Steve Earle and friends bring Guy Clark tribute to ACL Season 45

photo by Scott Newton

Austin City Limits presents a Season 45 highlight: Steve Earle & The Dukes spotlighting the songwriting legacy of the legendary Guy Clark. Americana stalwart Earle makes his fifth appearance on the ACL stage paying tribute to his mentor, the late Texas singer-songwriter and ACL Hall of Fame legend Guy Clark, in a heartwarming hour filled with choice classics and personal anecdotes.  Performing a collection of gems from his acclaimed Clark tribute album Guy, Earle is accompanied by his five-piece band The Dukes, and special guests including Rodney Crowell, Joe Ely, Terry Allen and Jo Harvey Allen. The episode is capped with vintage clips from Clark’s own ACL appearances, including his 1977 debut.  

Steve Earle kicks off the hour appropriately singing “I wish I was in Austin…,” the infamous opening of Guy Clark’s “Dublin Blues.”  In his signature bandana, the Americana maverick Earle showcases a true Texas icon in this moving hour, filled with entertaining stories and personal tales from Earle’s longtime relationship with one of his main songwriting influences.  Earle explains how he, at 19, first met Guy after hitchhiking from Texas to Tennessee, eventually playing bass in Clark’s band “until Guy needed a better bass player.” Earle shares the stage with special guests: Texas legend Joe Ely joins Earle for the beloved Clark signature “Desperados Waiting For A Train”; and Rodney Crowell collaborates on a rousing duet of “Heartbroke”, an early nugget Crowell first recorded in 1980.  Earle performs a stunning solo acoustic reading of “Randall Knife,” adding his own powerful take on a Clark classic.  “I guess I should play a couple of songs of mine so y’all won’t think Guy didn’t teach me anything,” quips Earle before launching into gorgeous renditions of a pair of his own: “Guitar Town,” the 1986 track that introduced Earle’s talents to the world, and “Copperhead Road”. “That’s what I learned from Guy Clark,” asserts Earle before bringing Ely and Crowell back, joined by Lubbock legends Terry Allen and Jo Harvey Allen, saying “Everyone here loved Guy Clark.” The Texas natives close out the hour together with a poignant rendition of the Clark gem, “Old Friends,” as each artist takes a turn at the mic: “...Old friends they shine like diamonds.”  Earle leads the audience in a final round of the chorus, before calling out directly to his songwriting hero at the close: “Guy Charles Clark—see you when I get there, maestro.” 

photo by Scott Newton

“There’s nobody better suited personally, musically, or emotionally to bring new life to the songs of Guy Clark than Steve Earle,” says ACL executive producer Terry Lickona. “Guy’s songs are timeless, but Steve makes sure that nobody will forget why he will always be considered the Dean of Texas songwriters.” 

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for another brand new episode, featuring rising  R&B star H.E.R.

Austin City Limits announces first half of Season 45

Gary Clark Jr. on Austin City Limits ©️KLRU photo by Scott Newton

The iconic television music series Austin City Limits announces the first half of the Season 45 broadcast line-up with seven all-new installments to begin airing October 5 as part of the program’s fourteen-episode season. The stellar slate of broadcast episodes features highly-anticipated debuts from today’s most talked-about live acts, and the return of ACL legends, continuing Austin City Limits’ extraordinary run as the longest-running music television show in history. Providing viewers a front-row seat to the best in live performance for a remarkable 45 years, the series airs weekly on PBS stations nationwide (check local listings) and full episodes are made available online for a limited time at pbs.org/austincitylimits immediately following the initial broadcast. 

photo by Scott Newton

photo by Scott Newton

Austin City Limits returns this fall with a season premiere featuring a blistering hour with Austin’s own Gary Clark Jr., marking the acclaimed musician’s third appearance on the series. Indie-rock titans Vampire Weekend make a highly-anticipated appearance in a must-see hour showcasing their first album in five years. A season highlight features the return of Americana icon Steve Earle, making his fifth appearance with a tribute to the legendary songwriter Guy Clark; Earle is joined by his band The Dukes and special guests including Rodney Crowell and Joe Ely for choice Clark classics alongside Earle’s own gems from his songwriting catalog. One of Americana’s finest singer-songwriters, Patty Griffin returns for her sixth appearance, sharing an episode with New Orleans rock band The Revivalists in their ACL debut. Next-generation country is showcased with two new artists representing the genre’s expansive range sharing an episode: chart-topping Kane Brown and breakout Canadian folk & western singer Colter Wall. Austin City Limits continues its mission of spotlighting innovators with stunning new hours featuring R&B sensation H.E.R., a two-time 2019 Grammy® Award-winning singer-songwriter-guitarist, and singer-songwriter phenom Maggie Rogers, both making their ACL debuts.

