Margo Price and Hayes Carll take ACL Season 42 back to the country

photo by Scott Newton

Austin City Limits presents a captivating hour with two of contemporary country music’s brightest: Margo Price in her ACL debut and Hayes Carll making a return appearance.

Rising star Margo Price had a banner 2016 with the release of her acclaimed solo debut Midwest Farmer’s Daughter. Recorded at Memphis’ fabled Sun Studios and released by Jack White’s Third Man Records, the album topped critics’ year-end-best lists with Rolling Stone raving, “It’s the kind of record that hits you in the gut: staggeringly honest, as devastating as it is joyful and whip-smart.” Opening her stellar ACL debut with the honky tonk comeuppance “About To Find Out,” Price puts a fresh spin on classic Nashville with her sharp songwriting, steely vocals and dynamic road-tested live persona. “Hands of Time,” about a heartbreaking run of bad luck, leads into the crowd-pleasing set-closer “Hurtin’ (On the Bottle),” as Price ventures into the audience surrounded by newfound fans.

“A wry Texas troubadour with a knack for crooked grace and a clever turn of phrase” (New York Times), Hayes Carll returns for his first appearance since his ACL debut in 2010. The native Texan recalls his troubadour roots with his first album in five years, the critically acclaimed Lovers and Leavers, after having garnered a 2016 Grammy nomination for Best Country Song. Carll dedicates the artful set-opener “Sake of the Song” to a creative influence, the late, great Guy Clark, calling him the “lion of the songwriting world.” His natural gift for storytelling is evident in his startlingly personal six-song set, with its highlight “The Magic Kid,” a song about his son’s determination to be a magician, stealing the show and demonstrating Carll’s own brand of magic. He reaches back to his 2005 breakthrough Little Rock to close out the set, showcasing the fascinating and fearless evolution of a songwriting giant.

photo by Scott Newton

“If you’re not a fan of Nashville’s pop country trends, this show will be a breath of fresh air,” says longtime ACL executive producer Terry Lickona. “Margo writes and sings with a classic country touch, but what she writes about totally speaks to today. Hayes carries on the proud tradition of Texas songwriters, and this is his best work to date.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for a brand new episode, featuring the return of Band of Horses and the debut of Parker Millsap.

Cyndi Lauper shines in ACL’s 42nd season

photo by Scott Newton

Austin City Limits presents an irresistible hour with the ever-entertaining Cyndi Lauper, as she performs her mega-hits alongside classic country covers from her recently released Detour, her acclaimed eleventh studio album.

The pink-haired Lauper charms one and all in a sparkling hour featuring some of her best-known songs and the story behind her current country-flavored Detour. “I know a lot of you are thinking: what does Queens, New York have to do with anything country?” says the native East Coaster as she explores her love of vintage country & western, putting her unique spin on Wanda Jackson’s “Funnel of Love,” Skeeter Davis’ “The End of the World,” Patsy Montana’s “I Want To Be A Cowboy’s Sweetheart,” and Bob Montgomery’s “Misty Blue”.  Lauper knocks out numbers from her own back catalog including a fevered version of “Money Changes Everything,” from her 1983 breakthrough She’s So Unusual, with the energetic hitmaker bopping across the stage, fueled by the enthusiastic Austin crowd. She delivers a gorgeous take on the 1984 ballad “Time After Time,” her first No. 1 hit.  Her signature anthem, the buoyant “Girls Just Want to Have Fun,” turns into a riotous audience sing-a-long as the dancing Lauper proclaims from the stage, “We’re all entitled to a joyful life!”  The colorful star closes out the masterful set with a breathtaking a cappella version of her enduring—and timely—anthem, “True Colors,” extolling the virtues of diversity, with Lauper imploring the crowd to “be brave and kind—we need each other.”

photo by Scott Newton

“With Cyndi Lauper, what you see is what you get,” said longtime ACL executive producer Terry Lickona. “And what you get is a totally unabashed, uninhibited, full-throated performance by one of the most unique artists in show business. Who knew she had such a perfect voice for such great country music classics? My only regret is there wasn’t time to include more of her side-splitting sense of humor.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for a brand new episode featuring the ACL debut of rising star Margo Price and the return of Texas favorite Hayes Carll.

