New taping and livestreams: Turnpike Troubadours and Dan Auerbach

photo by David McClister

Austin City Limits is thrilled to announce our final taping of Season 43 with Oklahoma country rockers Turnpike Troubadours. The breakout band will hit the ACL stage on December 5 for a debut taping that will also be streamed live around the world. Speaking of livestreams, we’re also stoked to say that we’ll be doing the same for Black Keys frontman Dan Auerbach’s taping on November 27. Auerbach will also be joined during the set by a very special guest, Louisiana soul singer Robert Finley, the first signing to his Easy Eye Sound record label.  Both tapings will stream at 8pm CT/9 pm ET, Dan Auerbach here on November 27 and Turnpike Troubadours here on December 5, powered by Dell.  

Called “the greatest country music band in the world right now” by Saving Country Music, the Turnpike Troubadours make their ACL debut in support of their fourth album A Long Way From Your Heart. Produced by Grammy winner Ryan Hewitt (The Avett Brothers, Red Hot Chili Peppers), Heart is a rare triumph––an album that hooks immediately but then rewards listeners willing to dig deeper. “I love what we as a band have turned into and how we treat songs,” says lead singer and chief songwriter Evan Felker. “That’s something we’ve grown into––adding some sort of oddly theatrical element to the musicianship to help the story along, to sum up where or who the character is to give him a little bit of landscape. It’s not just an acoustic guitar and a guy telling you what somebody’s doing.” Born in Okemah, Oklahoma, birthplace of Woody Guthrie and Troubadours pal John Fullbright, Felker founded his band of virtuosic country-rock road dogs in 2005. Since then, the Troubadours have delivered punch after punch of smart rock & roll that sells out huge venues throughout the Midwest and South and packs legendary haunts like the Troubadour in Los Angeles. “Felker has evolved into a Red Dirt Springsteen, deftly blending autobiographical elements with complex, hardscrabble characters,” raves Garden & Gun. Narratives put to music are nothing new, but Felker and his bandmates have upped the ante, creating a web of unforgettable characters that show up on album after album in songs that are both catchy and musically complex: men and women with their backs against their wall, represented realistically but also imbued with dignity. “It feels like going home to see that those characters are still alive in a way that movies and literary writers have always done,” Felker says. “It feels good.”

photo by Alyssa Gafkjen

Dan Auerbach has performed on ACL twice before with his band The Black Keys, and this will be his first time performing solo on the program where he will be backed by some of Nashville’s finest musicians—Bobby Wood, Gene “Bubba” Chrisman, Pat McLaughlin, Dave Roe, Russ Pahl, Ray Jacildo, Ashley Wilcoxson, Leisa Hans, Nick Bockrath from Cage the Elephant—as well as featuring legendary bluesman Robert Finley.  The eight-time Grammy winning superstar will perform songs from his acclaimed new solo release Waiting On A Song.  NPR calls the album “a batch of sparkling pop songs that’s sweet, breezy, and primed for summer.” The album is Auerbach’s follow-up to 2009’s Keep It Hid and is his love letter to Nashville. As such, he recruited some of Na­shville’s most respected players to write and record his latest. “Living in Nashville has definitely changed the way I think about music and the way that I record it,” he says about working with his heroes. “I didn’t have all of these resources before. I am working with some of the greatest musicians that ever lived.” The always-understated musician is happy to have his own version of the Wrecking Crew at his Easy Eye Studio in south Nashville. “Sometimes I feel I created my own Field of Dreams. I built the studio to accommodate live musicians playing, and then all of a sudden the best musicians in Nashville show up, and it’s happening. This is the sound I was looking for, and now there really is an Easy Eye sound. It’s a factory—but in the way that Motown or Stax or American Studios was a factory. Anything can happen, any day.” He pauses a long minute, as if to let it all sink in. “Even with the success I’ve had, it’s only just now that I’m finally finding myself,” Auerbach says. “I called the album Waiting On A Song because I’ve been waiting my whole life to be able to do this. And now I have. And none of us ever want it to stop.”

