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R.I.P. Kris Kristofferson

Kris Kristofferson on Austin City Limits, 1981.

Kris Kristofferson – singer, actor, author, activist, United States army captain, helicopter pilot, boxer, football player, Rhodes Scholar, and, most importantly, one of the greatest songwriters to ever pick a guitar – died peacefully on Sept. 28, 2024 at the age of 88. He appeared on Austin City Limits four times – as a headliner in Seasons 7 and 35, as part of a songwriters special with Willie Nelson, Waylon Jennings, Billie Joe Shaver, and Kimmie Rhodes in Season 22, and as a special guest performer on Austin City Limits Celebrates 40 Years. He was inducted into the ACL Hall of Fame in 2016 by Rodney Crowell with a musical salute by his longtime friend Willie Nelson.  

It’s nearly impossible to adequately express the impact of the man’s work on American popular culture. Admired by legends like Bob Dylan, John Prine, and Elvis Costello, the Brownsville native almost single handedly evolved country music beyond its roots and into the modern world. Though he carried a deep respect for the music’s traditions, he also injected the form with fresh ideas, incorporating the changes in American culture and life into his work, especially through his brilliantly composed lyrics. It may seem strange now, but a song like “Sunday Mornin’ Comin’ Down” – raw, unsentimental, but written like the student of William Blake he was – was considered too shocking to be on country radio in 1969. That didn’t stop Ray Stevens and Johnny Cash from covering it, the latter making it a number one hit on the country charts and launching Kristofferson’s career into the heavens. 

Kristofferson spent a good chunk of his life on a different kind of stage, acting in a wide range of films like A Star is Born, Heaven’s Gate, Lone Star, Pat Garrett & Billy the Kid, Alice Doesn’t Live Here Anymore, Cisco Pike, Semi-Tough, Songwriter (with his longtime friend Willie Nelson), and the Blade trilogy. He also formed the band the Highwaymen with Nelson, Waylon Jennings, and Johnny Cash – if ever there was a band that truly earned the title “supergroup,” it was that one.

Kris Kristofferson on Austin City Limits, 2010. Photo by Scott Newton.

And of course he recorded bestselling albums of his own, earning hits under his own name with “Loving You is Easier (Than Anything I’ll Ever Do Again)” and “Why Me,” and scoring plenty of hits sung by others, including Ray Price (“For the Good Times”), Sammi Smith (“Help Me Make It Through the Night”), Jerry Lee Lewis (“Once More With Feeling”), Faron Young (“Your Time’s Comin’”), Roger Miller (“Me and Bobby McGee”), and Janis Joplin (also “Me and Bobby McGee”). That’s merely the tip of the iceberg of classics from Kristofferson’s pen – let’s not forget “The Pilgrim, Chapter 33,” “The Silver Tongued Devil and I,” “Border Lord,” “Chase the Feeling” (which made an appearance on the ACL stage in the hands of Emmylou Harris & Rodney Crowell), “Casey’s Last Ride,” “Best of All Possible Worlds,” “Closer to the Bone,” “Nobody Loves Anybody Anymore,” “Blame It On the Stones,” and “A Moment of Forever,” among many, many others. It’s a long list, and one most songwriters would envy. 

“Freedom’s just another word for nothing left to lose” – that indelible line from “Me and Bobby McGee” couldn’t have come from anyone else. It’s probably the reason why that song has been covered so often – who doesn’t want to be able to sing the line at least once, pretending you wrote it? Kristofferson’s songs connect across genres and generations, and will be his ultimate legacy. He wrote this in Esquire in 1999: “Tell the truth. Sing with passion. Work with laughter. Love with heart. ‘Cause that’s all that matters in the end.” No wonder his work is and will continue to be respected, beloved, and cherished.  

From the bottom of the hearts of everyone at Austin City Limits, thank you, Kris Kristofferson, for the music, the memories, and the magic. 

Kris Kristofferson on Austin City Limits Celebrates 40 Years, 2014. Photo by Scott Newton.
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R.I.P. Joseph Shabalala of Ladysmith Black Mambazo

photo by Scott Newton

We here at Austin City Limits are saddened to learn of the death of singer and teacher Joseph Shabalala, founder of South African choral group Ladysmith Black Mambazo, who appeared on ACL in 2006. He was 78.

