Courtney Barnett 6/4

photo by Mia Mala McDonald

Austin City Limits will be taping a performance by Courtney Barnett on Thursday, June 4th, at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd).  We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by 9 am on June 2nd. Winners will be chosen at random and a photo ID will be required to pickup tickets. Winners will be notified by email. Passes are not transferable and cannot be sold. Standing may be required.

No photography, recording or cell phone use in the studio. No cameras allowed in venue.

Courtney Barnett taping livestreams on June 4

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Austin City Limits is pleased to announce that we will be streaming our highly-anticipated debut taping with indie rock breakout star Courtney Barnett live on Thursday, June 4, 8pm CT/9pm ET. The taping will be live streamed worldwide directly from ACL’s stage via our YouTube channel.  Fans can watch the event as it happens live from ACL’s studio home, ACL Live at The Moody Theater, powered by Dell.  The broadcast episode of this show will air this fall on PBS during our upcoming Season 41.

The Aussie singer/songwriter and guitarist has made one of the most arresting music debuts in years, and is receiving critical acclaim across-the-board: Rolling Stone hails Barnett “one of rock’s most beguiling young stars and deftest lyricists,” calling her debut album, Sometimes I Sit and Think, and Sometimes I Just Sit, “2015’s sharpest debut”.  Paste says she’s “one of the most charming, whipsmart performers currently touring the world,” and NPR raves “the new album will thrill any fan of smart, biting guitar driven rock,” calling her “the best lyricist in rock music today.”  Spin calls it “one of the most thrilling albums you’ll hear this year,” and hails the garage rocker a “goddamn rock star.”

Courtney Barnett captured the attention of the music world with the 2013 release of The Double EP: A Sea of Split Peas (which combined her first two self-released EPs).  The Melbourne-based musician embarked on a nonstop worldwide tour, amassing a cult-like following along the way, stopping barely long enough to record her first true album.  Mixing witty, often hilarious, occasionally even heartbreaking observations with unflinching self-assessment, Barnett’s debut, Sometimes I Sit and Think, and Sometimes I Just Sit, cements her standing as one of the most distinctive and compelling new voices in indie rock.

We’re thrilled to host this outstanding talent.  Join us for this live webcast of the Austin City Limits debut of Courtney Barnett.

 

Encore: The Lumineers and Shovels & Rope

photo by Scott Newton

Austin City Limits celebrates the best in Americana music today, with The Lumineers and Shovels & Rope making their ACL debuts. Denver’s Lumineers perform their breakthrough hits including “Ho Hey” and “Stubborn Love,” while Charleston, South Carolina’s Shovels & Rope perform songs from their acclaimed debut O’ Be Joyful.

The broadcast offers a deeper look at two acts that have been receiving well-deserved attention for their recent releases.  Leading off the hour is The Lumineers, a folk-rock trio that play traditional but original heart-on-the-sleeve music.  Of the band The Austin Chronicle writes, “There’s nothing precious or affected here, just three dedicated artists opening their hearts.”  The group’s breakthrough hit “Ho Hey” was one of the most-played songs of 2012, earning them a performing slot on 2013’s Grammy Awards telecast, in addition to two Grammy nominations for Best New Artist and Best Americana Album.  The Lumineers’ uplifting ACL debut is filled with heart-swelling stomp-and-clap acoustic rock, classic pop and front-porch folk.  Their set includes an inspired take on a Dylan classic, while the tambourine driven beat of “Ho Hey” brings the crowd to its feet and the performance closes with a crowd sing-along on “Stubborn Love.”

“There’s more to The Lumineers than just the song that seemed to have the whole world singing along to this year,” notes executive producer Terry Lickona. “There aren’t many bands that can engage an audience the way they do, and watching their ACL performance is the next best thing to being there.

photo by Scott Newton

The second half of the episode introduces Shovels & Rope, the husband and wife roots duo of Michael Trent and Cary Ann Hearst.  The dynamic pair channel country, bluegrass and blues to create folk music with raw energy.  The NY Times raves, “While they are country, there is an edgy, punk, raucous side to go with their beautiful harmonies.”  NPR agrees, “Seeing Hearst and Trent perform live together—as they conjure images of country-singing couples like Johnny Cash and June Carter Cash—renders them almost impossible to resist.”  The first-time nominees were big winners at this year’s recent Americana Music Awards, taking home top honors for Emerging Artist of the Year and Song of the Year.  The couple’s creative chemistry is on display in their ACL debut, an irresistible performance that’s a potent mix of Southern gothic and country rock and deftly showcases their soulful harmonies.