photo by Scott Newton

photo by Scott Newton

“Over the decades ACL has built its reputation on introducing the most original, innovative and eclectic music from every genre,” said ACL executive producer Terry Lickona. “Music fans love to discover artists and sounds they’ve never heard before, or re-discover artists and songs that have stood the test of time. There’s no better place to find them than Austin City Limits, and this season is a perfect example!” 

For the series milestone Season 45, the broadcast has a new opening featuring Austin indie stars Spoon’s classic “Hot Thoughts” and showcasing many of Austin’s own homegrown talents captured at the live music capital’s many colorful locations.

Season 45 Broadcast Line-up (seven new episodes to be announced):

October 5  Gary Clark Jr.

October 12  Maggie Rogers

October 19  Steve Earle & The Dukes: A Tribute to Guy Clark

October 26  H.E.R.

November 2   Patty Griffin / The Revivalists

November 9  Vampire Weekend

November 16  Kane Brown / Colter Wall

November 23  ACL Presents Americana 18th Annual Honors

For the ninth consecutive year, the producers of Austin City Limits, in conjunction with producers Martin Fischer, Michelle Aquilato, Edie Hoback and the Americana Music Association, are proud to present a special ACL Presents on November 23 featuring the best music performances from this year’s 18th Annual Americana Music Association Honors and Awards Ceremony to be held September 11, 2019 at the historic Ryman Auditorium in Nashville, TN. The broadcast is a celebration of the diverse sounds of roots music, from folk, bluegrass and alt-country to R&B and the blues. 

The complete line-up for the full 14-week season, including seven new episodes to air beginning December 31, 2019, will be announced at a later date. Austin City Limits continues to offer its popular live streams of select performances for fans worldwide on ACL’s YouTube Channel. Viewers can visit acltv.com for news regarding live streams, future tapings and episode schedules.

Taping recap: Patty Griffin and Steve Earle & The Dukes

photo by Scott Newton

Singer/songwriters Patty Griffin and Steve Earle have been frequent visitors to the ACL stage in the past couple of decades. Griffin first appeared in 2000 as part of a songwriters’ special, getting her own show the next year, while Earle debuted way back in 1987. It’s always a pleasure to welcome back old friends, and doubly so under such special circumstances: Griffin to showcase songs from her highly-acclaimed, self-released and self-titled new album, and Earle, joined by some special guests, spotlighting Guy, his tribute to his songwriting mentor Guy Clark. Both turned in shows for the ages, which we live streamed around the world.  

Patty Griffin comes off of a four-year hiatus while the singer dealt with breast cancer, and her performance pulled generously from it. After a boisterous welcome from the crowd, she opened with the album’s “Mama’s Worried,” essentially a duet between David Pulkingham’s flamenco guitar and her own resonant singing. Next up was “The Wheel,” a bluesy declaration built on its writer’s jagged rhythm guitar and multi-instrumentalist Conrad Choucroun’s bass guitar/kick-drum rhythm. She followed with “Boys From Tralee,” a Celtic folk-tinged tune about Irish immigrants (of which Griffin’s grandparents were two), tying it into the current situation at the U.S. border. From the Emerald Isle to the American swamp: Griffin moved back to her 2004 LP Impossible Dream for the shuffling, tremolo-heavy “Standing,” allowing her to draw from her love of gospel. But she quickly shifted from the sacred to the secular, with the sly “Hourglass,” inspired by the great Screamin’ Jay Hawkins and featuring a Pulkingham solo that earned cheers. 

