ACL congratulates the 2020 Grammy nominees

photo by Scott Newton

Austin City Limits congratulates all the nominees for the 62nd Annual Grammy Awards. But we’d like to shine a spotlight on the many nominees who appear on ACL in our current Season 45 as well as nominees from prior seasons. We’re especially proud to showcase five of this year’s Best New Artist nominees this season.

A hale and hearty congrats to the artists who contributed to our milestone season 45, including Billie Eilish, who scored top noms for Record of the Year, Song of the Year, Album of the Year, Best New Artist, Best Pop Solo Performance, Best Pop Vocal Album, and Best Engineered Album, while her brother Finneas, who produced the album and performed with her on her upcoming episode, earned a nod for Producer of the Year. Soul sensation H.E.R. also gathered a slew of nominations, including Record of the Year, Album of the Year, Song of the Year, Best R&B Performance, and Best R&B Song, while Austin hero and ACL season 45 opener Gary Clark Jr. earned noms for Best Rock Performance, Best Rock Song, Best Contemporary Blues Album and Best Music Video. 

photo by Scott Newton

Indie rock gods Vampire Weekend clock in with nods for Album of the Year, Best Rock Song, and Best Alternative Music Album, while Spanish superstar Rosalía clicks off the boxes for Best New Artist and Best Latin Rock, Urban or Alternative Album. Cage the Elephant was nominated for Best Rock Album and Patty Griffin for Best Folk Album. Plus Maggie Rogers, Black Pumas and Tank and The Bangas share the nominations with Eilish and Rosalía for Best New Artist. Sarah Jarosz was nominated for Best American Roots Performance and Best American Roots Song as part of I’m With Her, who appear in our upcoming special broadcast ACL Presents: Americana 18th Annual Honors. In addition, ACL vet Jimmie Vaughan and young blues guitar slinger Christone “Kingfish” Ingram, both of whom appear in our upcoming Hall of Fame special on Dec. 28, were each nominated for Best Traditional Blues Album.

“I think it’s pretty cool (and speaks well for us) that we’ve had so many nominees on the show this season,” says ACL executive producer Terry Lickona, “ including five of the Best New Artist nominees.”

photo by Scott Newton

Many of our distinguished alumni received nominations this year as well. Veteran country music queen Tanya Tucker, who appeared in Season 11, garnered noms for Song of the Year, Best Country Album, Best Country Song, and Best Country Solo Performance for the album While I’m Livin’, created in collaboration with Brandi Carlile. Indie rock icon Bon Iver got nominated for Record of the Year, Album of the Year, Best Alternative Music Album, and Best Recording Package, while Dan Auerbach received a Producer of the Year nod. Our friends Esperanza Spalding, Dolly Parton, Brittany Howard from Alabama Shakes, Calexico and Iron & Wine got two nominations apiece (the latter two bands for a collaborative album), while Willie Nelson, Elvis Costello, Ed Sheeran, Rosanne Cash, Khalid, Reba McEntire, CeCe Winans, Rhiannon Giddens, Miranda Lambert, Vince Gill, Rodrigo y Gabriela, John Legend, Angelique Kidjo, Robert Randolph & the Family Band, Eric Church, Chris Stapleton, Andrew Bird, Pistol Annies, Keb’ Mo’, Delbert McClinton, and David Gray got one each.

A full list of all nominees can be found here – good luck to them all. The 62nd Annual Grammy Awards will telecast on Sunday, Jan. 26, 2020. 

Encore: Rodrigo y Gabriela with C.U.B.A.

photo by Scott Newton

For guitar fans, Austin City Limits has been home to legions of blues and country-soaked guitar slingers, from Stevie Ray Vaughan to Eric Johnson to Jerry Reed. This week, however, we feature the dazzling skills of Rodrigo y Gabriela. Joined by Cuban orchestra C.U.B.A., the Mexican duo puts its patented blend of flamenco, jazz and rock through its paces for a thrilling 60 minutes.

