Encore: Jack White

photo by Scott Newton

As a bandleader, Jack White has visited the Austin City Limits studio before, ripping it up with the Raconteurs back in 2006. Here White returns to our stage as a solo artist to demonstrate exactly why he’s one of today’s most exciting musicians.

Ever the risk-taker, White hits the stage bathed in blue light and accompanied by not one but two bands comprised of Nashville’s best musicians. Working without a net, White eschews a set list and draws from nearly every project of his prolific career. So this episode treats you to some White Stripes (“I’m Slowly Turning Into You,” “We’re Going to Be Friends,” “Dead Leaves and the Dirty Ground”), a little Raconteurs (“Top Yourself”), a pinch of Dead Weather (“Blue Blood Blues”), a blues cover (Blind Willie Johnson’s “John the Revelator”) and White’s contribution (“You Know That I Know”) to The Lost Notebooks of Hank Williams, a collection of Williams lyrics set to music by contemporary songwriters.

Of course, much of the show is dedicated to songs from Blunderbuss, White’s much-acclaimed solo debut. Watch him burn through “Freedom at 21” and “Missing Pieces” with his all-male group the Buzzards, then blaze through “Hypocritical Kiss” and “Love Interruption” with his all-female band the Peacocks. The mostly acoustic title tune serves as the transition point, as Buzzards give way to Peacocks before the guitars finish feeding back and “Love Interruption” begins.

photo by Scott Newtong

See more about the show here, then check your local PBS listings to find out when to tune in to see for yourself. Keep up with ACL news and happenings on our Facebook and Twitter feeds, as well as our news page, or sign up for our newsletter. Next week: Beck.

Cassandra Wilson taping to stream live on Apr. 28

CassandraWilson_square

Austin City Limits is pleased to announce that we will be streaming our taping with Cassandra Wilson live on Tuesday, April 28, 8pm CT/9pm ET. The taping will webcast in its entirety via our YouTube channel.

 Grammy-winning American jazz musician, vocalist, songwriter, and producer Cassandra Wilson makes her ACL debut, armed with her acclaimed new LP Coming Forth by Day (Legacy Recordings), an homage dedicated to the beauty, power, and genius of Billie Holiday. The album boasts a surprising cast of characters: produced by Nick Launay (Nick Cave’s producer), string arrangements by Van Dyke Parks, guitar from T Bone Burnett and the Yeah Yeah Yeahs’ Nick Zinner, and rhythm section from The Bad Seeds (drummer Thomas Wydler and bassist Martyn P. Casey).  Critic Gary Giddins describes Wilson as “a singer blessed with an unmistakable timbre and attack who has expanded the playing field” by incorporating blues, country and folk music into her work.  A native of Jackson, Mississippi, Wilson moved to New York City in the early 80s, met saxophonist Steve Coleman and became one of the founding members of the M-Base Collective. She signed with Blue Note Records in 1992 and released the landmark album Blue Light ‘Til Dawn, which paved the way for a new generation of jazz singers seeking an approach and repertoire that challenged the supremacy of the American Standard songbook.

The broadcast version of this show will air this fall on PBS.  Join us for this live webcast of the Austin City Limits debut of Cassandra Wilson.

Giveaway: Cassandra Wilson 4/28

photo by Mark Seliger

UPDATE: The giveaway is no w over. We’ll see everyone who got an email on Tuesday. If you did not receive an email about passes, you can watch our livesteam on our YouTube Chanel

Austin City Limits will be taping a performance by Cassandra Wilson on Tuesday, April 28th, at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd).  We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by 9 am on April 24th. Winners will be chosen at random and a photo ID will be required to pickup tickets. Winners will be notified by email. Passes are not transferable and cannot be sold. Standing may be required.

No photography, recording or cell phone use in the studio. No cameras allowed in venue.

Encore: The Shins and Dr. Dog

photo by Scott Newton

This week ACL gives you some of the best the indie rock world has to offer with the second appearance of The Shins and the first by Dr. Dog.