“It doesn’t get more basic than Shovels & Rope,” says Lickona, “but they rock out more than a stage full of musicians, and there’s something refreshingly authentic about their live performance that just makes you feel good.”

Encore: B.B. King May 30th

photo by Scott Newton

Once again for the first time, welcome to the Austin City Limits stage: the King of the Blues, Mr. B.B. King.

B.B. King personified blues music for the whole world,” says ACL executive producer Terry Lickona, “but when he first appeared on Austin City Limits in 1983 it was rare for a blues artist to command a full hour on national television.” In honor of the late, undisputed King of the Blues, ACL is proud to bring that iconic hour out from the vault and back to television for the first time in 22 years.

The first of two legendary appearances on ACL, King’s debut episode was recorded in 1982 and originally broadcast in 1983 as part of Season 8. The 11-song set spans the length and breadth of his career to that point, from his then-new album Love Me Tender (including “Since I Met You, Baby” and the title track, a cover of the Elvis Presley classic) to his own standards “Everyday I Have the Blues” and “The Thrill is Gone.” In a powerhouse performance, King hits full-force with a voice that is neither harsh nor sweet, that bends, like his fingers, with each note.

“There was electricity in Studio 6A that night like no other,” says Lickona. “It was pure B.B. – just him, Lucille and one of the best road bands he ever toured with. He mixed up hardcore blues with Elvis ballads, and had the audience in the palm of his hand, following his every lead. It was historic!”

“He was larger than life, but a gentle man with a kind soul and big heart. His ACL performance ranks as one of my personal favorites, and I was never more proud than when he somehow slipped ‘Austin City Limits’ into the lyric of his classic rendition of Willie Nelson’s ‘Night Life.’  We’ve lost a giant.”

Go here for more information on this episode, and check here to see where/when you can catch it. Be sure to follow our Facebook and Twitter pages for the latest ACL update, and subscribe to our newsletter for even more info. Next week: Bob Mould and Delta Spirit.

B.B. King 1925-2015

photo by Scott Newton

Austin City Limits is saddened to learn of the passing of B.B. King. Not only did the King of the Blues visit Studio 6A for two classic performances in 1983 and 1996 (the latter recorded on his 70th birthday), but the man born Riley B. King made a massive contribution to American culture. The blues would not have been the same without BB’s hits: “Three O’Clock Blues,” “Sweet Little Angel,” “How Blue Can You Get,” “Nobody Loves Me But My Mother,” “Paying the Cost to Be the Boss,” “Playing With My Friends,” the titanic hit “The Thrill is Gone.” The world will be a sadder place without the creator of those classics in it.

“B.B. King personified blues music for the whole world,” says ACL executive producer Terry Lickona, “but when he first appeared on Austin City Limits in 1983 it was rare for a blues artist to command a full hour on national television. He was larger than life, but a gentle man with a kind soul and big heart. His ACL performance ranks as one of my personal favorites, and I was never more proud than when he somehow slipped ‘Austin City Limits’ into the lyric of his classic rendition of Willie Nelson’s ‘Night Life.’ We’ve lost a giant.”

May he rest in peace.

 

Encore: Bon Iver

photo by Scott Newton

In a few short years, the world watched Bon Iver’s progression from the “bare boned” yet profound debut For Emma, Forever Ago in 2007, to 2011’s lush self-titled LP. Justin Vernon came a long way from writing in total seclusion in a cabin in the mountains to collaborating with artists such as Kanye West and winning Grammys. When the group recorded this episode in April 2012, we were eager to see how this progression and critical acclaim would manifest in the performance. The result is a passionate, meticulously layered display of talent and musical tranquility.

In this episode, Bon Iver draws mostly from the eponymous album, starting with the opening track, “Perth,” and seamlessly leading into the next tune, “Minnesota, WI.” From there we get “Brackett, WI,” a beautifully-written track that appeared on the 2009 Dark Was the Night compilation album that raised funds and awareness about HIV and AIDS. Audience favorites included a more fleshed-out version of “Blood Bank,” complete with various horns, and of course the hits from For Emma, “Skinny Love” and “For Emma.”

photo by Scott Newton

Go here for more information on this episode, and check here to see where/when you can catch it. Be sure to follow our Facebook and Twitter pages for the latest ACL update, and subscribe to our newsletter for even more info. Next week: The Lumineers and Shovels & Rope.

