ACL announces the second half of its Season 43 broadcast schedule

photo by Scott Newton

The iconic television music series Austin City Limits announces the second half of Season 43, with seven all-new shows to begin airing January 6 as part of the program’s fourteen-episode season. The stellar slate of broadcast episodes features highly-anticipated debuts from today’s most talked-about live acts, continuing Austin City Limits’ run as the longest-running music television show in history, providing viewers a front-row seat to the best in live performance for over 40 years.  

The season returns in January with many recent Grammy-nominees, all new to the ACL stage, including indie-rock provocateur Father John Misty, powerhouse rap duo Run the Jewels, dance-rock band LCD Soundsystem and country phenom Chris Stapleton.  Father John Misty delivers an epic performance backed by a 16-piece orchestra; Run the Jewels ignite the ACL stage in a rapid-fire, riveting showcase; LCD Soundsystem perform a career-spanning set for the ages; and country superstar Chris Stapleton, the reigning CMA Awards Male Vocalist of the Year, makes a stunning ACL debut, joined by his wife, singer Morgane Stapleton. Husband and wife team Jason Isbell and Amanda Shires unite for a special double-bill as Americana star Isbell returns to the ACL stage to share an episode with his partner and creative collaborator Amanda Shires, making her ACL debut.  A season highlight is the first-ever appearance of jazz trailblazer Herbie Hancock in a thrilling hour of classics and new songs.  Black Keys superstar and ACL veteran Dan Auerbach makes his solo debut showcasing new music from his first solo release in 8 years.  The extended line-up features breakout red-dirt country band Turnpike Troubadours and Austin favorites Shinyribs in first-time ACL appearances, as well as the return of a standout, acclaimed Austin psych-rockers The Black Angels.

“As always, expect the unexpected as we deliver something for everybody – from psych-rock to Americana, modern jazz to hip hop and electronica,” says longtime ACL executive producer Terry Lickona.  “This is one of the most exciting collection of shows we’ve ever presented.”

Go behind the scenes with ACL Backstage, a new 10-part virtual reality video series, offering viewers immersive only-in-VR moments straight from the current season.  The series premiered in November on the ACLTV YouTube Channel and continues to debut new installments to coincide with the Season 43 line-up, including Father John Misty, Run the Jewels, Dan Auerbach and Shinyribs.  ACL Backstage offers viewers a chance to hang backstage with favorite artists and join them onstage with closer-than-front-row seats.  The series was developed with Google’s Daydream team and in partnership with SubVRsive Media.

“In a season when we’re celebrating a significant milestone of longevity, I think it’s great that we’re staying on the cutting edge of technology and bringing ACL fans new and exciting  ways to experience live music,” says ACL GM Tom Gimbel.

Season 43 | 2018 Broadcast Schedule

January 6 Father John Misty | The Black Angels

January 13 Jason Isbell & The 400 Unit | Amanda Shires

January 20 Herbie Hancock

January 27 Run the Jewels

February 3 LCD Soundsystem

February 10 Dan Auerbach | Shinyribs

February 17 Chris Stapleton | Turnpike Troubadours

ACL’s Season 43 premiered in October with unforgettable performances from Ed Sheeran, Miranda Lambert, Angel Olsen, The Pretenders, Zac Brown Band, Norah Jones, Benjamin Booker, The Head and the Heart and more.  The award-winning series will continue to broadcast fan-favorite encore episodes through the end of 2017. In what has become an ACL holiday tradition, the program will encore Tom Waits legendary December 1978 performance, one of the most requested episodes in ACL’s 40+ year archive. Tune-in on December 23rd to see this classic Christmas episode.  

A special broadcast of Austin City Limits Hall of Fame New Year’s Eve airs Sunday, December 31 at 10pm CT/11pm ET.  Austin City Limits rings in the new year with the star-studded celebration, hosted by Chris Isaak, featuring one-of-a-kind performances and collaborations from the 2017 ACL Hall of Fame induction ceremonies.  Performers include ACL royalty Rosanne Cash, Elvis Costello, Neko Case, Ry Cooder, Chris Isaak, Brandi Carlile, Raul Malo, Trombone Shorty, Dr. John and more.