Driven by C.U.B.A.’s infectious accompaniment, the pair rockets through “Santa Domingo,” “11:11” and “Tamacun,” with their impressive guitar work riding the lush Cuban motion of their collaborative album Area 52. Gabriela’s traditional flamenco technique, often augmented by a wah-wah pedal, keeps time as much as the drums and percussion, while Rodrigo’s fleet-fingered leads head to the stratosphere – he even pays tribute to his heavy metal roots by strapping on an electric guitar for “Hanuman” and cranks some distortion on “Diablo Rojo.” Longtime fans wanting to hear the duo’s talent unadorned will be thrilled by the middle segment, as C.U.B.A. takes a break to allow Rodrigo y Gabriela to showcase what they are known for: two guitars, chemistry and flying fingers. Each picker takes the spotlight solo as well, in which Rodrigo zooms up and down his fretboard with sizzling leads and Gabriela proves herself as much percussionist as guitarist.

photo by Scott Newton

You can get a sample of Rodrigo y Gabriela and C.U.B.A.’s danceable virtuosity by visiting the episode page, which should be enough to entice to check your local listings for the broadcast time on your PBS station. Don’t forget to visit our Facebook and Twitter pages or sign up for our newsletter for more ACL info. Next week: Tom Waits.

 

Encore: Rodrigo y Gabriela

photo by Scott Newton

For guitar fans, Austin City Limits has been home to legions of blues and country-soaked guitar slingers, from Stevie Ray Vaughan to Eric Johnson to Jerry Reed. This week, however, we feature the dazzling skills of Rodrigo y Gabriela. Joined by Cuban orchestra C.U.B.A., the Mexican duo puts its patented blend of flamenco, jazz and rock through its paces for a thrilling 60 minutes.

Driven by C.U.B.A.’s infectious accompaniment, the pair rockets through “Santa Domingo,” “11:11” and “Tamacun,” with their impressive guitar work riding the lush Cuban motion of their collaborative album Area 52. Gabriela’s traditional flamenco technique, often augmented by a wah-wah pedal, keeps time as much as the drums and percussion, while Rodrigo’s fleet-fingered leads head to the stratosphere – he even pays tribute to his heavy metal roots by strapping on an electric guitar for “Hanuman” and cranks some distortion on “Diablo Rojo.” Longtime fans wanting to hear the duo’s talent unadorned will be thrilled by the middle segment, as C.U.B.A. takes a break to allow Rodrigo y Gabriela to showcase what they are known for: two guitars, chemistry and flying fingers. Each picker takes the spotlight solo as well, in which Rodrigo zooms up and down his fretboard with sizzling leads and Gabriela proves herself as much percussionist as guitarist.

You can get a sample of Rodrigo y Gabriela and C.U.B.A.’s danceable virtuosity by visiting the episode page, which should be enough to entice to check your local listings for the broadcast time on your PBS station. Don’t forget to visit our Facebook and Twitter pages or sign up for our newsletter for more ACL info. Next week: Queens of the Stone Age.

 

Rodrigo y Gabriela’s dazzling hour

photo by Scott Newton

For guitar fans, Austin City Limits has been home to legions of blues and country-soaked guitar slingers, from Stevie Ray Vaughan to Eric Johnson to Jerry Reed. This week, however, we will feature the dazzling skills of Rodrigo y Gabriela. Joined by Cuban orchestra C.U.B.A., the Mexican duo puts its patented blend of flamenco, jazz and rock through its paces for a thrilling 60 minutes.

Driven by C.U.B.A.’s infectious accompaniment, the pair rockets through “Santa Domingo,” “11:11” and “Tamacun,” with their impressive guitar work riding the lush Cuban motion of their collaborative album Area 52. Gabriela’s traditional flamenco technique, often augmented by a wah-wah pedal, keeps time as much as the drums and percussion, while Rodrigo’s fleet-fingered leads head to the stratosphere – he even pays tribute to his heavy metal roots by strapping on an electric guitar for “Hanuman” and cranks some distortion on “Diablo Rojo.” Longtime fans wanting to hear the duo’s talent unadorned will be thrilled by the middle segment, as C.U.B.A. takes a break to allow Rodrigo y Gabriela to showcase what they are known for: two guitars, chemistry and flying fingers. Each picker takes the spotlight solo as well, in which Rodrigo zooms up and down his fretboard with sizzling leads and Gabriela proves herself as much percussionist as guitarist.

