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Featured News Special event

Austin City Limits Heritage Collection with Modern Rocks Gallery

As Austin City Limits (ACL) prepares to celebrate a remarkable 50th Anniversary this year, the live music program salutes the iconic work of legendary longtime staff photographer Scott Newton. Austin City Limits Heritage unveils a stunning collection of signed limited edition black & white photographic prints, capturing many of music’s most enduring figures from the early days of the longest-running music program in television history. To commemorate Austin City Limits‘ 50 years of music, Modern Rocks Gallery founder and owner (and former Modern English guitarist) Steven Walker has curated a heritage collection of fifty classic prints from Newton’s extensive ACL archive, available to fans to purchase for the first time, exclusively from Modern Rocks Gallery in conjunction with Austin PBS. These limited edition fine arts prints will be displayed to view in person at an opening night reception with Scott Newton at Austin’s Modern Rocks Gallery on Friday, April 26 from 7pm-10pm. Fans will also be able to view and purchase the prints online.

A self-taught photographer, Newton has captured memorable images on the ACL stage since Season 5 of the series in 1979 and has remained the program’s official photographer for four and a half decades. As integral to an ACL taping as the television cameras, Newton can frequently be spotted in the footlights and dodging the swinging camera crane to document the artists onstage. During his remarkable tenure, Newton has chronicled early ACL legends including Willie Nelson, Dolly Parton, Stevie Ray Vaughan, B.B. King, Johnny Cash, Emmylou Harris, Ray Charles, John Prine and many more. 

From left: Steven Walker, Scott Newton and Terry Lickona. Image courtesy of Emily Bolf.

“After shooting all those great shows, I finally get to share the results with my fellow music lovers!” says Newton. “This is exciting; decades of my work made accessible as wall art. It’s a dream come true.” Modern Rocks Gallery’s Steven Walker states, “I can’t help but feel a profound sense of pride having been given the honor of curating Austin City Limits Heritage Collection. It seems quite fitting that Modern Rocks Gallery hits its 10th anniversary the same year ACL celebrates 50 years of music. Not only visually striking, this collection holds significant importance. Austin City Limits is ingrained in the very fabric of Austin—it’s singular and cherished, much like Scott Newton’s photography.”

Longtime ACL executive producer Terry Lickona adds: “Scott has always captured the essence and spirit of Austin City Limits through his lens. This nostalgic collection brings to life some of the most historic moments of ACL’s formative years.”

Newton began photographing musicians at Austin’s infamous Armadillo World Headquarters in the early 1970s. His work has been championed for capturing the spirit of the live music capital of the world, and has appeared in coffee table books and hotels, and is regularly featured in publications and on acltv.com.

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News Ticket Giveaway Tickets Distributed

Giveaway: Jelly Roll

Update: The giveaway is now closed. Austin City Limits will tape a performance by Jelly Roll on Tuesday, April 9th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). Austin PBS is giving away a limited number of passes to this taping. Enter your name and email address on the below form by Friday, April 5th at 2pm. Austin City Limits Taping Giveaways are presented by AXS Events.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue.


2X Grammy nominated singer/songwriter Jelly Roll (Jason DeFord) debuted Top 3 on the Billboard 200 All Genre Chart and #2 on the Top Country Album charts with his debut Country Album, Whitsitt Chapel (released June 2nd, 2023) – earning the biggest Country debut album in Billboard Consumption Chart history and a Best New Artist Grammy nomination. Following his sweep at the 2023 CMT (Country Music Television) Music Awards where he earned 3 awards to become the most awarded artist of the night, the Billboard Country Power List Cover star and “country’s ‘most authentic’ new artist” (The New Yorker) recently received Billboard’s 2023 Breakthrough Award. “One of Nashville’s fastest rising stars” (The New York Times), Jelly won 4 People’s Choice Country Awards and Best Male Country Artist at the People’s Choice Awards, and was the most nominated male at the 2023 CMA Awards, with 5 total nominations, winning CMA Best New Artist. His hit #1 single “Save Me” — a confessional, vulnerable expression of self-doubt—broke radio airplay records and set the stage for his new season of life and took him to new heights and earned him his 3rd consecutive #1 single at Country radio. He spent a 28-week reign at No. 1 on Billboard’s Emerging Artists chart, and with his 3 #1s on Country radio, Jelly earned the most #1s of the year in the format alongside Morgan Wallen and Luke Combs, as well as several multi-genre #1s.

