New taping: Jason Isbell and Amanda Shires

photo by Danny Clinch

Austin City Limits is happy to announce a rare double shoot on August 21, featuring top-notch Americana with Jason Isbell & the 400 Unit and Amanda Shires.

Jason Isbell and the 400 Unit’s acclaimed new album, The Nashville Sound, is a beautiful piece of American music-making. As with Isbell’s 2013 breakthrough, Southeastern (which Isbell showcased on his debut ACL appearance in Season 39) and his double-Grammy-winning follow up, 2015’s Something More Than Free, The Nashville Sound was produced by Dave Cobb. Isbell says that he and Cobb created a simple litmus test for the decisions they made in the two weeks they spent at RCA Studios (which was known as “The home of the Nashville Sound” back in the ’60’s and ’70s): they only made sonic moves that their heroes from back in the day could’ve made, but simply never did. It’s a shrewd approach—an honest way to keep the wiz-bang of modern recording technology at arm’s length, while also leaving the old bag of retro rock ’n’ roll tricks un-rummaged. It’s also the best way to keep the spotlight on Isbell’s stock-in-trade: great songs. Simply put, Isbell has a gift for taking big, messy human experiences and compressing them into badass little combustible packages made of rhythm, melody and madly efficient language. The songs are full of little hooks—it could be guitar line that catches one listener, or a quick lyric that strikes to the heart of another—and an act of transference takes place. The stories Isbell tells become our own. The music is coming not from Jason and the band, but from within us. Lyrically, The Nashville Sound is timely. Musically, it is timeless.

photo by Josh Wool

photo by Josh Wool

Texas native Amanda Shires began her career as a teenager playing fiddle with the Texas Playboys. Since then, she’s toured and recorded with John Prine, Billy Joe Shaver, Todd Snider, Justin Townes Earle, Shovels & Rope, and most recently her husband and creative collaborator Jason Isbell, with whom she first-appeared on ACL in 2013. Along the way she’s made three solo albums, each serving to document a particular period in her life while improving on the perceptive qualities of the previous record. The songs on her latest My Piece Of Land deal with family, anxiety, and the phases of one young woman’s life, but the primary focus is the concept of home. Shires addresses the similarities and differences between the home she was born into, the two homes she was eventually split between, and the home she has finally made for herself. She recorded the album under the guidance of producer Dave Cobb at his Low Country Sound studio. Cobb believes in the spontaneity of early takes, and with the proficient rhythm section of Paul Slivka and Paul Griffith, the studio band was able to record the album in a relatively short amount of time without sacrificing performance quality. This approach gives each song on the album emotional urgency along with a groove that’s loose and effortless. With My Piece Of Land, Amanda Shires has reached a personal pinnacle. This album is the creative milestone suited to accompany the recent milestones in her life: becoming a mother, developing into a true artist, and finally finding a home.

Want to be part of our audience? We will post information on how to get free passes about a week before each taping. Follow us on Facebook and Twitter for notice of postings.

Giveaway: Angel Olsen 7/25

photo by Amanda Marsalis

GIVEAWAY is now over.

Austin City Limits will be taping performances by ANGEL OLSEN on Tuesday, July 25th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by noon on Friday, July 21st.

Winners will be chosen at random and a photo ID will be required to pickup tickets. Winners will be notified by email. Passes are not transferable and cannot be sold. Standing may be required.  No photography, recording or cell phone use in the studio. No cameras computers or recording devices allowed in venue.

ACL to livestream Angel Olsen’s July 25th taping

AngelOlsen_Livestream_43_square

Austin City Limits is proud to announce that we will be streaming the upcoming taping of Angel Olsen on July 25, live and in its entirety, directly from the Austin City Limits stage at 8pm CT/9 pm ET on ACLTV’s YouTube channel.  

An artist who reigns over the land between being an elliptical outsider and a pop personality with a haunting obliqueness and sophisticated grace, Angel Olsen hits our stage in celebration of her third LP My Woman, which Uncut calls “another giant progression in an already distinguished career.” The St. Louis native began her journey in Chicago as a backing vocalist for Bonnie Prince Billy, but her talent soon manifested in her first EP Strange Cacti and album Half Way Home in 2012. Signing to respected indie Jagjaguwar, Olsen released 2014’s Burn Your Fire For No Witness to great fanfare, setting the stage for My Woman. Recorded with producer Justin Raisen (Charlie XCX, Santigold) after her relocation to Asheville, NC, the record expands on the reverb-shrouded poetic swoons, shadowy folk and grunge-pop workouts of her previous work via 70s country rock, vintage electronic pop and languid psychedelic soul. “These are controlled, tempered, well-steered songs, capable of navigating genres,” notes Q. An intuitively smart, warmly communicative and fearlessly generous record, My Woman speaks to everyone. “Contradictory, complex, and worthy of endless re-listens,” says DIY, “Angel Olsen has crafted her most compelling record to date.”

