ACL announces the second half of its Season 43 broadcast schedule

photo by Scott Newton

The iconic television music series Austin City Limits announces the second half of Season 43, with seven all-new shows to begin airing January 6 as part of the program’s fourteen-episode season. The stellar slate of broadcast episodes features highly-anticipated debuts from today’s most talked-about live acts, continuing Austin City Limits’ run as the longest-running music television show in history, providing viewers a front-row seat to the best in live performance for over 40 years.  

The season returns in January with many recent Grammy-nominees, all new to the ACL stage, including indie-rock provocateur Father John Misty, powerhouse rap duo Run the Jewels, dance-rock band LCD Soundsystem and country phenom Chris Stapleton.  Father John Misty delivers an epic performance backed by a 16-piece orchestra; Run the Jewels ignite the ACL stage in a rapid-fire, riveting showcase; LCD Soundsystem perform a career-spanning set for the ages; and country superstar Chris Stapleton, the reigning CMA Awards Male Vocalist of the Year, makes a stunning ACL debut, joined by his wife, singer Morgane Stapleton. Husband and wife team Jason Isbell and Amanda Shires unite for a special double-bill as Americana star Isbell returns to the ACL stage to share an episode with his partner and creative collaborator Amanda Shires, making her ACL debut.  A season highlight is the first-ever appearance of jazz trailblazer Herbie Hancock in a thrilling hour of classics and new songs.  Black Keys superstar and ACL veteran Dan Auerbach makes his solo debut showcasing new music from his first solo release in 8 years.  The extended line-up features breakout red-dirt country band Turnpike Troubadours and Austin favorites Shinyribs in first-time ACL appearances, as well as the return of a standout, acclaimed Austin psych-rockers The Black Angels.

“As always, expect the unexpected as we deliver something for everybody – from psych-rock to Americana, modern jazz to hip hop and electronica,” says longtime ACL executive producer Terry Lickona.  “This is one of the most exciting collection of shows we’ve ever presented.”

Go behind the scenes with ACL Backstage, a new 10-part virtual reality video series, offering viewers immersive only-in-VR moments straight from the current season.  The series premiered in November on the ACLTV YouTube Channel and continues to debut new installments to coincide with the Season 43 line-up, including Father John Misty, Run the Jewels, Dan Auerbach and Shinyribs.  ACL Backstage offers viewers a chance to hang backstage with favorite artists and join them onstage with closer-than-front-row seats.  The series was developed with Google’s Daydream team and in partnership with SubVRsive Media.

“In a season when we’re celebrating a significant milestone of longevity, I think it’s great that we’re staying on the cutting edge of technology and bringing ACL fans new and exciting  ways to experience live music,” says ACL GM Tom Gimbel.

Season 43 | 2018 Broadcast Schedule

January 6 Father John Misty | The Black Angels

January 13 Jason Isbell & The 400 Unit | Amanda Shires

January 20 Herbie Hancock

January 27 Run the Jewels

February 3 LCD Soundsystem

February 10 Dan Auerbach | Shinyribs

February 17 Chris Stapleton | Turnpike Troubadours

ACL’s Season 43 premiered in October with unforgettable performances from Ed Sheeran, Miranda Lambert, Angel Olsen, The Pretenders, Zac Brown Band, Norah Jones, Benjamin Booker, The Head and the Heart and more.  The award-winning series will continue to broadcast fan-favorite encore episodes through the end of 2017. In what has become an ACL holiday tradition, the program will encore Tom Waits legendary December 1978 performance, one of the most requested episodes in ACL’s 40+ year archive. Tune-in on December 23rd to see this classic Christmas episode.  

