ACL Announces Complete Season 42 Broadcast Schedule

photo by Scott Newton

Austin City Limits announces the second half of Season 42, with seven all-new shows to begin airing New Year’s Eve as part of the program’s fourteen-episode season. Providing viewers with a front-row seat to the best in music performance for over 40 years,  the series continues the legendary run showcasing more icons, innovators and highly-anticipated debuts.  

The program returns to new episodes on Saturday, December 31 with a special broadcast, Austin City Limits Hall of Fame New Year’s Eve. Austin City Limits rings in the new year with the star-studded celebration, hosted by comedy super-couple Nick Offerman and Megan Mullally, featuring one-of-a-kind performances and collaborations from the 2016 ACL Hall of Fame induction ceremonies. Performers include ACL royalty Willie Nelson, Bonnie Raitt, Mavis Staples, Kris Kristofferson and Gary Clark Jr.

photo by Scott Newton

The season continues with hip-hop/R&B trailblazer Ms. Lauryn Hill in a towering performance that previewed this summer to critical acclaim. Hitmaker Cyndi Lauper debuts on the ACL stage in an entertaining hour of classic hit songs and the stories behind them. The extended line-up features Nashville rebels Margo Price and Hayes Carll in a powerhouse double-bill that forecasts country’s future. Indie rockers Band of Horses return for their second appearance, sharing an episode with Americana breakout singer/songwriter Parker Millsap. Gospel legend CeCe Winans shines in a stunning ACL debut, paired with acclaimed soul sensations St. Paul & The Broken Bones. The season finale features U.K. alt.rock phenom Foals and the fifth appearance by rock troubadour Alejandro Escovedo, who first-appeared on the series in 1983 and is joined by R.E.M. guitarist Peter Buck.

“The secret to becoming the longest-running music series in television history is to capture one-of-a-kind performances from legendary artists and newcomers alike, and share them with an audience of diehard music fans everywhere,” said long-time executive producer Terry Lickona. “As usual, Season 42 wraps up with a little something for everybody, from megastars and legends to indie originals, and with a nod to our rich past.”

Season 42 | 2017 Broadcast Schedule

December 31 Austin City Limits Hall of Fame New Year’s Eve

January 7 Ms. Lauryn Hill

January 14 Cyndi Lauper

January 21 Margo Price | Hayes Carll

January 28 Band of Horses | Parker Millsap

February 4 CeCe Winans | St. Paul & The Broken Bones

February 11 Foals | Alejandro Escovedo

photo by Scott Newton

ACL’s Season 42 premiered in October with unforgettable performances from Iggy Pop, Paul Simon, Robert Plant, Florence + The Machine, My Morning Jacket, Rhiannon Giddens, Andra Day, Ben Harper, James Bay, Grupo Fantasma and more. The award-winning series will continue to broadcast fan-favorite encore episodes through the end of 2016. In what has become an ACL holiday tradition, the program will encore Tom Waits’ legendary December 1978 performance, one of the most requested episodes in ACL’s 40+ year archive. Tune-in on December 24th to see this classic Christmas episode.

Foals brings epic sound to ACL

photo by Scott Newton

Already huge stars in their native England, and one of the UK’s most-acclaimed live acts, headlining festival stages from Reading to Glastonbury to Coachella, and a rapturously received set at this year’s namesake Austin City Limits Music Festival, Foals brought their epic sound to our stage for their debut Austin City Limits taping.

Following taped intro music, the band started the show with “Snake Oil,” a galloping rocker from the Oxford quintet’s latest album What Went Down. Foals then reached back to its 2008 debut Antidotes for “Olympic Airways,” which rode a basstastic postpunk groove to glory. That tune segued directly into the similarly rhythm-heavy “My Number,” from the fivesome’s third LP Holy Fire. “Providence,” from the same record, flowed from a lush synth bed to a skittering funk rocker before erupting in guitar fury. “Give It All” followed, its brooding atmosphere bringing the energy to a simmer rather than boil. Then it was time for the song that introduced them to American audiences, the radio smash “Mountain At My Gates,” and it didn’t disappoint: the hit soared into the stratosphere and had the crowd jumping.

Taking a breather from WWD, Foals dug further back into its catalog for the dreamy “Spanish Sahara” and the jangly “Red Sox Pugie.” The band then went into the atmospheric “Late Night,” before diving into the ether with the psychedelic anthem “A Knife in the Ocean.” Foals finished the main set with the widescreen “Inhaler,” which ranged from a sort of ethereal disco to grinding guitar grunge and featured a surprise visit to the crowd from charismatic singer Yannis Philippakis. That wasn’t the end, of course; the band returned for a grand finale. The hugely anthemic title track of What Went Down killed as Philippakis once again mingled, and the audience showed their appreciation loud and long. This was one well-oiled, passionate rock machine, and we can’t wait for you see then when this show airs early next year as part of our Season 42 on your local PBS station.  

Giveaway: Foals 10/6

Foals for announce

UPDATE: Giveaway is now over

Austin City Limits will be taping a performance by Foals on Thursday, Oct. 6th, at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by 9 am on Tuesday, Oct. 4th.

