Austin City Limits announces Season 43 lineup

The Pretenders - photo by Scott Newton

 iconic PBS series Austin City Limits announces a new season premiering October 7 with an an epic hour featuring global superstar Ed Sheeran. With this season, ACL becomes the longest-running music show in television history, providing viewers with a front-row seat to the best in performance for over 40 years, and continues its legendary run showcasing more stars, innovators and highly-anticipated debuts.

Austin City Limits returns to PBS on Saturday, October 7 at 9pm ET/8pm CT (check local listings) with a season premiere featuring UK hitmaker Ed Sheeran in his second appearance on the ACL stage, returning to perform his biggest hits and new gems from his chart-topping third album ÷ (Divide). The upcoming Season 43 is filled with musical treats: trailblazing rock band The Pretenders dazzle in their ACL debut with an electrifying, career-spanning performance. Country superstar (and Texas native) Miranda Lambert, in her third appearance, shines in a stunning hour of music while sharing the stories behind her songs. Multi-platinum Southern country-rock act Zac Brown Band make their first ACL visit with a remarkable career-wide hour. The extended line-up features ACL debuts from outstanding newcomers including indie original Angel Olsen and New Orleans blues-rocker Benjamin Booker, while returning Americana favorites Norah Jones and The Head and the Heart bring their latest music to the ACL stage.

Miranda Lambert – photo by Scott Newton

In addition to the popular livestreams of select tapings which ACL offers fans worldwide, this season will amplify the show’s commitment to delivering exciting new platforms to experience Austin City Limits’ live performances. Austin City Limits is partnering with Google’s virtual reality team to create an immersive 10-part Daydream video series, ACL VR, bringing exclusive performance and behind-the-scenes content to viewers everywhere. Stay tuned to ACL’s YouTube Channel this fall for 360° from Ed Sheeran, Zac Brown Band and more from Season 43.

For the seventh consecutive year, the producers of Austin City Limits, in conjunction with High 5 Productions, and the Americana Music Association, are proud to present a special ACL Presents—featuring the best music performances from this year’s Americana Music Association Honors and Awards Ceremony held September 13 at the historic Ryman Auditorium in Nashville, TN.

“This season proves once again why both music fans and artists alike consider Austin City Limits to be the finest showcase for the best in music today – no matter where it comes from,” says longtime executive producer Terry Lickona. “Artists consider it an honor to step on our stage, and we are honored to capture these performances and bring them to the world – now in more formats than ever before.”

Benjamin Booker – photo by Scott Newton

Austin City Limits continues to livestream select performances including a trio of highly-anticipated Season 43 performances: On August 21, in a rare double taping, ACL will livestream acclaimed singer/songwriters Jason Isbell and Amanda Shires and on August 22 indie rock sensation Father John Misty. The tapings are livestreamed worldwide on ACL’s YouTube Channel at 9pm ET/8pm CT. The broadcast episodes of these tapings will air as part of the second half of ACL’s Season 43 which kicks off on New Year’s Eve. Viewers can visit acltv.com for news regarding future tapings, episode schedules and live stream updates.

 

Season 43 Fall Broadcast Schedule (additional episodes to be announced):

October 7 Ed Sheeran

October 14 The Pretenders

October 21 Zac Brown Band

October 28 Norah Jones/ Angel Olsen

November 4 Miranda Lambert

November 11 The Head and the Heart/ Benjamin Booker

November 18 ACL Presents: Americana Music Festival 2017

The complete line-up for the full 14-week season, including eight new episodes to air beginning December 31, 2017, will be announced at a later date. Check the news section of acltv.com for additional episode updates.

Foals and Alejandro Escovedo bring ACL Season 42 to a rocking close

photo by Scott Newton

Austin City Limits closes out Season 42 with a big rock finish—a season finale featuring UK alt-rock sensations Foals and Texas legend Alejandro Escovedo. Foals play tunes from their album What Went Down, while Escovedo, joined by an all-star band that includes R.E.M.’s Peter Buck, showcases songs from his acclaimed release Burn Something Beautiful.