Please join us July 25 for this full-set livestream on our ACLTV YouTube channel. The broadcast version will air on PBS later this year as part of Season 43.

New tapings: Ed Sheeran, Father John Misty and Herbie Hancock

photo by Greg Williams

Austin City Limits is excited to announce upcoming tapings with a trio of music’s finest.  UK superstar Ed Sheeran returns on August 20 for his second Austin City Limits appearance, supporting his chart-topping new album ÷. Indie rock star Father John Misty arrives on August 22 making his ACL debut, in support of his third album Pure Comedy and iconic Herbie Hancock makes his long-awaited ACL debut on October 12.

Ed Sheeran – an eleven-time Grammy nominee and multiple Grammy winner – has quickly established himself as one of music’s biggest acts with over 22 million albums sold and 4.7 billion Spotify streams. His latest release ÷ (pronounced “divide”) debuted at #1 on the Billboard charts and finds the 26-year-old sensation in his finest form yet. Drawing inspiration from a wide array of experiences and subjects, Sheeran takes us through a hugely personal journey by reflecting on past relationships, family memories, his musical career and his time off traveling the world in 2016. Musically, ÷ is a varied collection of beautifully orchestrated and emotive ballads, impassioned raps laid over hip hop beats, timeless acoustic guitar masterpieces, and innovative, idiosyncratic pop music. Rolling Stone notes that “Sheeran’s musical history lesson is both well-timed and rip-roaringly fun,” while The New York Times calls it “a batteries-fully-charged assault on the pop charts from a performer skilled in musical osmosis.” Sheeran made chart history this year with the first two singles from ÷, “Shape Of You” and “Castle On The Hill,” debuting at #1 and #6 respectively on Billboard’s Hot 100, making him the first artist in the chart’s 58-year history ever to debut two singles in the top 10 simultaneously.  Sheeran continues to break records, with lead single “Shape Of You” recently becoming the third song ever to hit an incredible 1 billion streams on Spotify.  His follow-up single “Castle On The Hill” has logged over 185 million views on YouTube and has already begun its ascent up the charts.  This June, Sheeran received the prestigious Hal David Starlight Award from the Songwriters Hall Of Fame.  

photo by Guy Lowndes

photo by Guy Lowndes

The erstwhile Josh Tillman (under which name he first appeared on ACL in 2012 as drummer for Fleet Foxes) grew up in Rockville, Maryland. Discovered in Seattle by singer/songwriter Damien Jurado, he began touring and making records, releasing eight under his own name and joining Fleet Foxes for the recording and touring cycle of 2011’s Helplessness Blues. As Father John Misty, he gained immediate attention with 2012’s Fear Fun, solidifying the status of his lyric-heavy, melodic folk rock with 2015’s I Love You, Honeybear. Misty’s artistry comes to a head on the madly ambitious new album Pure Comedy. Inspired by the chaos and uncertainty of modern life, Misty writes “about the dubious privilege of being here, the elusiveness of meaning, true love and its habitual absence, random euphoria and the inexplicable misery of others, truth and its more alluring counterfeits, the sophistication of answers that don’t make any sense, the barbarism of our appetites, lucky breaks and injustice, faith and ignorance, crippling, mind-numbing boredom, and the terror of it all ending too soon.” Heady stuff, wrapped in lyrical wit and the kind of melodies Harry Nilsson would’ve killed to write. “This is a big-idea album in a way none of his work was before,” notes Paste, while Exclaim says that it’s “packed with so much meaning and complexity, it feels as overwhelmingly absurd, joyous, curious, tragic, extraordinary and contradictory as life itself.” Under the Radar puts it far more simply: “Pure Comedy is big and clever, and oh so very brilliant.”

