Season 37 Poster Auction – Another Round!

Fleet Foxes by artist Mark Pedini

Thanks to everyone who bid on the signed posters we auctioned off last week – you helped raise $2,950! In case you didn’t have the winning bid, we want to give you another chance to get a piece of Season 37 memorabilia so we’re happy to announce the Poster Auction: Round Two!

New artists and signed posters from Season 37 are now up on eBay – the auction will close on Friday, March 16 so bid now and bid often! Posters up for grabs are: Black Joe Lewis & The Honeybears, Fleet Foxes, Flogging Molly, Gomez, Head and the Heart, Mumford & Sons and Joanna Newsom (unsigned).

These posters are extremely rare – very few printed and even fewer signed! And while you’ll become the proud owner of some music history, you’ll also be giving back to your public television station because 100% of the proceeds go directly to support KLRU-TV!

ACL Season 37, Episode 10: Fleet Foxes & Joanna Newsom

Folk music has long been a staple of Austin City Limits. That said, to call either Fleet Foxes or Joanna Newsom simply “folk” is to do them a disservice. As you’ll see when these iconoclasts’ joint episode airs on Saturday, January 20th, there’s much more to these artists than just acoustic instruments.

The first half of this weekend’s episode spotlights the strong songcraft and delicate instrumental interplay of Fleet Foxes. The Seattle sextet interweaves lush vocal harmonies and arrangements that feature everything from 12-string guitar to mandolin to bass clarinet. The band emphasizes its latest record Helplessness Blues, with inspired performances of “Sim Sala Bim” and “The Shrine/An Argument.” But the Foxes’ popular first LP represents with “Your Protector” and the fan-favorite “Blue Ridge Mountains.” It’s a tight set that proves Fleet Foxes has earned their acclaim.

Fleet Foxes “Helplessness Blues” from Austin City Limits on Vimeo.

The second half showcases the daring experimentalism and uncommon musicality of Joanna Newsom. Wielding her harp like a paintbrush and singing like a delirious angel, Newsom leads her unique ensemble (strings, trombone, tamboura, kaval, banjo) through a set drawn mostly from her latest album Have One On Me, including the title track and the mesmerizing “Good Intentions Paving Company.” While you could throw words like “psychedelic” and “folk” and “classical” around when talking about Joanna Newsom, it’s better to simply experience her special sound and vision for yourself.

Joanna Newsom “Bridges and Balloons” from Austin City Limits on Vimeo.

The Fleet Foxes/Joanna Newsom show hits the airwaves this Saturday, January 20 – check your local PBS listings for showtimes. Head over to the episode page for more goodies – pics, setlists, bio info. Don’t forget to check out our Facebook, Twitter and Tumblr pages regularly, or to sign up for our e-newsletter. Next week: Florence + the Machine and Lykke Li!

New Year – New Episodes!

We’re halfway through the broadcasts of Austin City Limits’ 37 season and you may be asking yourself: how do we follow up shows with Coldplay, Mumford & Sons, the Decemberists, the Steve Miller Band, Miranda Lambert, Raphael Saadiq and Randy Newman (to name only a few)? With a second half equally as strong, of course.

Arcade Fire “We Used to Wait” at ACL: Behind the Scenes from Jonathan Jackson on Vimeo.

Coming up on January 7 we have Seattle up-and-comers The Head and the Heart and British veterans Gomez. On January 14 it’s the return of Album of the Year Grammy winners Arcade Fire. January 21 is ACL acid folk day with Fleet Foxes and Joanna Newsom. January 28 features the debuts of rising stars Florence + the Machine and Lykke Li. We close the season on February 7 with our old pals Wilco.

We’re as jazzed about these new episodes.  Don’t forget to watch on your favorite PBS station!

Season 37 ACL Artists Honored by The Grammys

Congratulations from Austin City Limits to all the Grammy nominees this year, especially to the 15 artists featured this season on our show – nice job racking up 24 total nods. We’ll find out who won on February 12 when the Grammy Awards hit the airwaves. Good luck, everybody!

