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Featured News Taping Recap

Los Lobos perfectly kicks off 40th anniversary season

When you’re facing a major milestone, it doesn’t hurt to have some longtime friends help you out. Thus we opened our 40th anniversary taping season with the fifth appearance from ACL vets Los Lobos, also celebrating four decades of musical existence. With that much history to draw from, the East L.A. band roamed all over its long career, pulling from its 1983 coming out EP …And a Time to Dance all the way up to last year’s Disconnected Live in New York.

Settling into a similar format to that latter record, Los Lobos performed mostly unplugged, opening with “Yo Canto,” an original tune in the Mexican folk tradition driven by fleet-fingered requinto licks from David Hidalgo, whom Brian Bierig called “a mountain of a musician.” “El Cascabel,” “Saint Behind the Glass” and the fan favorite “La Pistola y el Corazón” kept the folk vibe going, before Conrad Lozano picked up his electric bass and drummer Enrique “Bugs” Gonzalez took the stage for “Malaqué.” The band recast guitarist Cesar Rosas’ sprightly rock & roll tune “Set Me Free (Rosa Lee)” with acoustic guitars, though keeping Steve Berlin’s sax riffage intact. Less traditional folk flavors flowed in after that, from the jazzy blues of “Tin Can Trust” and the widescreen epic “Little Things” to the groovy dance tune “Chuco’s Cumbia” and the lovely ballad “Tears of God.”

Electric guitars finally made an appearance in the atmospheric “Kiko and the Lavender Moon,” upping the muscle factor, even with a return to less rocking sounds with covers of Flaco Jimenez’s “Ay Te Dejo en San Antonio” (with a lyrical stumble that necessitated an immediate redo) and the traditional “Volver, Volver.” By the time we got to Rosas’ funky “Wicked Rain,” the street song thump of “Rio de Tenampa” (guest-starring the Grupo Fantasma horns) and the clattering rock of the set-ending “Mas y Mas,” Los Lobos was in full amplified flight.

Following a redo of “Tenampa,” the band brought the evening to a close with a volcanic “Don’t Worry Baby,” the best blues ‘n’ roll tune Stevie Ray Vaughan never wrote. With a set that covered the vast width and enormous breadth of its 40 year career, Los Lobos proved the perfect act to kick off ACL’s own anniversary celebration. And since we streamed the taping live as it went down, the whole world could join in the fun, prompting 54Moredoor to comment, “ACL you know how to throw a PARTY!”

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Encore Broadcast Featured News

Encore: Gary Clark Jr. and Alabama Shakes

This weekend, ACL presents two game-changers bringing modern blues and soul to a new generation: Gary Clark Jr. and Alabama Shakes. The power of live performance is front and center as Austin’s own rock ‘n’ soul phenomenon Clark and soulful rockers Alabama Shakes take the ACL stage in separate showcases.

“I’ve been wanting to do this for sixteen years” says a stoked Gary Clark Jr. from the stage. “It feels so good to be here right now.” Long Austin’s favorite son, the twenty-eight year old bluesman exploded onto the international music scene when he delivered an incredible performance at Eric Clapton’s 2010 Crossroads Guitar Festival. Born and raised in Austin, Clark began playing guitar at age 12, tearing up hometown stages since he was a teenager. He made a name for himself across the globe with the release of his critically-acclaimed 2012 major label debut Blak and Blu, and kicked off 2013 with a performance for President and Mrs. Obama at The White House. Clark has earned across-the-board raves for his singular talent, with The New York Times hailing Clark as “a guitarist of deep magnetism and tremendous feel.” The guitar virtuoso flaunts his six-string chops in his ACL appearance, thrilling the audience with a bold mix of blues, rock, soul and funk. Clark made his auspicious ACL debut back in Season 33 as part of the Tribute to Bluesman Jimmy Reed, with Jimmie Vaughan and Omar Dykes, and with his own set Clark proves he’s the one to watch.

“He’s already shared the stage with the likes of the Rolling Stones, Paul McCartney and Eric Clapton, but Gary is the essence of what his hometown Austin’s music is all about,” says executive producer Terry Lickona. “He learned from the best in every genre from the age of 12, and remains true to his heart and his roots. He’s our pride and joy.”