Jelly Roll continues to resonate with fans on a global scale and earn numerous industry milestones – from playing his sold-out hometown show for 18,000 fans at Nashville’s Bridgestone Arena to sold-out dates at the Ryman Auditorium to his 44 date sold out headlining arena tour to the release of his critically acclaimed Hulu documentary produced by ABC News, “Save Me.” Featured by Nightline, GMA, GMA3, The New York Times, The Tennessean, Billboard, Variety, American Songwriter, CMT and more, his self-built, unconventional industry rise and unique fan connection has garnered praise from numerous outlets, with Variety noting, “for everyone who’s facing the same struggles, Jelly Roll is their Springsteen,” and American Songwriter echoing, “with a string of accolades and an extremely dedicated following, Jelly Roll has emerged as a force to be reckoned with in the music industry.”

His current single, “Halfway To Hell” continues to dominate Country and Rock radio in the US as well as international charts including Canada, the UK, Europe, Japan, and more.


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

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Featured News

ACL and Howler Brothers partner for new capsule collection

Iconic live music series Austin City Limits launched in the fall of 1974 with Willie Nelson as the featured performer for the pilot. That episode became the cornerstone for 50 years of groundbreaking, award-winning music television and a dispatch to the world declaring Austin’s place as a pioneering music city. For his performance, Nelson wore a “Gaucho” style western shirt featuring multi-color Thunderbird embroidery. Now Austin menswear brand Howler Brothers commemorates Austin City Limits’ five decades and the Willie performance that started it all with the release of a golden anniversary capsule collection. 

A pair of Austin originals, Howler Brothers and Austin PBS’ Austin City Limits have teamed up again for a limited-time collaboration featuring a trio of new designs; including a long sleeve snap shirt, cotton tee and snapback hat. The collection pays homage to the shirt worn by Austin’s most famous music maker during the October, 1974 taping of the pilot episode. Taking inspiration from Willie’s historic appearance, Howler brings the iconic “Pilot Bird” shirt back to life with a celebratory black and gold rendition. “We are thrilled to once again partner with  Howler Brothers to celebrate local music and the musicians that made this the live music capital of the world,” said Luis Patiño, Austin PBS CEO. “Not only is Austin City Limits a quintessential part of the musical heritage and cultural fabric of Austin, its reach has impacted fans and musical artists across the entire country for decades,” says Chase Heard, co-founder and CEO of Howler Brothers. “Partnering with ACL on this exclusive 50th anniversary collection is an honor and privilege for Howler Brothers. While this pays homage to the beginnings of the show, it is without question a celebration of the fans.”

Music fans will have a chance to own a piece of history and to preview and shop this collection on Tuesday, March 26 at Austin City LimitsSeason 50 taping with another Austin-bred original, Gary Clark Jr. Austin PBS and Howler Brothers are celebrating the launch today with a Happy Hour at @3tenaustin on Willie Nelson Blvd. Festivities kick off at 5:30pm to be among the first to shop the new collection, grab a drink, and at 8pm rock out to a simulcast of Gary Clark Jr.’s ACL taping. The free event is open to the public, and entry is subject to capacity. The capsule collection will also be available to shop online.