Want to be part of our audience? We will post information on how to get free passes about a week before each taping. Follow us on Facebook and Twitter for notice of postings. Or you can join us online for Dan Auerbach here on November 27 and Turnpike Troubadours here on December 5 for these full-set livestreams. The broadcast versions will air on PBS early next year as part of our Season 43.

 

ACL to livestream debut taping of Austin’s Shinyribs

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Austin City Limits is excited to announce that we will be streaming the debut taping of Austin favorite Shinyribs on Sunday, October 29 directly from the ACL stage at 8pm CT/9 pm ET on ACLTV’s YouTube channel.  

Led by Beaumont, Texas native Kevin Russell, who last appeared on ACL in 2007 with the Gourds, Austin’s Shinyribs began as a side project before becoming Russell’s full-time concern following the Gourds’ dissolution in 2013. This year, the now eight-person Shinyribs dosed fans with the exuberant swamp-pop soul-funk of their fourth release, I Got Your Medicine. Tracked at Houston’s legendary Sugar Hill Recording Studios, it carries a New Orleans R&B vibe — with extra gris-gris added by Russell’s co-producer, Jimbo Mathus, late of the Squirrel Nut Zippers. AllMusic calls the album “funny, heartfelt, and dirty, a retro-soul album that never feels stuck in the past,” while the Austin American Statesman names it as one of 2017’s best albums so far. The band puts a gospel groove on “Don’t Leave It a Lie,” and throw several retro influences into Ted Hawkins’ “I Gave Up All I Had.” The syncopated sexiness of “A Certain Girl,” an Allen Toussaint cover, a gorgeous rendering of the Toussaint McCall/Patrick Robinson ballad “Nothing Takes the Place of You” and the bluesy “I Knew It All Along,” Russell’s very-successful attempt to write “just a real good done-me-wrong soul song,” are equally captivating. “Tub Gut Stomp and Red-eyed Soul” gets its title from Russell’s definition of his musical style; an energetic N’awlins romper, it’s filled with “freak-out juice.” Gospel rave-up “The Cross Is Boss” puts a clever, slightly satirical finish on the affair; Russell says the song — like the album — is meant as a reminder that not every issue has to be taken so seriously. “A lot of people are so tightly wound, they can’t let themselves go,” he says. “I can demonstrate to them that you can shake your hips, roll around on the floor, scream and shout, and it’s OK: people will still accept you. It’s just music; relax and have some fun.”

Join the party October 29 for this full-set livestream on our ACLTV YouTube channel. The broadcast version will air on PBS early next year as part of our Season 43.

Austin City Limits to livestream debut taping from country star Chris Stapleton

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Austin City Limits is excited to announce that we will be streaming the debut taping of acclaimed, bestselling country artist Chris Stapleton on Monday, October 23 directly from the ACL stage at 8pm CT/9 pm ET on ACLTV’s YouTube channel.  

Kentucky-born Chris Stapleton is one of Nashville’s most respected and beloved musicians. Since releasing his now double Platinum debut solo album Traveller in 2015, Stapleton has received multiple Grammy, CMA and ACM Awards and remains one of the most critically praised musicians of his time. His sophomore follow up, From A Room: Volume 1, debuted at No. 1 on the Billboard Country Albums chart upon its release and, with it’s Gold certification, remains the strongest-selling country album of 2017. Rolling Stone calls the album “strikingly focused, sonically and thematically” while The New York Times praises, “Like Traveller, From A Room is earthen, rich with tradition, has a tactile intensity and is carefully measured.” A second album, From A Room: Volume 2, will be released December 1 and is now available for pre-order. In celebration of the music, “Chris Stapleton’s All-American Road Show,” which Rolling Stone calls, “one of the most ambitious country tours ever,” is currently underway and will span throughout 2017. Of a recent performance, the Seattle Times declared, “Stapleton dazzled the sold-out crowd with a barrage of songs that defy easy categorization while receiving the kind of deafening cheers reserved for superstars.”

Please join us October 23 for this full-set livestream on our ACLTV YouTube channel. The broadcast version will air on PBS early next year as part of our Season 43.