A special broadcast of Austin City Limits Hall of Fame New Year’s Eve airs Sunday, December 31 at 10pm CT/11pm ET.  Austin City Limits rings in the new year with the star-studded celebration, hosted by Chris Isaak, featuring one-of-a-kind performances and collaborations from the 2017 ACL Hall of Fame induction ceremonies.  Performers include ACL royalty Rosanne Cash, Elvis Costello, Neko Case, Ry Cooder, Chris Isaak, Brandi Carlile, Raul Malo, Trombone Shorty, Dr. John and more.

Episode recap: Miranda Lambert

photo by Scott Newton

Austin City Limits presents a Season 43 highlight, a brand new hour with one of country music’s most celebrated entertainers, Miranda Lambert. The multi-platinum, award-winning singer-songwriter is at the top of her game in a 13-song tour de force.

For her third appearance on Austin City Limits, Lambert delivers a magnetic performance and proves why she’s the reigning queen of country, leading the pack with 5 nominations for this year’s 51st CMA Awards (on November 8) and being named Female Vocalist of the Year by the Academy of Country Music for a record-breaking 8th year in a row. The native Texan performs songs from her sixth album, The Weight of These Wings, sharing many of the personal stories behind the songs in a sparkling set. Lambert and her 8-piece band open with a fire-starter, “Kerosene,” the title track to her 2005 breakout debut. The country star’s relaxed persona charms and disarms the Austin crowd: “So that’s what we’re gonna do here tonight, as a big family…we’re just gonna be us, and own it…all the good, and all the bad. Are y’all in?” The crowd’s definitely in as she shines on new songs ““Vice,” and “We Should Be Friends,” road-tested fan-favorites, and a show-stopping cover of Little Feat’s classic “Willin’” that she makes her own.

A solo acoustic rendition of her new marvel “Tin Man” (nominated for two 2017 CMA Awards, including Song of the Year) is a set highlight, showcasing the vulnerable, open-hearted lyrics and grit that are her trademark; Lambert explains that she wants to perform the number alone because “That’s where it starts—with a song and a guitar and a girl and some emotions.” The stunner demonstrates her vast emotional range with the blistering set-closer “Gunpowder and Lead,” turning her hell-bent on revenge fantasy’s razor sharp lyrics into magic.

“Miranda is one of Country music’s brightest stars,” says ACL executive producer Terry Lickona, “but she’s a quintessential Texas singer-songwriter at heart. True to her roots, she writes powerful songs that leave no stone unturned.”

photo by Scott Newton

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for a brand new episode, featuring the return of indie rockers The Head and The Heart and the debut of rocking soul man Benjamin Booker.

ACL to stream Benjamin Booker taping live

BenjaminBooker_Livestream_43_square

Austin City Limits is proud to announce a livestream featuring red-hot rocker Benjamin Booker, taping April 27 as part of our 43rd season. The taping will be streamed live in its entirety directly from the Austin City Limits stage, and fans worldwide can watch the concert Thursday, April 27 at 8pm CT/9 pm ET on ACLTV’s YouTube channel as it happens.

Singer, songwriter, guitarist and rocker Benjamin Booker comes to ACL in advance of his greatly anticipated sophomore platter Witness, out in June. With Witness, the New Orleans-based Booker has created his most ambitious work yet by digging deep into his passion for eccentric soul, R&B, and blues – drawing on everything from William Onyeabor’s 70s African psych-rock to Freddie Gibbs and Pusha T, while never straying too far from the garage-punk intensity that made his self-titled 2014 debut such a creative breakthrough. Born in Virginia Beach and raised in Tampa, Booker attended a magnet school for the arts before matriculating at the University of Florida, studying music journalism. After self-releasing his 2012 EP Waiting Ones, he signed to ATO, who released his eponymous debut in 2014. “Singing with a maturity beyond his years,” said The Guardian about the critically-adored LP, “he crafts hooks that pay homage to Robert Johnson, Sam Cooke and the shambolic punk he grew up listening to.” Following the album’s release, Booker hit the road and the festival circuit, touring with Jack White and Courtney Barnett and playing the Austin City Limits Music Festival and Lollapalooza. Now Booker is ready to unleash Witness on the world, preceded by the title track, released as a single and featuring gospel legend and ACL alum Mavis Staples.