Here’s our list, along with the next date of broadcast:

Coldplay – 12/31/11

Best Pop Duo/Group Performance

Best Rock Performance

Best Rock Song

 

Fleet Foxes – 1/21/12

Best Folk Album

Wilco – 2/4/12

Best Rock Album

Raphael Saadiq – 4/7/12

Best Traditional R&B Performance

The Decemberists – 5/12/12

Best Rock Performance

Best Rock Song

Gillian Welch – 5/12/12

Best Folk Album

Best Engineered Album, Non-Classical

Mumford & Sons – 5/26/12

Record of the Year

Song of the Year

Best Rock Performance

Best Rock Song

The Del McCoury Band (with Preservation Hall Jazz Band) – 6/9/12

Best Bluegrass Album

My Morning Jacket (Yim Yames with Preservation Hall Jazz Band) – 6/9/12

Best Alternative Music Album

Greg Allman (ACL Presents Americana Music Awards)

Best Blues Album

Lucinda Williams (ACL Presents Americana Music Awards)

Best Americana Album

Emmylou Harris (ACL Presents Americana Music Awards)

Best Americana Album

Alison Krauss (ACL Presents Americana Music Awards)

Best Bluegrass Album

Best Engineered Album, Non-Classical

Jim Lauderdale (ACL Presents Americana Music Awards)

Best Bluegrass Album

The Civil Wars (ACL Presents Americana Music Awards)

Best Country Duo / Group Performance

Best Folk Album

Taping Recap: Fleet Foxes Make Special Trip Back to Austin to Captivate ACL Audience with Lush Harmonies

Some musicians work like dogs to perfect their sonic signatures and find the most distinctive part of their sound, then massage it until it shines like a polished gem; others just fall into their talent so naturally it’s as if their sound grew on a tree and was simply plucked for the taking.

Not fair – we know – but we’re so thankful when such artists grace our stage.

When it comes to their infamous vocal harmonies, Fleet Foxes definitely fall into the latter category – Robin Pecknold and his bandmates sound as if they were born to sing together, as their recent ACL taping last Friday (10/7) proved.

The Fleet Foxes made the trek back to Austin for this special taping and even Pecknold’s cold couldn’t dull the edges of their signature harmony blend. If you caught the show you probably noticed he was medicating his throat with tea between songs – no matter, the band still sounded incredible every time.

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Frontloading the set with tunes from the latest LP Helplessness Blues, the band indulged its atmospheric acid folk side with the soaring “Sim Sala Bim” and the ambitious “The Shrine/An Argument,” whose sweeping acoustica and churning electricity in the second got spiked by multi-instrumentalist/MVP Morgan Henderson’s skronking bass clarinet.

On the downhill side of the set, the group performed a gorgeous take on “Helplessness Blues,” — augmented by Henderson’s mbira-equipped 12-string guitar (AKA the poor man’s hammer dulcimer) — then transitioned into the band into the second half of the show, which leaned most heavily on the melodic folk/pop of the band’s first album.

The lights in our studio were magical during “White Winter Hymnal” making the band appear to glow. From the Sun Giant EP we heard “Ragged Wood” and “Mykonos” fill ACL Live at the Moody Theater to the rooftop with sweet melodies – not to mention our great fans harmoniously singing along.

The group closed out the night with “Blue Ridge Mountains” – a cascade of everything that makes Fleet Foxes great. As Do512_Rachel said on Twitter, “Fleet Foxes always make me wish it was snowing out and I had hot cocoa #acltv.”

But don’t take our word for it – you can check out what other fine folks said about the show on austin.culturemap.com and brooklynvegan.com. And on January 21, you’ll be able to see – and, most importantly, hear – the set for yourselves. We’ll be pairing Fleet Foxes with fellow traveler Joanna Newsom – don’t miss it!

The two last tapings of season 37 are Lykke Li and Wilco. Stay tuned to our blog for ticket giveaways!