Herbie Hancock for blogSix decades into an extraordinary career, 14-time GRAMMY Award winner Herbie Hancock remains at the forefront of world culture, technology, business and music. In addition to being recognized as a legendary pianist and composer, the ardent music ambassador has been an integral part of every popular music movement since the 1960s. As a member of the Miles Davis’ Second Great Quintet, he pioneered a groundbreaking sound in jazz. He also developed new approaches on his own classic ‘60s recordings like Maiden Voyage, followed by his work in the ‘70s with record-breaking albums such as Head Hunters, combining electric jazz with funk and rock in an innovative style that continues to influence contemporary music. His trailblazing 1983 cross-over smash “Rockit,” an early hip-hop touchstone, is considered one of the first songs to feature “scratching,” and with the album Future Shock marked Hancock’s foray into electronic dance sounds; during the same period he also continued to work in an acoustic setting with V.S.O.P., which included ex-Miles Davis bandmates Wayne Shorter, Ron Carter, and Tony Williams. Hancock received an Academy Award for his Round Midnight film score and fourteen Grammy Awards, including Album Of The Year for River: The Joni Letters – only the second jazz album in the Recording Academy’s history to ever receive that award – and two Grammy Awards for 2011’s globally collaborative CD The Imagine Project. He was awarded a Kennedy Center Honor in 2013, published his memoir Herbie Hancock: Possibilities in 2014 and received a Grammy Lifetime Achievement Award in 2016. Many of his compositions, including “Cantaloupe Island,” “Maiden Voyage,” “Watermelon Man” (a tune from his first album that has been recorded over 200 times) and “Chameleon,” are modern standards. Hancock will be touring across the globe this summer and fall and is currently at work on a new studio album.

Want to be part of our audience? We will post information on how to get free passes about a week before each taping. Follow us on Facebook and Twitter for notice of postings.

ACL Hall of Fame 2017 announces guest performances by Brandi Carlile, Neko Case and Trombone Shorty

Brandi Carlile

Austin City Limits announces an all-star line-up of guest performers for the 2017 Austin City Limits Hall of Fame Inductions & Celebration on October 25th, 2017.  Acclaimed singer-songwriters Neko Case and Brandi Carlile and music phenom Trombone Shorty are slated to perform in tribute to the latest class of inductees.  These special guests join host Chris Isaak, along with previously announced performers Raul Malo and Ry Cooder, in a celebratory evening filled with one-of-a-kind music performances and tributes as three American music legends are inducted into the fourth annual Austin City Limits Hall of Fame: pioneering rocker Roy Orbison, Americana original Rosanne Cash and New Orleans icons The Neville Brothers.

All-star guest performers will handle induction honors for an epic night: Neko Case will honor Rosanne Cash, along with guitar great Ry Cooder.  Brandi Carlile will perform in tribute to Roy Orbison, joining Mavericks’ leader Raul Malo and singer-songwriter Chris Isaak, who will host the ceremony and also handle induction honors for his musical idol.  New Orleans sensation Trombone Shorty will salute the iconic Neville Brothers along with members of The Nevilles band for a New Orleans-style tribute to the funk & soul first family.  Additional guest stars will be announced prior to the event.  

Neko Case

Neko Case

The concert event is open to the public and takes place at Austin City Limit’s studio home, ACL Live at The Moody Theater, in downtown Austin. A limited number of tickets are available at acltv.com/hall-of-fame/. Musical highlights and inductions from the ceremony will be broadcast in a special New Year’s Eve episode of Austin City Limits as part of the program’s Season 43 which premieres in the fall on PBS.

The 2017 Austin City Limits Hall of Fame is presented by NetApp and is sponsored in part by Dell, Stratus Properties and Texas Monthly. For sponsorship opportunities contact Amanda Hutchins at ahutchins@klru.org.

Trombone Shorty by Matthieu Bitton

Trombone Shorty by Matthieu Bitton

The Austin City Limits Hall of Fame was established in 2014 to recognize the legacy of legendary artists and key individuals who have played a vital part in the pioneering music series remarkable 40+ years as a music institution. The inaugural induction ceremony in 2014 honored Willie Nelson, Stevie Ray Vaughan & Double Trouble, Lloyd Maines, program creator Bill Arhos and Darrell Royal. 2015’s second annual ACL Hall of Fame ceremony honored Asleep at the Wheel, Loretta Lynn, Guy Clark, Flaco Jiménez and Townes Van Zandt, along with the original crew of the show’s first season in 1974-75. The 2016 Hall of Fame honored Kris Kristofferson, Bonnie Raitt and B.B. King, alongside former ACL executive producer Dick Peterson.

Austin City Limits and the Austin City Limits Hall of Fame are produced by KLRU-TV, Austin PBS. KLRU is a non-profit organization providing public television and educational resources to Central Texas as well as producing quality national programming. Net proceeds from this event benefit KLRU.

Taping recap: Norah Jones

photo by Scott Newton

Norah Jones is a longtime friend of Austin City Limits, so we’re always happy to have the Texas native back on our stage. For her fourth visit, the nine-time Grammy Award-winner performed selections from her latest album Day Breaks, alongside choice gems from her multi-platinum 2002 breakout debut Come Away With Me.  Critics have hailed the jazz-inflected Day Breaks as a kindred spirit to the landmark Come Away With Me, expanding on its bestselling sound by incorporating the musical influences she’s absorbed since her breakthrough.