One of the UK’s most popular bands, Foals make their debut on the Austin City Limits stage with songs from their acclaimed fourth album What Went Down, awarded Best Album by NME in 2016. Hailed as “fierce, amorphous rock” by The Guardian, the British quintet formed in Oxford in 2005 and have gone on to conquer festival stages including Glastonbury, Reading and Leeds in their native UK, and Coachella and the Austin City Limits Festival stateside. Foals perform a blistering five-song set featuring their breakthrough anthem “Mountain At My Gates,” and closing with the seething “What Went Down,” which features a crowd visit from charismatic frontman Yannis Philippakis that thrills the besotted Austin fans.

“Foals has a reputation for their amazing live performances,” says ACL executive producer Terry Lickona, “and I had more people come up to me after this show than any other to say it was the best one all season. That should give you some idea what to expect!”

Called a “rock and punk godfather” by Rolling Stone, Alejandro Escovedo first appeared on Austin City Limits in 1983, and returns for a fifth, unforgettable performance. The Texas trailblazer performs songs from Burn Something Beautiful, his 11th studio album, joined by alt-rock luminaries including R.E.M.’s Peter Buck and the Minus 5’s Scott McCaughey, who co-produced the new release, rounded out by a team of rock stalwarts: ex-Fastbacks guitarist Kurt Bloch, Decemberists’ drummer John Moen, and singers Kelly Hogan (Neko Case) and Karla Manzur. Escovedo and Buck lock guitars for the shimmering “Suit of Lights” featuring a gorgeous vocal spotlight by Hogan, and the six-string army blazes at full-force on the fiery, infectious punk of album opener “Horizontal.” The luminous set is a celebration of the rock ‘n’ roll life and a testament to the enduring power of a rock ‘n’ roll survivor.

photo by Scott Newton

“In so many ways, Alejandro epitomizes what Austin City Limits is all about,” says Lickona. “His music expanded, deepened and evolved over the years much the same way ACL has. It’s always a special night when he takes our stage.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for a special encore, featuring Album of the Year Grammy nominee Sturgill Simpson and Austin scene vets Asleep at the Wheel.

CeCe Winans and St. Paul & the Broken Bones bring pure soul to ACL Season 42

photo by Scott Newton

Austin City Limits presents a soul-stirring hour of high voltage gospel with the legendary CeCe Winans and soul sensations St. Paul & The Broken Bones.

Gospel superstar CeCe Winans dazzles with a joyful spirit and a powerful voice in her first-ever appearance on the ACL stage. The ten-time Grammy-winning legend takes us to church with a buoyant set backed by her eleven-piece band, performing songs from Let Them Fall in Love, her first album in nearly a decade. Winans opens with the Motown meets southern soul burner “Hey Devil!” – a playful rebuke to temptation, tossing in a chorus of “Hit the Road, Jack” for good measure. A set highlight is new gem “Lowly,” a feel-good raver filled with soaring choruses and delightful interplay between Winans and her backup singers. She delivers a powerhouse take on “Why Me Lord,” the Kris Kristofferson classic, bringing the house down. Closing out her exuberant set with “Dancing in the Spirit,” the gospel giant leads a jubilant sing and dance-along that has the audience on their feet singing her praises.

Named “one of rock’s hottest live acts,” by Rolling Stone, the Birmingham, Alabama soul outfit St. Paul & The Broken Bones fire up the crowd in a thrilling ACL debut, armed with songs from their acclaimed sophomore release Sea of Love. Dynamic frontman Paul Janeway, decked out in a cherry-red suit with checkerboard trim, promises the crowd “we gon’ take you there,” and he delivers. The blistering set offers non-stop scorchers with a show-stopping performance by Janeway, whose voice has earned comparisons to soul greats Al Green and Otis Redding, and whom, NPR says, “channels a fire-and-brimstone energy”. “Let’s take it to the heavens,” says the colorful bandleader for the rousing set-closer “Burning Rome,” as he drops to his knees, preaching his soul-fire gospel and making a believer out of everyone.

photo by Scott Newton

“A CeCe Winans performance is almost a religious experience in itself, but no matter your beliefs, you’ll be inspired to sing, shout and dance by this show,” says ACL executive producer Terry Lickona. “St. Paul & The Broken Bones is unlike anything you’ve ever seen or heard. Taken together, this is an unmitigated hour of joy!”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for a brand new episode, featuring the ACL debut of British rock sensation Foals and the return of rocking Texas singer/songwriter Alejandro Escovedo.