He was born Bhekizizwe Joseph Siphatimandla Mxoveni Mshengu Bigboy Shabalala in 1941 in the town of Ladysmith (eMnambithi district) in the KwaZulu-Natal region of South Africa. In the late fifties he joined the Durban Choir, leaving them two years later when they refused to perform his original songs. He founded his own isicathamiya group the Blacks in 1959, renaming them Ladysmith Black Mambazo in 1960. The group signed a recording contract in 1972, selling 40,000 copies of their first album Amabutho, making it South Africa’s first gold-selling record. Ladysmith Black Mambazo continued to be popular in its home country, but gained international fame after appearing on singer/songwriter Paul Simon’s Grammy-winning 1986 LP Graceland, specifically the songs “Diamonds on the Souls of Her Shoes” and “Homeless,” which Shabalala co-wrote. The group won its first Grammy in 1988 for its album Shaka Zulu, winning four more over the course of a long – and ongoing – international career. Shabalala retired from performance with Ladysmith Black Mambazo in 2014, continuing to teach choral music until his death. 

Here is Shabalala on Austin City Limits in 2006, closing out the night’s performance with “Phansi.”  

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Featured News

R.I.P. Jimmy LaFave

Austin City Limits was saddened to learn of the death of singer/songwriter Jimmy LaFave at the age of 61 after a yearlong battle with spindle cell sarcoma. The longtime Austin mainstay appeared on the show in 1996 as part of our Season 21.

Born in Wills Point, Texas, LaFave came of musical age in Stillwater, Oklahoma as part of a collective of songwriters who helped develop what’s now known as “Red Dirt music.” After relocating to Austin in the early 90s, LaFave became known for a sound the magazine Folk and Music Exchange rightly called “reminiscent of the Dust Bowl heritage of Woody Guthrie, the early rock of Chuck Berry, the quiet folk reflections of Bob Dylan, and the rock anthems of Bruce Springsteen.” He recorded several albums featuring his gritty voice and poignant songs over the course of his two-plus decades in Austin, including Austin Skyline, Highway Trance, Buffalo Return to the Plains, Depending On the Distance and his most recent LP The Night Tribe, named after his long-running band. LaFave gave an emotional farewell concert at Austin’s Paramount Theater on May 18, surrounded by his friends, family and peers, passing peacefully at home three days later. May he rest in peace.

You can watch his episode of Austin City Limits below.

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Featured News

R.I.P. Jerry Jeff Walker

from Episode #113, 1976

Austin City Limits is saddened to learn of the death of Austin musical mainstay Jerry Jeff Walker, following complications of throat cancer. He was 78. 

To call Jerry Jeff Walker important to the Austin music scene is to nearly damn him with faint praise. Flush with royalties from the success of the Nitty Gritty Dirt Band’s 1971 cover of his song “Mr. Bojangles,” the New Yorker moved to Austin in 1971, beating both Willie Nelson and Asleep at the Wheel to the punch. The former Ronald Crosby proceeded to catalyze the progressive country movement, a homegrown scene in clubs like Soap Creek Saloon and Armadillo World Headquarters that helped launch what we now call Austin music. Along with Michael Martin Murphey, B.W. Stevenson, Rusty Wier, Steven Fromholz, and other so-called cosmic cowboys, Walker pioneered a style of singing and songwriting that flavored its country with folk introspection and rock & roll energy, influencing everything from outlaw country to the Red Dirt music scene along the way. On albums like 1973’s Jerry Jeff Walker and ¡Viva Terlingua! and hits like “Up Against the Wall, Redneck Mother” (written by Ray Wylie Hubbard but made famous by Jerry Jeff), Walker and his pals used their rowdy yet laid back sound to bring together both sides of the Texas cultural divide, with hippies and rednecks, liberals and conservatives, finding common ground by virtue of their love for good tunes, good beer, and a good party. 

Naturally, Walker is one of the artists featured in The Improbable Rise of Redneck Rock, the late Jan Reid’s 1974 overview of Austin’s rising music scene. (Note: longtime ACL photographer Scott Newton provided the photos for the 2004 edition of the book after original photographer Melinda Wickman’s archives were lost.) That tome was a key inspiration in the early years of Austin City Limits, so naturally Walker was invited to appear on the program. He first appeared with his running buddies the Lost Gonzo Band during the 1976 debut season, in an episode that debuted the future ACL theme song “London Homesick Blues,” which first appeared on ¡Viva Terlingua! Walker came back to the stage in 1980, 1986, as part of the Austin City Limits reunion special featuring the cosmic cowboys from the early seasons, and 1988, a memorable show featuring a string section. Every show proved to a national audience what we here in Austin already knew: that Jerry Jeff Walker was, in his own words, “Contrary to Ordinary.” Our collective hat is off to you, Jerry Jeff – Austin music would not have been the same without you. 