Please join us April 27 for this full-set livestream on our ACLTV YouTube channel. The broadcast version will air on PBS later this year as part of Season 43.

Foals and Alejandro Escovedo bring ACL Season 42 to a rocking close

photo by Scott Newton

Austin City Limits closes out Season 42 with a big rock finish—a season finale featuring UK alt-rock sensations Foals and Texas legend Alejandro Escovedo. Foals play tunes from their album What Went Down, while Escovedo, joined by an all-star band that includes R.E.M.’s Peter Buck, showcases songs from his acclaimed release Burn Something Beautiful.

One of the UK’s most popular bands, Foals make their debut on the Austin City Limits stage with songs from their acclaimed fourth album What Went Down, awarded Best Album by NME in 2016. Hailed as “fierce, amorphous rock” by The Guardian, the British quintet formed in Oxford in 2005 and have gone on to conquer festival stages including Glastonbury, Reading and Leeds in their native UK, and Coachella and the Austin City Limits Festival stateside. Foals perform a blistering five-song set featuring their breakthrough anthem “Mountain At My Gates,” and closing with the seething “What Went Down,” which features a crowd visit from charismatic frontman Yannis Philippakis that thrills the besotted Austin fans.

“Foals has a reputation for their amazing live performances,” says ACL executive producer Terry Lickona, “and I had more people come up to me after this show than any other to say it was the best one all season. That should give you some idea what to expect!”

Called a “rock and punk godfather” by Rolling Stone, Alejandro Escovedo first appeared on Austin City Limits in 1983, and returns for a fifth, unforgettable performance. The Texas trailblazer performs songs from Burn Something Beautiful, his 11th studio album, joined by alt-rock luminaries including R.E.M.’s Peter Buck and the Minus 5’s Scott McCaughey, who co-produced the new release, rounded out by a team of rock stalwarts: ex-Fastbacks guitarist Kurt Bloch, Decemberists’ drummer John Moen, and singers Kelly Hogan (Neko Case) and Karla Manzur. Escovedo and Buck lock guitars for the shimmering “Suit of Lights” featuring a gorgeous vocal spotlight by Hogan, and the six-string army blazes at full-force on the fiery, infectious punk of album opener “Horizontal.” The luminous set is a celebration of the rock ‘n’ roll life and a testament to the enduring power of a rock ‘n’ roll survivor.

photo by Scott Newton

“In so many ways, Alejandro epitomizes what Austin City Limits is all about,” says Lickona. “His music expanded, deepened and evolved over the years much the same way ACL has. It’s always a special night when he takes our stage.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for a special encore, featuring Album of the Year Grammy nominee Sturgill Simpson and Austin scene vets Asleep at the Wheel.

CeCe Winans and St. Paul & the Broken Bones bring pure soul to ACL Season 42

photo by Scott Newton

Austin City Limits presents a soul-stirring hour of high voltage gospel with the legendary CeCe Winans and soul sensations St. Paul & The Broken Bones.

Gospel superstar CeCe Winans dazzles with a joyful spirit and a powerful voice in her first-ever appearance on the ACL stage. The ten-time Grammy-winning legend takes us to church with a buoyant set backed by her eleven-piece band, performing songs from Let Them Fall in Love, her first album in nearly a decade. Winans opens with the Motown meets southern soul burner “Hey Devil!” – a playful rebuke to temptation, tossing in a chorus of “Hit the Road, Jack” for good measure. A set highlight is new gem “Lowly,” a feel-good raver filled with soaring choruses and delightful interplay between Winans and her backup singers. She delivers a powerhouse take on “Why Me Lord,” the Kris Kristofferson classic, bringing the house down. Closing out her exuberant set with “Dancing in the Spirit,” the gospel giant leads a jubilant sing and dance-along that has the audience on their feet singing her praises.