A monument to music, Austin City Limits has showcased iconic performances from legends and innovators in every genre of popular song for a remarkable five decades. October 17, 2024 will mark 50 years since Austin City Limits began with Willie Nelson taping the pilot episode; the trailblazing program then premiered on PBS in 1975. The series is the flagship of the popular ACL Music Festival and has earned countless accolades including a Peabody Award, a Rock & Roll Hall of Fame designation and remains the only TV series to ever be awarded the National Medal of Arts. As ACL turns 50, the revered music institution continues its extraordinary run as the longest-running music television show in history, providing viewers a front-row seat to the best in live performance. Produced by Austin PBS, and recorded live at ACL’s studio home in Austin, Texas, the show remains a proving ground for legendary artists and innovators of all genres to deliver stellar performances from the venerable ACL stage. Austin City Limits has earned its place in history and will salute its 50th anniversary and incredible legacy with a yearlong celebration featuring archival gems, collaborations, fan activations, all-star Season 50 tapings, a PBS special, live concerts and much more. 

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News Ticket Giveaway Tickets Distributed

Giveaway: Gary Clark Jr.

UPDATE: The giveaway is over. Austin City Limits will tape a performance by Gary Clark Jr. on Tuesday, March 26th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We are giving away a limited number of passes to this taping. Enter your name and email address on the below form by Sunday, March 24th at 5pm.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue.


Anyone who has listened to a Gary Clark Jr. album or watched the four-time Grammy Award winner perform live knows that he’s a gifted multi-instrumentalist, songwriter and performer. And never more so than on his last album, 2019’s illuminating This Land. But while This Land signaled a breakthrough in displaying his musical versatility beyond the blues, his fourth studio album, JPEG RAW, represents a quantum leap. “Blues will always be my foundation,” says Clark. “But that’s just scratching the surface. I’m also a beat maker and an impressionist who likes to do different voices. I’ve always loved theater and being able to tell a story. At home when I play the trumpet, I think Lee Morgan, or John Coltrane when I play the sax. I’ve even got bagpipes just in case I need them. So while this is my most honest and vulnerable album about relating to the human condition, it’s also the most freeing.” The album’s title track—an acronym for Jealousy, Pride, Envy, Greed … Rules, Alter Ego, Worlds—examines the role cell-phone society plays in this chaos at the expense of real-life, one-on-one interaction. “I don’t love having a mobile device,” explains Clark of the song’s origin and the album’s overarching theme. “I miss being able to have more genuine interaction, looking someone in the eyes and learning something, getting a perspective. JPEG RAW is about showing the real and not the edit. We live in a world of edits, filters and redos. We only get one shot.” “When the album sequencing was finished, the band and I realized that we’d made an album into a movie,” he recalls. “That’s what I was going for sonically because that’s how the whole writing process played out. First, it’s about angst and confusion, the unknown. Next, it’s about looking at ourselves internally. And then it’s about what comes after: the hope and triumph.”


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

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News Taping Recap

Taping recap: Juanes

“We can’t believe we are here again!” Juanes took the stage at ACL TV for the third time on Monday, having previously performed on season 32 and 39. For his third taping, Juanes presented a hits-packed set drawn from his entire career, and how fitting to welcome him back in celebration of ACL’s 50th anniversary. Bearded, tattooed, wrapped in a sleeveless denim jacket, the Colombian superstar took the stage like the international rock star he is. For his third taping, with songs drawn from his entire career, hopping from jangly guitar pop (“Gris”) to blues rock cumbia (“Mala Gente”) to romantic balladry (“Nada Valgo Sin Tú Amor”) – and that was in the first ten minutes. Backed by his five-piece band, the singer/songwriter not only emphasized the breadth and depth of his catalog, but also his own musicianship, with several extended guitar solos. 