The first time Albuquerque-to-Portland band the Shins appeared on ACL was in 2004. This week singer/songwriter James Mercer brings a brand new crew in support of the group’s acclaimed fourth LP Ports of Morrow. The quintet samples the latest record with “September,” “It’s Only LIfe,” “The Rifle’s Spiral” and the appropriately catchy single “Simple Song,” hitting a real sweet spot between rich, melodic hooks and Mercer’s clever, literate lyrics. But the band also digs deep into the Shins catalog, bouncing through “So Says I,” from breakthrough record Chutes Too Narrow, and reaching all the way back to its debut by closing the set with “New Slang.” It’s a masterful performance by a band hitting the peak of its powers.

For its first appearance on ACL, Dr. Dog proves why it’s a favorite on the live circuit. Adding a dash of jam band spice to its psychedelic indie rock batter, the Philadelphia sextet knows how to have a good time playing, while still keeping its songs catchy and concise. The band opens this episode with “Lonesome,” the tune that begins its much-heralded seventh LP Be the Void, kicking off the show to rollicking effect. “Jackie Wants a Black Eye” and “Vampire” keep the party going, and by the time the Dog hits a trio of tunes from its fan-favorite LP Fate, ending with “The Rabbit, the Bat and the Reindeer,” Dr. Dog lets us know just why it’s been such a popular concert draw in its decade of existence. As executive producer Terry Lickona says at the beginning of the show, “Great songs and live energy make for a winning combination.”

photo by Scott Newton

To get info on when and where to tune in to this excellent episode, check here for local listings. Also, don’t forget to “Like” us on Facebook, follow us on Twitter orsign up for our newsletter for more updates. Next week: Jack White.

 

Services set for Bill Arhos

Bill Arhos 1934-2015

KLRU-TV, Austin PBS and the family of Bill Arhos announce visitation and service to celebrate his life.

  • There will be a visitation on Thursday, April 16 from 6 to 8 pm at Weed-Corley at 3125 N Lamar Boulevard.
  • On Saturday, April 18 at 3 pm there will be a Celebration of the Life of Bill Arhos at ACL Live at The Moody Theater, 310 Willie Nelson Boulevard.  Both events are open to the public.

Arhos, a longtime KLRU station executive and father of Austin City Limits, died Saturday, April 11th, at the age of 80. His life’s work was devoted to KLRU, public media and music. He served in many positions during his nearly 40-year career at KLRU, joining in 1961 to help launch the public television station. Over the years, Arhos served as Producer, Program Director, Vice President of Programming, Executive Producer of Austin City Limits (1975-1999), and President/General Manager from 1986 until his retirement in 1999.  He also served on the boards of PBS and the Country Music Association.  Arhos was a proud graduate of Rice University, graduating in 1957. Rice honored Arhos in 2007 with the Association of Rice Alumni’s Distinguished Alumni Award.

Arhos will be buried in a private ceremony at the Texas State Cemetery alongside other Texas legends.

The family requests donations to the Bill Arhos Fund at KLRU in lieu of flowers.

Encore: Juanes and Jesse & Joy

photo by Scott Newton

Austin City Limits presents an encore with two of the biggest acts in Latin music today, Juanes and Jesse & Joy. Colombian superstar Juanes headlines with a thrilling, high energy set, while Mexico City’s sibling duo Jesse & Joy sing a selection of their breakthrough hits.

With six solo albums to his credit and multi-platinum sales of over 16 million, Juanes is the world’s leading all-Spanish language rock artist. An electrifying guitarist and gifted songwriter, Juanes made his ACL debut back in 2005, and has since gone on to win multiple Grammy Awards and a record number of Latin Grammys. The Associated Press calls Juanes “the first truly international rock star to emerge from Latin America.” Juanes returns to the ACL stage in a dynamic performance, kicking things off with “Fijate Bien,” the Latin Grammy-winning title track to his debut album.  He pays tribute to one of his inspirations—Bob Marley—with a Latin spin on the reggae classic “Could You Be Loved?”.  By the time he launches into his huge hits, Juanes proves he doesn’t need to sing in English any more than he needs a surname to thoroughly rock the Austin audience.