Encore: Ms Lauryn Hill

Ms. Lauryn Hill ©KLRU photo by Scott Newton

Austin City Limits presents a fan-favorite encore broadcast of one of the most acclaimed episodes in ACL history.  A rare hour with hip-hop/R&B icon Ms. Lauryn Hill, which premiered in August 2016 as a preview of the PBS music series’ Season 42, will be rebroadcast this weekend (check local listings).  Music fans everywhere will have the opportunity to revisit this instant classic, a must-see Season 42 standout. The performance was Ms. Hill’s debut appearance on the series, and the episode premiered to rave reviews:

“Phenomenal…probably one of the best performances to have graced the ACL studios”

i-D Magazine

“Showstopping…Hill and her stacked band deliver an electrifying take” Rolling Stone

“One of the best in the show’s history” Hot New Hip-Hop

“Her performance makes clear why she’s one of the all-time greats…Hill and her band are on-a-dime perfect” Crave

“A masterful performance…electrifying” Stereogum

“Stunning” Vibe

“The songstress (and MC) displays her strongest gifts in one of her best performances in years” Ambrosia For Heads

“Fantastic” Slate

“Dazzling set” Consequence of Sound

“The year’s best hour of televised music” Indianapolis Star  

In a performance for the ages, the trailblazing Ms. Lauryn Hill dazzles the Austin crowd with a career-spanning  set culled from her landmark release The Miseducation of Lauryn Hill and her pioneering work with the Fugees, one of the best-selling hip-hop acts in history. Opening the emotional set with her solo hit “Ex-Factor,” the multiple Grammy-winning singer and songwriter performs stunning versions of her biggest hits and fan favorites. One of the greatest MCs of all time, Hill has the crowd on their feet with the opening notes of “Fu-Gee-La” for an explosive take on the Fugees classic, weaving “Austin, I love you like no other before” into the lyric. Hill commands the stage, backed by a 12-piece band and performs a gorgeous cover of Nina Simone’s “Feeling Good” before closing out her unforgettable performance with the crowd-pleaser “Doo Wop (That Thing),” proving she’s still one of the most powerful artists in music today.  

photo by Scott Newton

“Every Lauryn Hill performance is special,” says ACL executive producer Terry Lickona, “and an hour of Ms. Hill on the ACL stage is nothing less than historic. She pours her heart and soul and every ounce of energy into every minute, and it shows. There’s nobody else quite her!”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for a brand new episode featuring the ACL debut of the one and only Cyndi Lauper.

Celebrate the new year with ACL’s Hall of Fame 2016

photo by Scott Hoffman

Austin City Limits rings in the new year with a star-studded evening, hosted by comedy duo Nick Offerman and Megan Mullally, featuring one-of-a-kind performances and collaborations from the third annual ACL Hall of Fame Inductions and Celebration. ACL royalty Willie Nelson, Mavis Staples, Gary Clark Jr., Rodney Crowell, ZZ Top’s Billy Gibbons and more share the stage for one epic night to perform in honor of the newest class of inductees: Kris Kristofferson, Bonnie Raitt and B.B. King. This special hour, taped October 12, 2016, honors the artists who’ve helped make the award-winning TV series an American music institution.  

The special kicks off with a tribute to songwriting great Kris Kristofferson, who first appeared on the series in 1982, as Rodney Crowell honors the legend with a powerful reading of his classic “Help Me Make It Through the Night.” Willie Nelson salutes his longtime friend and collaborator with a moving version of  Kristofferson’s signature “Me and Bobby McGee.” Mavis Staples takes the stage to toast Bonnie Raitt, calling her “my sister,” and the two icons perform a spirited duet of Bob Dylan’s call for social change, “Well Well Well,” before teaming with blues legend Taj Mahal for the Raitt smash “Thing Called Love.”  ZZ Top’s Billy Gibbons honors his friend and mentor B.B. King with a fiery take on the blues giant’s “You Upset Me, Baby” backed by King’s longtime band.  Blues-soul sensation Gary Clark Jr. then joins Raitt for an electrifying “The Thrill Is Gone,” as the two guitar slingers trade verses and solos on the late, great bluesman’s anthem, bringing the house down.  “I know B.B. is smiling down on us,” says Raitt.  “This one’s for him.”

The entire cast takes the ACL stage for a grand finale featuring the blues classic, “Every Day I Have The Blues,” a song B.B. King performed on his iconic 1983 Austin City Limits debut.  The celebration of music comes to an epic close complete with fireworks, and the two-dozen strong ensemble ringing in the new year with the holiday classic “Auld Lang Syne.”

photo by Scott Newton

“We created the Hall of Fame as a way to celebrate our 40th anniversary, and since then it’s really taken on a life of its own,” said ACL executive producer Terry Lickona. “The artists feel truly honored, and it gives us a chance to recognize their contributions to our legacy. And beyond that it’s a magical night of music and unique collaborations.”

