Austin City Limits (ACL) is thrilled to announce a summer taping with FINNEAS in his headlining ACL debut on August 7. FINNEAS first appeared on the ACL stage in Season 45 in 2019 alongside his sister Billie Eilish and we’re thrilled to welcome the gifted artist back to the ACL stage for his solo debut as a highlight of ACL’s Season 51. Finneas makes his ACL debut showcasing songs from his sophomore solo album, For Cryin’ Out Loud!
Celebrated singer, songwriter, multi-instrumentalist, composer, and producer FINNEAS has quietly emerged as a ubiquitous presence in popular music and culture. He achieved stratospheric success for his groundbreaking work with his sister Billie Eilish, including a history-making ten Grammy Awards for his work with her. His impact has also reverberated through film and television, whether it be writing Academy Award-winning songs for blockbuster films Barbie and No Time To Die or composing original scores for Academy Award winner Alfonso Cuarón’s Apple TV+ series Disclaimer and HBO Max’s The Fallout, Vengeance, and more.
FINNEAS introduced a heartfelt and hypnotic style for his 2019 debut solo outing, Blood Harmony, an EP highlighted by the gold-certified “Let’s Fall in Love for the Night.” 2021 saw him unveil his full-length debut, The Optimist, on Interscope Records. A restless creative, FINNEAS is always challenging himself. It’s why he opted to gather a handful of friends, head to the studio as “a band,” and make his second full-length solo album, For Cryin’ Out Loud! He set the stage for the record with the title track which Rolling Stone hailed “…the work of a popcraft savant with a light, versatile touch.” We’re thrilled to welcome FINNEAS to our stage in his debut headlining appearance amid a sold-out world tour. Want to be part of our audience? We will post information on how to get free passes a week in advance of the taping. Follow us on IG and Facebook and X for notice of postings. The broadcast episode will air and stream this fall on PBS as part of ACL’s upcoming Season 51.
*UPDATE: The giveaway is now closed. *Austin City Limits will tape a performance by Kelsea Ballerini on Thursday, July 10th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). Austin City Limits Taping Giveaways are presented by AXS Events.
Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue. While we do our best to accommodate all winners, we cannot guarantee admission. These passes are based on space available therefore you will be filling in spots available on the floor or balcony depending on the tickets that are available when you arrive.
With a revelatory album, an arena-headlining tour, and a 2025 nomination for the CMA Awards’ top honor of Entertainer of the Year, Kelsea Ballerini is having a moment. A beloved artist known for sparkling live performances, the country hitmaker has had a remarkable decade-long run since arriving on the Nashville scene with her 2015 debut album, The First Time. Ballerini had hit singles right out of the gate, becoming the only female country artist to hit #1 with the first three consecutive singles from a debut album. This history-making feat earned her a Best New Artist Grammy nomination. With seven #1 singles and 36 certifications from the RIAA to date, her catalog boasts a string of essential smashes. Ballerini’s fourth album, Subject To Change, arrived in 2022. The gold-certified first single, “Heartfirst,” earned her a Grammy nomination for “Best Country Solo Performance.” She went on to surprise fans five months later with the release of the intimate six-song Rolling Up the Welcome Mat, which resonated with audiences and earned her a Grammy nomination for Best Country Album. Rolling Up the Welcome Mat, along with an accompanying short film written and directed by Ballerini, marked the multi-platinum star’s most honest work to date and led to her Saturday Night Live debut, universal acclaim from critics including The New York Times, Variety, Rolling Stone, as well as the honor of gracing the cover of TIME Magazine. Her latest critically acclaimed Patterns, her fifth studio album, debuted in the fall of 2024 and topped the Country Albums chart and reached number four on the Billboard 200. The album found Ballerini purposefully surrounding herself with women, along with producer Alysa Vanderheym, and collaborators Jessie Jo Dillon, Karen Fairchild, and Hillary Lindsey. On the album she enlisted Best New Artist GRAMMY nominee Noah Kahan to appear on the tender and beautifully crafted RIAA certified-Gold, CMA Awards-nominated “Musical Event of the Year” and GRAMMY-nominated “Best Country Duo/Group Performance” – single “Cowboys Cry Too.” Most recently, she wrapped up her 35-date Kelsea Ballerini Live On Tour, performing in arenas across the country. Among dozens of accolades thus far, Ballerini has garnered five GRAMMY nominations, won two ACM Awards, picked up two CMA Awards, took home the iHeartRadio Music Awards honor for Best New Artist, and received multiple career nominations from the ACM Awards, American Music Awards, CMA Awards, CMT Awards and People’s Choice Awards. Ballerini was also inducted as a member of the famed Grand Ole Opry in 2019. At the time, she notably became the Opry’s youngest member in its nearly 100-year history. With these accolades, it is no wonder NPR proclaimed, “Kelsea Ballerini is definitely one of the most influential women in country right now… she’s defining the sound of the genre.”