Taping recap: The Turnpike Troubadours

photo by Scott Newton

The final taping of a season is always the setting for a blowout, and that’s what we got with the Austin City Limits debut from Turnpike Troubadours. The Oklahoma country rockers hit our stage in support of their highly acclaimed fifth LP A Long Way From Your Heart – a title that proved ironic, as there’s obviously a short distance to that organ in their devoted fans’ chests.

The Americana stars took the stage to huge applause, launching into “The Housefire,” the opener of A Long Way. The band then started mining its extensive back catalog with the rocking “Every Girl,” a song co-written by guest keyboardist John Fullbright, the danceable “Kansas City Southern” and passionate “1968,” all from the 2010 album Diamonds and Gasoline. The Troubadours then reached all the way back to their 2007 debut album, with the Cajun-flavored dancefloor filler “Bossier City,” before returning to the new album for the electric folk of “The Winding Stair Mountain Blues,” inspired by a true story from singer/songwriter Evan Felker’s Southeast Oklahoma past. After six skillet-lickers in a row, the band slowed down a tad for “Pay No Rent,” an earnest ballad in tribute to a friend of Felker who passed away. “Good Lord Lorrie” worked a similar groove to even more anthemic effect.

The red-dirt anthems continued with the widescreen rocker “A Tornado Warning.” Felker then strapped on a banjo for the folk-rocker “Gin Smoke & Lies,” its melody a clever variant on the old folk song “Shady Grove.” That led into the blazing “Before the Devil Knows We’re Dead,” which had the buzzing audience clapping along from the start. Steel guitarist Hank Early switched to a Dobro for an acoustic duet with Felker on “Diamonds and Gasoline,” much to the crowd’s delight. The band returned for a romp through “Whole Damn Town,” before the penultimate, lighter waving waltz “The Bird Hunter. The Troubadours closed the show with “Something to Hold On To,” a track co-written by Kevin Russell, beloved leader of Austin’s own Shinyribs and the Gourds. The song ended in a three-way solo frenzy from Early, lead guitarist Ryan Engleman and fiddler Kyle Nix, which made the audience go wild.

The show wasn’t quite over yet, however. As is an artist’s prerogative, the Troubadours decided to redo a few numbers, starting with “The Housefire.” The band ripped through another take on “The Winding Stair Mountain Blues” before finishing with a new version of “A Tornado Warning.” Fortunately, the audience were perfectly happy to enjoy those songs again. It was a great show and a nice way to close out the season, and we can’t wait for you to see it when it airs early next year as part of our Season 43 on your local PBS station.  

ACL artists at the 2018 Grammys

photo by Scott Newton

Austin City Limits congratulates all the nominees for the 60th Annual Grammy Awards. We’d like to give special recognition to the nominees who have appeared on ACL. Big congratulations to Kendrick Lamar, a top contender with seven nominations. The Compton hip-hop trailblazer earned nods for Record of the Year, Album of the Year, Best Rap Performance, Best Rap/Sung Performance, Best Rap Song, Best Rap Album and Best Music Video.

We’re thrilled to be showcasing many of this year’s nominees during our current Season 43, stay tuned for new episodes and congratulations to Chris Stapleton, earning top honors with nominations for Best Country Album, Best Country Song and Best Country/Solo Performance; LCD Soundsystem, for Best Dance Recording and Best Alternative Music Album; Father John Misty, for Best Alternative Music Album and Best Recording Package; Jason Isbell & the 400 Unit, for Best Americana Album and Best American Roots Song and Run the Jewels for Best Rap Song for their collaboration with Danger Mouse. You can see all of these artists’ brand new episodes in early 2018.  We’re also chuffed for fellow nominees whose episodes kicked off the first half of our 43rd season: Ed Sheeran, for Best Pop Solo Performance and Best Pop Vocal Album; Miranda Lambert, for Best Country/Solo Performance and Best Country Song; and Zac Brown Band, for Best Country Duo/Group Performance.