Tune in this weekend for this special, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for an encore of our landmark episode featuring R&B superstar Ms. Lauryn Hill.

ACL Announces Complete Season 42 Broadcast Schedule

photo by Scott Newton

Austin City Limits announces the second half of Season 42, with seven all-new shows to begin airing New Year’s Eve as part of the program’s fourteen-episode season. Providing viewers with a front-row seat to the best in music performance for over 40 years,  the series continues the legendary run showcasing more icons, innovators and highly-anticipated debuts.  

The program returns to new episodes on Saturday, December 31 with a special broadcast, Austin City Limits Hall of Fame New Year’s Eve. Austin City Limits rings in the new year with the star-studded celebration, hosted by comedy super-couple Nick Offerman and Megan Mullally, featuring one-of-a-kind performances and collaborations from the 2016 ACL Hall of Fame induction ceremonies. Performers include ACL royalty Willie Nelson, Bonnie Raitt, Mavis Staples, Kris Kristofferson and Gary Clark Jr.

photo by Scott Newton

The season continues with hip-hop/R&B trailblazer Ms. Lauryn Hill in a towering performance that previewed this summer to critical acclaim. Hitmaker Cyndi Lauper debuts on the ACL stage in an entertaining hour of classic hit songs and the stories behind them. The extended line-up features Nashville rebels Margo Price and Hayes Carll in a powerhouse double-bill that forecasts country’s future. Indie rockers Band of Horses return for their second appearance, sharing an episode with Americana breakout singer/songwriter Parker Millsap. Gospel legend CeCe Winans shines in a stunning ACL debut, paired with acclaimed soul sensations St. Paul & The Broken Bones. The season finale features U.K. alt.rock phenom Foals and the fifth appearance by rock troubadour Alejandro Escovedo, who first-appeared on the series in 1983 and is joined by R.E.M. guitarist Peter Buck.

“The secret to becoming the longest-running music series in television history is to capture one-of-a-kind performances from legendary artists and newcomers alike, and share them with an audience of diehard music fans everywhere,” said long-time executive producer Terry Lickona. “As usual, Season 42 wraps up with a little something for everybody, from megastars and legends to indie originals, and with a nod to our rich past.”

Season 42 | 2017 Broadcast Schedule

December 31 Austin City Limits Hall of Fame New Year’s Eve

January 7 Ms. Lauryn Hill

January 14 Cyndi Lauper

January 21 Margo Price | Hayes Carll

January 28 Band of Horses | Parker Millsap

February 4 CeCe Winans | St. Paul & The Broken Bones

February 11 Foals | Alejandro Escovedo

photo by Scott Newton

ACL’s Season 42 premiered in October with unforgettable performances from Iggy Pop, Paul Simon, Robert Plant, Florence + The Machine, My Morning Jacket, Rhiannon Giddens, Andra Day, Ben Harper, James Bay, Grupo Fantasma and more. The award-winning series will continue to broadcast fan-favorite encore episodes through the end of 2016. In what has become an ACL holiday tradition, the program will encore Tom Waits’ legendary December 1978 performance, one of the most requested episodes in ACL’s 40+ year archive. Tune-in on December 24th to see this classic Christmas episode.

ACL Presents: Americana Music Festival 2016

NASHVILLE, TN - SEPTEMBER 21: William Bell and Bonnie Raitt perform onstage at the Americana Honors & Awards 2016 at Ryman Auditorium on September 21, 2016 in Nashville, Tennessee. at Ryman Auditorium on September 21, 2016 in Nashville, Tennessee.  (Photo by Terry Wyatt/Getty Images for Americana Music)

Austin City Limits returns to Nashville for a special broadcast featuring performance highlights from this year’s Americana Honors & Awards. ACL Presents: Americana Music Festival 2016 premieres November 19th on PBS and delivers dazzling performances that represent the genre’s diversity and excellence. The music-filled hour features many of the night’s award-winners and honorees, including buzzed about newcomers and icons who helped define the genre; among them: George Strait, Margo Price, Jason Isbell, Bonnie Raitt, Bob Weir, Alison Krauss, Steve Earle, Parker Millsap, Dwight Yoakam, William Bell and Emmylou Harris & Rodney Crowell.

Recorded live at Nashville’s historic Ryman Auditorium on September 21st, The Americana Music Association’s 15th Annual Honors & Awards ceremony is a celebration of music that is authentic, diverse and original from many genres, both traditional and contemporary. “If you can taste the dirt through your ears, that is Americana,” says Americana Music Association Executive Director Jed Hilly. “It is music that is derived or inspired by American roots traditions.”

