Encore: Tweedy

photo by Scott Newton

Austin City Limits presents a Season 40 highlight—the return of ACL veteran Jeff Tweedy for a very special hour of music. The Wilco leader showcases his new solo project Tweedy, joined by son Spencer and their special guests, as they perform a mix of new songs and Wilco classics.

As a longtime favorite son of ACL, it’s only fitting that Jeff Tweedy returns to the ACL stage with his own son for the show’s milestone 40th anniversary season. The esteemed singer-songwriter has appeared on ACL four times previously with his main outfit Wilco, starting back in Season 25.  This new installment marks his first-ever solo outing for ACL, accompanied by his 18-year-old son Spencer Tweedy on drums, with lush harmonies from Holly Laessig and Jess Wolfe of the band Lucius.

“It took me 18 years to have a solo record because I had to grow a drummer,” jokes Tweedy to the ACL audience, as the father-son team begin the strikingly intimate hour with songs from the critically-acclaimed 2014 release Sukierae. In a recent four-star review, Rolling Stone hails the debut as “another tour de force from a guy who’s made a few.” Closing the five-song band set of new material with the new folk-rocker “Nobody Dies Anymore”, the Grammy-winning frontman treats the Austin crowd to a solo acoustic set of fan favorites from Wilco’s vast catalog including “Via Chicago” and “I Am Trying to Break Your Heart”.  Tweedy also performs a spirited version of Austin songwriter Doug Sahm’s classic “Give Back the Key to My Heart”, a song he recorded more than twenty years ago as a member of the legendary Uncle Tupelo. The episode comes to a captivating close with Jeff Tweedy taking the stage solo for a powerful rendition of Wilco’s “Misunderstood”.

photo by Scott Newton

“This show has special meaning for all of us at ACL,” says ACL executive producer Terry Lickona. “A few years ago I introduced Wilco from the stage as the band that best sums up everything that Austin City Limits is all about. Jeff Tweedy continues to be one of the most creative voices in modern music, and together with his son they continue to build on two incredible legacies – his and ours!”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Next week: Eric Church.

Encore: Los Lobos and Thao & the Get Down Stay Down

photo by Scott Newton

Austin City Limits presents true American originals—the legendary Los Lobos and folk rock wonders Thao & The Get Down Stay Down. Los Lobos return to the ACL stage for their fifth appearance, while innovator Thao Nguyen and her band The Get Down Stay Down make their ACL debut. Music mavericks with far-reaching influences, both acts exemplify ACL’s outstanding legacy of “Great Music, No Limits.”

More than forty years into their run, Los Lobos are one of America’s great rock ‘n roll bands. The influential and enduring East L.A. band return to the ACL stage celebrating their recent 40th anniversary alongside ACL’s. “Los Lobos are still one of America’s best, bravest, and most satisfying bands, and their skills and their instincts remain razor-sharp,” raves AllMusic. After four decades together the beloved band continue to create music that resonates with audiences around the world, and the three-time GRAMMY winning group will be honored this year with a Lifetime Achievement Award by the Latin Recording Academy. Opening their ACL set with the fan favorite “La Pistola y el Corazon”, the group perform highlights from their vast catalog. The crowd-pleasing performance displays their world-class musicianship, as the veteran rockers perform their signature style of “Chicano rock” with an eclectic set of rock ‘n roll, country, folk, R&B, blues and norteño music. The group close out the masterful set with “Mas y Mas”, joined by Austin’s own Grupo Fantasma on horns, showing great music is universal.

“Los Lobos and ACL have always felt like kindred spirits,” says ACL executive producer Terry Lickona. “We share the same impulse towards originality, experimentation and fun with music. They’re still one of the best rock ‘n’ roll bands in America!”

photo by Scott Newton

Led by enigmatic singer-songwriter Thao Nguyen, the San Francisco-based Thao & the Get Down Stay Down have built a devoted following based on their spirited live shows and their catalog of smart, genre-blending indie rock. The band’s ACL debut features them performing songs from their 2013 release We the Common. The group’s blend of rhythms and Thao’s folk-influenced fingerpicking give the band a distinctive sound that truly makes it stand out from the pack. Bandleader Thao’s natural exuberance and wide-ranging songwriting acumen make for a joyful, must-see ACL appearance. The band close out the scorching set with the singalong folk pop of “We the Common,” with the Austin crowd happy to oblige.

“Thao is a true artist for the 21st century,” says Lickona. “Her influences are wide-ranging, and her live performances are mesmerizing and infectious!”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Next week: Tweedy.

 

Encore: Nine Inch Nails

photo by Scott Newton

Austin City Limits presents a rare hour of television with legendary industrial rock titan Nine Inch Nails in a special encore broadcast  that originally previewed in April as a prelude to our 40th anniversary season. Recently nominated for induction into the Rock and Roll Hall of Fame, NIN give an arena-worthy performance in their ACL debut.

