Categories
Episode Recap Featured News

Ryan Adams and Jenny Lewis continue ACL Season 40

Austin City Limits continues its milestone Season 40 with an exceptional double bill: Ryan Adams paired with Jenny Lewis in a new installment showcasing the acclaimed singer-songwriters, both returning to the ACL stage for the first time in a decade for our 40th anniversary season.  Frequent collaborators and recent tour mates, the LA-based artists perform separate sets and deliver knockout performances.

A prolific songwriter with a 25-year body of work, Ryan Adams makes a memorable ACL return performing songs from his 2014 self-titled solo release.  The album has generated critical accolades across the board and earned three 2015 Grammy Award nominations, including Best Rock Album. Hailed “one of the few truly great roots-rock troubadours left” by Entertainment Weekly, the North Carolina native tells the Austin crowd, ”We came here to play you really depressing music, but really loud.” Adams and his band the Shining launch into a career-spanning six-song ACL set with the bluesy rocker “Stay With Me,” on a stage outfitted with a vintage arcade video game, a stuffed tiger, an oversized fake amp and an American Flag customized with a peace sign. Adams moves seamlessly back and forth between new songs and long-time favorites in a must-see appearance, representing the impressive range of his storied career.

Indie-pop treasure Jenny Lewis returns for her solo ACL debut, nearly ten years since her debut on the program as frontwoman for the band Rilo Kiley. Lewis performs songs from her new album The Voyager, largely produced by Ryan Adams and widely regarded as one of 2014’s best releases by Spin, Rolling Stone, TIME and many more. Rolling Stone raves, “Blending Laurel Canyon sensibilities with modern wit, The Voyager shows she’s stronger and wiser – and can still draw blood.”  Decked out head-to-toe in her distinctive rainbow and stars suit (complete with matching guitar), she opens with the Rilo Kiley classic “Silver Lining” and continues with pop gems from her solo career including the recent singles “Just One of the Guys” and “She’s Not Me.” Lewis closes out a sparkling set with her bandmates surrounding a single mic for the beautiful, hymn-like “Acid Tongue,” “going full Joni Mitchell as she [sings] plaintively of liars, cobblers and sweethearts with the softest of hands” (Austin American-Statesman). After blowing a kiss to the audience, Lewis exits to wild applause, having captured the hearts of the Austin audience.

photo by Scott Newton

“The best songs are best sung by those who wrote them,” notes ACL executive producer Terry Lickona. “There aren’t many contemporary songwriters who are better than Ryan and Jenny, or singers who can bring their songs to life as well as they can. Theirs are the kinds of songs that will stay with you long after you hear them for the first time.”

Categories
Episode Recap Featured New Broadcast News

Sam Smith and Future Islands’ soulful sounds in ACL’s 40th season

Austin City Limits presents an hour of soulful music from breakout sensations Sam Smith and Future Islands.

Chart-topping British soul singer and songwriter Sam Smith topped off a whirlwind 2014 with an astonishing six major Grammy nominations. There is virtually no contemporary vocalist as stylish and elegant as Smith, a throwback to an elite crew of singers from an earlier generation. A beautifully soulful singer, the 22-year old London native makes a stunning ACL debut performing the songs of unrequited love and heartbreak that drive his landmark platinum album In the Lonely Hour. Like soul singers of yore, Smith takes to the ACL stage as his eight-piece band is already a minute into the show-opener “Nirvana,” the title track of his early EP. The vocal stunner pays tribute to one of his idols with an aching piano rendition of Whitney Houston’s “How Will I Know”. Smith demonstrates his considerable range with an inspired mashup of his “Money On My Mind” fused with 90’s club anthem “Finally”. Bringing the gorgeous set to a rapturous close with his signature song, the double-platinum “Stay With Me”, Smith bares his soul with the Austin audience in the palm of his hand.

“Sam told me after the show that it was probably the best performance he’s given in America so far,” said ACL executive producer Terry Lickona. “This show deserves to be seen and heard by fans of great music and great singers everywhere!”

