The giddy energy of Delta Spirit’s ACL taping debut

photo by Scott Newton

It’s always fun for us to see the giddy energy of a first-time ACL performance, and Delta Spirit simply buzzed with it during its debut taping. “It’s so good to be here – oh my god!” exclaimed singer Matthew Vasquez before a note was struck. Then it was off into “Empty House,” the kind of anthem at which this band excels. Born in San Diego but based in Brooklyn, the quintet channels the spirit of Americana, particularly folk, through a modern indie rock prism. It’s a sound that will no doubt lead to the “Great American Record” that the group desires to work toward.

In the meantime, Delta Spirit gave us all it had with “Children,” “California” and “Bushwick Blues.” “Tear It Up” married a McCartneyesque melody to roots rock energy, as pretty harmonies and ringing guitars floated over pounding drums. “People C’mon” began with a classical piano flourish before expanding into a minor-key country rocker with a noisy ending. “Trashcan” found Vasquez playing a dissonant piano solo with his feet, before exhorting the crowd in a chorus of “Na-na-nas.” Indeed, it’s Vasquez’s rapport with Delta Spirit’s audience that’s at the heart of the band’s performance. “Money Saves,” “White Table” and “People C’mon” all featured audience participation, from the “Whoa-ohs” of “Money Saves” to the clapping of “White Table.”

It wasn’t all widescreen rock, however. Bringing it down in intensity (but not in quality), Vasquez paid tribute to his grandmother in the tender “Vivian” with just two guitars and a soulful vocal. The set-closing “People, Turn Around” channeled the folk spirit of Woody Guthrie, mixing a humanist message with indie rock energy. The encore “Crippler King,” from the band’s first EP, blazed at a frisky country rock pace, absorbing Blind Willie Johnson’s “John the Revelator” along the way and bringing the evening to a crashing close.

The Delta Spirit show was a testament not only to the continued resilience of American rock & roll, but also the power brought on by the excitement of playing ACL for the first time. We know you’ll enjoy this episode when it airs early next year.

Ticket Giveaway: Delta Spirit 11/2

Delta Spirit

Austin City Limits will be taping a performance by Delta Spirit on Friday, November 2nd, at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd).  We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by 9 am Wednesday, October 31st. Passes are not transferable and cannot be sold. Standing may be required

Taping announcements: Delta Spirit, Gary Clark, Jr. and Esperanza Spalding

Delta Spirit

As leaves turn brown and the weather grows cooler, we have more exciting tapings to announce: an ACL debut with Delta Spirit and return visits from Gary Clark, Jr. and Esperanza Spalding.

Formed in San Diego and based in Brooklyn, modern rock quintet Delta Spirit have steadily built a loyal live following over the course of seven years and three records. Originally self-released before being picked up by Rounder Records, the band’s debut Ode to Sunshine gave its earnest, spiritually-inclined guitar pop enough attention to earn it spots on Late Night With Conan O’Brien and Last Call With Carson Daly. The group’s second record History From Below hit the Billboard album chart at #174, while its current self-titled LP entered at #103 and earned the #1 slot on BB’s Heatseekers chart. As likely to include beats hammered out on trashcan lids as sprightly melodies played on the usual rock instruments, Delta Spirit has brought its sound into the light the old-fashioned way: with good records, hard work and steady touring. Come find out on November 2 why the buzz is growing.

photo by Frank Maddocks

Gary Clark, Jr. has been tearing up Austin stages since he was a teenager, and has lately made a name for himself across the country as well. Though known for his driving blues-rock guitar style, there’s more to his music than just twelve bars and guitar solos. As Rolling Stone notes, Blak and Blu, his major label debut, “[owes] as much to Kurt Cobain and the Ramones as Buddy Guy and John Lee Hooker, indebted to hip-hop and psychedelia…grounded in tradition while standing on the brink of change.” Clark has appeared on ACL before, as part of the Tribute to Bluesman Jimmy Reed with Jimmie Vaughan and Omar Dykes, impressing his fellow musicians and our viewers. On November 30, he’s coming to show Austin City Limits what his own music can do.

photo by Carlos Pericas

With one foot in jazz, the other in soul and both hands on her bass, Esperanza Spalding has become a rising star in both critical and commercial circles. A restless creative spirit, the young musician/singer/composer has absorbed everything from jazz to Brazilian pop to R&B to classical music in her creative evolution. Her most recent album Radio Music Society leans most heavily in a soul direction, with a set of original tunes, plus covers of Michael Jackson’s Stevie Wonder-penned “I Can’t Help It” and Wayne Shorter’s “Endangered Species,” featuring lyrics by Spalding herself. The former Berklee School of Music professor first appeared on ACL three years ago, where she wowed an audience unfamiliar with her music, and she continues to do so every time her show is rebroadcast. On December 2, Esperanza Spalding is back, with a whole new program, and we couldn’t be happier.

The usual lottery for taping passes will be announced on our Tapings page as we get closer to the dates. We have more exciting announcements coming soon!