But the heart of the show was the interplay with the adoring crowd of diehard fans who turned out to literally cheer him on. Juanes encouraged singing along starting with “Mala Gente;” by the time he got to “Fotografia,” the eager audience needed little prompting, cheering loudly at the first note. Other giddily-received fan favorites included “Es Por Ti,” “La Paga,” “La Camisa Negra,” and the call-and-response powered “La Noche” and “A Dios Le Pido.” But two moments especially stood out. For “Para Tu Amor,” Juanes planted himself in the center of the floor with a mic stand and an acoustic guitar, performing the folky ballad surrounded closely by his loving crowd. In salute to the Mexican contingent of the audience, Juanes performed “Querida,” a classic Juan Gabriel ballad that Juanes recorded with its creator a few years ago. He ended the show with back-to-back monsters: “Me Enamora” and “La Luz,” which gave the crowd plenty of opportunity for call-and-response. 

At one point during the show, Juanes talked about coming to Los Angeles in 1996 in order to make it in music, and how hard those years were. “But you know what?” he shrugged. “I made it – Austin City Limits!” 

Juanes performs on Austin City Limits, March 4, 2024. Photos by Scott Newton.

Setlist: 

Gris – Vita Cotidiana

Mala Gente – Un Día Normal  

Amores Prohibidos – Vita Cotidiana

Nada Valgo Sin Tú Amor – Mì Sangre

Volverte A Ver – Mì Sangre

Lo Que Me Gusta A Mi / Fuego / Hermosa Ingrata – Mì Sangre/Mis Planes Son Amarte/

Fotografía – Un Día Normal

Es Por Ti – Un Día Normal 

Es Tarde – Mis Planes Son Amarte

Más – Vita Cotidiana 

Ojalá – Vita Cotidiana

Para Tu Amor – Mì Sangre

Gotas De Agua Dulce – La Vida…Es Un Ratico

La Paga – Un Día Normal

La Camisa Negra- Mì Sangre 

La Noche – Un Día Normal

A Dios Le Pido – single

Encore: 

Querida – Juan Gabriel cover

Me Enamora – La Vida…Es Un Ratico 

La Luz – Loco De Amor

Musicians: 

Juanes – vocals, guitar

Emmanuel Briceño – keyboards

Felipe Navia – bass

Juan Pablo Daza – guitar

Richard Bravo – percussion

Marcelo Novati – drums

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Featured News

R.I.P. W.C. Clark

W.C. Clark, the Godfather of Austin Blues, passed away on March 2 at the age of 84. Part of the bedrock of the Austin music scene, Clark performed on Austin City Limits in 1989 in celebration of his fiftieth birthday, joined by his friends and devotees Stevie Ray Vaughan, Jimmie Vaughan, Kim Wilson, Lou Ann Barton, and Angela Strehli. He was part of the ACL family and we will miss him.

W.C. Clark, Stevie Ray Vaughan, and Double Trouble drummer Chris Layton improvise a jam on Austin City Limits.

Singer, songwriter, guitarist, and bassist Clark became a professional musician at the age of 16, performing his first gig at the legendary Austin venue the Victory Grill. That led to gigs with other Texas blues and soul peers and pioneers, including T. D Bell, Blues Boy Hubbard, and Houston soul star Joe Tex. He also formed his own bands, taking other rising blues and R&B artists under his wing in the likes of the Storm (with Jimmie Vaughan), Southern Feeling (wth Angela Strehli), and the groundbreaking Triple Threat Revue (with Lou Ann Barton and Stevie Ray Vaughan). Other mentees included members of the Fabulous Thunderbirds and Sextons Charlie and Will. Beginning in the eighties, Clark led his own band, the W.C. Clark Blues Revue, for nearly forty years, touring the world and releasing eight albums along the way.

W.C. Clark and Friends perform “Take Me to the River.”

“W.C. was a class act and a gentleman,” said ACL executive producer Terry Lickona. “He was loved and respected by many, but fame and fortune were not his goals. He epitomized the best of the Austin music scene, and there are none others quite like him.”

Clark played his final gig at Giddy Ups on February 20, a mere thirteen days before his death, leaving behind an enviable legacy. He will be greatly missed.

W.C. Clark and Friends on Austin City Limits, 1989. L-R: Angela Strehli, Stevie Ray Vaughan, Jon Blondell, W.C. Clark. Photo by Scott Newton.