Jones and her five-piece band took the stage for the title track of Day Breaks, its gentle funk underpinning her melancholy lines about “raining in my heart.” Making the debt to her debut explicit, she then went into the overtly jazzy “I’ve Got to See You Again,” from Come Away With Me. Joined only by bassist Josh Lattanzi and drummer Greg Wieczorek, Jones performed an elegant take on Horace Silver’s standard “Peace.” Guitarist Jason Roberts and keyboardist Pete Remm came back to the stage for a return to Come Away via the light, folky “Something is Calling You,” enhanced by flautist Jacob Duncan. Jones and band, with guest steel player Dan Iyeta, then essayed a countrified take on Neil Young’s classic “Don’t Be Denied,” another cut from Day Breaks. Duncan returned on sax for “Burn,” an ethereal epic that took full advantage of Jones’ underrated piano skills.

Jones strapped on a guitar and reached into the catalog of Puss N Boots, her alt.country side band, for the two-stepping “Hey You.” Iyeta returned to the stage as Jones moved to her electric piano for the soulful ballad “Rosie’s Lullaby,” then it was back to the guitar for “Nightingale,” a widescreen tune from Come Away With Me highlighting Roberts’ rocking guitar solos. She returned to her signature grand piano stylings for the jazzy pop tune “Tragedy” and the lovely piano ballad (with pedal steel enhancement) “Humble Me.” She went back to Day Breaks for the smoky “Sleeping Wild,” before really digging into her jazz training for a stunning cover of Duke Ellington’s “Fleurette Africaine” (“African Flower”), humming the melody with Duncan’s alto sax in tow.

The rest of the band came back for the galloping rocker “Flipside,” before ending the main set with “Carry On,” a bluesy ballad with gospel organ that’s tailor-made for a set-closer. The crowd showed its appreciation, even more so when Jones returned, acoustic guitar in hand, with Lattanzi on double bass, Roberts on resonator guitar and Wieczorek on portable snare. The quartet pulled a surprising cover out of its collective hat: the Grateful Dead’s “Ripple,” reimagined as a folk classic.  It was a fitting way to bring a gorgeous show to a close, and we can’t wait for you to see it when it airs this fall on your local PBS station.  

Giveaway: Norah Jones 6/11

photo by Danny Clinch

UPDATE: Giveaway is now over.

Austin City Limits will be taping performances by NORAH JONES on Sunday, June 11th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by noon on Thursday, June 8th.

Winners will be chosen at random and a photo ID will be required to pickup tickets. Winners will be notified by email. Passes are not transferable and cannot be sold. Standing may be required.  No photography, recording or cell phone use in the studio. No cameras computers or recording devices allowed in venue.

R.I.P. Gregg Allman

Gregg Allman performs on ACL Presents: Americana Music Festival 2011

Austin City Limits was saddened to learn of the death of Gregg Allman from liver cancer on May 27, 2017 at the age of 69. The singer, songwriter, keyboardist and guitarist appeared on ACL with the Allman Brothers Band in 1996.

Though born in Nashville, Allman came of musical age in Florida in the mid-sixties, forming the Allman Joys with his guitarist brother Duane. The Joys evolved into the Hour Glass, which in turn morphed into the Allman Brothers Band. Based out of Macon, Georgia, the Allmans used their instrumental firepower and improvisational spirit to push the blues further than it had ever gone before. After Duane died in 1971, Gregg continued with the band, but also began striking out on his own, recording several LPS over the years both solo and with the Gregg Allman Band, and scoring hits with “Midnight Rider” (originally recorded by the Allmans) and “I’m No Angel.” He continued touring with the Allman Brothers Band until its dissolution in 2014.

In 2011 Allman released Low Country Blues and received a lifetime achievement award from the Americana Music Association. The next year saw the publication of his memoir My Cross to Bear. Before his death, Allman completed the Don Was-produced album Southern Blood, scheduled for release later this year. As he wrote in his book, “Music is my life’s blood. I love music, I love to play good music, and I love to play music for people who appreciate it. And when it’s all said and done, I’ll go to my grave and my brother will greet me, saying, ‘Nice work, little brother—you did all right.’ I must have said this a million times, but if I died today, I have had me a blast.”

Below, the Allman Brothers Band performs Gregg’s signature song “Midnight Rider” during Season 21 of the show in 1996.