“We’ve waited a long time to do anything like this,” says Nine Inch Nails’ Trent Reznor from the ACL stage. The episode offers a fascinating look at the influential act’s artistry in a flawless performance of unparalleled intensity. NIN’s Reznor and the seven-piece band—Alessandro Cortini, Josh Eustis, Robin Finck, Lisa Fischer, Sharlotte Gibson, Pino Palladino and Ilan Rubin—deliver an electrifying hour-long set that is a masterpiece of tension and release. Opening with the sultry “All Time Low” from the critically-acclaimed Hesitation Marks—their first album in five years—the band performs tracks from its recent offering alongside earlier works, including 1999’s The Fragile. NIN segue into a revamped version of “Sanctified” from the 1989 debut Pretty Hate Machine, with the vocal duo of Fischer and Gibson adding depth and texture to the pummeling rhythms throughout the song as well as the entire riveting set. The cathartic performance comes to a close with a redemptive take on the NIN classic “Hurt”, as Reznor grips the microphone and howls the confessional lyrics while the Austin audience begs for more.

“We never thought we’d see the day when Nine Inch Nails would set foot on the ACL stage,” says Executive Producer Terry Lickona. “I mean, they never did television for 25 years. I came away from this show having the greatest respect for Trent Reznor. He’s one of the most focused, intense and creative artists I’ve ever worked with.”

photo by Scott Newton

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL goodies. Next week: Los Lobos and Thao & the Get Down Stay Down.

Encore: Esperanza Spalding

photo by Scott Newton

Triple Grammy-winning artist Esperanza Spalding makes her return to Austin City Limits  this weekend with a mesmerizing performance that transcends jazz. In a touching tribute Spalding dedicates the episode to legendary guitarist Jef Lee Johnson, who passed away January 28, 2013. The appearance marks their final performance together.

Joined by a stellar 11-piece band, Spalding performs songs from her latest release Radio Music Society, which scored two 2013 Grammy Awards, including Best Jazz Vocal Album. The album represents a celebratory vision of the artists who helped cultivate and inspire Spalding’s career throughout the years. Radio Music Society has received high praise from critics, who hail the album’s “journey through soul, gospel, balladry and big-band swing” [The New York Times] and “torchy swaggers, world-jazzy guitar grooves propelling smoky saxes, and political songs with only a Hammond organ for company” [The Guardian].

Spalding made her ACL debut back in Season 35, performing tracks from her 2008 breakthrough Esperanza, and wowed an audience largely unfamiliar with her music. Her appearance continues to be one of ACL’s most popular encore episodes. She has since gone on to capture the attention of audiences around the globe, leading to her stunning 2011 Grammy win as the first jazz musician to win for Best New Artist. Spalding’s dynamic relationship with her acoustic double bass has cemented her presence in musical history as a modern jazz virtuoso with “a light, fizzy, optimistic drive that’s in her melodic bass playing and her elastic, small-voiced singing” [The Times].

photo by Scott Newton

“The first time Esperanza appeared on ACL, she was a best-kept secret,” admits ACL executive producer Terry Lickona. “But now the word is out, and the world is her stage. This time she also brings a stage full of incredible jazz musicians, and an hour full of new music. People will be writing about this show 50 years from now.”

Check out the episode page for more information. Don’t forget to keep up with ACL goings-on on our Facebook and Twitter pages, or via our newsletter. Next week: Nine Inch Nails.

Courtney Barnett 6/4

photo by Mia Mala McDonald

UPDATE: Giveaway is now over. If you did not receive an email about passes you can watch the live stream of the taping on our Youtube Channel

Austin City Limits will be taping a performance by Courtney Barnett on Thursday, June 4th, at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd).  We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by 9 am on June 2nd. Winners will be chosen at random and a photo ID will be required to pickup tickets. Winners will be notified by email. Passes are not transferable and cannot be sold. Standing may be required.

No photography, recording or cell phone use in the studio. No cameras allowed in venue.

Courtney Barnett taping livestreams on June 4

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Austin City Limits is pleased to announce that we will be streaming our highly-anticipated debut taping with indie rock breakout star Courtney Barnett live on Thursday, June 4, 8pm CT/9pm ET. The taping will be live streamed worldwide directly from ACL’s stage via our YouTube channel.  Fans can watch the event as it happens live from ACL’s studio home, ACL Live at The Moody Theater, powered by Dell.  The broadcast episode of this show will air this fall on PBS during our upcoming Season 41.

The Aussie singer/songwriter and guitarist has made one of the most arresting music debuts in years, and is receiving critical acclaim across-the-board: Rolling Stone hails Barnett “one of rock’s most beguiling young stars and deftest lyricists,” calling her debut album, Sometimes I Sit and Think, and Sometimes I Just Sit, “2015’s sharpest debut”.  Paste says she’s “one of the most charming, whipsmart performers currently touring the world,” and NPR raves “the new album will thrill any fan of smart, biting guitar driven rock,” calling her “the best lyricist in rock music today.”  Spin calls it “one of the most thrilling albums you’ll hear this year,” and hails the garage rocker a “goddamn rock star.”