Acclaimed singer/songwriter Jason Isbell, who took top honors for Album of the Year and Song of the Year, gives a captivating performance of his “If It Takes A Lifetime,” accompanied by his wife, fiddler Amanda Shires, and band The 400 Unit. Roots giants who died in 2016, Merle Haggard, Guy Clark and Ralph Stanley are honored with one-of-a-kind performances: the show opens with the night’s Lifetime Achievement Award Honoree for Performance, Grateful Dead founder Bob Weir, in tribute to Merle Haggard, performing a rendition of the country outlaw’s iconic “Mama Tried.”  Steve Earle delivers Guy Clark’s classic “Desperados Waiting For A Train,” calling out “See you when I get there, Maestro,” at the song’s close. Roots titan Alison Krauss performs a stunning a cappella version of bluegrass legend Ralph Stanley’s “Gloryland,” joined by stalwarts Buddy Miller, Melonie Cannon and Stuart Duncan.

NASHVILLE, TN – SEPTEMBER 21: Stuart Duncan, Melonie Cannon, Alison Krauss, and Buddy Miller perform onstage at the Americana Honors & Awards 2016 at Ryman Auditorium on September 21, 2016 in Nashville, Tennessee. at Ryman Auditorium on September 21, 2016 in Nashville, Tennessee. (Photo by Terry Wyatt/Getty Images for Americana Music)

In true Americana style, the broadcast is loaded with musical moments and collaborations. Legendary duet partners Emmylou Harris and Rodney Crowell, awarded Duo/Group of the year, perform a stirring “Bring It On Home.” Bonnie Raitt, a 2015 Lifetime Achievement honoree, offers a new track, “Gypsy in Me,” backed by gospel greats The McCrary Sisters. She returns to join Stax soul legend William Bell, the night’s Lifetime Achievement Award Honoree for Songwriting, on the slow-burn “The Three of Me,” accompanied by producer John Leventhal on guitar. Honky-tonk maverick Dwight Yoakam delivers a blistering gem from his acclaimed new release Swimmin’ Pools, Movie Stars… alongside Stuart Duncan on fiddle.

The genre’s breakout newcomers give show-stopping performances, including the Emerging Artist Award-winner, Nashville rebel Margo Price with her “Tennessee Song.” Americana sensation Parker Millsap performs a powerful “Heaven Sent” from his critically-acclaimed Album of the Year-nominated release, joined by standouts Sarah Jarosz and Aoife O’Donovan on backing vocals.  Chart-toppers The Lumineers light up the stage with a new song, “Angela.” Emerging Artist nominees Nathaniel Rateliff & The Night Sweats perform “Wasting Time,” showing the full range of the Americana spectrum.  

King of country music George Strait, performs his signature, “King of Broken Hearts,” alongside the songwriter, Jim Lauderdale, for a thrilling close. The hourlong broadcast is hosted by Americana kingpin Lauderdale, and performers are backed by a first class house band led by Nashville mainstay Buddy Miller and featuring it-producer Dave Cobb, with Stuart Duncan, Fred Eltringham, Steve Fishell, Matt Rollings, Chris Wood and The McCrary Sisters.

The show was co-produced by High Five Entertainment and its President Martin Fischer and ACL Executive Producer Terry Lickona.

My Morning Jacket and Ben Harper bring big rock to ACL’s Season 42

photo by Scott Newton

Austin City Limits showcases two of modern rock’s best live acts: My Morning Jacket and Ben Harper.  The longtime fan favorites make return appearances armed with new material in a must-see installment as part of ACL’s Season 42.

My Morning Jacket return for the first time in nearly a decade for their third Austin City Limits appearance, highlighting songs from their last two studio albums, The Waterfall and Circuital.  The Kentucky indie-rockers, five-time Grammy Award-winners, kick off a blissed-out 4-song set with the title track to 2011’s Circuital.  Charismatic leader Jim James dazzles in a colorful kimono and big sunglasses as the band builds their signature soundscapes, including a tune from The Waterfall, a 2016 Grammy nominee for Best Alternative Album.  Their psychedelic textures expand into a glorious wall of sound for the set-closer “Victory Dance,” as the shape-shifting James prowls the stage with a towel on his head and an electronic sampler around his neck for an epic close.

