Austin City Limits showcases acclaimed artist Maggie Rogers in a sparkling hour premiering as part of ACL’s milestone Season 45.
Maggie Rogers makes her ACL debut in an irresistible hour showcasing songs from her Capitol Records debut album Heard It In A Past Life. Raised in rural Easton, Maryland, the 25-year-old phenom delivers a captivating rendition of “Alaska,” the breakout song that became a viral sensation and introduced her talents as a songwriter and producer to the world. Heard It In Past Life entered Billboard’s Top Album Sales chart at No. 1 and debuted at No. 2 on the Billboard 200 Chart. The album sold over 200,000 album adjusted units, amassed over 500 million combined streams and received widespread critical praise from NPR,The New York Times, Rolling Stone, Pitchfork, TIME Magazine, Billboard and many more.
Her buoyant 11-song set is filled with open-hearted anthems about love and relationships, including chart-topping fan-favorites “Light On” and “Fallingwater.” Rogers dances ecstatically across the stage, glowing as she moves with her music’s creative beats. With barefaced honesty, she inspires a genuine connection with her audience, and the admiring Austin crowd sings along passionately on the choruses. The magnetic artist closes out the standout hour alone on the stage for a gorgeous a cappella performance of “Color Song,” signaling an enduring new talent has arrived.
“Maggie’s music is 100% emotion,” says ACL executive producer Terry Lickona, “and her live performances are exuberant and unfettered in a way you seldom see on a stage. Her music celebrates life, and Maggie Rogers is a gift to us all.”
Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for another brand new episode, featuring veteran singer/songwriter Steve Earle’s tribute to his mentor Guy Clark.
Austin City Limits launches a new broadcast season of spectacular performances with a must-see hour taking a deep-dive with a boundary-pushing artist, Grammy® Award-winning Gary Clark Jr.
“Feels good up here,” proclaims Gary Clark Jr. during his third headline appearance on the ACL stage. The Austin native opens the hour with a blistering performance of the hit that launched his meteoric rise, “Bright Lights” from his 2012 debut Blak and Blu. The song’s refrain “...you gonna know my name,” couldn’t be more apt for the Texan who has had a whirlwind ascent from the Austin club scene to show-stopping performances on festival stages around the world. Clark showcases songs from his latest, the critically-acclaimed This Land, his third major label release, which features some of his most powerful songwriting to date, with profound lyrics about life, love, restlessness and racism. Clark moves in and out of blues, soul, gospel, reggae and punk easily in the nine-song set, dazzling on the reggae-rock swagger of “Feelin’ Like A Million,” and shifting to the falsetto-laden “Feed the Babies.”
Bringing the crowd to their feet with a scorching rendition of his early classic “When My Train Pulls In,” Clark’s guitar solo is a masterclass in creative improvisation, wandering between different registers, exploring various motifs and bringing it down low to build it back into strobed-out fury. “I grew up watching ACL,” says the hometown hero who has stated he learned to play guitar watching his own heros, including Stevie Ray Vaughan, on old episodes of the series. Clark brings it all back to love, a frequent theme, with “Pearl Cadillac,” a gorgeous R&B/pop crooner dedicated to his mother and channeling another guitar hero, Prince. He closes out the explosive set with a fierce version of “This Land,” the socially-charged anthem and a personal battle cry. “Sometimes people don’t know how to act right, so I got something for them,” says Clark.
“It has been amazing and inspiring to see Gary grow as an artist since that first time he set foot on the ACL stage,” says longtime executive producer Terry Lickona. “From the first time I saw him play when he was 16, his talents were undeniable, and he has truly become the consummate artist – all the best that Austin represents.”
Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for another brand new episode, featuring fast-rising singer, songwriter and producer Maggie Rogers.
The iconic television music series Austin City Limits announces the first half of the Season 45 broadcast line-up with seven all-new installments to begin airing October 5 as part of the program’s fourteen-episode season. The stellar slate of broadcast episodes features highly-anticipated debuts from today’s most talked-about live acts, and the return of ACL legends, continuing Austin City Limits’ extraordinary run as the longest-running music television show in history. Providing viewers a front-row seat to the best in live performance for a remarkable 45 years, the series airs weekly on PBS stations nationwide (check local listings) and full episodes are made available online for a limited time at pbs.org/austincitylimits immediately following the initial broadcast.