You can get a sample of Rodrigo y Gabriela and C.U.B.A.’s danceable virtuosity by visiting the episode page, which should be enough to entice to check your local listings for the broadcast time on your PBS station. Don’t forget to visit our Facebook and Twitter pages or sign up for our newsletter for more ACL info. Next week: Norah Jones and Kat Edmonson.

Rodrigo y Gabriela rock ACL

photo by Scott Newton

Austin City Limits has had its eye on guitarists Rodrigo y Gabriela for a few years, and we’re happy that the stars finally aligned just right for us to invite them to our house. Backed by the  Cuban fusion band C.U.B.A., the duo conquered The Moody Theater with passion, groove and oft-stunning technique.

The pair makes the most of the contrast between their styles – Rodrigo rips out flatpicked licks that betray his metal roots while Gabriela flails at her ax with flamenco-based rhythms, often using a wah-wah pedal to send her riffs into outer space. Backed by the stellar C.U.B.A. the pair enthusiastically mixed Afro-Cuban grooves, jazz fusion harmonies, Latin melodies and the occasional rock flourish into a blazing storm of tuneful technique. “Hanuman,” “Ixtapa” and “Diablo Rojo” filled the Moody with hot licks and cool grooves, bringing the crowd to their feet. Even midway during the show, when the band left the stage so Rodrigo y Gabriela could really show off their skills on “Savriti,” Hora Zero” and “Buster Voodoo,” the energy stayed at a level that could power a small city.

Rodrigo y Gabriela are a joy to watch –  jumping across the stage, making eye contact with their fans and encouraging the audience to provide rhythms through applause. The crowd responded in kind, lavishing love on a gang of musicians working hard and having fun doing it. That energy will inevitably translate to the small screen, and we can’t wait for y’all to see this stunning show. No doubt about it – Rodrigo y Gabriela rule.

Ticket Giveaway: Rodrigo Y Gabriela 5/7

rodrigo y gabriela

Austin City Limits will be taping a performance by Rodrigo Y Gabriela with C.U.B.A. on Monday, May 7, at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd).  We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by 9 am Thursday, May 3. Passes are not transferable and cannot be sold.

Rodrigo y Gabriela tape Austin City Limits on 5/7

Rodrigo y Gabriela. Aug 2011. photo by Tina Korhonen

We’ve had our collective eye on Mexican guitar duo Rodrigo y Gabriela, who will appear on our stage on May 7, for some time – after all, Austin City Limits has a history of showcasing six-string magic. The pair has been riding high since they took the music world by storm with their self-titled LP back in 2006, raising eyebrows with flamenco takes on thrash metal tunes and forward-thinking originals. Now the duo is touring with C.U.B.A., a 13-piece Cuban orchestra, with whom they recorded their latest record Area 52. The time is right to invite them to their debut ACL performance for a show that’s sure to inspire as much dancing as air guitar.

Keep an eye on the blog, our Facebook page and Twitter feed for news on the public ticket giveaway. We hope to see you there!

We’ve Got a Gift for You – 2012 Tapings Announced!

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We know, we know, we just finished taping shows for 2011 but we are bursting at the seams to share news about NEXT season.

Since it’s the holidays and all, in the spirit of gift giving, here are the first confirmed tapings for 2012 and Season 38:

The Civil Wars

Radiohead

The Shins

Rodrigo y Gabriela and C.U.B.A.

Follow the blog, Facebook and Twitter for dates and ticket giveaway information.

Don’t forget to ring in 2012 with Coldplay New Year’s Eve: An Austin City Limits Special on Dec. 31!

Happy Holidays from Austin City Limits!