UPDATE: The giveaway is now closed. Austin City Limits will tape a performance by The Marías on Tuesday, July 8th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). Austin City Limits Taping Giveaways are presented by AXS Events.
Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue. While we do our best to accommodate all winners, we cannot guarantee admission. These passes are based on space available therefore you will be filling in spots available on the floor or balcony depending on the tickets that are available when you arrive.
The Marías are the psychedelic-soul lovechild of Puerto Rican-bred, Atlanta-raised María Zardoya and Los Angeles native, Josh Conway. The pair are joined by their closest friends Jesse Perlman on guitar and Edward James on keys. The Marías’ undeniably intuitive musical chemistry is evident in their smooth blend of jazz percussion, hypnotic guitar riffs, smoke-velvet vocals, and nostalgic horn solos. Since the 2021 release of their critically acclaimed debut, Cinema, which paid homage to their early days of writing for film and television, the Marías have earned countless accolades and collaborations with some of the biggest names in Latin music, including Bad Bunny and Tainy. Their highly anticipated follow-up, 2024’s Submarine, represents the next phase of their fascinating sonic journey. Stepping back into the psychedelic indie rock roots that defined their 2017 breakout EP, Superclean, the recent album delivers a sense that you’ve been here before but the geography has evolved. The cinematic swells of their debut have been traded for a sonically matured return to form for an album that Conway calls the “bookend to their trilogy.” A study in aloneness, the evocative ache of Submarine feels, at times, inescapable, as one is faced with what it means to choose solitude and the pain and beauty so inextricably interwoven within it. It embodies the grief in something as innately human as separation. María’s hypnotic vocals transport listeners to a place of reflection and exploration. The detail that defines their cinematic style off-stage is brought to life during ethereal live performances as the group delivers striking visuals that beautifully complement their dreamy songs, creating an indisputably unique experience. This bespoke live Submarine show was on full display to rapturous audiences in buzzed-about sets at 2024’s ACL Fest and their recent Coachella appearances. The Marías are currently on a sold-out extended U.S. headlining tour with festival dates including Lollapalooza, Shaky Knees, and All Things Go.
MJ Lenderman & the Wind make their Austin City Limits debut on Tuesday, July 1, and the legendary music series is proud to announce this highly-anticipated performance will be livestreamed on the ACLTV YouTube Channel. ACL offers fans worldwide the unique opportunity to watch MJ Lenderman & the Wind’s taping live in its entirety from the famed Austin City Limits stage in Austin, Texas, on July 1 at 8pm CT/9pm ET free via the ACLTV YouTube Channel. ACL is thrilled to showcase the ascendant singer-songwriter and his five-piece band ahead of the 4th of July, lighting up the ACL stage with highlights from his acclaimed Manning Fireworks. Lenderman recently received a trio of 2025 nominations for the album from the Americana Music Awards, leading the pack with top honor nods for Album of the Year, Song of the Year and Emerging Artist of the Year. The livestream will begin promptly at 8pm CT and will only be available live. The broadcast episode will air this fall on PBS and stream on pbs.org/austincitylimits as part of the iconic television series’ upcoming Season 51.
