Featured News

Johnny Gimble 1926-2015

We here at Austin City Limits were saddened to learn of the passing of the great Johnny Gimble, Texas swing and C&W fiddler extraordinaire. The Tyler, Texas native and Dripping Springs resident was 88.

Following a stint in the army, Gimble played with Bob Wills and the Texas Playboys in the late 40s, appearing on the classic 1950 recording of “Faded Love.” After spending a few years in Waco working as a barber and raising a family, the fiddle virtuoso moved to Nashville and became a first-call session musician. Gimble appeared on recordings by Merle Haggard, Loretta Lynn, Dolly Parton, Marty Robbins, Ray Price and his longtime musical running buddy Willie Nelson, with whom he toured in the late ‘70s. Gimble was also recruited for Nashville session supergroups the Million Dollar Band (frequent performers on Hee Haw) and the Superpickers, and backed Carrie Underwood at the Grammy Awards in 2007. He also scored a country hit of his own in 1983 with “One Fiddle, Two Fiddle,” featuring Ray Price, and appeared in Clint Eastwood’s film Honkytonk Man as his old boss Bob Wills. His most recent album is 2010’s Ray Benson-produced Celebrating With Friends, recorded in collaboration with the Country Music Hall of Fame. That album also includes performances with his singer/pianist daughter Emily, who makes her ACL debut later this year as a member of Asleep at the Wheel.

Gimble was also a frequent guest on Austin City Limits, appearing numerous times with Willie Nelson, as well as making memorable appearances with the Superpickers in Season 4 and on the Season 6 Mandolin Special, on which he demonstrated his expertise on his other instrument, the electric mandolin. Gimble fronted a double-header episode in Season 5, headlining the first half and leading the Texas Swing Pioneers in the second half.

“Aside from being a Texas Playboy, he was the most renowned Country and Western Swing fiddler – ever!” remarked ACL executive producer Terry Lickona. “He played with heart and soul and had an infectious spirit and sense of adventure – in both his music and personality. Before Lloyd Maines set the current record, Johnny played more times on ACL than any other musician. There was a time when everybody wanted Johnny Gimble to play on their show.”

Our condolences go out to his family and friends, of which he had hundreds. May he rest in peace.


Featured News

Goodbye, Steven Fromholz

We here at Austin City Limits were saddened to learn of the passing of Steven Fromholz, songwriter, poet, author, actor, playwright and whitewater river guide who was named the Poet Laureate of Texas in 2007. Along with Michael Murphy, Rusty Wier, Bobby Bridger and Willis Alan Ramsey, Fromholz was part of the original wave of Austin singer/songwriters from the early 70s who combined counterculture values with folk and country to create a whole new Texas thing. Best known for “Bears,” “I’d Have to Be Crazy” and the iconic “Texas Trilogy,” Fromholz appeared on ACL five times, including in the first season and as part of Lyle Lovett’s 25th season tribute to his influences, Step Inside This House. He will be missed.


Featured News

Ray Price: R.I.P.

We here at Austin City Limits were saddened to learn that country music legend Ray Price passed away yesterday at the age of 87. The Texas native, whose hits included “Crazy Arms,” “Heartaches By the Number,” “Night Life” (written by his pal Willie Nelson) and the immortal Kris Kristofferson song “For the Good Times,” appeared on ACL three times.  Price’s first appearance came in a 1980 songwriters special which was followed by memorable solo appearances in 1981 and 1999.

“I remember Ray as a class act, a true gentlemen,” says ACL executive producer Terry Lickona. “He blazed his own trail, gave Willie his first gig, and left an indelible mark on country and pop music.” Our sincerest condolences to his family, friends and fans.

Watch Ray Price’s 1981 ACL segment below. *Note that only the first 20 minutes will play on this page; to watch the entire 28-minute segment, please click through and watch it at Thanks.

Featured News

George Jones R.I.P.

We here at ACL were shocked and saddened to learn of the death of George Jones this morning at the age of 81. Few country singers had as big an impact on the genre as Texas native Jones, whose career includes such iconic hits as “White Lightnin’,” “She Thinks I Still Care,” “The Race is On” and, of course, the immortal “He Stopped Loving Her Today.” He had a big impact on us as well, appearing on the show in 1981, 1986 and 1990.

“George Jones ranks right up there with Hank Williams in my book as one of the all time greatest country singers,” says ACL executive producer Terry Lickona. “He was the first major country star I booked in my third year as ACL producer, when he and his voice were in their prime. It was an uplifting, breathtaking performance.”

May he rest in peace.

Featured News

Darrell K. Royal – in memoriam

We here at ACL were saddened to learn that legendary University of Texas football coach Darrell K. Royal passed away this morning at the age of 88. Not only was Royal the “winningest coach in University of Texas history,” as noted by the Austin-American Statesman, but he was also a longtime friend of Austin City Limits. He helped us grease the wheels with the many artists he knew personally, including Merle Haggard and George Jones. The “guitar pulls” at his house that featured his buddy Willie Nelson and veteran and up-and-coming writers inspired our Songwriters Specials. And we also remember him as being one of our most loyal fans. His friend Terry Lickona, ACL executive producer, had this to say:

“Darrell Royal – or just Coach, as we called him – was one of the best friends Austin City Limits had back in its early days. He would come to many, if not most, of the tapings in the original Studio 6A. In fact, we saved a special seat for him at practically every show, ‘just in case.’ It was in the corner of the back row of the middle bleacher, where everyone entering could see him and he could greet the fans as they came in. In fact, he actually helped us book Merle Haggard during Season 3, at a time when most major artists had never even heard of the show. He had a passion for music, especially songwriters, a quick wit, an iron-grip handshake and an ear-to-ear smile. There are few, if any, Austin icons like him left.”

Goodbye, Coach. May you rest in peace.

Coach and Willie Nelson at the Austin Opry House, 1977. Photo by Scott Newton. Copyright 1977 Scott Newton.

Earl Scruggs 1924-2012

We here at Austin City Limits were heartbroken to learn of the death of the great Earl Scruggs on March 28 at the age of 88. The pioneering bluegrass banjo player graced our stage three times, once during Season 2 in 1976 with the Earl Scruggs Revue (a band that included his sons) and twice during Season 25 in 2000 as the distinguished guest of both Marty Stuart and Bela Fleck.

Bill Arhos, co-creator and executive producer emeritus of Austin City Limits, had this to say about the passing of one of our favorite musicians:

I was deeply saddened to learn of the passing of Earl Scruggs. I listened to him and Lester Flatt as a young boy growing up in East Texas. In the early 70s, we were having a Public Television meeting at the Waldorf Astoria in New York and, during a break, I heard an incredible sound of a band coming from somewhere in the hotel and proceeded to try to track it down. I can only describe the sound as Bluejazz or Jazzgrass. It was a rehearsal in the ballroom but it broke up just as I was approaching it down a hallway, whereupon a man with a really elaborate banjo came walking toward me. I said, “Gee mister, you REALLY can play that thing” and he said, “Thank you, son.” Oh dear.

That night after dinner, the MC came out and said, “Ladies and gentleman, in their first performance as a group, please welcome THE EARL SCRUGGS REVUE.” Foot in mouth, I had told Earl Scruggs he could play a banjo. Then, with the band onstage, including three of his sons, out comes Earl to the front, and a few feet farther and he fell right off the front of the stage and crashed to the floor. His son, Gary, looked down at him and said, “That’s what you call charisma!”

I can hear “Foggy Mountain Breakdown” rolling along in my head.

We here at Austin City Limits believe Earl Scruggs was a musical titan. He will be missed by all of us and by music fans everywhere.