ACL livestreams Jason Isbell and Amanda Shires on 8/21, Father John Misty on 8/22

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Austin City Limits is happy to announce a trio of upcoming livestreams featuring some of this season’s most highly-anticipated performers: Jason Isbell & the 400 Unit, Amanda Shires and Father John Misty. ACL will host back-to-back live streams from a rare double shoot with acclaimed singer-songwriters Jason Isbell & the 400 Unit and Amanda Shires. The creative collaborators (and husband and wife team) will each perform separate sets, with Shires up first in her solo ACL debut streaming live starting at 8pm CT/9pm ET on ACLTV’s YouTube Channel; Isbell takes the stage after a 20-minute intermission and his return ACL appearance will stream live at approximately 9:20pm CT/10:20pm ET.  The next day on August 22 join us to witness the captivating Father John Misty in his solo ACL debut, which will stream in its entirety live from the Austin City Limits stage at 8pm CT/9 pm ET on ACLTV’s YouTube Channel.

One of the finest songwriters working today, Alabama native Jason Isbell first-appeared on ACL back in Season 39 and returns August 21 with his band the 400 Unit to perform gems from the acclaimed new album, The Nashville Sound, a beautiful piece of American music-making. Isbell has earned numerous accolades since his ACL debut on the heels of 2013’s career breakthrough Southeastern, including a pair of GRAMMY Awards for 2015’s Something More Than Free, and we’re thrilled to have the American original back on our stage.  

A fixture on the Texas circuit since she began her career as a 15-year old fiddle player touring with Western swing institution the Texas Playboys, Amanda Shires has toured and recorded with John Prine, Billy Joe Shaver, Todd Snider, Justin Townes Earle, Shovels & Rope, and most recently her husband and creative partner Jason Isbell, with whom she first-appeared on ACL in 2013. The Texas native makes her solo debut on the ACL stage with songs from her acclaimed release My Piece Of Land.  Produced by Dave Cobb, the very personal record deals with family, anxiety, and the phases of a young woman’s life, but the primary focus is the concept of home. Shires addresses the similarities and differences between the home she was born into, the two homes she was eventually split between, and the home she has finally made for herself as a wife and new mother.  We’re delighted to have her back home in Texas and on the ACL stage.

Now known as Father John Misty, the erstwhile Josh Tillman (under which name he first appeared on ACL in 2012 as the drummer for Fleet Foxes) makes his long-awaited solo debut on our stage in support of his third solo release, the madly ambitious new album Pure Comedy.  Inspired by the chaos and uncertainty of modern life, the charismatic indie-rock provocateur writes about the dubious privilege of being here, the elusiveness of meaning, true love and its habitual absence, random euphoria and the inexplicable misery of others, truth and its more alluring counterfeits, the sophistication of answers that don’t make any sense, the barbarism of our appetites, lucky breaks and injustice, faith and ignorance, crippling, mind-numbing boredom, and the terror of it all ending too soon.  Variety recently hailed him “the greatest rock star of his generation” and we’re thrilled to bear witness when he takes the ACL stage on August 22, streaming live for fans across the globe.

Please join us both August 21 and 22 for these full-set livestreams on our ACLTV YouTube Channel. Jason Isbell & the 400 Unit and Amanda Shires will stream here and Father John Misty here. The broadcast versions will air on PBS as part of our upcoming Season 43 which premieres this fall.

ACL to livestream Angel Olsen’s July 25th taping

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Austin City Limits is proud to announce that we will be streaming the upcoming taping of Angel Olsen on July 25, live and in its entirety, directly from the Austin City Limits stage at 8pm CT/9 pm ET on ACLTV’s YouTube channel.  