Guitars went to their stands as Pulkingham moved to the piano and his boss to the mic for the gorgeous “Luminous Places,” a well-titled standout from Patty Griffin. Then it was on to the “Truth #2,” a fan favorite, as evidenced by the cheers at the opening chords, and “Where I Come From,” a narrative Patty Griffin highlight. “River,” the self-titled album’s single, once again showcased her rich vocals, accompanied by Pulkingham’s acoustic guitar and the ridiculously multi-tasking Choucroun on piano, and greatly appreciated by the audience. Wielding a mandolin, Griffin finished her set with the rocking, inspirational “Shine a Different Way,” to the crowd’s delight. 

photo by Scott Newton

Joined by his long-running five-piece band The Dukes, Earle hit the stage kicking off his Guy Clark tribute with the classic “Dublin Blues,” receiving exuberant cheers at the opening line “Wish I was in Austin.” Earle immediately went into “Texas 1947,” featuring the expert pedal steel work of Ricky Ray Jackson. After sharing a short story about how he met Guy Clark while hitchhiking around Texas, the band performed the ode to the Hill Country honky-tonkin’ queen “Rita Ballou,” featuring Eleanor Whitmore on violin. Following a tale about Clark’s loyalty to Texas BBQ over Tennessee style BBQ, Joe Ely joined Earle on stage to perform “Desperadoes Waiting For a Train” – two Texas music legends trading verses on one of the state’s most influential songs. The Dukes quit the stage temporarily, so Earle could essay “The Last Gunfighter Ballad,” a Clark song made famous by Johnny Cash and Willie Nelson. The band returned for “The Randall Knife,” one of Clark’s most autobiographical and arresting tunes, followed by the beloved “L.A. Freeway,” one of his most famous. With Earle donning his mandolin, he and The Dukes got acoustic for “New Cut Road,” an explicitly bluegrass-flavored tune that threw another spotlight on Whitmore, as well as her flatpicking husband Chris Masterson. After introducing the band, Earle went into “Heartbroke,” going through the first verse before being joined onstage by another Clark mentee – songwriting great Rodney Crowell, who originally recorded the song in 1980, before it became a hit for Ricky Skaggs in 1982. 

“I guess I should play a couple of songs of mine so y’all won’t think Guy didn’t teach me anything,” Earle quipped before launching into “Guitar Town,” the song that put him on the map as a writer and performer. After that hit, there was only one other song The Dukes could hit, and sure enough: the opening synth riff of “Copperhead Road” – the powerhouse rocker that served notice that Earle was simply country – got the crowd going wild. “That’s what Guy taught me,” he asserted. After that explosion, Earle brought Crowell and Ely back, joined by Lubbock legends Terry and Jo Harvey Allen, for “Old Friends,” Clark’s beautiful evocation of friendship, with each singer taking one of the spoken verses. Earle led the audience in a round of the chorus, before an instrumental coda and the singers laying down one last “old friends” to close. A better elegy for Clark would be hard to imagine. It was a beautiful moment, and we can’t wait for you to see it when it airs this fall on your local PBS station. 

 

Chris Isaak returns as host of 2018 Austin City Limits Hall of Fame 10/25/18

ACLHOF18-FB-IG

Austin City Limits announces the fifth annual Austin City Limits Hall of Fame Induction & Celebration will take place on Thursday, October 25, 2018, with music great Chris Isaak returning as host of the celebratory evening.  Save the date for one of the year’s highlights, a star-studded night filled with performances and collaborations from music’s finest.  The announcement was made by ACL executive producer Terry Lickona at tonight’s Brandi Carlile taping.

A new class of inductees will be announced at a later date, and will be saluted at the ceremony to be held at ACL’s studio home, Austin’s ACL Live at The Moody Theater.  The event will be open to the public and ticket onsale information will be announced at a later date. Sponsor packages are available now at www.acltv.com/hall-of-fame/. All proceeds benefit KLRU-TV, Austin PBS. More information about performances, presenters and additional guest stars will be announced prior to the event.

photo by Gary Miller

The Austin City Limits Hall of Fame was established in 2014 to celebrate the legacy of legendary artists and key individuals who have played a vital part in the pioneering music series remarkable 40+ years as a music institution. The inaugural induction ceremony in 2014 honored Willie Nelson, Stevie Ray Vaughan & Double Trouble, Lloyd Maines, program creator Bill Arhos and Darrell Royal. 2015’s second annual ACL Hall of Fame ceremony honored Asleep at the Wheel, Loretta Lynn, Guy Clark, Flaco Jiménez and Townes Van Zandt, along with the original crew of the show’s first season in 1974-75. The 2016 Hall of Fame honored Kris Kristofferson, Bonnie Raitt and B.B. King, alongside former ACL executive producer Dick Peterson.  Last year’s Hall of Fame honored Roy Orbison, Rosanne Cash and The Neville Brothers, and the 50th Anniversary of the Public Broadcasting Act.