Austin City Limits returns this fall with a season premiere featuring a blistering hour with Austin’s own Gary Clark Jr., marking the acclaimed musician’s third appearance on the series. Indie-rock titans Vampire Weekend make a highly-anticipated appearance in a must-see hour showcasing their first album in five years. A season highlight features the return of Americana icon Steve Earle, making his fifth appearance with a tribute to the legendary songwriter Guy Clark; Earle is joined by his band The Dukes and special guests including Rodney Crowell and Joe Ely for choice Clark classics alongside Earle’s own gems from his songwriting catalog. One of Americana’s finest singer-songwriters, Patty Griffin returns for her sixth appearance, sharing an episode with New Orleans rock band The Revivalists in their ACL debut. Next-generation country is showcased with two new artists representing the genre’s expansive range sharing an episode: chart-topping Kane Brown and breakout Canadian folk & western singer Colter Wall. Austin City Limits continues its mission of spotlighting innovators with stunning new hours featuring R&B sensation H.E.R., a two-time 2019 Grammy® Award-winning singer-songwriter-guitarist, and singer-songwriter phenom Maggie Rogers, both making their ACL debuts.
“Over the decades ACL has built its reputation on introducing the most original, innovative and eclectic music from every genre,” said ACL executive producer Terry Lickona. “Music fans love to discover artists and sounds they’ve never heard before, or re-discover artists and songs that have stood the test of time. There’s no better place to find them than Austin City Limits, and this season is a perfect example!”
For the series milestone Season 45, the broadcast has a new opening featuring Austin indie stars Spoon’s classic “Hot Thoughts” and showcasing many of Austin’s own homegrown talents captured at the live music capital’s many colorful locations.
Season 45 Broadcast Line-up (seven new episodes to be announced):
October 5Gary Clark Jr.
October 12Maggie Rogers
October 19Steve Earle & The Dukes: A Tribute to Guy Clark
November 2 Patty Griffin / The Revivalists
November 9Vampire Weekend
November 16 Kane Brown / Colter Wall
November 23ACL Presents Americana 18th Annual Honors
For the ninth consecutive year, the producers of Austin City Limits, in conjunction with producers Martin Fischer, Michelle Aquilato, Edie Hoback and the Americana Music Association, are proud to present a special ACL Presents on November 23 featuring the best music performances from this year’s 18th Annual Americana Music Association Honors and Awards Ceremony to be held September 11, 2019 at the historic Ryman Auditorium in Nashville, TN. The broadcast is a celebration of the diverse sounds of roots music, from folk, bluegrass and alt-country to R&B and the blues.
The complete line-up for the full 14-week season, including seven new episodes to air beginning December 31, 2019, will be announced at a later date. Austin City Limits continues to offer its popular live streams of select performances for fans worldwide on ACL’s YouTube Channel. Viewers can visit acltv.com for news regarding live streams, future tapings and episode schedules.
Austin City Limits returns to Nashville for a special broadcast offering performance highlights from the 17th Annual Americana Honors & Awards. The new installment features a stunning revue of unforgettable performances celebrating the finest artists in American roots music. The hour is filled with musical highlights from Americana mainstays and next-generation stars, including many of the night’s award-winners and honorees, among them (in order of appearance): Nathaniel Rateliff & the Night Sweats, Lukas Nelson & Promise of the Real, Fantastic Negrito, Brandi Carlile, Tyler Childers, Margo Price, I’m With Her featuring Sara Watkins, Sarah Jarosz and Aoife O’Donovan, Buddy Guy, Rosanne Cash, Jason Isbell & the 400 Unit, k.d. lang, Irma Thomas and John Prine. The special will be available to music fans everywhere to stream online beginning Sunday, February 10th@12 ET at pbs.org/austincitylimits and the broadcast premiere will launch February 9th on PBS and vary by market (check local listings for times).
For the eighth consecutive year, the producers of Austin City Limits, in conjunction with producers Martin Fischer, Michelle Aquilato, Edie Hoback and the Americana Music Association, are proud to present a special ACL Presents to close out Season 44. Recorded live at Nashville’s historic Ryman Auditorium on September 12, 2018, The Americana Music Association’s 17th Annual Honors & Awards ceremony is a celebration of the diverse sounds of roots music, from folk, bluegrass and alt-country to R&B and the blues.