Ben Harper reunites with his longtime backing band the Innocent Criminals after a seven-year hiatus for his first ACL appearance since Season 35.  Harper and crew deliver a powerful, six-song set featuring classics and new songs from 2016’s acclaimed Call It What It Is.  Opening with the ever-catchy “Steal My Kisses,” the frontman gets the crowd on its feet, then segues into soulful new gems, showcasing his trademark lap steel guitar bona fides.  The socially-charged title track from his latest release has Harper reciting the names of gone-too-soon young black men.  Harper’s show-stopping performance of the take-us-to-church gospel burner “Where Could I Go” leaves both singer and audience overcome from the power of the moment, exposing the painfully honest and self-reflective lyrics that have made Harper a fan-favorite for 20-plus years.

photo by Scott Newton

“Jim James has appeared on the ACL stage in many musical guises, as befits his wildly eclectic virtuosity,” says ACL executive producer Terry Lickona.  “But My Morning Jacket brings him back to ground zero where he is most at home. He’s one of the best at engaging a live audience, and it shows.  Ben Harper is another perennial favorite, always in tune with the times, his fans and his musical muse.  It’s very much like a homecoming for both of them, but more akin to two old friends coming home from long musical journeys to show us what they’ve learned.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for an ACL Presents special, featuring the Americana Music Festival 2016.

ACL Season 42 brings Latin grooves with Natalia Lafourcade and Grupo Fantasma

photo by Scott Newton

Austin City Limits presents the contemporary Latin sounds of two of music’s best in show, Natalia Lafourcade and Grupo Fantasma. Mexican superstar Lafourcade performs songs from her Grammy-winning album Hasta la Raíz and powerhouse Latin funk orchestra Grupo Fantasma deliver show-stopping grooves.  

As one of Mexico’s biggest music stars, Natalia Lafourcade’s infectious mix of pop, rock, folk and bossa nova has earned the singer-songwriter multiple international chart-topping albums.  In her Austin City Limits debut, Lafourcade and her backing quintet perform selections from her sixth studio album, the acclaimed Hasta La Raíz, which won universal accolades, culminating in four 2015 Latin Grammys, including top honors of song and record of the year for the title track, and a 2016 Grammy Award (her first) for Best Latin Rock album.  Opening with the title track, an intimate, melodic anthem about holding on to one’s roots, the set showcases her sweet, airy vocals.  Lafourcade reaches back to the catchy “En El 2000,” her 2003 breakthrough radio hit and a song she explained that she’d come to hate due to constant requests for it, but now “we’re friends again.”  She closes out the captivating set with the pretty, bossa nova-influenced gem “Para Qué Sufrir,” a clear fan favorite.   

“I was hooked as a fan when I saw Natalia Lafourcade perform at the Latin Grammys,” says ACL executive producer Terry Lickona.  “She may seem an unlikely Latin superstar, but her sweet voice and personal songs have a way of connecting with her fans and the world around her.”

Austin originals Grupo Fantasma deliver a white-hot, delirious blend of big-band samba, merengue and Latin jams in a powerhouse five-song set.  Formed in 2000, the 9-piece funk outfit first-appeared on ACL in Season 33.  The Grammy-winning funksters continue their decade and a half of magic with danceable, irresistible songs from their new, acclaimed album Problemas, produced by Los Lobos’ Steve Berlin.  Opening with the slow-burning cumbia “Nada,” the crowd is on its feet.  The band is joined by special guests Steve Berlin and renowned saxophonist Karl Denson for “Cayuco,” a sultry mambo torn from the horns and heat of Cuban dance halls.  The group welcomes Los Texmaniacs accordionist Josh Baca and former Grupo founding member Adrian Quesada for the conjunto-flavored “Esa Negra.”  Performing the title track of Problemas, Grupo’s charismatic bandleader Jose Galeano gives dance instructions to the front row.  For the final song, a tribute to the band’s late friend and champion Prince, the 9-piece orchestra swells to 17-pieces. Galeano, at a momentary loss for words, simply remarks “There’s not much we can say.  We’re just gonna play.”  And so they do, 17-strong across the stage, lighting the room aflame with the Purple One’s disco-fied early hit “Controversy.”

photo by Scott Newton

“Kick-ass Latin funk might not be a music genre, but it defines what Grupo Fantasma does,” says Lickona.  “There were 20 musicians blasting and riffing their way through the night, shaking the stage if not the balcony high above! Austin is not usually known for its Latin grooves, but Grupo could change that!”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for another brand new episode featuring the return of longtime ACL friends My Morning Jacket and Ben Harper & the Innocent Criminals.