ACL Presents: Americana Music Festival 2016

NASHVILLE, TN - SEPTEMBER 21: William Bell and Bonnie Raitt perform onstage at the Americana Honors & Awards 2016 at Ryman Auditorium on September 21, 2016 in Nashville, Tennessee. at Ryman Auditorium on September 21, 2016 in Nashville, Tennessee.  (Photo by Terry Wyatt/Getty Images for Americana Music)

Austin City Limits returns to Nashville for a special broadcast featuring performance highlights from this year’s Americana Honors & Awards. ACL Presents: Americana Music Festival 2016 premieres November 19th on PBS and delivers dazzling performances that represent the genre’s diversity and excellence. The music-filled hour features many of the night’s award-winners and honorees, including buzzed about newcomers and icons who helped define the genre; among them: George Strait, Margo Price, Jason Isbell, Bonnie Raitt, Bob Weir, Alison Krauss, Steve Earle, Parker Millsap, Dwight Yoakam, William Bell and Emmylou Harris & Rodney Crowell.

Recorded live at Nashville’s historic Ryman Auditorium on September 21st, The Americana Music Association’s 15th Annual Honors & Awards ceremony is a celebration of music that is authentic, diverse and original from many genres, both traditional and contemporary. “If you can taste the dirt through your ears, that is Americana,” says Americana Music Association Executive Director Jed Hilly. “It is music that is derived or inspired by American roots traditions.”

Acclaimed singer/songwriter Jason Isbell, who took top honors for Album of the Year and Song of the Year, gives a captivating performance of his “If It Takes A Lifetime,” accompanied by his wife, fiddler Amanda Shires, and band The 400 Unit. Roots giants who died in 2016, Merle Haggard, Guy Clark and Ralph Stanley are honored with one-of-a-kind performances: the show opens with the night’s Lifetime Achievement Award Honoree for Performance, Grateful Dead founder Bob Weir, in tribute to Merle Haggard, performing a rendition of the country outlaw’s iconic “Mama Tried.”  Steve Earle delivers Guy Clark’s classic “Desperados Waiting For A Train,” calling out “See you when I get there, Maestro,” at the song’s close. Roots titan Alison Krauss performs a stunning a cappella version of bluegrass legend Ralph Stanley’s “Gloryland,” joined by stalwarts Buddy Miller, Melonie Cannon and Stuart Duncan.

NASHVILLE, TN – SEPTEMBER 21: Stuart Duncan, Melonie Cannon, Alison Krauss, and Buddy Miller perform onstage at the Americana Honors & Awards 2016 at Ryman Auditorium on September 21, 2016 in Nashville, Tennessee. at Ryman Auditorium on September 21, 2016 in Nashville, Tennessee. (Photo by Terry Wyatt/Getty Images for Americana Music)

In true Americana style, the broadcast is loaded with musical moments and collaborations. Legendary duet partners Emmylou Harris and Rodney Crowell, awarded Duo/Group of the year, perform a stirring “Bring It On Home.” Bonnie Raitt, a 2015 Lifetime Achievement honoree, offers a new track, “Gypsy in Me,” backed by gospel greats The McCrary Sisters. She returns to join Stax soul legend William Bell, the night’s Lifetime Achievement Award Honoree for Songwriting, on the slow-burn “The Three of Me,” accompanied by producer John Leventhal on guitar. Honky-tonk maverick Dwight Yoakam delivers a blistering gem from his acclaimed new release Swimmin’ Pools, Movie Stars… alongside Stuart Duncan on fiddle.