26-year-old singer-songwriter-guitarist MJ Lenderman makes his ACL debut after a busy couple of years. A rock-and-roll and basketball obsessed kid growing up in the mountain town of Asheville, NC, he put out the breakthrough solo set Boat Songs in 2022; the sleeper hit piled offhanded, Southern-inflected rock on wry, laconic bangers like “Hangover Game,” “Six Flags” and “Tastes Just Like It Costs.” With its barbed little jokes, canny sports references, and gloriously ragged guitar solos, the album became one of that year’s standouts, a ramshackle set of charms and chuckles. He followed with a stellar 2024, bookended by a memorable feature on Waxahatchee’s “Right Back To It,” a magnetic duet about romantic doubt that became one of the year’s biggest indie-rock anthems, and the release of his own highly anticipated solo album, Manning Fireworks. A laser-sharp study of misfits and the mistakes they make, where sympathy and sardonicism share the same ragged rock song, the acclaimed release features thumbnail character studies: “She’s Leaving You,” a half-sneering portrait of a dad cheating his way through a midlife crisis, at least until he gets caught and blasts Clapton in a rented Ferrari en route to Vegas; “On My Knees” finds Lenderman wondering what it means to have fun in a world where so many people seem full of shit; and muses on edgelords and alpha males on the standout “Wristwatch.” Manning Fireworks topped many critics’ year-end best lists, with Rolling Stone raving, “MJ Lenderman delivers a sad-guy indie-rock gem” and named him “a budding guitar great and ace storyteller”; The New York Times calls Lenderman “A young artist with an old soul and a keen eye for observational detail that makes his canted portraits of small-town life come alive”; NPR raves, “He’s a homespun magical realist, always throwing in something off-kilter to elevate his tales of lovable losers”; and the Guardian concurs, “Far from being dude-centric, Manning Fireworks’ sad sack anthems tap into something devastatingly, purely human.”
UPDATE: The giveaway is now closed. Austin City Limits will tape a performance from MJ Lenderman & The Wind on Tuesday, July 1st at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). Austin City Limits Taping Giveaways are presented by AXS Events.
Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue. While we do our best to accommodate all winners, we cannot guarantee admission. These passes are based on space available therefore you will be filling in spots available on the floor or balcony depending on the tickets that are available when you arrive.
26-year-old singer-songwriter-guitarist MJ Lenderman makes his ACL debut after a busy couple of years. A rock-and-roll and basketball-obsessed kid growing up in the mountain town of Asheville, NC, he put out the breakthrough solo set Boat Songs in 2022. The sleeper hit piled offhanded, Southern-inflected rock on wry, laconic bangers like “Hangover Game,” “Six Flags” and “Tastes Just Like It Costs.” With its barbed little jokes, canny sports references, and gloriously ragged guitar solos, the album became one of that year’s standouts, a ramshackle set of charms and chuckles. He followed with a stellar 2024, bookended by a memorable feature on Waxahatchee’s “Right Back To It,” a magnetic duet about romantic doubt that became one of the year’s biggest indie-rock anthems, and the release of his own highly anticipated solo album, Manning Fireworks. A laser-sharp study of misfits and the mistakes they make, where sympathy and sardonicism share the same ragged rock song, the acclaimed release features a number of thumbnail character studies. “She’s Leaving You” is a half-sneering portrait of a dad cheating his way through a midlife crisis, at least until he gets caught and blasts Clapton in a rented Ferrari en route to Vegas. “On My Knees” finds Lenderman wondering what it means to have fun in a world where so many people seem full of shit while the standout “Wristwatch” muses on edgelords and alpha males. Manning Fireworks topped many critics’ year-end best lists, with Rolling Stone raving, “MJ Lenderman delivers a sad-guy indie-rock gem” and named him “a budding guitar great and ace storyteller.” The New York Times calls Lenderman “A young artist with an old soul and a keen eye for observational detail that makes his canted portraits of small-town life come alive.” NPR says, “He’s a homespun magical realist, always throwing in something off-kilter to elevate his tales of lovable losers,” while the Guardian concurs, “Far from being dude-centric, Manning Fireworks’ sad sack anthems tap into something devastatingly, purely human.”
Austin City Limits is thrilled to announce a pair of July tapings for our Season 51: on July 8 we welcome the acclaimed, genre-blending indie pop band The Marías, making their ACL debut with songs from their sophomore release Submarine; and on July 10 celebrated country artist Kelsea Ballerini takes the ACL stage in her first-ever appearance with songs from her latest album Patterns.