An artist who reigns over the land between being an elliptical outsider and a pop personality with a haunting obliqueness and sophisticated grace, Angel Olsen hits our stage in celebration of her third LP My Woman, which Uncut calls “another giant progression in an already distinguished career.” The St. Louis native began her journey in Chicago as a backing vocalist for Bonnie Prince Billy, but her talent soon manifested in her first EP Strange Cacti and album Half Way Home in 2012. Signing to respected indie Jagjaguwar, Olsen released 2014’s Burn Your Fire For No Witness to great fanfare, setting the stage for My Woman. Recorded with producer Justin Raisen (Charlie XCX, Santigold) after her relocation to Asheville, NC, the record expands on the reverb-shrouded poetic swoons, shadowy folk and grunge-pop workouts of her previous work via 70s country rock, vintage electronic pop and languid psychedelic soul. “These are controlled, tempered, well-steered songs, capable of navigating genres,” notes Q. An intuitively smart, warmly communicative and fearlessly generous record, My Woman speaks to everyone. “Contradictory, complex, and worthy of endless re-listens,” says DIY, “Angel Olsen has crafted her most compelling record to date.”

Please join us July 25 for this full-set livestream on our ACLTV YouTube channel. The broadcast version will air on PBS later this year as part of Season 43.

ACL to livestream tapings from The Head and the Heart and The Black Angels

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Austin City Limits is proud to announce a pair of back-to-back livestreams with two of today’s most thrilling live acts. We will be streaming the upcoming tapings of Seattle’s The Head and the Heart on May 22 and Austin’s own The Black Angels on May 23, live and in their entirety, directly from the Austin City Limits stage at 8pm CT/9 pm ET on ACLTV’s YouTube channel.  Both acts are making return appearances to the ACL stage armed with acclaimed new albums.

When Seattle band, The Head and the Heart, who first appeared on ACL in Season 37, regrouped in 2016 to start writing together again after a sabbatical, “it almost felt like we were a new band, trying things we hadn’t tried,” bassist  Chris Zasche recalls. “We stayed at a bungalow on the beach. We’d wake up, have coffee and go boogie boarding. We were ready and excited to be back together.” That renewed sense of purpose can be felt throughout their major label debut, Signs of Light, the group’s third album and first release for Warner Bros. Records. “This album isn’t about us now having achieved our dreams,” says vocalist/multi-instrumentalist Charity Rose Thielen. “The day we started being able to live off our art was the day we achieved our dreams, in my mind. This is the album where we really fell into our true voices as those artists.” Recorded in Nashville with producer Jay Joyce (Eric Church, Cage The Elephant), Signs of Light crackles with the upbeat, singalong energy of the band’s finest work. Throughout, the colors are brighter, the electric guitars are louder and the musical touchstones more universal. Lead single “All We Ever Knew,” written during the Let’s Be Still era but never captured to the band’s satisfaction until now, is sure to be a crowd-pleaser, while “Turn It Around” seems primed to be a future concert staple, matching its inspirational message with a lush and multi-layered soundscape. Blurt say the album “fulfills the aim the band’s handle appears to indicate. This is after all, music that connects with the head and the heart, and imparts a dual sense of resilience and delight in its wake.” Join us on May 22nd for The Head and the Heart’s highly-anticipated second ACL taping.

BlackAngels_Livestream_43_squareAustin psych rock masters The Black Angels appear with charged new songs from Death Song, their first full-length release in four years, and their debut for Partisan Records. NPR raves, “The Black Angels have delivered an enormous and frighteningly timely fifth album full of uniquely trippy anthems to oblivion.”  Written and recorded in large part during the recent election cycle, the music serves as part protest, part emotional catharsis in a climate dominated by division, anxiety and unease. Recorded between Seattle and Austin, the eleven-track collection offers a sharply honed elaboration on their signature sound – menacing fuzz guitar and cutting wordplay, steeped in a murky hallucinatory dream. Since forming in Austin in 2004, The Black Angels have become standard-bearers for modern psych-rock, and the New York Times has said they “play psychedelic rock as if the 1960s never ended, and they are absolute masters of it.” The Black Angels made a stellar ACL debut in 2013 and we look forward to their return.

Please join us May 22 and May 23 for these full-set livestreams on our ACLTV YouTube channel. The broadcast versions will air on PBS later this year as part of Season 43.

ACL to stream Benjamin Booker taping live

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Austin City Limits is proud to announce a livestream featuring red-hot rocker Benjamin Booker, taping April 27 as part of our 43rd season. The taping will be streamed live in its entirety directly from the Austin City Limits stage, and fans worldwide can watch the concert Thursday, April 27 at 8pm CT/9 pm ET on ACLTV’s YouTube channel as it happens.