The genre’s breakout newcomers give show-stopping performances, including the Emerging Artist Award-winner, Nashville rebel Margo Price with her “Tennessee Song.” Americana sensation Parker Millsap performs a powerful “Heaven Sent” from his critically-acclaimed Album of the Year-nominated release, joined by standouts Sarah Jarosz and Aoife O’Donovan on backing vocals.  Chart-toppers The Lumineers light up the stage with a new song, “Angela.” Emerging Artist nominees Nathaniel Rateliff & The Night Sweats perform “Wasting Time,” showing the full range of the Americana spectrum.  

King of country music George Strait, performs his signature, “King of Broken Hearts,” alongside the songwriter, Jim Lauderdale, for a thrilling close. The hourlong broadcast is hosted by Americana kingpin Lauderdale, and performers are backed by a first class house band led by Nashville mainstay Buddy Miller and featuring it-producer Dave Cobb, with Stuart Duncan, Fred Eltringham, Steve Fishell, Matt Rollings, Chris Wood and The McCrary Sisters.

The show was co-produced by High Five Entertainment and its President Martin Fischer and ACL Executive Producer Terry Lickona.

Guy Clark 1941-2016

photo by Scott Newton

Austin City Limits is saddened by the passing of legendary singer/songwriter Guy Clark this morning after a long illness. Along with his compadre Townes Van Zandt, the Monahans, TX native and longtime Nashville resident wrote new rules for starkly honest songwriting. Distinctive from the West Coast confessional approach and the East Coast folk revival, the writing that came out of the  Lone Star State in the late 60s and early 70s defined a new style of songsmithery that has proven hugely influential not only on Texas music, but on what would become known as Americana. The author of inarguable classics “L.A. Freeway,” “Dublin Blues,” “The Cape,” “Heartbroke” and “Desperadoes Waiting For a Train,” Clark sat in front of a large, talented and influential class, showing everyone with a guitar and a pen how it’s done.

Clark appeared on Austin City Limits seven times, in 1977, 1982, 1983, 1990, 1998, 2000 and 2008, and was inducted into the ACL Hall of Fame in 2015 by Lyle Lovett, who said, “He is my hero. His songs have touched all of us in Texas and people around the world.”

“Call him the ‘Dean’ or ‘King’ of Texas songwriters, he was simply the best there was, and set the standard for all the others,” said ACL executive producer Terry Lickona. “If you want to know what makes Texas songwriters different, just listen to Guy Clark. He was a storyteller and a rascal with a poet’s heart. Most of the personal stories I have about him I can’t tell, but maybe someday. I doubt if there will ever be anybody else quite like him.”

May he rest in peace with his wife Susannah and his best buddy Townes in that great songwriters’ bar in the sky.

Here’s Clark singing “Depseradoes Waiting For a Train from his 1977 debut appearance:

“L.A. Freeway” from the 1983 songwriters special:

“Dublin Blues,” from the Lyle Lovett & Friends guitar pull, 2008:

Encore: ACL Hall of Fame 2015

photo by Scott Newton

Austin City Limits presents a special encore featuring musical highlights and tributes from the 2015 Austin City Limits Hall of Fame. Hosted by Dwight Yoakam on June 18, 2015, this unique special showcases one-of-a-kind performances and collaborations from the ACL Hall of Fame celebration, honoring the artists who’ve helped make the award-winning tv series an American music institution.  An all-star line-up including Lyle Lovett, Jason Isbell, Vince Gill, Patty Loveless, Dwight Yoakam, Gillian Welch and more come together for one night to perform in honor of the newest class of inductees: Asleep at the Wheel, Guy Clark, Flaco Jiménez, Loretta Lynn and Townes Van Zandt.   

ACL reaches back to its roots with a show-opening tribute to country trailblazer Loretta Lynn, who first appeared on the series in 1983. Country singer Patty Loveless, also a coal miner’s daughter, pays tribute to the living legend, and is joined by Vince Gill for a spirited duet of the Conway Twitty/Loretta Lynn classic “After the Fire Is Gone.” Lynn accepts her honor saying “Texas has always been so good to me. They fed me when my kids was hungry. They fed me when I was hungry.” Lyle Lovett takes the stage to honor Texas songwriting legend Guy Clark, saying “He is my friend.  He is my hero,” with a stunning reading of the first song Clark ever wrote: “Step Inside This House.” Acclaimed singer-songwriter  Jason Isbell performs a moving solo rendition of a Clark classic, “Desperados Waiting For A Train.”  