Winners will be chosen at random and a photo ID will be required to pickup tickets. Winners will be notified by email. Passes are not transferable and cannot be sold. Standing may be required.  No photography, recording or cell phone use in the studio. No cameras or recording devices allowed in venue.

New tapings: Band of Horses, Margo Price and Foals

photo by Andrew Stuart

Austin City Limits is pleased to announce three new tapings from artists featured at this year’s ACL Music Festival: indie rock staples Band of Horses on Oct. 2, rising country queen Margo Price on Oct. 3 and British alt.rock sensations Foals on Oct. 6.

Returning to our stage for the first time since 2010, Band of Horses is riding a wave that saw their latest album Why Are You OK hit the Billboard 200 chart at #9. The sixth album from the Seattle, WA-born/Charleston, SC-based quintet, Why Are You OK was written in leader Ben Bridwell’s garage in Charleston and recorded with producer Jason Lytle (Grandaddy). The result is a record informed by experience and at the same time retaining the vulnerability that birthed their greatest songs. Creating capsule worlds populated by the strange but true cast of characters from Bridwell’s hometown, Why Are You OK‘s songs combined universal sentiments with Bridwell’s patented knack for storytelling—all wrapped in the lush melodic textures that have long been the bedrock of Band of Horses’ signature sound. Putting a finer point on it, Record Collector calls the album “a shimmering thing of beauty; a fresh summer breeze blowing in full of character and heart,” while The Guardian calls it “beautifully moving…the place where wistfulness and euphoria collide.” Following a triumphant set at Bonnaroo, BoH is taking their intimate show back on the road, playing crowd-pleasing sets that perfectly showcase a band that, as Rolling Stone says, “always find[s] a way to make the mythic feel down to earth.”  

photo by Angelina Castillo

A staple of East Nashville’s thriving music scene, Margo Price has made one of 2016’s biggest splashes with her debut album Midwest Farmer’s Daughter. Price grew up in Aledo, Illinois, and after dropping out of college, moved to Nashville in 2003. She soon met bass player/future husband Jeremy Ivey, and formed a band called Buffalo Clover. They self-released three records and built a local following, but it was personal tragedy that brought Price’s calling into even sharper focus. “I lost my firstborn son to a heart ailment,” Price says, “and I was really down and depressed. I was drinking too much. I was definitely lost. I thought, ‘I’m just going to write music that I want to hear.’ It was a big turning point.” Recorded at Memphis’ legendary Sun Studios and funded by Price pawning her wedding ring and selling her car, Midwest Farmer’s Daughter (released on Jack White’s Third Man label on his personal invitation) adds fresh twists to classic Nashville country, with a sound that could’ve made hits in any decade. From the honky tonk comeuppance of “About To Find Out” and the rockabilly-charged “This Town Gets Around” to the weekend twang of “Hurtin’ (On The Bottle)” and the hard-hitting blues grooves of “Four Years of Chances,” “Price’s sensibility is modern, turning these old-fashioned tales of heartbreak, love, loss, and perseverance into something fresh and affecting,” says All Music. “Price’s excellent debut wastes absolutely no energy trying to address her place in the country-music ecosystem,” says Exclaim, “and gets right to telling us who she is, rather than who she ain’t.” “I hope that the record helps people get through hard times or depression,” explains the artist herself. “That’s ultimately what music did for me in my childhood, and especially in my early adult years. It’s about being able to connect personally with a song, and hopefully, it makes you feel not so lonely.”

Foals have become one of the U.K’s most acclaimed rock acts. Hailing from Oxford, England, also home to Radiohead and Ride, the band formed in 2005, and released their first single the following year. Enlisting Dave Sitek from TV on the Radio as producer, Foals released its full-length debut Antidotes in 2008. The band’s widescreen alternative rock sound reached full flower on the follow-ups Total Life Forever (2009) and Holy Fire (2013), both nominated for the Britain’s prestigious Mercury Prize. All of the band’s success and experience has led up to its biggest and best LP to date, last year’s What Went Down, featuring the hit “Mountain At My Gates.” Uncut called it “their most fully realized yet,” while Exclaim marked it as “a varied and textured offering that will add depth to their high-energy live shows.” “Foals consolidate their position here by continuing to do what they do best,” noted Mojo,”namely expressing big emotions loudly through fizzing rock anger or unbridled, danceable joy.” “It’s unfettered communication,” says singer and songwriter Yannis Philipakkis. “Before, there’s always been that gap between the imagination, the romance and fantasy about what we wanted to create, and the actual reality, and that disparity has been difficult. But on this record, we’re the closest we’ve ever been to the vision in our heads. One thing that we really take pride in is that, through a series of beautiful accidents, we’ve got to the position where there’s no tethering to any preconceived idea of what we should do. So it feels like we can do anything.”

Want to be part of our audience? We will post information on how to get free passes about a week before the taping. Follow us on Facebook and Twitter for notice of postings.