Singer, songwriter, guitarist and rocker Benjamin Booker comes to ACL in advance of his greatly anticipated sophomore platter Witness, out in June. With Witness, the New Orleans-based Booker has created his most ambitious work yet by digging deep into his passion for eccentric soul, R&B, and blues – drawing on everything from William Onyeabor’s 70s African psych-rock to Freddie Gibbs and Pusha T, while never straying too far from the garage-punk intensity that made his self-titled 2014 debut such a creative breakthrough. Born in Virginia Beach and raised in Tampa, Booker attended a magnet school for the arts before matriculating at the University of Florida, studying music journalism. After self-releasing his 2012 EP Waiting Ones, he signed to ATO, who released his eponymous debut in 2014. “Singing with a maturity beyond his years,” said The Guardian about the critically-adored LP, “he crafts hooks that pay homage to Robert Johnson, Sam Cooke and the shambolic punk he grew up listening to.” Following the album’s release, Booker hit the road and the festival circuit, touring with Jack White and Courtney Barnett and playing the Austin City Limits Music Festival and Lollapalooza. Now Booker is ready to unleash Witness on the world, preceded by the title track, released as a single and featuring gospel legend and ACL alum Mavis Staples.

Please join us April 27 for this full-set livestream on our ACLTV YouTube channel. The broadcast version will air on PBS later this year as part of Season 43.

ACL to livestream Pretenders taping on March 13

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Austin City Limits kicks off Season 43 with what’s sure to be the talk of the town: a livestream of rock legends The Pretenders’ ACL debut, taping March 13. The taping will be streamed live in its entirety directly from the Austin City Limits stage, and fans worldwide can watch the concert Monday, March 13 at 8pm CT/9 pm ET on ACLTV’s YouTube channel as it happens.

Led by iconic singer/songwriter/guitarist Chrissie Hynde, The Pretenders have blazed a trail in rock ‘n’ roll for four decades and come to ACL in support of latest album Alone. Recorded with the Black Keys’ Dan Auerbach at his Easy Eye Studio in Nashville, the album was initially conceived as the follow-up to Hynde’s acclaimed 2014 solo debut Stockholm. But as its songs and sonics took shape, the collection soon revealed itself as the first all-new Pretenders LP since 2008′s Break Up The Concrete. Backed by a team of what Hynde proudly calls “real people playing real instruments,” Akron natives Hynde and Auerbach made for ideal foils, two idiosyncratic songwriter/musicians possessing a deep knowledge and even deeper love of rock ‘n’ roll.

Alone bears all the trademarks of The Pretenders’ legendary canon: raw and rollicking riffs, poignant balladry, taut hooks and indelible melodies – all in service of Hynde’s heartworn, ever-unsentimental songcraft. Nearly four decades on from the band’s epochal 1980 debut album, Hynde’s instantly identifiable voice, called “one of rock’s finest,” by The Guardian, is perhaps more emotional and aggressive than at any other time in her career.  That extra bit of edge only serves to add fire to new Pretenders classics like the brutally candid “I Hate Myself” and the defiant title track, a spiky rocker that sees Hynde extolling the joys and virtues of solitude. “At 65, she’s still mouthing off over brass-knuckled rock & roll,” notes Rolling Stone, “flexing command and carnality with no apology.”

Other highlights include “Roadie Man,” a softly sung paean to the hard working touring crew that has been kicking around Hynde’s unrecorded songbook for more than 25 years, the seductive “Let’s Get Lost,” and “Never Be Together,” featuring an appropriately twangy contribution from pioneering guitar hero Duane Eddy. The UK’s The Independent asserts that Alone is “a fine album, subtly varied in both musical style and lyrical slant,” while Magnet declares it’s “as good a Pretenders record as has been made.” Armed with original drummer Martin Chambers, a new landmark and their catalog of undeniable classics, The Pretenders finally make their long-awaited ACL debut.

Please join us March 13 for this full-set livestream on our ACLTV YouTube channel. The broadcast version will air on PBS later this year as part of our Season 43.