Jerry Jeff Walker and the Lost Gonzo Band backstage at Austin City Limits, 1976
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Featured News

R.I.P. Gregg Allman

Austin City Limits was saddened to learn of the death of Gregg Allman from liver cancer on May 27, 2017 at the age of 69. The singer, songwriter, keyboardist and guitarist appeared on ACL with the Allman Brothers Band in 1996.

Though born in Nashville, Allman came of musical age in Florida in the mid-sixties, forming the Allman Joys with his guitarist brother Duane. The Joys evolved into the Hour Glass, which in turn morphed into the Allman Brothers Band. Based out of Macon, Georgia, the Allmans used their instrumental firepower and improvisational spirit to push the blues further than it had ever gone before. After Duane died in 1971, Gregg continued with the band, but also began striking out on his own, recording several LPS over the years both solo and with the Gregg Allman Band, and scoring hits with “Midnight Rider” (originally recorded by the Allmans) and “I’m No Angel.” He continued touring with the Allman Brothers Band until its dissolution in 2014.

In 2011 Allman released Low Country Blues and received a lifetime achievement award from the Americana Music Association. The next year saw the publication of his memoir My Cross to Bear. Before his death, Allman completed the Don Was-produced album Southern Blood, scheduled for release later this year. As he wrote in his book, “Music is my life’s blood. I love music, I love to play good music, and I love to play music for people who appreciate it. And when it’s all said and done, I’ll go to my grave and my brother will greet me, saying, ‘Nice work, little brother—you did all right.’ I must have said this a million times, but if I died today, I have had me a blast.”

Below, the Allman Brothers Band performs Gregg’s signature song “Midnight Rider” during Season 21 of the show in 1996.

 

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Featured News

R.I.P. Glen Campbell

We at Austin City Limits were saddened to learn of the death of country pop great Glen Campbell at age 81.

The Arkansas native began his career as a first-call session guitarist in Los Angeles, playing as part of the infamous Wrecking Crew and adding licks to a staggering array of hits records: the Righteous Brothers’ “You’ve Lost That Lovin’ Feeling,” the Byrds’ “Mr. Tambourine Man,” Elvis Presley’s “Viva Las Vegas,” Merle Haggard’s “Mama Tried,” and singles by everyone from Jan & Dean and the Monkees to Frank Sinatra and Nat “King” Cole. In 1964, he subbed for the Beach Boys’ Brian Wilson on tour and in 1967 sang uncredited lead vocals for the cult sunshine pop group Sagittarius.

Campbell scored his first solo hit on the country charts in 1966 with “Burning Bridges,” but it was in 1967 that he became a household name with “Gentle On My Mind.” He followed that with even bigger hits, forging a special bond with songwriter Jimmy Webb via “By the Time I Get to Phoenix,” “Galveston,” “Where’s the Playground Susie” and “Wichita Lineman,” which became his signature song. He parlayed his musical stardom into a major acting gig in the 1969 John Wayne vehicle True Grit, for which he also performed the title tune, and the host job on the popular TV show The Glen Campbell Goodtime Hour from 1969-1972.

Refocusing on music, Campbell earned some of his biggest hits in the 1970s, including the #1 pop smashes “Rhinestone Cowboy” and “Southern Nights” and the top 20 hit “Country Boy (You Got Your Feet in L.A.).” While his pop stardom faded, he remained a major force on the country charts for years, also expanding into gospel and Christian music. In 2008, he released Meet Glen Campbell, an album featuring covers of songs by Tom Petty & the Heartbreakers, the Replacements, Green Day and the Foo Fighters. His 2010 follow-up Ghost On the Canvas followed a similar vein, and was intended as a farewell LP. But his 2011 diagnosis with Alzheimer’s disease led him to one final album (Adios, recorded in 2012-13 but released in 2017), a farewell tour and a documentary, 2014’s award-winning Glen Campbell: I’ll Be Me. His final recording, “I’m Not Gonna Miss You,” was released in 2014, by which time he was living in a Nashville memory care facility. He died in Nashville on August 8, 2017.

Campbell appeared on Austin City Limits during Season 10 in 1985. Here he is on the show performing his signature hit “Wichita Lineman.”