Additional congratulations to the talented ACL veterans who received top nominations: Foo Fighters, for Best Rock Performance and Best Rock Song; Coldplay, for Best Pop Vocal Album and Best Pop Duo/Group Performance; CeCe Winans for Best Gospel Album and Best Gospel Performance/Song; the Allman Brothers’ Gregg Allman (R.I.P.) and the Mavericks, both for Best Americana Album and Best American Roots Song; Alison Krauss for Best Country/Solo Performance and Best American Roots Performance; The National, for Best Alternative Music Album and Best Recording Package; Ladysmith Black Mambazo for Best World Music Album and Best Children’s Album; Nick Cave & the Bad Seeds for Best Music Film and Best Boxed or Special Limited Edition Package and the late Leonard Cohen for Best Rock Album and Best American Roots Performance. We’re proud to note that four of the five noms for Best Alternative Music Album comes from ACL vets: Arcade Fire, LCD Soundsystem, Father John Misty and The National.

Shout-outs as well to Queens of the Stone Age, Sarah McLachlan, Beck, Arcade Fire, Juanes, The War On Drugs, Alabama Shakes, Reba McEntire, Blind Boys of Alabama, Rodney Crowell, Damian Jr. Gong Marley, Aimee Mann, Randy Newman, Robert Cray, Taj Mahal and Keb’ Mo’, Natalie LaFourcade, Portugal. The Man, Robert Randolph & the Family Band, Iron & Wine, Tedeschi Trucks Band, Punch Brothers’ Noam Pikelny and the late Glen Campbell for their nominations.

A full list of all nominees can be found here – good luck to them all. Co-produced by ACL executive producer, Terry Lickona, the 60th Annual Grammy Awards will telecast on Sunday, Jan. 28, 2018.

Giveaway: Turnpike Troubadours 12/5

Screen Shot 2017-11-28 at 11.56.26 AM

UPDATE: Giveaway is now over.

Austin City Limits will be taping a performance by Turnpike Troubadours on Tuesday, December 5th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by noon on Friday, Dec. 1st.

Winners will be chosen at random and a photo ID will be required to pickup tickets. Winners will be notified by email. Passes are not transferable and cannot be sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras computers or recording devices allowed in venue.

Taping recap: Dan Auerbach

photo by Scott Newton

Singer, songwriter, guitarist and producer Dan Auerbach is no stranger to the ACL stage – his band The Black Keys have appeared twice on the show. This was his debut solo taping, performed with his Easy Eye Sound band and special guest Robert Finley, in support of his first solo album in eight years, the acclaimed Waiting on a Song. The record’s bright, countrified pop/rock contrasts nicely with the Keys’ grungy blues rock, and the show, which we streamed live around the world, followed suit.

Wielding an acoustic guitar, Auerbach and his band of legendary Nashville session players opened with the title track, a folk rocking welcome to a night of music. “Livin’ in Sin” followed, its country rock groove highlighted by the harmony guitars of Russ Pahl (who last appeared on ACL in 1993 with Great Plains) and Cage the Elephant’s Nick Bockrath. Auerbach switched to a Telecaster and Pahl to an electric sitar for “Malibu Man,” a soul-inflected tune with prominent harmonies from mandolinist Pat McLaughlin, another ACL vet, having visited in 2005 as a member of John Prine’s band. The frontman introduced members of the band, specifically “Memphis boys” Gene Chrisman (drums) and Bobby Wood (electric piano), both of whom have Elvis Presley and Aretha Franklin on their extensive resumés. The group then romped through the darkly funny pop tune “Stand By My Girl” (“because she’ll kill me if I don’t”). Auerbach noted that many of the bandmembers had also played on songwriting god John Prine’s first album, before going into the sweet country rock of the unreleased “Somewhere Between Eau Claire and East Moline,” a song Auerbach co-wrote with Prine. Next up, the grooving “Pull Me Under Love” is another unreleased song that featured a Pahl/Auerbach duel on guitar. Auerbach introed the rest of the band before launching into the psychedelic swamp rock of “Cherry Bomb.”