Superstar Tex-Mex accordionist Flaco Jiménez makes a joyous show-stopping cameo during his own tribute, joining Dwight Yoakam, Los Lobos’ David Hidalgo and conjunto masters Los Texmaniacs to show off his nimble accordion style. The late, great Texas troubadour Townes Van Zandt, who first appeared in ACL’s debut season in 1975, is honored beautifully in acoustic performances by roots outfit Gillian Welch and British singer-songwriter Laura Marling. Austin’s own Asleep at the Wheel, who performed on the very first episode of ACL in 1975, are inducted by longtime fan Vince Gill, who joins the Western swing institution for a lively take on their early recording “Take Me Back to Tulsa.”

The special comes to a perfect close with the night’s entire cast returning to the ACL stage for a grand finale, trading verses on a Townes Van Zandt classic, “White Freightliner Blues.”

photo by Gary Miller

“We created our own Hall of Fame as part of our 40th anniversary last year to recognize and celebrate those artists who were there in the beginning and helped make Austin City Limits what it is today,” says ACL executive producer Terry Lickona.  “The annual event is a unique showcase for some amazing performances and emotional moments, and we’re thrilled to be able to capture it all to bring to our fans at home.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for an encore episode with Ed Sheeran and Valerie June.

ACL’s new season launches with the Hall of Fame 2015 special

photo by Scott Newton

Austin City Limits kicks off Season 41 with an opener featuring musical highlights and tributes from the 2015 Austin City Limits Hall of Fame. Hosted by Dwight Yoakam on June 18, 2015, this unique special showcases one-of-a-kind performances and collaborations from the ACL Hall of Fame celebration, honoring the artists who’ve helped make the award-winning tv series an American music institution.  An all-star line-up including Lyle Lovett, Jason Isbell, Vince Gill, Patty Loveless, Dwight Yoakam, Gillian Welch and more come together for one night to perform in honor of the newest class of inductees: Asleep at the Wheel, Guy Clark, Flaco Jiménez, Loretta Lynn and Townes Van Zandt.   

ACL reaches back to its roots with a show-opening tribute to country trailblazer Loretta Lynn, who first appeared on the series in 1983. Country singer Patty Loveless, also a coal miner’s daughter, pays tribute to the living legend, and is joined by Vince Gill for a spirited duet of the Conway Twitty/Loretta Lynn classic “After the Fire Is Gone.” Lynn accepts her honor saying “Texas has always been so good to me. They fed me when my kids was hungry. They fed me when I was hungry.” Lyle Lovett takes the stage to honor Texas songwriting legend Guy Clark, saying “He is my friend.  He is my hero,” with a stunning reading of the first song Clark ever wrote: “Step Inside This House.” Acclaimed singer-songwriter  Jason Isbell performs a moving solo rendition of a Clark classic, “Desperados Waiting For A Train.”  

Superstar Tex-Mex accordionist Flaco Jiménez makes a joyous show-stopping cameo during his own tribute, joining Dwight Yoakam, Los Lobos’ David Hidalgo and conjunto masters Los Texmaniacs to show off his nimble accordion style. The late, great Texas troubadour Townes Van Zandt, who first appeared in ACL’s debut season in 1975, is honored beautifully in acoustic performances by roots outfit Gillian Welch and British singer-songwriter Laura Marling. Austin’s own Asleep at the Wheel, who performed on the very first episode of ACL in 1975, are inducted by longtime fan Vince Gill, who joins the Western swing institution for a lively take on their early recording “Take Me Back to Tulsa.”

photo by Gary Miller

The special comes to a perfect close with the night’s entire cast returning to the ACL stage for a grand finale, trading verses on a Townes Van Zandt classic, “White Freightliner Blues.”
“We created our own Hall of Fame as part of our 40th anniversary last year to recognize and celebrate those artists who were there in the beginning and helped make Austin City Limits what it is today,” says ACL executive producer Terry Lickona.  “The annual event is a unique showcase for some amazing performances and emotional moments, and we’re thrilled to be able to capture it all to bring to our fans at home.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for the ACL debut of jazz great Cassandra Wilson.