Raucous newcomers Alabama Shakes combine the old and the new to create gritty, joyous and soulfully raw music. Muscle Shoals-inspired and hailing from Athens, Alabama, the foursome enthusiastically blend rock with soul, country, blues and roots. The rock quartet has attracted widespread praise, including their recent Grammy nomination for Best New Artist.  Alabama Shakes’ style is marked by lead singer Brittany Howard’s powerful vocals—which have been compared to those of Janis Joplin and Otis Redding—and the group’s irresistible energy. Performing tracks from their breakthrough release Boys & Girls, the band open their ACL debut with the breakout hit “Hold On,” and launch into an ecstatic, transcendent, rafter-shaking set.

photo by Scott Newton

“There’s a reason Grammy voters nominated them for Best New Artist of the Year, the same reason we taped this show before they had even released their first record,” declares Lickona.  “Raw talent is hard to miss, and a vocal talent like Brittany Howard comes along once in a decade – if that.”

Check out the episode page for more info on this great show. You can keep up with ACL events via our Facebook and Twitter pages and our newsletter. Next week: The Civil Wars and Punch Brothers.

 

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Featured Live Stream News

ACL to stream Los Lobos taping live

ACL will live stream the return of legendary rock band Los Lobos on Monday, April 14th at 8pmCT/9pm ET. The taping will be live streamed directly from ACL’s stage via our YouTube Channel. The live stream will webcast the taping in its entirety and the broadcast episode will air on PBS Stations later this fall during our 40th anniversary season. Join us online as Los Lobos celebrates its own 40th anniversary with us!

 

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News

Giveaway: Los Lobos 4/14

* Giveaway is now over. People receiving passes were notified via email. If you did not get passes, be sure to watch the live stream of the taping starting at 8 pm central on April 14th.

Austin City Limits will be taping a performance by Los Lobos on Monday, April 14th, at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd).  We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by 9 am April 10th. Winners will be chosen at random.

Passes are not transferable and cannot be sold. Standing may be required.

No photography, recording or cell phone use in the studio.

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Featured News Taping Announcement

New tapings: Ed Sheeran and White Denim

ACL is pleased to announce a June 11 taping with Ed Sheeran. The British folk-pop singer/songwriter started his music career while still a teenager, signing to Atlantic Records, winning multiple Brit Awards and conquering his homeland by the time he was 20.  His landmark debut album hit the top five stateside and produced the Grammy-nominated breakout track “The A Team”.  Sheeran performed on the 2013 Grammy telecast accompanied by Elton John, and toured this past year with superfan Taylor Swift, in addition to co-writing their chart-topping duet “Everything Has Changed”. Now, in anticipation of his forthcoming Rick Rubin-produced sophomore album to be released later this year, he makes his ACL debut. Please join us in welcoming Ed Sheeran for our 40th Anniversary Season.

We’re also thrilled to announce Austin’s own White Denim will be taping a show on Aug. 4. The eclectic rock group has steadily expanded its sound since forming in 2005, becoming a music festival attraction and touring regularly.  Q Magazine calls their latest release Corsicana Lemonade, “a staggering, intoxicating record.” While singer James Petralli has graced the ACL stage before as a guest singer with the Preservation Hall Jazz Band in 2011, this will be his band’s debut on ACL. Join us in welcoming White Denim.

photo by Mark Seliger

Want to be part of our audience? We will post information about how to get free passes about a week before each taping right here on our site.

 

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Featured New Broadcast News

Nine Inch Nails previews ACL’s new season

Austin City Limits presents an epic hour with Nine Inch Nails. The special broadcast airs as a preview of our upcoming milestone 40th Anniversary Season.  NIN’s arena-worthy ACL debut showcases ten songs, and will encore during the program’s Season 40, launching in the fall of 2014.

“We’ve waited a long time to do anything like this,” says Nine Inch Nails’ Trent Reznor from the ACL stage. This rare hour of television with the legendary industrial rock band offers a fascinating look at their artistry in a flawless performance filled with unparalleled intensity. NIN’s Reznor and the seven-piece band—Alessandro Cortini, Josh Eustis, Robin Finck, Lisa Fischer, Sharlotte Gibson, Pino Palladino and Ilan Rubin—deliver an electrifying set that is a masterpiece of tension and release. Opening with the sultry “All Time Low” from the critically-acclaimed Hesitation Marks, their first album in five years, the band perform tracks from the recent release as well as earlier works, including 1999’s The Fragile. NIN segue into a revamped version of “Sanctified” from the 1989 debut Pretty Hate Machine, with the vocal duo of Fischer and Gibson adding soaring depth and texture to the pummeling rhythms throughout the riveting hourlong debut. The cathartic performance comes to a close with a redemptive take on the NIN classic “Hurt”, with Reznor gripping the microphone while howling the confessional lyrics as the Austin audience begs for more.

photo by Scott Newton

“We never thought we’d see the day when Nine Inch Nails would set foot on the ACL stage,” says Executive Producer Terry Lickona. “I mean, they never did television for 25 years! I came away from this show having the greatest respect for Trent Reznor. He’s one of the most focused, intense and creative artists I’ve ever worked with.”