Austin City Limits is ready to write the next chapter in its remarkable 50+ year broadcast run with the announcement of the initial tapings of Season 51: country maverick Charley Crockett returns to the ACL stage for his second appearance on April 1 to preview his new release Lonesome Drifter; ACL will celebrate 50 years of the blues and legendary Austin blues club Antone’s own 50th anniversary with a special taping “ACL & Antone’s Celebrate the Blues” on April 28, featuring an all-star line-up of blues standouts; on May 19, breakout singer-songwriter Waxahatchee makes her highly-anticipated ACL debut in support of her Grammy-nominated album Tigers Blood; and modern soul act Thee Sacred Souls take the ACL stage in their debut appearance on May 28 with highlights from their latest Got A Story To Tell.
Texas troubadour Charley Crockett made a sensational ACL debut in Season 47 in 2021 and we’re thrilled to welcome him back to our stage with his highly-anticipated new album Lonesome Drifter. After a decade of touring and more than a dozen independent albums under his belt, Lonesome Drifter marks his first for a major label, and will be released by Island Records on March 14. Hailing from the Texas bordertown of San Benito, Crockett has been on a helluva ride, tapping into a rebellious strain of country and defying the odds with a diehard work ethic; grinding from obscurity to garnering millions of streams and headlining some of the country’s most renowned venues, including the Greek Theater, Red Rocks and the Ryman. He capped 2024 with his first Grammy nomination for his acclaimed album $10 Cowboy. Lonesome Drifter was co-produced by Crockett and Shooter Jennings, and recorded at the legendary Sunset Sounds Studios in LA. “If you can hang on as long as I have, you’ll have some good stories to tell,” grins Crockett. Lonesome Drifter arrives with the single and title track, a slow-burning rocker that finds him telling the tale of a vagabond traveler. “I started writing the song back when I was still playing in subways in New York,” he recalls. “While I was waiting for the next train, I wrote songs. A few years later, I was in California working on the ganja farms, and I came up with the ‘Lonesome Drifter’ section…The burden of becoming a troubadour is you’re standing in a position that gives you a clear perspective of the struggles of humans.” Crockett tips his hat to his Texas roots on the album with a pair of choice covers: “Jamestown Ferry,” made famous by Tanya Tucker, along with George Strait’s country classic “Amarillo by Morning.”
Legendary Austin club Antone’s celebrates its 50th anniversary this year and Austin City Limits is proud to salute this milestone, along with our own history of showcasing blues music, with a special taping featuring a stellar slate of blues all-stars taking the ACL stage; the line-up for this one-of-a-kind evening will be announced shortly. ACL featured blues acts on the series dating back to its early seasons, providing the first television exposure for many including Lightnin’ Hopkins, Gatemouth Brown, Miss Lavelle White, B.B. King, W.C. Clark, Elizabeth Cotten and Ruth Brown. ACL is thrilled to celebrate a kindred long-running music institution that has played an instrumental role in Austin’s reign as “the live music capital of the world.” Antone’s “Home of the Blues” was founded by the late Clifford Antone in 1975 as the first live music venue on the city’s now-famous Sixth Street, and quickly became a home away from home for a Mount Rushmore of blues musicians including Muddy Waters, Albert King, Otis Rush, Buddy Guy, Stevie Ray Vaughan, Willie Dixon and B.B. King – as well as a broader tapestry of American roots music. The force behind all this was Clifford Antone, and under his guidance, his namesake club emerged as one of the most important blues joints and stages in the country. Throughout the venue’s remarkable five-decade run, Antone’s continued to define the present and shape the future of blues music, bolstering the careers of internationally-renowned artists including The Fabulous Thunderbirds, Doug Sahm, Charlie Sexton, Angela Strehli, Lou Ann Barton and many more. It remains a vital presence in the live music scene, with its legacy and influence carried forward by the next generation of trailblazing artists including Gary Clark Jr., Kam Franklin, Jackie Venson, Eve Monsees and Christone “Kingfish” Ingram.
ACL is proud to welcome Katie Crutchfield, the indie musician who performs as Waxahatchee (the name of a creek she grew up near in Alabama). She’s been releasing albums as Waxahatchee since 2012 and recently scored a career high with Tigers Blood, which earned a 2025 Grammy nomination for Best Americana Album. Recorded at Sonic Ranch in the Texas bordertown of Tornillo with producer Brad Cook, the Kansas City-based Crutchfield wrote most of the songs on the album during a self-described “hot hand spell” while on tour in 2022. Tigers Blood features her most potent songwriting to date and includes the breakout single “Right Back To It,” a lo-fi gem that features southern indie-rock ace MJ Lenderman on harmony vocals and guitar, nominated for Song of the Year at the 2024 Americana Music Awards. Album highlights include the spellbinding opener “3 Sisters”; “365,” a powerful meditation on co-dependency and addiction; and “Bored,” a blazing number on diverging friendships in your 30s. Tigers Blood is Waxahatchee’s first release in four years since 2020’s acclaimed Saint Cloud, a pandemic era standout and turning point that found Crutchfield steering away from indie rock and leaning into Americana and roots music, a sound with deep ties to her southern upbringing. The road-tested artist is touring throughout 2025, including a special Luck Ranch show on March 14 with one of her primary influences, Lucinda Williams. Waxahatchee will also join Willie Nelson on his 2025 Outlaw Music Festival.
It’s been a tremendous couple of years for fast-rising Southern California sweet soul trio Thee Sacred Souls. Their sophomore release Got A Story To Tell (Daptone Records) features 12 original tracks that further cement the band’s status as masters of modern soul. The follow-up to their breakout 2022 self-titled debut, the album was recorded at Penrose Recorders in Riverside, CA, with producer and Daptones Records co-founder Gabriel Roth at the helm. Got A Story To Tell reflects the band’s artistic growth and deep connection to the soul tradition that inspires them. Richly layered with strings, smooth guitar, piano, congas, and horns, the album creates an immersive soundscape, unfolding like a novella filled with evocative tales of love, struggle, and triumph. NPR praises their “satin vocals and vintage melodies;” The LA Times raves, “One of the top acts in contemporary soul revival music. Thee Sacred Souls count fans among older enthusiasts of 1960s-style sweet soul as well as Gen Z listeners who vibe with the group’s grooving messages of romanticism, introspection, and empowerment.” Written by Thee Sacred Souls founding members Alejandro Garcia, Salvador Samano, and Josh Lane, the trio found inspiration in Brazilian legend Arthur Verocai, the Delfonics, Jamaican rocksteady and Motown siren Mary Wells. It’s a soaring statement of exquisite craftsmanship from a young band whose own story grows bigger by the day. Millions of monthly listeners on Spotify. In just two years, an ever-growing list of celebrity fans including SZA, Alicia Keys, Leon Bridges, and Kylie Jenner, and festival debuts at Austin City Limits, Bonnaroo, Newport Folk and Lollapalooza; the band make their Coachella debut this spring.
We’re thrilled to welcome these stellar acts to the ACL stage. Want to be part of our audience? We will post information on how to get free passes a week in advance of each taping on our website. Follow us on socials – Instagram, Facebook and Twitter for taping announcements and latest episode news, and subscribe to our YouTube channel for even more. The broadcast episodes will air on PBS this fall as part of our upcoming Season 51, stream previous seasons online or on your connected TV with the PBS App.