Baltimore’s Future Islands share the episode, also making an epic ACL debut. Having steadily built a fan base since their first album in 2006, the synth-pop trio became a breakthrough smash in 2014 with the critically acclaimed Singles, landing on top of many year-end best lists including Pitchfork, Stereogum, Spin, Rolling Stone and NPR. Dynamic live shows featuring charismatic frontman Samuel T. Herring’s hip-swiveling swagger and dramatic chest-beating have inspired their own internet memes. Spin raves “Calling on his Sam Cooke-meets-Tom Jones growl, Herring charges into every song, roaring with impassioned heart and soul.” As the band bound into their six-song set, Herring commands the ACL stage, delivering song after song of glistening pop while creating an emotional narrative of love, loss and inspiration. It’s a transfixing debut, highlighted by a performance of their dazzling hit “Seasons (Waiting On You)”, crowned Song of the Year in the influential year-end Village Voice Pazz + Jop critics poll.

photo by Scott Newton

“I was mesmerized the first time I saw Sam Herring onstage, and booked him on the spot!” ACL executive producer Terry Lickona exclaimed. “In fact, I’ve never seen anybody put so much of himself into a performance. He’s like a man possessed!”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for a brand new episode with Ryan Adams and Jenny Lewis.

 

Categories
Episode Recap Featured New Broadcast News

Spoon and White Denim get local on ACL’s 40th season

Austin City Limits presents standout alternative music in a double-bill featuring two bands hailing from Austin itself—Spoon and White Denim. ACL has a long-standing legacy of showcasing music from around the globe, but in this installment ACL is thrilled to cast a spotlight exclusively on homegrown talent.

Returning to ACL for the fourth time, Spoon is at the top of their game. Pitchfork hails them “one of the most stand-up bands of their generation” and of their twenty-year streak, Rolling Stone raves, “It’s just been one long stretch of slow-build greatness”. The Austin natives perform songs from their acclaimed eighth album, They Want My Soul, their first album after a four-year hiatus, named one of the 50 Best Albums of 2014 by Spin, Pitchfork, Rolling Stone and NPR, and landing on year-end best lists across-the-board. Spoon’s six-song ACL set is a tour de force drawing primarily from the recent release and highlighting fan-favorites. Chugging guitar, tight melodies, killer hooks, and frontman Britt Daniels’ indelible vocals coupled with drummer Jim Eno’s impeccable beats to create a sound all their own—it’s a master-class performance from a band that has made it strictly on its own terms.

White Denim makes their ACL debut performing songs from their fifth album, Corsicana Lemonade, produced by Jeff Tweedy. Recently hailed “one of the city’s best up-and-coming acts” by Rolling Stone, the Austin band has firmly established itself as an international draw on the club and festival circuits.  The Wall Street Journal raves, “White Denim is a band for fans who want their music served with serious playing and a touch of the experimental.”  Known for their exceptional live shows, the shape-shifting quartet mixes psychedelia, punk energy, prog rock and Southern rock-jamming to create a sonic blend that has the Austin crowd on their feet.

photo by Scott Newton

“Both Spoon and White Denim go way beyond being ‘Austin’s Own,’” says ACL Executive Producer Terry Lickona. “When people ask me, ‘What’s the Austin sound,’ I say ‘it’s 1,000 different sounds.’ That’s what helps to define Austin, and why we’ll always continue to showcase the best of the best from the Austin music scene.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for a brand new episode with Sam Smith and Future Islands.

 

Categories
Episode Recap Featured New Broadcast News

Season 40 resumes with the Avett Brothers and Nickel Creek

Austin City Limits ushers in the new year with a stellar double-bill featuring music from the heart and soul of America: Americana rockers The Avett Brothers and Grammy Award-winning bluegrass trio Nickel Creek.