Band of Horses and Parker Millsap bring modern roots rock to ACL Season 42

photo by Scott Newton

Austin City Limits showcases modern roots rock with two American originals: indie favorites Band of Horses and acclaimed singer-songwriter Parker Millsap.

South Carolina indie-folk rockers Band of Horses made their ACL debut in 2010 and return to perform time-honed classics alongside new gems from their fifth studio album Why Are You Ok? The Charleston-based quintet, led by dynamic frontman Ben Bridwell, kick off the upbeat seven-song set with the classic, “Is There A Ghost” from their 2007 album Cease To Begin. The band strips down to an acoustic trio for the early career hit “Part One,” circling a single microphone to capture their lush three-part harmonies. New songs “Throw My Mess,” “Hag” and “In A Drawer,” showcase the band’s melodic range, and lead into the raucous set-closing anthem, fan favorite “The General Specific.”

Oklahoman singer-songwriter Parker Millsap has set the Americana world on fire with his songs, his voice and his impassioned live show. Raised in the Pentecostal church, Millsap is filled with a fire-and-brimstone fervor that fuels his gospel-tinged lyrics and gives way to Buddy Holly-esque rockabilly ravers. The 23-year-old rising star opens his ACL debut with the apocalyptic title track from his sophomore album The Very Last Day. Millsap’s “talent for bringing convincing, complex characters to life” (NPR) is evident in the set’s centerpiece, “Heaven Sent,” which has the singer taking on the role of a gay son searching for his preacher father’s acceptance. Millsap closes out the standout performance with a soaring, fiddle-accompanied take on the blues classic “You Gotta Move,” then concludes with a howling, impassioned performance of his own hard-hitting “Hades Pleads,” which gets the appreciative ACL audience on their feet for a well-deserved ovation.

photo by Scott Newton

“Their songs are at the heart of what makes both Band of Horses and Parker Millsap so special,” says ACL executive producer Terry Lickona. “Band of Horses are at the top of their game, lyrically and melodically, and Parker Millsap’s songwriting is story-telling at its very best. This is a show you where you should turn off the lights and turn up the volume.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for a brand new episode, featuring the ACL debuts of gospel legend CeCe Winans and Southern soul revivalists St. Paul & the Broken Bones.

Margo Price and Hayes Carll take ACL Season 42 back to the country

photo by Scott Newton

Austin City Limits presents a captivating hour with two of contemporary country music’s brightest: Margo Price in her ACL debut and Hayes Carll making a return appearance.

Rising star Margo Price had a banner 2016 with the release of her acclaimed solo debut Midwest Farmer’s Daughter. Recorded at Memphis’ fabled Sun Studios and released by Jack White’s Third Man Records, the album topped critics’ year-end-best lists with Rolling Stone raving, “It’s the kind of record that hits you in the gut: staggeringly honest, as devastating as it is joyful and whip-smart.” Opening her stellar ACL debut with the honky tonk comeuppance “About To Find Out,” Price puts a fresh spin on classic Nashville with her sharp songwriting, steely vocals and dynamic road-tested live persona. “Hands of Time,” about a heartbreaking run of bad luck, leads into the crowd-pleasing set-closer “Hurtin’ (On the Bottle),” as Price ventures into the audience surrounded by newfound fans.