Named “one of rock’s hottest live acts,” by Rolling Stone, the Birmingham, Alabama soul outfit St. Paul & The Broken Bones fire up the crowd in a thrilling ACL debut, armed with songs from their acclaimed sophomore release Sea of Love. Dynamic frontman Paul Janeway, decked out in a cherry-red suit with checkerboard trim, promises the crowd “we gon’ take you there,” and he delivers. The blistering set offers non-stop scorchers with a show-stopping performance by Janeway, whose voice has earned comparisons to soul greats Al Green and Otis Redding, and whom, NPR says, “channels a fire-and-brimstone energy”. “Let’s take it to the heavens,” says the colorful bandleader for the rousing set-closer “Burning Rome,” as he drops to his knees, preaching his soul-fire gospel and making a believer out of everyone.

photo by Scott Newton

“A CeCe Winans performance is almost a religious experience in itself, but no matter your beliefs, you’ll be inspired to sing, shout and dance by this show,” says ACL executive producer Terry Lickona. “St. Paul & The Broken Bones is unlike anything you’ve ever seen or heard. Taken together, this is an unmitigated hour of joy!”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for a brand new episode, featuring the ACL debut of British rock sensation Foals and the return of rocking Texas singer/songwriter Alejandro Escovedo.

Band of Horses and Parker Millsap bring modern roots rock to ACL Season 42

photo by Scott Newton

Austin City Limits showcases modern roots rock with two American originals: indie favorites Band of Horses and acclaimed singer-songwriter Parker Millsap.

South Carolina indie-folk rockers Band of Horses made their ACL debut in 2010 and return to perform time-honed classics alongside new gems from their fifth studio album Why Are You Ok? The Charleston-based quintet, led by dynamic frontman Ben Bridwell, kick off the upbeat seven-song set with the classic, “Is There A Ghost” from their 2007 album Cease To Begin. The band strips down to an acoustic trio for the early career hit “Part One,” circling a single microphone to capture their lush three-part harmonies. New songs “Throw My Mess,” “Hag” and “In A Drawer,” showcase the band’s melodic range, and lead into the raucous set-closing anthem, fan favorite “The General Specific.”

Oklahoman singer-songwriter Parker Millsap has set the Americana world on fire with his songs, his voice and his impassioned live show. Raised in the Pentecostal church, Millsap is filled with a fire-and-brimstone fervor that fuels his gospel-tinged lyrics and gives way to Buddy Holly-esque rockabilly ravers. The 23-year-old rising star opens his ACL debut with the apocalyptic title track from his sophomore album The Very Last Day. Millsap’s “talent for bringing convincing, complex characters to life” (NPR) is evident in the set’s centerpiece, “Heaven Sent,” which has the singer taking on the role of a gay son searching for his preacher father’s acceptance. Millsap closes out the standout performance with a soaring, fiddle-accompanied take on the blues classic “You Gotta Move,” then concludes with a howling, impassioned performance of his own hard-hitting “Hades Pleads,” which gets the appreciative ACL audience on their feet for a well-deserved ovation.

photo by Scott Newton

“Their songs are at the heart of what makes both Band of Horses and Parker Millsap so special,” says ACL executive producer Terry Lickona. “Band of Horses are at the top of their game, lyrically and melodically, and Parker Millsap’s songwriting is story-telling at its very best. This is a show you where you should turn off the lights and turn up the volume.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for a brand new episode, featuring the ACL debuts of gospel legend CeCe Winans and Southern soul revivalists St. Paul & the Broken Bones.

Margo Price and Hayes Carll take ACL Season 42 back to the country

photo by Scott Newton

Austin City Limits presents a captivating hour with two of contemporary country music’s brightest: Margo Price in her ACL debut and Hayes Carll making a return appearance.