The show opens with a scorcher: a spirited cover of “Fortunate Son” featuring two of the night’s honorees, Nathaniel Rateliff and Lukas Nelson, joined by blues standout Fantastic Negrito, trading verses on the Creedence Clearwater Revival classic, augmented by the stellar vocals of famed gospel group The McCrary Sisters. Multiple nominee Brandi Carlile hits the stage with her band and a six-piece string section for an epic performance of “The Joke,” nominated for Song of the Year. The year’s Emerging Artist Award-winner Tyler Childers performs a gripping, acoustic “Nose on the Grindstone” detailing the perils of coal country and opioids. Artist of the Year nominee Margo Price thrills the Ryman crowd with a walk into the audience during her performance of “A Little Pain,” a Song of the Year nominee. Group of the Year nominees showcase their bona fides: Nathaniel Rateliff returns with his band The Night Sweats for a rousing “Hey Mama”; Lukas Nelson & Promise of the Real deliver a passionate “Forget About Georgia”; and super-trio I’m With Her (featuring folk mavericks Sara Watkins, Sarah Jarosz and Aoife O’Donovan) perform acoustic in gorgeous, three-part vocal harmony. One of the genre’s top stars, Jason Isbell, sweeping the night’s top honors for Artist, Album and Group of the Year (with his band the 400 Unit), performs the riveting social gut-punch “White Man’s World” from his award-winning album The Nashville Sound. Songwriting marvel John Prine is honored with Artist of the Year for the second consecutive year, and plays a captivating new gem, “Summer’s End,” from his acclaimed latest release The Tree of Forgiveness.
The Lifetime Achievement Award honorees take the stage to showcase their talents: Trailblazer honoree k.d. lang performs her phenomenal “Trail of Broken Hearts”; New Orleans soul queen Irma Thomas, the year’s Lifetime Achievement Award honoree for Performance, delivers an electrifying version of her iconic “Time Is On My Side” to a standing ovation; Blues legend Buddy Guy earns a Lifetime Achievement Award for Instrumentalist, and rocks a blistering rendition of one of his signature six-string numbers, “Damn Right, I’ve Got The Blues.” Rosanne Cash, the recipient of the Spirit of Americana “Free Speech” Award, whose late father Johnny Cash was the inaugural recipient of the award, takes the stage to perform a heartbreaking new song, “Everyone But Me,” reminiscing about lost loved ones, including her late parents.
A show-closing tribute is paid to a game-changer in American roots music, the late, great Aretha Franklin, as all-stars Brandi Carlile, Irma Thomas, rising Americana stars Courtney Marie Andrews and husband and wife blues/soul duo The War and Treaty, along with gospel great Ann McCrary come together for the finale to sing “Chain Of Fools,” bringing the audience to their feet.
Buddy Miller returns as reigning musical director with an Americana All-Star Band featuring Don Was, Jerry Pentecost, Joe Pisapia, Ian Fitchuk, Lillie Mae, Joshua Grange, Jim Hoke, and The McCrary Sisters backing many of the night’s performers.
Nathaniel Rateliff, Fantastic Negrito, Lukas Nelson “Fortunate Son”
Brandi Carlile “The Joke”
Tyler Childers “Nose On The Grindstone”
Nathaniel Rateliff & The Night Sweats “Hey Mama”
Margo Price “A Little Pain”
Lukas Nelson & Promise of the Real “Forget About Georgia”
I’m With Her (featuring Sara Watkins, Sarah Jarosz, Aoife O’Donovan) “Overland”
Buddy Guy “Damn Right I’ve Got the Blues”
Rosanne Cash “Everyone But Me”
Jason Isbell and The 400 Unit “White Man’s World”
k.d. lang “Trail Of Broken Hearts”
Irma Thomas “Time Is On My Side”
John Prine “Summer’s End”
Finale featuring Brandi Carlile, Irma Thomas, Courtney Marie Andrews, The War and Treaty, McCrary Sisters “Chain of Fools”
Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for an encore episode, starring pop superstar Ed Sheeran.
Austin City Limits presents a thrilling hour of blues and hip-hop in a new installment featuring legendary bluesman Buddy Guy and August Greene, the all-star collaboration featuring Grammy-, Emmy- and Oscar-winning Common, and renowned modern jazz greats Robert Glasper and Karriem Riggins.
Blues-great Buddy Guy throws down in an entertaining performance of classics and new songs from his Grammy-nominated album The Blues Is Alive and Well. The living legend has played and sang the blues for over half a century, and he proudly flaunts his fretboard expertise and bottomless catalog during his fifth ACL appearance. Guy and his four-piece Damn Right Blues Band take the stage appropriately with the classic “Damn Right I’ve Got the Blues.” Working without a set list, Guy pays tribute to fellow Chicago bluesmen on the Junior Wells classic “Hoodoo Man Blues” and Sonny Boy Williamson’s “Nine Below Zero” then revisits his Grammy-winning 2015 album Born to Play Guitar for the blistering title track. He thrills the ACL audience with the roof-raising “Slippin’ In,” from his Grammy-winning 1994 album of the same name and takes a string-bending, guitar-solo-ing stroll through the captivated crowd as living proof that the blues is, indeed, alive and well.