“A wry Texas troubadour with a knack for crooked grace and a clever turn of phrase” (New York Times), Hayes Carll returns for his first appearance since his ACL debut in 2010. The native Texan recalls his troubadour roots with his first album in five years, the critically acclaimed Lovers and Leavers, after having garnered a 2016 Grammy nomination for Best Country Song. Carll dedicates the artful set-opener “Sake of the Song” to a creative influence, the late, great Guy Clark, calling him the “lion of the songwriting world.” His natural gift for storytelling is evident in his startlingly personal six-song set, with its highlight “The Magic Kid,” a song about his son’s determination to be a magician, stealing the show and demonstrating Carll’s own brand of magic. He reaches back to his 2005 breakthrough Little Rock to close out the set, showcasing the fascinating and fearless evolution of a songwriting giant.

photo by Scott Newton

“If you’re not a fan of Nashville’s pop country trends, this show will be a breath of fresh air,” says longtime ACL executive producer Terry Lickona. “Margo writes and sings with a classic country touch, but what she writes about totally speaks to today. Hayes carries on the proud tradition of Texas songwriters, and this is his best work to date.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for a brand new episode, featuring the return of Band of Horses and the debut of Parker Millsap.

Cyndi Lauper shines in ACL’s 42nd season

photo by Scott Newton

Austin City Limits presents an irresistible hour with the ever-entertaining Cyndi Lauper, as she performs her mega-hits alongside classic country covers from her recently released Detour, her acclaimed eleventh studio album.

The pink-haired Lauper charms one and all in a sparkling hour featuring some of her best-known songs and the story behind her current country-flavored Detour. “I know a lot of you are thinking: what does Queens, New York have to do with anything country?” says the native East Coaster as she explores her love of vintage country & western, putting her unique spin on Wanda Jackson’s “Funnel of Love,” Skeeter Davis’ “The End of the World,” Patsy Montana’s “I Want To Be A Cowboy’s Sweetheart,” and Bob Montgomery’s “Misty Blue”.  Lauper knocks out numbers from her own back catalog including a fevered version of “Money Changes Everything,” from her 1983 breakthrough She’s So Unusual, with the energetic hitmaker bopping across the stage, fueled by the enthusiastic Austin crowd. She delivers a gorgeous take on the 1984 ballad “Time After Time,” her first No. 1 hit.  Her signature anthem, the buoyant “Girls Just Want to Have Fun,” turns into a riotous audience sing-a-long as the dancing Lauper proclaims from the stage, “We’re all entitled to a joyful life!”  The colorful star closes out the masterful set with a breathtaking a cappella version of her enduring—and timely—anthem, “True Colors,” extolling the virtues of diversity, with Lauper imploring the crowd to “be brave and kind—we need each other.”

photo by Scott Newton

“With Cyndi Lauper, what you see is what you get,” said longtime ACL executive producer Terry Lickona. “And what you get is a totally unabashed, uninhibited, full-throated performance by one of the most unique artists in show business. Who knew she had such a perfect voice for such great country music classics? My only regret is there wasn’t time to include more of her side-splitting sense of humor.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for a brand new episode featuring the ACL debut of rising star Margo Price and the return of Texas favorite Hayes Carll.

Encore: Ms Lauryn Hill

Ms. Lauryn Hill ©KLRU photo by Scott Newton

Austin City Limits presents a fan-favorite encore broadcast of one of the most acclaimed episodes in ACL history.  A rare hour with hip-hop/R&B icon Ms. Lauryn Hill, which premiered in August 2016 as a preview of the PBS music series’ Season 42, will be rebroadcast this weekend (check local listings).  Music fans everywhere will have the opportunity to revisit this instant classic, a must-see Season 42 standout. The performance was Ms. Hill’s debut appearance on the series, and the episode premiered to rave reviews:

“Phenomenal…probably one of the best performances to have graced the ACL studios”

i-D Magazine

“Showstopping…Hill and her stacked band deliver an electrifying take” Rolling Stone

“One of the best in the show’s history” Hot New Hip-Hop

“Her performance makes clear why she’s one of the all-time greats…Hill and her band are on-a-dime perfect” Crave