Auerbach noted that he and his Easy Eye crew also make records for other people, bringing on one of those folks: Louisiana soul singer Robert Finley. Resplendent in his black leather cowboy hat and shades, the silver-haired, smoky-voiced Finley wasted no time going into the slinky “Medicine Woman.” “Let’s do one more with Robert,” said Auerbach, which cued the Southern soul of “Get It While You Can,” a classic in waiting. That was unfortunately all the time we had with Finley, but Auerbach made up for his absence with the lovely ballad “Never in My Wildest Dreams.” The band stayed with the easygoing vibe for “Tangled Love,” yet another unreleased song, and the album’s breezy “Show Me.” Auerbach ended the show with “Shine On Me,” the sprightly pop song that’s the first single from Waiting on a Song. The audience loved it, dancing along from the first bar. It was a sharp, memorable end to a great show, and we can’t wait for you to see it when it airs in early 2018 as part of our Season 43 on your local PBS station.

Episode recap: ACL Presents Americana Music Festival 2017

ACL Presents: Americana Music Festival 2017 | Van Morrison | Photo by Rick Diamond/Getty Images for Americana Music

Austin City Limits returns to Nashville for a special broadcast offering performance highlights from this year’s Americana Honors & Awards. ACL Presents: Americana Music Festival 2017 premieres November 18 on PBS and features a stunning revue of unforgettable performances celebrating the finest artists in American roots music. The spirited hour is filled with standout performances from Americana legends and next generation stars, alongside many of the night’s award-winners and honorees, including: Old Crow Medicine Show, John Prine, Iris Dement, Rhiannon Giddens, Marty Stuart & His Fabulous Superlatives, Amanda Shires, The Lumineers, Drive-By Truckers, Graham Nash & The Milk Carton Kids, Margo Price, Jason Isbell, Van Morrison and Robert Cray and Hi Rhythm.

Recorded live at Nashville’s historic Ryman Auditorium on September 13, 2017, The Americana Music Association’s 16th Annual Honors & Awards ceremony is a celebration of music that is authentic, diverse and original from many genres (including alternative country, folk, bluegrass, blues and R&B), both traditional and contemporary.

“Each year this show blows my mind.  If there was an infra-red device tracking creativity, Nashville would be the brightest light on the planet,” says Jed Hilly, Executive Director of the Americana Music Association.  “I’m so grateful and truly humbled by the incredible artists and musicians who grace our stage.”

Iris DeMent and John Prine. Photo by Rick Diamond/Getty Images

Acclaimed string band Old Crow Medicine Show welcome the audience to “the mother church of country music,” Nashville’s Ryman Auditorium, leading a marching drumline down the center aisle to kick off the broadcast with a riotous rendition of the Dylan classic “Rainy Day Women #12 and 35.”  Artist of the Year John Prine, recently hailed “the Mark Twain of American songwriting” by Rolling Stone, is joined by this year’s Lifetime Achievement Award honoree for Trailblazer, country-folk pioneer Iris DeMent, for a sparkling version of their legendary duet “In Spite of Ourselves.”  Album of the Year nominees give stellar performances including Rhiannon Giddens, who receives a standing ovation for her riveting “Julie,” a powerful meditation on slavery from her Freedom Highway.  Southern rockers Drive-By Truckers also sing for social justice, showcasing their protest anthem “What It Means,” a politically-charged statement named one of the Top 10 songs of the year by NPR, from their acclaimed album American Band.

The night’s Emerging Artist of the Year honoree Amanda Shires stuns in a solo debut and returns for the slowburning duet “If We Were Vampires” with her partner and creative collaborator, singer-songwriter Jason Isbell, one of the genre’s top stars.  The spectrum of Americana’s range  is in full view as chart-toppers The Lumineers light up the stage with the title track from their recent album Cleopatra and longtime country icon Marty Stuart and his band the Fabulous Superlatives, awarded Group of the Year, deliver a dose of blazing,  road-tested honky-tonk with crowd-pleasing new gem “Time Don’t Wait.”

Graham Nash & the Milk Carton Kids. Photo by Rick Diamond/Getty Images.

In true Americana style, the broadcast is packed with musical moments and one-of-a-kind collaborations from a diverse, multi-generational slate of roots luminaries: rock legend Graham Nash joins acoustic duo The Milk Carton Kids in sweet three-part harmony on The Everly Brothers classic “So Sad”.  Last year’s Emerging Artist winner Margo Price returns with a show-stopping new number, “Do Right By Me,” backed by the soaring vocals of gospel greats The McCrary Sisters.  The night’s Lifetime Achievement Honoree for Songwriting, rock icon Van Morrison, performs a soulful new song “Transformation” joined by his daughter Shana Morrison.  Famed bluesman Robert Cray and legendary Memphis soul sidemen Hi Rhythm, both Lifetime Achievement honorees, deliver a supercharged performance with a blistering blues/soul cut, “You Must Believe in Yourself,” from their acclaimed 2017 collaborative album.