Rising star Margo Price had a banner 2016 with the release of her acclaimed solo debut Midwest Farmer’s Daughter. Recorded at Memphis’ fabled Sun Studios and released by Jack White’s Third Man Records, the album topped critics’ year-end-best lists with Rolling Stone raving, “It’s the kind of record that hits you in the gut: staggeringly honest, as devastating as it is joyful and whip-smart.” Opening her stellar ACL debut with the honky tonk comeuppance “About To Find Out,” Price puts a fresh spin on classic Nashville with her sharp songwriting, steely vocals and dynamic road-tested live persona. “Hands of Time,” about a heartbreaking run of bad luck, leads into the crowd-pleasing set-closer “Hurtin’ (On the Bottle),” as Price ventures into the audience surrounded by newfound fans.

“A wry Texas troubadour with a knack for crooked grace and a clever turn of phrase” (New York Times), Hayes Carll returns for his first appearance since his ACL debut in 2010. The native Texan recalls his troubadour roots with his first album in five years, the critically acclaimed Lovers and Leavers, after having garnered a 2016 Grammy nomination for Best Country Song. Carll dedicates the artful set-opener “Sake of the Song” to a creative influence, the late, great Guy Clark, calling him the “lion of the songwriting world.” His natural gift for storytelling is evident in his startlingly personal six-song set, with its highlight “The Magic Kid,” a song about his son’s determination to be a magician, stealing the show and demonstrating Carll’s own brand of magic. He reaches back to his 2005 breakthrough Little Rock to close out the set, showcasing the fascinating and fearless evolution of a songwriting giant.

photo by Scott Newton

“If you’re not a fan of Nashville’s pop country trends, this show will be a breath of fresh air,” says longtime ACL executive producer Terry Lickona. “Margo writes and sings with a classic country touch, but what she writes about totally speaks to today. Hayes carries on the proud tradition of Texas songwriters, and this is his best work to date.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for a brand new episode, featuring the return of Band of Horses and the debut of Parker Millsap.

Cyndi Lauper shines in ACL’s 42nd season

photo by Scott Newton

Austin City Limits presents an irresistible hour with the ever-entertaining Cyndi Lauper, as she performs her mega-hits alongside classic country covers from her recently released Detour, her acclaimed eleventh studio album.

The pink-haired Lauper charms one and all in a sparkling hour featuring some of her best-known songs and the story behind her current country-flavored Detour. “I know a lot of you are thinking: what does Queens, New York have to do with anything country?” says the native East Coaster as she explores her love of vintage country & western, putting her unique spin on Wanda Jackson’s “Funnel of Love,” Skeeter Davis’ “The End of the World,” Patsy Montana’s “I Want To Be A Cowboy’s Sweetheart,” and Bob Montgomery’s “Misty Blue”.  Lauper knocks out numbers from her own back catalog including a fevered version of “Money Changes Everything,” from her 1983 breakthrough She’s So Unusual, with the energetic hitmaker bopping across the stage, fueled by the enthusiastic Austin crowd. She delivers a gorgeous take on the 1984 ballad “Time After Time,” her first No. 1 hit.  Her signature anthem, the buoyant “Girls Just Want to Have Fun,” turns into a riotous audience sing-a-long as the dancing Lauper proclaims from the stage, “We’re all entitled to a joyful life!”  The colorful star closes out the masterful set with a breathtaking a cappella version of her enduring—and timely—anthem, “True Colors,” extolling the virtues of diversity, with Lauper imploring the crowd to “be brave and kind—we need each other.”

photo by Scott Newton

“With Cyndi Lauper, what you see is what you get,” said longtime ACL executive producer Terry Lickona. “And what you get is a totally unabashed, uninhibited, full-throated performance by one of the most unique artists in show business. Who knew she had such a perfect voice for such great country music classics? My only regret is there wasn’t time to include more of her side-splitting sense of humor.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for a brand new episode featuring the ACL debut of rising star Margo Price and the return of Texas favorite Hayes Carll.