“A masterful performance…electrifying” Stereogum

“Stunning” Vibe

“The songstress (and MC) displays her strongest gifts in one of her best performances in years” Ambrosia For Heads

“Fantastic” Slate

“Dazzling set” Consequence of Sound

“The year’s best hour of televised music” Indianapolis Star  

In a performance for the ages, the trailblazing Ms. Lauryn Hill dazzles the Austin crowd with a career-spanning  set culled from her landmark release The Miseducation of Lauryn Hill and her pioneering work with the Fugees, one of the best-selling hip-hop acts in history. Opening the emotional set with her solo hit “Ex-Factor,” the multiple Grammy-winning singer and songwriter performs stunning versions of her biggest hits and fan favorites. One of the greatest MCs of all time, Hill has the crowd on their feet with the opening notes of “Fu-Gee-La” for an explosive take on the Fugees classic, weaving “Austin, I love you like no other before” into the lyric. Hill commands the stage, backed by a 12-piece band and performs a gorgeous cover of Nina Simone’s “Feeling Good” before closing out her unforgettable performance with the crowd-pleaser “Doo Wop (That Thing),” proving she’s still one of the most powerful artists in music today.  

photo by Scott Newton

“Every Lauryn Hill performance is special,” says ACL executive producer Terry Lickona, “and an hour of Ms. Hill on the ACL stage is nothing less than historic. She pours her heart and soul and every ounce of energy into every minute, and it shows. There’s nobody else quite her!”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for a brand new episode featuring the ACL debut of the one and only Cyndi Lauper.

Celebrate the new year with ACL’s Hall of Fame 2016

photo by Scott Hoffman

Austin City Limits rings in the new year with a star-studded evening, hosted by comedy duo Nick Offerman and Megan Mullally, featuring one-of-a-kind performances and collaborations from the third annual ACL Hall of Fame Inductions and Celebration. ACL royalty Willie Nelson, Mavis Staples, Gary Clark Jr., Rodney Crowell, ZZ Top’s Billy Gibbons and more share the stage for one epic night to perform in honor of the newest class of inductees: Kris Kristofferson, Bonnie Raitt and B.B. King. This special hour, taped October 12, 2016, honors the artists who’ve helped make the award-winning TV series an American music institution.  

The special kicks off with a tribute to songwriting great Kris Kristofferson, who first appeared on the series in 1982, as Rodney Crowell honors the legend with a powerful reading of his classic “Help Me Make It Through the Night.” Willie Nelson salutes his longtime friend and collaborator with a moving version of  Kristofferson’s signature “Me and Bobby McGee.” Mavis Staples takes the stage to toast Bonnie Raitt, calling her “my sister,” and the two icons perform a spirited duet of Bob Dylan’s call for social change, “Well Well Well,” before teaming with blues legend Taj Mahal for the Raitt smash “Thing Called Love.”  ZZ Top’s Billy Gibbons honors his friend and mentor B.B. King with a fiery take on the blues giant’s “You Upset Me, Baby” backed by King’s longtime band.  Blues-soul sensation Gary Clark Jr. then joins Raitt for an electrifying “The Thrill Is Gone,” as the two guitar slingers trade verses and solos on the late, great bluesman’s anthem, bringing the house down.  “I know B.B. is smiling down on us,” says Raitt.  “This one’s for him.”

The entire cast takes the ACL stage for a grand finale featuring the blues classic, “Every Day I Have The Blues,” a song B.B. King performed on his iconic 1983 Austin City Limits debut.  The celebration of music comes to an epic close complete with fireworks, and the two-dozen strong ensemble ringing in the new year with the holiday classic “Auld Lang Syne.”

photo by Scott Newton

“We created the Hall of Fame as a way to celebrate our 40th anniversary, and since then it’s really taken on a life of its own,” said ACL executive producer Terry Lickona. “The artists feel truly honored, and it gives us a chance to recognize their contributions to our legacy. And beyond that it’s a magical night of music and unique collaborations.”

Tune in this weekend for this special, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for an encore of our landmark episode featuring R&B superstar Ms. Lauryn Hill.