Photo credit: Jaxon Whittington
The Marías are the psychedelic-soul lovechild of Puerto Rican-bred, Atlanta-raised María Zardoya and Los Angeles native, Josh Conway. The pair are joined by their closest friends, Jesse Perlman on guitar and Edward James on keys. The Marías’ undeniably intuitive musical chemistry is evident in their smooth blend of jazz percussion, hypnotic guitar riffs, smoke-velvet vocals and nostalgic horn solos. There’s something irresistibly sensual in their dreamlike fusion of jazz, psychedelia, funk and lounge. Since the 2021 release of their critically acclaimed debut, Cinema, which paid homage to their early days of writing for film and television, the Marías have earned countless accolades and collaborations with some of the biggest names in Latin music, including Bad Bunny and Tainy. Their highly anticipated follow-up, Submarine, represents the next phase of their fascinating sonic journey. Stepping back into the psychedelic indie rock roots that defined their 2017 breakout EP, Superclean, the recent album delivers on a feeling of nostalgia, a sense that you’ve been here before but the geography has evolved. The cinematic swells of their debut have been traded for a sonically matured return to form for an album that Josh calls the “bookend to their trilogy.” A study in aloneness, the evocative ache of Submarine feels, at times, inescapable, as one is faced with what it means to choose solitude, and the pain and beauty so inextricably interwoven within it. It embodies the grief in something as innately human as separation. María’s hypnotic vocals transport listeners to a place of solitude and exploration. The detail that defines their cinematic style off-stage is brought to life during ethereal live performances as the group delivers striking visuals that beautifully complement their dreamy songs, creating an indisputably unique and transportive experience. This bespoke live Submarine show was on full display to rapturous audiences in buzzed-about sets at 2024’s ACL Fest and their recent Coachella appearances. The Marías are currently on a sold-out extended U.S. headlining tour with upcoming festival dates including Lollapalooza, Shaky Knees, and All Things Go.
Photo credit: Catherine Powell
With a revelatory album, an arena-headlining tour, and a 2025 nomination for the CMA Awards’ top honor of Entertainer of the Year, Kelsea Ballerini is having a moment. A beloved artist known for sparkling live performances, the country hitmaker has had a remarkable decade-long run since arriving on the Nashville scene with her 2015 debut album, The First Time. Ballerini had hit singles right out of the gate, becoming the only female country artist to hit #1 with the first three consecutive singles from a debut album. This history-making feat earned her a Best New Artist Grammy nomination. With seven #1 singles and 36 certifications from the RIAA to date, her catalog boasts a string of essential smashes. Ballerini’s fourth album, Subject To Change, arrived in 2022. The gold-certified first single, “Heartfirst,” earned her a Grammy nomination for “Best Country Solo Performance.” She went on to surprise fans five months later with the release of the intimate six-song Rolling Up the Welcome Mat, which resonated with audiences and earned her a Grammy nomination for Best Country Album. Rolling Up the Welcome Mat, along with an accompanying short film written and directed by Ballerini, marked the multi-platinum star’s most honest work to date and led to her Saturday Night Live debut, universal acclaim from critics including The New York Times, Variety, Rolling Stone, as well as the honor of gracing the cover of TIME Magazine. Her latest critically acclaimed Patterns, her fifth studio album, debuted in the fall of 2024 and topped the Country Albums chart and reached number four on the Billboard 200. The album found Ballerini purposefully surrounding herself with women, along with producer Alysa Vanderheym, and collaborators Jessie Jo Dillon, Karen Fairchild, and Hillary Lindsey. On the album she enlisted Best New Artist GRAMMY nominee Noah Kahan to appear on the tender and beautifully crafted RIAA certified-Gold, CMA Awards-nominated “Musical Event of the Year” and GRAMMY-nominated “Best Country Duo/Group Performance” – single “Cowboys Cry Too.” Most recently, she wrapped up her 35-date Kelsea Ballerini Live On Tour, performing in arenas across the country. Among dozens of accolades thus far, Ballerini has garnered five GRAMMY nominations, won two ACM Awards, picked up two CMA Awards, took home the iHeartRadio Music Awards honor for Best New Artist, and received multiple career nominations from the ACM Awards, American Music Awards, CMA Awards, CMT Awards and People’s Choice Awards. Ballerini was also inducted as a member of the famed Grand Ole Opry in 2019. At the time, she notably became the Opry’s youngest member in its nearly 100-year history. With these accolades, it is no wonder NPR proclaimed, “Kelsea Ballerini is definitely one of the most influential women in country right now… she’s defining the sound of the genre.”
Want to be part of our audience? We will post information on how to get free passes a week in advance of each taping. Follow us on IG and Facebook and X for notice of postings. The broadcast episodes will air this fall on PBS as part of our upcoming Season 51.