North Carolina’s Avett Brothers are one of the biggest draws in live music today, becoming sought-after headliners over the course of their decade-plus career. Fronted by siblings Scott and Seth Avett, they made their ACL debut as a trio in Season 35 and return for ACL’s milestone Season 40 as a seven-piece, including the addition of a fiddler, drummer and keyboardist. Together they deliver a standout performance — the band’s onstage energy is undeniably entertaining as they perform with unbridled joy.  Turning the catchy fan-favorite “Kick Drum Heart” into a rock anthem, the ACL audience handclaps along in time. Seth Avett admits performing on ACL is an especially poignant experience for the brothers.  “We grew up watching this show,” he tells the Austin crowd.  “To us, this is what music looks like on television.” Their ACL appearance is a victory lap of musicianship and revelry, illustrating why they are one of music’s best live acts.

“An Avett Brothers show today is worlds apart from five years ago,” says ACL executive producer Terry Lickona. “More energy, more excitement, bigger sound. But what has not changed is that down-to-earth quality that connects with fans now more than ever.”

Bluegrass innovators Nickel Creek celebrated their 25th anniversary with their first new release in nine years, 2014’s A Dotted Line, recently nominated for a Grammy Award for Best Americana Album.  Their highly-anticipated reunion brings them back to the ACL stage for their third appearance together.  The remarkably talented collective—mandolin ace Chris Thile, fiddler Sara Watkins and guitarist Sean Watkins (Sara’s brother), along with accompanying bassist Mark Schatz—showcase their virtuoso musicianship and tight harmonies in their ACL return.  Performing a mix of old and new crowd pleasers, the Southern Californian group take turns on vocals and licks.  Sara sings lead on the breakout single “Destination”, also a 2015 Grammy nominee for Best American Roots Performance.  Sean Watkins handles vocals on the faux end of the world ode “21st of May”, while Thile dazzles with his mandolin skills on the instrumental “The Elephant in the Corn”.  A gorgeous rendition of Fleetwood Mac’s “The Ledge” follows, with the three childhood friends delighting in each other’s company and talents for an exquisitely fun performance.

photo by Scott Newton

“The members of Nickel Creek grew up with each other – literally, and musically,” says executive producer Lickona. Their individual talents merge into something much bigger. The old saying ‘the whole is greater than the sum of its parts’ has never been truer.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for a brand new episode featuring Spoon and White Denim.

Categories
Featured News

Austin City Limits Season 40 pt. 2 starts January 3

Austin, TX—December 3, 2014—The landmark television music series Austin City Limits (ACL) unwraps the second half of its milestone Season 40, celebrating a four-decade run with more legendary artists, innovators and highly-anticipated debuts.  Seven brand-new shows begin airing in January 2015 as part of the program’s fourteen-episode season. Providing viewers with a front-row seat to the best in music performance for 40 years, ACL returns on Saturday, January 3rd with a double-bill featuring the return of roots rockers The Avett Brothers and Grammy-winning bluegrass trio Nickel Creek. ACL airs weekly on PBS stations nationwide (check local listings for times) and full episodes are made available online for a limited time at http://video.pbs.org/program/austin-city-limits/ immediately following the initial broadcast. The show’s official hashtag is #acltv40.

A highlight of the season is powerhouse rock duo The Black Keys, with the six-time Grammy winners making their highly anticipated ACL return, having first appeared in Season 36. ACL favorites Spoon make their fourth appearance, sharing the bill with fellow Austin natives White Denim. Acclaimed singer/songwriter Jenny Lewis returns for her solo ACL debut, originally appearing in Season 31 as part of the indie rock duo Rilo Kiley; in what’s sure to be one of ACL’s most talked about episodes, Ryan Adams shares the bill in a memorable ACL return. The extended line-up features a number of artists making ACL debuts, among them chart-topping British sensation Sam Smith, synth-pop trio Future Islands and southern rockers J. Roddy Walston & The Business.

photo by Scott Newton

Rock superstars Foo Fighters return to the ACL stage with an hourlong, monumental performance. Joined by Austin legends Gary Clark Jr. and Jimmie Vaughan, Foo Fighters’ powerful performance is a high point of the standout season.  The renowned band recently immortalized Austin and ACL’s executive producer Terry Lickona in an installment of their HBO series Sonic Highways, even recording a song, “What Did I Do?/God As My Witness”,  in ACL’s historic Studio 6A for their companion new release.

photo by Scott Newton

ACL wraps up the celebratory season with a special episode featuring performance highlights from the first annual Austin City Limits Hall of Fame presentation.  Performers include music legends Willie Nelson, Lyle Lovett, Emmylou Harris, Buddy Guy and Double Trouble.