Jesse & Joy have become one of the most celebrated pop-rock acts to emerge in the Latin music scene since they formed in Mexico City in 2005. The musical siblings boast five Latin Grammy Awards, including four for their triple platinum 2012 album ¿Con Quién Se Queda El Perro? (“Who Gets the Dog?”) and their first Grammy Nomination this year for Best Latin Pop Album.  The Los Angeles Times raves, “Their rootsy, soft-rock sincerity evokes ’80s country-pop, and Joy’s dulcet-but-earthy voice has been compared to those of Norah Jones, Alanis Morissette and, almost inevitably, Kelly Clarkson.” With Jesse Huerta on guitar, piano, drums, and background vocals and Joy Huerta on vocals and guitar, these siblings in sound deliver a breakout performance. A highlight is the duo’s emotional performance of their smash hit “Corre”— with the audience singing along to every word, waving their hands in the air, it’s a moment that reflects the truly universal language of music.

photo by Scott Newton

“Juanes is the first Latin artist since Ricky Martin to break out and transcend musical and cultural barriers,” says ACL Executive Producer Terry Lickona. “Audiences connect with him on many levels, and his charisma on stage is magnetic! As brother and sister, Jesse & Joy’s music is very genuine and emotional, and it’s just fun to watch them interact with each other and their fans.”

Check out the episode page here for setlists and more. Keep up with ACL happenings via our Facebook and Twitter pages or our newsletter. Next week: The Shins and Dr. Dog.

New taping: Courtney Barnett

photo by Mia Mala McDonald

Austin City Limits is happy to announce the ACL taping debut of Australian singer/songwriter Courtney Barnett on June 4th.

Mixing witty, often hilarious, occasionally even heartbreaking observations with devastating self-assessment, Courtney Barnett’s debut album, Sometimes I Sit and Think, and Sometimes I Just Sit, cements her standing as one of the most distinctive and compelling new voices in indie rock. After leaving art-school in Hobart, Tasmania, Barnett moved to Melbourne and became a mainstay of the local scene. She paid her dues and honed her chops in short-lived garage outfits before playing lead guitar in the twang-psych band Immigrant Union. When she went solo, Barnett launched her own label, which she dubbed Milk! Records, to release her own material as well as music by some of Melbourne’s finest singers and songwriters. With the 2013 release of The Double EP: A Sea of Split Peas (which combined her first two self-released EPs), she embarked on an almost never-ending tour that took her to North America and Europe, barely stopping long enough to record her first true album. Sometimes I Sit and Think is a beguiling collection of songs that reveals her as an ambitious writer with an ear for clever turns of phrase and an eye for story-song details that are literate without being pretentious – Barnett even did the artwork and hand lettering for the liner notes. The Guardian calls the record “fun, intelligent and sets up Barnett as a voice who can tread between both high and low culture and treat them the same.”

“There’s something about the way she sings where I feel like I know that person,” says Britt Daniel of Spoon, who have invited her to play a show with them and the Decemberists at Red Rocks. “Her songs are fairly simple in their construction, and they’re carried by her lyrics, the way she finds humor in the mundane.” We’re thrilled to host this rocking singer and songwriter. Please join us in welcoming for the first time: Courtney Barnett.

Want to be part of our audience? We will post information on how to get free passes about a week before the taping. Follow us on Facebook and Twitter for notice of postings.

 

Giveaway: Sleater-Kinney

photo by Brigitte Sire

UPDATE: Giveaway is now over.

Austin City Limits will be taping a performance by Sleater-Kinney on Wednesday, April 15th, at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd).  We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by 9 am on April 7th. Winners will be chosen at random and a photo ID will be required to pickup tickets. Winners will be notified by email. Passes are not transferable and cannot be sold. Standing may be required.

No photography, recording or cell phone use in the studio. No cameras allowed in venue.