The hourlong broadcast is hosted by esteemed songwriter and Americana wagonmaster Jim Lauderdale.  Multi-instrumentalist Larry Campbell leads the ace house band and joins the host on vocals to salute late country giant Don Williams with a stirring rendition of his timeless hit “Tulsa Time” as the all-star cast returns for the singalong finale, bringing the hour to a moving close.

Americana Music Festival 2017 finale. Photo by Rick Diamond/Getty Images.

Americana Music Festival 2017 finale. Photo by Rick Diamond/Getty Images.

The show was co-produced by Two Talented Cats Entertainment’s Martin Fischer and Edie Hoback, Michelle Aquilato and ACL Executive Producer Terry Lickona.

Tune in this weekend for this special, and, as always, check your local PBS listings for the broadcast time in your area. Go to the show page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for an encore episode, featuring the electrifying ACL debut of R&B superstar Ms. Lauryn Hill.

Austin City Limits announces new VR series: ACL Backstage


Celebrating its 43rd season on public television, Austin City Limits partners with Google’s Daydream team and virtual reality content producers SubVRsive to create ACL Backstage, an immersive 10-part VR series that brings new and exclusive premium performances and behind-the-scenes content to viewers everywhere. Now the longest running music show in television history, the lauded PBS television program remains committed to using cutting edge technology to bring live music performance to fans. Premiering November 16, ACL Backstage offers viewers amazing, only-in-VR moments straight from the current season.  Get closer than front row seats with intimate performances and personal interviews from favorite superstars like Ed Sheeran and  Zac Brown Band and many more.

The series tells the story of the musicians, the crew, the city, and the fans that make it all possible – all in virtual reality.  Unparalleled access gives an up-close look at some of the season’s most iconic performances and takes viewers backstage to hear from the artists before they step under the lights at Austin City Limits studio home: ACL Live at the Moody Theater in downtown Austin.  Stay tuned for 360° from a slate of stellar acts showcased in ACL’s new season: Father John Misty, Run the Jewels, Dan Auerbach and more highlights.

The first three episodes feature pop superstar Ed Sheeran, Southern country-rock band Zac Brown Band and the unsung heroes of ACL for four decades – our crew.

ACL Backstage premieres on Nov. 16 on  ACL’s YouTube channel. While anyone can watch on YouTube, the content is even more immersive when viewed in Daydream or Cardboard. The trailer is available below or here. Additional episodes will be released in January 2018.

ACL Backstage is hosted and directed by Nathan Christ, an award-winning filmmaker and director of acclaimed documentary Echotone, which explored music culture in Austin.  The series is produced by SubVRsive, an Emmy-nominated XR company based in Austin, TX that focuses on creating impactful 360 Video, Virtual Reality, and Augmented Reality experiences.

About Austin City Limits

Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. The program is taped live before a concert audience from The Moody Theater in downtown Austin. ACL is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic KLRU Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.

ACL is produced by KLRU-TV and funding is provided in part by Dell, the Austin Convention Center Department, Shiner Beers and Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at

About SubVRsive

SubVRsive is an Emmy-nominated XR company based in Austin, TX focused on creating impactful 360 Video, Virtual Reality, and Augmented Reality experiences for brands and agencies. Partnering with renowned directors, producers, content creators and developers at the forefront of the medium, SubVRsive has created captivating interactive experiences for some of the world’s leading brands and media companies, including Lionsgate Entertainment, Procter & Gamble, and Showtime Networks. Read more at

Giveaway: Dan Auerbach 11/27

photo by Alyssa Gafkjen

UPDATE: Giveaway is now over

Austin City Limits will be taping a performance by Dan Auerbach on Monday, November 27th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by noon on Tuesday, Nov. 21st.

Winners will be chosen at random and a photo ID will be required to pickup tickets. Winners will be notified by email. Passes are not transferable and cannot be sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras computers or recording devices allowed in venue.