Courtney Barnett captured the attention of the music world with the 2013 release of The Double EP: A Sea of Split Peas (which combined her first two self-released EPs).  The Melbourne-based musician embarked on a nonstop worldwide tour, amassing a cult-like following along the way, stopping barely long enough to record her first true album.  Mixing witty, often hilarious, occasionally even heartbreaking observations with unflinching self-assessment, Barnett’s debut, Sometimes I Sit and Think, and Sometimes I Just Sit, cements her standing as one of the most distinctive and compelling new voices in indie rock.

We’re thrilled to host this outstanding talent.  Join us for this live webcast of the Austin City Limits debut of Courtney Barnett.

 

Encore: The Lumineers and Shovels & Rope

photo by Scott Newton

Austin City Limits celebrates the best in Americana music today, with The Lumineers and Shovels & Rope making their ACL debuts. Denver’s Lumineers perform their breakthrough hits including “Ho Hey” and “Stubborn Love,” while Charleston, South Carolina’s Shovels & Rope perform songs from their acclaimed debut O’ Be Joyful.

The broadcast offers a deeper look at two acts that have been receiving well-deserved attention for their recent releases.  Leading off the hour is The Lumineers, a folk-rock trio that play traditional but original heart-on-the-sleeve music.  Of the band The Austin Chronicle writes, “There’s nothing precious or affected here, just three dedicated artists opening their hearts.”  The group’s breakthrough hit “Ho Hey” was one of the most-played songs of 2012, earning them a performing slot on 2013’s Grammy Awards telecast, in addition to two Grammy nominations for Best New Artist and Best Americana Album.  The Lumineers’ uplifting ACL debut is filled with heart-swelling stomp-and-clap acoustic rock, classic pop and front-porch folk.  Their set includes an inspired take on a Dylan classic, while the tambourine driven beat of “Ho Hey” brings the crowd to its feet and the performance closes with a crowd sing-along on “Stubborn Love.”

“There’s more to The Lumineers than just the song that seemed to have the whole world singing along to this year,” notes executive producer Terry Lickona. “There aren’t many bands that can engage an audience the way they do, and watching their ACL performance is the next best thing to being there.

photo by Scott Newton

The second half of the episode introduces Shovels & Rope, the husband and wife roots duo of Michael Trent and Cary Ann Hearst.  The dynamic pair channel country, bluegrass and blues to create folk music with raw energy.  The NY Times raves, “While they are country, there is an edgy, punk, raucous side to go with their beautiful harmonies.”  NPR agrees, “Seeing Hearst and Trent perform live together—as they conjure images of country-singing couples like Johnny Cash and June Carter Cash—renders them almost impossible to resist.”  The first-time nominees were big winners at this year’s recent Americana Music Awards, taking home top honors for Emerging Artist of the Year and Song of the Year.  The couple’s creative chemistry is on display in their ACL debut, an irresistible performance that’s a potent mix of Southern gothic and country rock and deftly showcases their soulful harmonies.

“It doesn’t get more basic than Shovels & Rope,” says Lickona, “but they rock out more than a stage full of musicians, and there’s something refreshingly authentic about their live performance that just makes you feel good.”

Encore: B.B. King May 30th

photo by Scott Newton

Once again for the first time, welcome to the Austin City Limits stage: the King of the Blues, Mr. B.B. King.

B.B. King personified blues music for the whole world,” says ACL executive producer Terry Lickona, “but when he first appeared on Austin City Limits in 1983 it was rare for a blues artist to command a full hour on national television.” In honor of the late, undisputed King of the Blues, ACL is proud to bring that iconic hour out from the vault and back to television for the first time in 22 years.

The first of two legendary appearances on ACL, King’s debut episode was recorded in 1982 and originally broadcast in 1983 as part of Season 8. The 11-song set spans the length and breadth of his career to that point, from his then-new album Love Me Tender (including “Since I Met You, Baby” and the title track, a cover of the Elvis Presley classic) to his own standards “Everyday I Have the Blues” and “The Thrill is Gone.” In a powerhouse performance, King hits full-force with a voice that is neither harsh nor sweet, that bends, like his fingers, with each note.

“There was electricity in Studio 6A that night like no other,” says Lickona. “It was pure B.B. – just him, Lucille and one of the best road bands he ever toured with. He mixed up hardcore blues with Elvis ballads, and had the audience in the palm of his hand, following his every lead. It was historic!”

“He was larger than life, but a gentle man with a kind soul and big heart. His ACL performance ranks as one of my personal favorites, and I was never more proud than when he somehow slipped ‘Austin City Limits’ into the lyric of his classic rendition of Willie Nelson’s ‘Night Life.’  We’ve lost a giant.”

Go here for more information on this episode, and check here to see where/when you can catch it. Be sure to follow our Facebook and Twitter pages for the latest ACL update, and subscribe to our newsletter for even more info. Next week: Bob Mould and Delta Spirit.