The dynamic hip-hop collective known as August Greene take us for a beautiful ride, performing numbers from their acclaimed self-titled debut. This supergroup, featuring veteran rapper Common, four-time Grammy-winning keyboardist/producer Robert Glasper and celebrated jazz drummer/producer Karriem Riggins, lay down a sublime groove overlaid by Common’s socially conscious and empowering narrative. Joined by four backing musicians, the group opens with its hit “Black Kennedy,” a hard look at post-Obama America, deftly adding the chorus of Bon Jovi’s “Livin’ On A Prayer” to this celebration of black excellence. Backing vocalist Samora Pinderhughes delivers a spellbinding hook, joining Common at center stage for the urgent “Let Go,” as the rapper encourages the crowd to release any negative energy. The group segues directly into the buoyant “Geto Heaven,” from Common’s 2000 breakthrough classic Like Water For Chocolate, honoring many of the fallen from the civil rights era along with the black victims of contemporary gun violence. “I feel like you all let go right there,” smiles a beaming Common as he champions the excellence of all the musicians onstage and the set closes with dazzling solos from Riggins and Glasper.
“Buddy Guy is the last living blues legend, and he shows no sign of slowing down,” says ACL executive producer Terry Lickona. “He’s inspired generations of blues guitarists, and his live shows are always mesmerizing. Austin City Limits has a tradition of pushing the limits to showcase music you’ll probably never see anywhere else on TV. August Greene is an amazing collaboration of jazz, rap and soul that’s pure creative genius.”
Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for another brand new episode, featuring the Americana Music Festival’s seventeenth annual honors and awards program.
Austin City Limits proudly welcomes back a longtime friend, American music icon Willie Nelson, in a career-spanning hour as he performs a mix of his universally-known hits and new classics from his timeless catalog.
There’s a good reason why a bronze statue of Willie Nelson stands at the entrance to ACL’s studio home on the Austin street that bears his name. The Texas native launched Austin City Limits with the now-historic pilot episode (taped in 1974), ushering in what has become the longest-running television music series ever. Inducted into the inaugural class of the ACL Hall of Fame in 2014, he returns to “the house that Willie built” for a remarkable 18th appearance on the program, marking his first headlining appearance in a decade since he shared the stage with Asleep at the Wheel during Season 35 in 2009. The new performance marks his first appearance with his longtime Family Band since Season 25 in 2000.
In the 45-year history of Austin City Limits, no artist has personified the music series’ eclectic, freewheeling spirit more fully than Willie Nelson. Joined by the five-piece Family band, Willie starts the 16-song set with his perennial opener, “Whiskey River,” the song he launched ACL with almost a half-century ago. The energy is palpable for the mainstays that established him as a songwriting legend: “Funny How Time Slips Away,” “Crazy,” and “Night Life” (undertaking such an intense, bluesy shred on his trusty acoustic Trigger that he has to shake out his left hand afterward). He honors departed pals and co-songwriters with shout-outs (“Good Hearted Woman,” “for Waylon!” and “It’s All Going to Pot,” “for Merle!”). Willie calls out often for the crowd to join in, and they reply with joy and respect. “I hear it!”, he answers back with a grin during one of many sing-along moments.
The set features the pinnacles of his artistry as an interpreter: “Georgia on My Mind” anchored by harmonica master Mickey Raphael’s counter melodies; his version of “Nuages,” Django Reinhardt’s 1940 gypsy jazz instrumental, is lifted by the fascinating interplay with sister Bobbie’s piano; “Always on My Mind” showcases Willie’s inimitable phrasing. In tribute to his own favorite vocalist, Willie dips into his most recent album for a jazzy take on Frank Sinatra’s hit “Fly Me to the Moon.” The outlaw legend performs his new-classic anthem “Roll Me Up and Smoke Me When I Die,” and elicits unerringly faithful crowd-chorus callbacks on “Mamas Don’t Let Your Babies Grow Up to be Cowboys” and the raucous sing-along “On the Road Again.” All reveal a singular artist who’s still exploring, still playful, still pushing the boundaries of where his music can go. After a rousing, standing-room, hand-clapping “Will the Circle Be Unbroken” and his now-standard set-closer “I’ll Fly Away,” Willie smiles as wide as Texas, and with a wave of his hat offers a heartfelt “Thank you, Austin City Limits!”
“There would be no Austin City Limits without Willie Nelson – simple as that,” says ACL executive producer Terry Lickona. “He launched ACL into the television universe in 1974, and has helped keep us going for 45 years. It was truly emotional to witness such an outpouring of love from the audience. This show is Willie Nelson, pure and simple.”
Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for another brand new episode, featuring the return of blues legend Buddy Guy and the debut of hip-hop/jazz supergroup August Greene.