 

ACL announces additional performers for 2015 Hall of Fame

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Austin City Limits announces additional guest performers for the 2015 ACL Hall of Fame Induction Ceremony on Thursday, June 18th.  Americana original Lyle Lovett and acoustic duo Gillian Welch join previously announced performers: country legend Vince Gill, acclaimed singer-songwriter Jason Isbell, multi-platinum country artist Patty Loveless, British singer-songwriter Laura Marling, Los Lobos frontman David Hidalgo, GRAMMY-winning conjunto band Los Texmaniacs and Texas singer-songwriter JT Van Zandt. Hosted by multiple GRAMMY Award-winning country star Dwight Yoakam, who will also perform, the celebration honors the second class of inductees with one-of-a-kind music performances and tributes, as five trailblazing artists are inducted: Asleep at the Wheel, Loretta Lynn, Guy Clark, Flaco Jiménez and Townes Van Zandt.

All-star guest presenters will handle induction honors in what is sure to be a memorable night: Vince Gill will induct Western swing institution Asleep at the Wheel, Lyle Lovett inducts fellow Texan Guy Clark, Dwight Yoakam inducts master Tex-Mex accordionist Flaco Jiménez, and Gillian Welch is set to honor songwriting hero Townes Van Zandt.  Country icon Loretta Lynn will accept her honor in a special video for the occasion.  Inductees Asleep at the Wheel and Flaco Jiménez will also perform at the ceremony. Renowned steel guitarist and producer Lloyd Maines, inducted last year into the ACL Hall of Fame, returns as Music Director, leading an Austin all-star house band.

photo by Mark Seliger

The event is open to the public this year and will take place at ACL’s studio home, Austin’s ACL Live at the Moody Theater. A limited number of tickets are available at acltv.com/hall-of-fame. Musical highlights and inductions from the ceremony will be broadcast in a special episode as part of ACL’s Season 41 which premieres in the fall on PBS.

 

Johnny Gimble 1926-2015

photo by Scott Newton

We here at Austin City Limits were saddened to learn of the passing of the great Johnny Gimble, Texas swing and C&W fiddler extraordinaire. The Tyler, Texas native and Dripping Springs resident was 88.

Following a stint in the army, Gimble played with Bob Wills and the Texas Playboys in the late 40s, appearing on the classic 1950 recording of “Faded Love.” After spending a few years in Waco working as a barber and raising a family, the fiddle virtuoso moved to Nashville and became a first-call session musician. Gimble appeared on recordings by Merle Haggard, Loretta Lynn, Dolly Parton, Marty Robbins, Ray Price and his longtime musical running buddy Willie Nelson, with whom he toured in the late ‘70s. Gimble was also recruited for Nashville session supergroups the Million Dollar Band (frequent performers on Hee Haw) and the Superpickers, and backed Carrie Underwood at the Grammy Awards in 2007. He also scored a country hit of his own in 1983 with “One Fiddle, Two Fiddle,” featuring Ray Price, and appeared in Clint Eastwood’s film Honkytonk Man as his old boss Bob Wills. His most recent album is 2010’s Ray Benson-produced Celebrating With Friends, recorded in collaboration with the Country Music Hall of Fame. That album also includes performances with his singer/pianist daughter Emily, who makes her ACL debut later this year as a member of Asleep at the Wheel.

Gimble was also a frequent guest on Austin City Limits, appearing numerous times with Willie Nelson, as well as making memorable appearances with the Superpickers in Season 4 and on the Season 6 Mandolin Special, on which he demonstrated his expertise on his other instrument, the electric mandolin. Gimble fronted a double-header episode in Season 5, headlining the first half and leading the Texas Swing Pioneers in the second half.

“Aside from being a Texas Playboy, he was the most renowned Country and Western Swing fiddler – ever!” remarked ACL executive producer Terry Lickona. “He played with heart and soul and had an infectious spirit and sense of adventure – in both his music and personality. Before Lloyd Maines set the current record, Johnny played more times on ACL than any other musician. There was a time when everybody wanted Johnny Gimble to play on their show.”

Our condolences go out to his family and friends, of which he had hundreds. May he rest in peace.