“We’ve had an amazing 40th anniversary year,” says ACL’s Terry Lickona, “and the second half of the season says as much about the future as our past. As always, we try to showcase the best music being created today, and every one of these shows is exceptional. Then for a grand finale, we’ll tie it all together with a celebration of the artists and individuals who have inspired the longest-running music show on TV.”

Here’s the national broadcast schedule, check your local PBS listings for dates and times in your area!

January 3, 2015      | The Avett Brothers | Nickel Creek
January 10, 2015    | Spoon | White Denim
January 17, 2015    | Sam Smith | Future Islands
January 24, 2015   | Ryan Adams | Jenny Lewis
January 31, 2015    | The Black Keys | J. Roddy Walston & The Business
February 7, 2015    | Foo Fighters
February 14, 2015  | Austin City Limits Hall of Fame Special

Categories
News Taping Recap

Foo Fighters conquer the ACL stage

When our good pals the Foo Fighters returned to Austin City Limits, it was not only as stage-conquering rock superstars-it was also as filmmakers of the much-acclaimed HBO series Sonic Highways, which chronicles the making of the band’s latest LP of the same name. Episode four of Sonic Highways, centered around that song and our town, was rapturously received, and on its heels we were thrilled to welcome them to our current studio in the Moody Theater for the band’s second ACLTV appearance.

The Foos opened with the moody, spacy epic “Aurora” before slamming into the raging “The Feast and the Famine.” Once the needle hit red it stayed there, as Dave Grohl and the band pumped out anthem after fan-favorite anthem: “Learn to Fly,” “Times Like These,” which featured the first of Grohl’s many trips into the audience, “Rope,” “The Pretender,” “My Hero,” “Monkey Wrench,” deep cuts “Arlandria” and “Hey, Johnny Park!” The Foos barrelled back down the Sonic Highways with the blazing “Congregation,” before launching into the album’s two part Austin-based song. The melodic “What Did I Do” garnered immediate audience approval, but that enthusiasm turned into fervor when album guest and ACL alumnus Gary Clark Jr. took the stage to perform his elegiac solo on the second half, “God As My Witness.” The fervor didn’t stop there, as not only did Clark stay for the next song, but Grohl welcomed ATX blues legend (and co-star of the Austin episode) Jimmie Vaughan for a spirited run through the Fabulous Thunderbirds’ “Tuff Enuff,” with Vaughan replicating his distinctive solos.

After that, the band could do no wrong, digging into its catalog for the rocking “Cold Day in the Sun,” sung by drummer Taylor Hawkins, before another series of back-to-back-to-back killers with “In the Clear,” “I’ll Stick Around,” “Walk,” “Outside” and the punky “All My Life.” Then things took an epic turn. Grohl took off his guitar and headed back into the audience with a bottle of champagne to share with the delirious crowd as the rest of the group launched into the Rolling Stones’ disco rock hybrid “Miss You,” sung by Hawkins (who admitted he didn’t know the words). Grohl then took over the kit so Hawkins could come up front for a punked-up take on Cheap Trick’s “Stiff Competition.” The Foos’ living jukebox didn’t stop there, though – next up was “Under Pressure,” the Queen/David Bowie classic done as a duet between Grohl and Hawkins, then Tom Petty’s “Breakdown,” with an extended electric piano solo from keyboardist Rami Jaffee, and finally a roaring bash through Van Halen’s “Ain’t Talkin’ Bout Love.”

“I guess we better play one more Foo Fighters song,” chuckled Grohl, cueing up “Best of You,” with its “whoa-ohs” taken over by the audience. The band ended the show with “Everlong,” another hit and crowd favorite, and then, almost three hours from when it started, the show was over. It was a monster of a performance, one that Grohl described as “the weirdest f-g show we’ve ever played.” We can’t wait for you to see it when it broadcasts early next year as a highlight of our milestone Season 40. Stay tuned.