse vocal climax of rousing set-closer “House Is A Building.”

photo by Scott Newton

“Sam Smith and Anderson East bare their souls in totally different ways,” says ACL executive producer Terry Lickona, “Sam starts with a whisper, then soars; Anderson starts with fireworks. What they have in common is their unabashed honesty and ability to make a powerful emotional connection with their audience.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for a brand new episode featuring rocking singer/songwriter Brandi Carlile.

John Prine’s songwriting mastery enlightens ACL’s 44th season

photo by Scott Newton

Austin City Limits proudly presents a Season 44 highlight: a golden hour with celebrated singer-songwriter John Prine. The American original shines in his first ACL appearance since 2005, showcasing beloved classics alongside selections from The Tree of Forgiveness, his first collection of new material in 13 years, and the highest-charting release of his storied five-decade career.

Prine made his ACL debut on Season 3 in 1978 and returns for his eighth appearance during a banner year; he is a first-time nominee for the 2019 Rock & Roll Hall of Fame and was named Artist of the Year for the second consecutive year at the 2018 Americana Honors & Awards. The 72-year old folk hero captivates with his astute songwriting in this career-spanning hour, introducing many of the songs with his unique humor and wit. Prine dazzles with his singular knack for storytelling on subjects as varied as sticking up for the dwarf planet Pluto, and the rituals of egg farmers in Lincoln, Nebraska.

He opens the show climbing The Tree of Forgiveness with his four-piece band, performing seven selections from the acclaimed release, before taking the stage solo for a singalong of his early career highlight “Illegal Smile,” the opening track on his self-titled 1971 debut. Prine is joined by Kentucky native and rising songwriter Tyler Childers, who duets with his mentor on the musical last will and testament “Please Don’t Bury Me” from 1973’s Sweet Revenge. The fan favorite “Lake Marie” showcases Prine’s masterful way with words before he caps the heartfelt set with a pair of gems: new album closer “When I Get to Heaven,” and his classic “Paradise,” the final track on his ‘71 debut. Bouncing back and forth between spoken recitation and joyful singing on “When I Get to Heaven,” the songwriter offers a good-time singalong about leaving this world on a high note. When Prine gets to heaven, he tells the Austin crowd, “I’m gonna get a guitar and start a rock ’n’ roll band/check into a swell hotel/ain’t the afterlife grand?”

photo by Scott Newton

“John Prine is a unicorn,” says ACL executive producer Terry Lickona, “a true original among American songwriters, unlike any other. What better way to celebrate his birthday week and his nomination to the Rock & Roll Hall of Fame than to show what he does best – sing the songs he wrote, old and new, to an adoring audience and with his devilish sense of humor very much intact.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for a brand new episode featuring blue-eyes soul singers Sam Smith and Anderson East.

St. Vincent kicks off ACL Season 44 with compelling originality

photo by Scott Newton

Austin City Limits launches a new season of must-see performances with an epic hour showcasing one of the most compelling figures in contemporary music: innovative art-rock performer St. Vincent.

First appearing on ACL in 2009, the groundbreaking Texas native—born Annie Clark—delivers a thrilling, 13-song career-spanning set in a visually and sonically stunning hour. Dressed in a red vinyl bodysuit and matching thigh-high stiletto boots and set amidst the backdrop of a futuristic production, the singer-songwriter-guitarist is backed by a three-piece ensemble, including two male musicians rendered as faceless mannequins on electronics and drums. St. Vincent’s mesmerizing set draws heavily from her critically-acclaimed fifth album MASSEDUCTION, with highlights including a segue from the guitar-shredding coda of “Pills,” into the vulnerable musical eulogy of “New York.” The album’s hypnotic title track opens with bassist/keyboardist Toko Yasuda chanting “power corrupts” in Japanese, while Clark unleashes furious guitar licks amidst a flurry of strobes. The setlist also reaches back to 2009’s Actor and 2011’s Strange Mercy for back-to-back gems “Marrow” and “Cruel.” Robotic voices signal fan-favorite “Digital Witness” from 2014’s Grammy Award-winning St. Vincent. As she rounds out the hour, Clark offers a pair of highlights from MASSEDUCTION: the defiant anthem “Fear the Future” and the set-closing ballad “Slow Disco,” as the Austin crowd joins in on the soaring chorus, “Don’t it beat a slow dance to death?”

“Originality is one of the most important criteria for choosing artists for ACL,” said executive producer Terry Lickona, “and St. Vincent is one of the most original artists I’ve ever come across. She pushes the envelope musically, so we decided to push the envelope ourselves with one of the most unique Austin City Limits episodes you’ll ever see.”

photo by Scott Newton

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for another brand new episode featuring songwriting legend John Prine.